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\\r\\nIn Conversation with Tim Wilson
\\r\\n23.06.26\",\"listing_description\":\"

Tim Wilson is Co-founder and Director of Melbourne and Northern NSW-based Folk Architects \\u2013 a practice working across residential, civic and commercial projects with a focus on sustainable and inclusive design. Educated in Architecture and Construction Management, Tim\\u2019s career spans local and international practice, including Denton Corker Marshall in London, Gabriel Poole Architects on the Sunshine Coast, and Rossetti Architects in Melbourne. Grounded in the belief that the built environment should be accessible and responsive to the diverse needs of those who inhabit it, Folk Architects is distinguished by its people-centred approach to design.<\\/p>\\n\",\"hero_image\":{\"ID\":2150,\"id\":2150,\"title\":\"Project2\",\"filename\":\"Project2.jpg\",\"filesize\":1654948,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/project2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"project2\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-22 04:14:09\",\"modified\":\"2026-06-22 04:14:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2.jpg\",\"2048x2048-width\":1600,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2.jpg\",\"full_width-width\":1600,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project2.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Tim Wilson is Co-founder and Director of Melbourne and Northern NSW-based Folk Architects<\\/a> \\u2013 a practice working across residential, civic and commercial projects with a focus on sustainable and inclusive design. Educated in Architecture and Construction Management, Tim\\u2019s career spans local and international practice, including Denton Corker Marshall<\\/a> in London, Gabriel Poole Architects on the Sunshine Coast, and Rossetti Architects<\\/a> in Melbourne. Grounded in the belief that the built environment should be accessible and responsive to the diverse needs of those who inhabit it, Folk Architects<\\/a> is distinguished by its people-centred approach to design. <\\/p>\\n

Here, Hayley Tillett, Editor at NHO, speaks with Tim about design\\u2019s capacity to support diversity through inclusive practice \\u2013 an approach informed not only by his architectural work, but through lived experience.<\\/p>\\n

\\u2013 <\\/p>\\n

HT: Welcome, Tim. Inclusive design sits at the heart of Folk Architects<\\/a>‘ work today. How did that focus emerge?<\\/p>\\n

TW: Thanks Hayley. As a practice, we believe that good architecture and design should contribute to and improve the daily lives of its users. The reason we called ourselves Folk wasn\\u2019t in reference to us; it\\u2019s about working collectively and placing people and the environment at the centre of every decision. Our understanding of inclusive design has evolved by broadening our understanding of the human experience and acknowledging that diversity and difference are facts of life that should be celebrated. <\\/p>\\n

My daughter Alfie has, in part, informed this attitude. Alfie is a wheelchair user, non-verbal and lives with multiple medical conditions. But Alfie is far more than a diagnosis \\u2013 she is a cheeky, unique, and intelligent little girl who teaches us daily what it means to be truly inclusive. Alfie’s disabilities are most noticeable not at home but when we leave the house, when we encounter the many ways spaces fail to accommodate her needs. These lived experiences have expanded our design thinking, highlighting the importance of removing barriers and embracing opportunities that celebrate difference. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Our understanding of inclusive design has evolved by broadening our understanding of the human experience and acknowledging that diversity and difference are facts of life that should be celebrated.” \\u2013 Tim Wilson <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: You mentioned a shift from designing for disability to designing for different abilities and human experiences. Why is that distinction important to you?<\\/p>\\n

TW: The distinction is important because language shapes how we think about inclusion. \\u2018Designing for disability\\u2019 can unintentionally create an \\u2018us versus them\\u2019 dynamic, separating disability from the broader human experience. By contrast, ‘designing for different abilities and human experiences\\u2019 acknowledges diversity as part of life and recognises that our needs change over time.<\\/p>\\n

My lived experiences with Alfie have reinforced this perspective. They\\u2019ve challenged us to think less about accommodating a specific group of people and more about removing barriers and creating environments that support a wider range of experiences. I saw a quote recently that sums up our approach quite nicely: \\u201cPeople feel included when they are seen for who they are, not judged for how they are different.\\u201d<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2146,\"id\":2146,\"title\":\"TW\",\"filename\":\"TW-1.jpg\",\"filesize\":1514024,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/tw-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"tw-2\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-22 01:31:17\",\"modified\":\"2026-06-22 01:31:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1.jpg\",\"2048x2048-width\":1600,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1.jpg\",\"full_width-width\":1600,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/TW-1.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Tim Wilson, Co-founder & Director of Folk Architects.
\\nPhotograph courtesy of Folk Architects. <\\/p>\\n\"},{\"image\":{\"ID\":2148,\"id\":2148,\"title\":\"Alfie\",\"filename\":\"Alfie.jpg\",\"filesize\":955392,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/alfie\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"alfie\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-22 01:47:36\",\"modified\":\"2026-06-22 01:47:36\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie.jpg\",\"2048x2048-width\":1600,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie.jpg\",\"full_width-width\":1600,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Alfie.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Tim Wilson and daughter Alfie at The Changing Places and Parenting Rooms facility at Melbourne Convention and Exhibition Centre, designed by Folk Architects.
\\nPhotograph by Lillie Thompson. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Inclusivity is often discussed through the lens of accessibility and compliance. What does it mean to you in broader terms?<\\/p>\\n

TW: Framing inclusion purely as a compliance or legal issue is problematic because it immediately sets up a framework of “other”. It can be seen everywhere: the wheelchair entrance tucked around the back, the accessible amenities that are hard to find and feel like an afterthought. That kind of thinking separates rather than includes.<\\/p>\\n

As architects, we notice this pattern play out in the design process too. Accessibility is so often considered only once a design is well advanced, which means ramps get retrofitted, surfaces get refinished for visual contrast, and pathways get widened \\u2014 all at considerable expense, and all because inclusion wasn’t part of the conversation from the start. It limits participation for people with diverse needs, and it represents a real missed opportunity.<\\/p>\\n

The broader definition of inclusion must begin with a simple but important acknowledgement: disability affects all of us. Statistically, at some point in our lives, we will all experience disability \\u2014 directly or indirectly. One in five Australians lives with a disability, whether physical, mental, intellectual, or sensory. It’s not a niche consideration; it’s a universal one. For us as designers, that means actively engaging with people who have lived experience and approaching our work with a genuine recognition of our shared vulnerability and humanity.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Framing inclusion purely as a compliance or legal issue is problematic because it immediately sets up a framework of “other”. It can be seen everywhere: the wheelchair entrance tucked around the back, the accessible amenities that are hard to find and feel like an afterthought. That kind of thinking separates rather than includes.” \\u2013 Tim Wilson <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2137,\"id\":2137,\"title\":\"FolkArchitects_MCECChangingFacility_Salem Nasser Folk Architects\",\"filename\":\"FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects.jpg\",\"filesize\":430693,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/folkarchitects_mcecchangingfacility_salem-nasser-folk-architects\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"folkarchitects_mcecchangingfacility_salem-nasser-folk-architects\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-11 22:55:50\",\"modified\":\"2026-06-11 22:55:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":1334,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects.jpg\",\"2048x2048-width\":2000,\"2048x2048-height\":1334,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects.jpg\",\"full_width-width\":2000,\"full_width-height\":1334,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Salem-Nasser-Folk-Architects-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

The Changing Places and Parenting Rooms facility at Melbourne Convention and Exhibition Centre, designed by Folk Architects.
\\nPhotograph by Lillie Thompson. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: How does this thinking translate into Folk Architects<\\/a>\\u2019 residential work? <\\/p>\\n

TW: Starting from a point of enquiry around accessibility and flexibility is essential to the way we work. Our projects seek to address both permanent and temporary needs \\u2013 from people living with a disability, to those experiencing short-term injury or impairment, to anticipating age-related change. We apply this thinking even when inclusivity isn\\u2019t central to the brief. <\\/p>\\n

Two clients we\\u2019ve worked with recently in Byron Bay are normally able-bodied but currently incapacitated \\u2013 one is an elite athlete who’s torn a muscle, and the other is a beekeeper who’s injured and unable to walk. Neither live with a disability, but their homes were designed to accommodate that as a possibility from the outset.<\\/p>\\n

Accessible ground-floor bathrooms, for example, proved invaluable in their time of need \\u2013 and importantly, were no more expensive or visually different from a standard bathroom. Elements such as handrails support access requirements, but they’re also design features in their own right \\u2013 flexible in use and integrated into the architecture.<\\/p>\\n

All our residential projects are designed to support changing patterns of living and care, with flexible arrangements that can accommodate carers, provide independent living spaces, or combine into a larger home as needs evolve. It requires a little more thought in the master planning stage, but the benefits are significant. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2147,\"id\":2147,\"title\":\"Project1\",\"filename\":\"Project1.jpg\",\"filesize\":1488192,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/project1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"project1\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-22 01:33:54\",\"modified\":\"2026-06-22 01:33:54\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1.jpg\",\"2048x2048-width\":1600,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1.jpg\",\"full_width-width\":1600,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/Project1.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Residential project by Folk Architects.
\\nPhotograph by Willem-Dirk du Toit.<\\/p>\\n\"},{\"image\":{\"ID\":2142,\"id\":2142,\"title\":\"1\",\"filename\":\"1.jpg\",\"filesize\":391183,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/1-13\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"1-13\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-11 23:11:25\",\"modified\":\"2026-06-11 23:11:25\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1.jpg\",\"2048x2048-width\":1600,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1.jpg\",\"full_width-width\":1600,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/1.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

The Changing Places and Parenting Rooms facility at Melbourne Convention and Exhibition Centre, designed by Folk Architects.
\\nPhotograph by Lillie Thompson. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Our projects seek to address both permanent and temporary needs \\u2013 from people living with a disability, to those experiencing short-term injury or impairment, to anticipating age-related change. We apply this thinking even when inclusivity isn\\u2019t central to the brief.” \\u2013 Tim Wilson <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Not every client comes to you seeking an inclusive design outcome. How do you introduce these conversations and build support for them?<\\/p>\\n

TW: We often instigate these conversations and considerations because people don’t typically think about the potential of design to improve accessibility or support them ageing in place. At times, there’s resistance because it addresses human vulnerability, which is sometimes framed in deficit language. <\\/p>\\n

Sharing my lived experience with Alfie often invites others to reflect on their own experiences and imagine how inclusive design might support their lives as well. Most people can connect with the concept of designing for flexibility and see value in this by reflecting on the needs of their own parents or children.<\\/p>\\n

HT: Where do you see the greatest barriers to inclusion today: in private environments or public space?<\\/p>\\n

TW: Working with institutions, there can be an assumption at the outset: \\u201cThis is going to be expensive, but we have to do it,\\u201d rather than being driven by genuine care for the users. What often gets overlooked is that inclusive design benefits more people than we realise. It’s not about accommodating a niche group; it’s about recognising the diversity of human experience and creating environments that support broader participation. When viewed through that lens, inclusion becomes an opportunity rather than a constraint.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2149,\"id\":2149,\"title\":\"CP\",\"filename\":\"CP.jpg\",\"filesize\":291270,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/cp\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cp\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-22 02:08:06\",\"modified\":\"2026-06-22 02:08:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":1333,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP.jpg\",\"2048x2048-width\":2000,\"2048x2048-height\":1333,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP.jpg\",\"full_width-width\":2000,\"full_width-height\":1333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/CP-1600x1066.jpg\",\"medium2-width\":1600,\"medium2-height\":1066}},\"use_caption\":true,\"caption\":\"

The Changing Places and Parenting Rooms facility at Melbourne Convention and Exhibition Centre, designed by Folk Architects.
\\nPhotograph by Lillie Thompson. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: How has inclusive design changed the way you engage with users, communities and collaborators throughout the design process?<\\/p>\\n

TW: The ongoing dialogue with user groups and communities has challenged us to think beyond access standards and compliance \\u2014 and that shift in thinking applies across everything we work on, whether it’s a private home, a commercial development, or a civic space. <\\/p>\\n

It’s a reminder that inclusion is about much more than the physical. The sensory qualities of a space\\u2014its light, sound, smell, and texture\\u2014matter just as much as its physical accessibility. How a space feels has a profound effect on whether people feel genuinely welcome and at ease within it. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Inclusion is about much more than the physical. The sensory qualities of a space\\u2014its light, sound, smell, and texture\\u2014matter just as much as its physical accessibility. How a space feels has a profound effect on whether people feel genuinely welcome and at ease within it.” \\u2013 Tim Wilson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: The Changing Places and Parenting Rooms facility<\\/a> at Melbourne Convention and Exhibition Centre has become an important example of inclusive public infrastructure. What did that project teach you about designing with, rather than simply for, diverse user groups?<\\/p>\\n

TW: That project gave us some valuable insights about the importance of lived experience in the design process, and about how making inclusion a primary design driver from the outset leads to genuinely better outcomes.<\\/p>\\n

At the beginning of the project, we ran a series of workshops and questionnaires, gathering feedback from people with disability, their support networks, and therapists. One message came through consistently: the space needed to feel warm and inviting, not clinical. As a parent of a child with complex needs and having spent more time than I’d like in hospital environments, that sentiment resonated with me deeply.<\\/p>\\n

Since completion, the feedback from user groups has been overwhelmingly positive. For me, that’s a testament to what happens when you bring people with lived experience into the process from the very start \\u2014 they don’t just inform the design, they develop a sense of ownership over it, and that makes all the difference.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2139,\"id\":2139,\"title\":\"FolkArchitects_MCECChangingFacility_Christie Petsinis Folk Architects\",\"filename\":\"FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects.jpg\",\"filesize\":446345,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/tim-wilson-on-inclusive-design\\/folkarchitects_mcecchangingfacility_christie-petsinis-folk-architects\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"folkarchitects_mcecchangingfacility_christie-petsinis-folk-architects\",\"status\":\"inherit\",\"uploaded_to\":2122,\"date\":\"2026-06-11 22:55:52\",\"modified\":\"2026-06-11 22:55:52\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":1333,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects.jpg\",\"2048x2048-width\":2000,\"2048x2048-height\":1333,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects.jpg\",\"full_width-width\":2000,\"full_width-height\":1333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/06\\/FolkArchitects_MCECChangingFacility_Christie-Petsinis-Folk-Architects-1600x1066.jpg\",\"medium2-width\":1600,\"medium2-height\":1066}},\"use_caption\":true,\"caption\":\"

The Changing Places and Parenting Rooms facility at Melbourne Convention and Exhibition Centre, designed by Folk Architects.
\\nPhotograph by Lillie Thompson. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Architecture has the capacity to do more than remove barriers; it can help make difference a visible and accepted part of everyday life. In that sense, one of the most powerful outcomes of inclusive design is its ability to shape attitudes as well as environments.” \\u2013 Tim Wilson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Looking ahead, what responsibility do architects and designers have in addressing inequality, and where do you see the greatest opportunity for change?<\\/p>\\n

TW: Architects and designers are, at their core, problem solvers. Yet inclusive design is too often treated as an add-on, resulting in solutions that feel medicalised or separate from the broader design intent. This reinforces the misconception that designing for inclusivity is aesthetically restrictive, when in reality it can be seamlessly and creatively addressed.<\\/p>\\n

There is a growing need for education and awareness \\u2013 not only around physical accessibility, but also neurodiversity, sensory experience and the diverse ways people engage with space. Architecture has the capacity to do more than remove barriers; it can help make difference a visible and accepted part of everyday life. In that sense, one of the most powerful outcomes of inclusive design is its ability to shape attitudes as well as environments.<\\/p>\\n

For me, the greatest opportunity for change lies within public and civic spaces. By creating environments where people of all ages, abilities and backgrounds feel welcome, we can encourage participation, challenge perceptions and create communities where people have the freedom to move through the world as they choose, with the confidence of knowing they belong.<\\/p>\\n

HT: Thanks, Tim. <\\/p>\\n

TW: Thanks, Hayley.<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post %%POSTLINK%% appeared first on 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When Thomas and Maxam from Thomas Maxam Studio approached us to host their Melbourne Design Week exhibition at NHO, we were delighted to open our doors. <\\/p>\\n\",\"hero_image\":{\"ID\":2124,\"id\":2124,\"title\":\"260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37\",\"filename\":\"260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37.jpg\",\"filesize\":1388696,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/a-sense-of-occasion-by-thomas-maxam-studio\\/260504_matthew_mcquiggan_sense_of_occasion_hires_37\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"260504_matthew_mcquiggan_sense_of_occasion_hires_37\",\"status\":\"inherit\",\"uploaded_to\":2123,\"date\":\"2026-05-19 00:23:12\",\"modified\":\"2026-05-19 00:23:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

When Thomas and Maxam from Thomas Maxam Studio<\\/a> approached us to host their Melbourne Design Week exhibition at NHO, we were delighted to open our doors. <\\/p>\\n

‘A Sense of Occasion’<\\/a> brought together twenty Australian designers and studios to reimagine the champagne bucket as a sculptural object shaped by ritual, memory and personal expression \\u2013 a brief we could certainly get behind as avid entertainers.<\\/p>\\n

We’re proud to have contributed to the exhibition \\u2013 not only by sharing our space and offering marketing and communications support, but by inviting values-aligned creative studio, Round<\\/a>, to shape its visual identity, and securing champagne partner Pol Roger to keep the drinks flowing. And how could we forget the fries from our neighbours at Hector’s Deli<\\/a> to round out the occasion! <\\/p>\\n

It was incredible to see the office transform with works by the likes of Adriana Hanna Office<\\/a>, Brahman Perera<\\/a>, Jordan Fleming<\\/a>, Charlie White<\\/a> and others \\u2013 each responding to the brief in distinct material and conceptual terms, from technical experimentation to refined sculptural gestures, unified by an exploration of ritual and gathering.<\\/p>\\n

A limited series of hand-blown champagne flutes by Studio Dokola<\\/a> was also presented alongside the commissioned vessels, all available for purchase.<\\/p>\\n

Thank you Thomas Maxam Studio<\\/a> for inviting us into the vision, and to all participating designers for contributing such considered and imaginative work.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2125,\"id\":2125,\"title\":\"260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04\",\"filename\":\"260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04.jpg\",\"filesize\":3438572,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/a-sense-of-occasion-by-thomas-maxam-studio\\/260513_matthew_mcquiggan_sense_of_occasion_hires_04\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"260513_matthew_mcquiggan_sense_of_occasion_hires_04\",\"status\":\"inherit\",\"uploaded_to\":2123,\"date\":\"2026-05-19 00:31:56\",\"modified\":\"2026-05-19 00:31:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04-2500x3750.jpg\",\"full_width-width\":2500,\"full_width-height\":3750,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260513_Matthew_McQuiggan_Sense_of_Occasion_HiRes_04-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Cuppe by Charlie White.
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Pipe Dream by After Mood.
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A Sense of Occasion creative identity by Studio Round.
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A Sense of Occasion creative identity by Studio Round.
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Containa by Dean Norton and Hamish Donaldson.
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Cyndi by Jordan Fleming.
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Brutus by Adam Cornish.
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Altino by Jay Jermyn.
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A Sense of Occasion by Thomas Maxam Studio.
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A Sense of Occasion by Thomas Maxam Studio.
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Office\",\"description\":\"\",\"opengraph_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37-1200x800.jpg\",\"opengraph_title\":\"A Sense of Occasion by Thomas Maxam Studio - Neil Hugh Office\",\"opengraph_description\":\"\",\"twitter_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/05\\/260504_Matthew_McQuiggan_Sense_of_Occasion_HiRes_37-1200x800.jpg\",\"twitter_title\":\"A Sense of Occasion by Thomas Maxam Studio - Neil Hugh Office\",\"twitter_description\":\"\"}}","title":"A Sense of Occasion by Thomas Maxam Studio","slug":"a-sense-of-occasion-by-thomas-maxam-studio","publishedDateUnix":1780050198},{"acf_json":"{\"type\":{\"term_id\":19,\"name\":\"Book Club\",\"slug\":\"book-club\",\"term_group\":0,\"term_taxonomy_id\":18,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":10,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":false,\"sub_title\":\"Book Club\",\"title_override\":\"Donald Judd Furniture
\\r\\nIn Conversation with Rainer Judd
\\r\\n28.04.26\",\"listing_description\":\"

One of the most influential figures in postwar American art, Donald Judd is celebrated for a practice built on directness of form, material honesty and an uncompromising relationship between object and space. His legacy, spanning art, architecture, furniture and land, continues to be rigorously stewarded by Judd Foundation.<\\/p>\\n\",\"hero_image\":{\"ID\":1980,\"id\":1980,\"title\":\"RainerJudd\",\"filename\":\"RainerJudd.jpg\",\"filesize\":4285160,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/donald-judd-furniture-with-rainer-judd\\/rainerjudd\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"rainerjudd\",\"status\":\"inherit\",\"uploaded_to\":1979,\"date\":\"2026-04-13 00:49:05\",\"modified\":\"2026-04-13 00:49:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/03\\/RainerJudd-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

\\u2013<\\/p>\\n

One of the most influential figures in postwar American art, Donald Judd is celebrated for a practice built on directness of form, material honesty and an uncompromising relationship between object and space. His legacy, spanning art, architecture, furniture and land, continues to be rigorously stewarded by Judd Foundation<\\/a>.<\\/p>\\n

Rainer Judd, President of Judd Foundation<\\/a> and Donald’s daughter, has made that stewardship her life’s work. Wide-ranging in scope, it extends from land conservation in the Chinati Mountains to co-editing Donald Judd Spaces (2020). Rainer’s most recent contribution to the Foundation’s publishing program is Donald Judd Furniture (2024), which brings rigorous new attention to a deeply considered, if less publicly documented, dimension of her father’s practice.<\\/p>\\n

Donald Judd Furniture<\\/a>\\u00a0documents 104 furniture pieces made by the artist between 1970 and 1991 \\u2014 designed first out of necessity during the renovation of his home and studio at 101 Spring Street in New York, and later in response to the challenge of furnishing his Marfa, Texas properties. Presented through newly commissioned drawings, archival sketches and colour photography, including pieces that remain in production through the Foundation today, the publication reveals how Judd’s furniture embodies the same formal precision and unadorned functionality for which his artworks are celebrated.<\\/p>\\n

Neil Hugh Kenna, NHO Founding Director, recently sat down with Rainer to discuss Donald Judd Furniture<\\/a>. This is their conversation.<\\/p>\\n

Portrait by Justin Chung.<\\/p>\\n

Donald Judd Furniture<\\/a>\\u00a0is available to purchase via Bookshop by Uro<\\/a> and other select bookshops.<\\/p>\\n

\\u2013<\\/p>\\n

NHK: Rainer, thank you for making the time to discuss Donald Judd Furniture.<\\/a>\\u00a0Before we examine the book itself, can you share a little about the purpose of the Foundation, what your role is, and how it differs from that of your brother, Flavin?<\\/p>\\n

RJ: Judd Foundation<\\/a> has been in existence for more than thirty years. Throughout that time, we have evolved but our mission remains singular: we preserve and maintain. The formal mission of the Foundation is to maintain and preserve Don\\u2019s permanently installed living and working spaces, libraries, and archives in New York and Marfa, Texas. We promote a wider understanding of his artistic legacy by providing access to his spaces and resources and by developing scholarly and educational programs, and now publications.<\\/p>\\n

As president of the Foundation, I am based in Marfa. I have the honour of overseeing our land stewardship initiatives, which is another way for us to think about the word preservation. As artistic director, Flavin oversees our collections and exhibitions, and the aesthetics for foundation projects.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2060,\"id\":2060,\"title\":\"2_Floor2_JF_NewYork_Charlie-Rubin-1\",\"filename\":\"2_Floor2_JF_NewYork_Charlie-Rubin-1.jpg\",\"filesize\":300972,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/donald-judd-furniture-with-rainer-judd\\/2_floor2_jf_newyork_charlie-rubin-1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2_floor2_jf_newyork_charlie-rubin-1\",\"status\":\"inherit\",\"uploaded_to\":1979,\"date\":\"2026-04-23 23:01:12\",\"modified\":\"2026-04-23 23:01:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":970,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1-300x194.jpg\",\"medium-width\":300,\"medium-height\":194,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":497,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1-1200x776.jpg\",\"large-width\":1200,\"large-height\":776,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":970,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":970,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1.jpg\",\"full_width-width\":1500,\"full_width-height\":970,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Floor2_JF_NewYork_Charlie-Rubin-1.jpg\",\"medium2-width\":1500,\"medium2-height\":970}},\"use_caption\":true,\"caption\":\"

2nd floor, 101 Spring Street, Judd Foundation, New York.
\\nPhotograph by Charlie Rubin \\u00a9 Judd Foundation.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2061,\"id\":2061,\"title\":\"3_Floor2_JF_NewYork_Charlie-Rubin\",\"filename\":\"3_Floor2_JF_NewYork_Charlie-Rubin.jpg\",\"filesize\":312594,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/donald-judd-furniture-with-rainer-judd\\/3_floor2_jf_newyork_charlie-rubin\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3_floor2_jf_newyork_charlie-rubin\",\"status\":\"inherit\",\"uploaded_to\":1979,\"date\":\"2026-04-23 23:01:12\",\"modified\":\"2026-04-23 23:01:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1001,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin.jpg\",\"medium_large-width\":768,\"medium_large-height\":513,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1001,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1001,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin.jpg\",\"full_width-width\":1500,\"full_width-height\":1001,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/3_Floor2_JF_NewYork_Charlie-Rubin.jpg\",\"medium2-width\":1500,\"medium2-height\":1001}},\"use_caption\":true,\"caption\":\"

2nd floor, 101 Spring Street, Judd Foundation, New York.
\\nPhotograph by Charlie Rubin \\u00a9 Judd Foundation.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: The release of Donald Judd Furniture<\\/a> follows catalogues on Judd\\u2019s Writings<\\/a>, Interviews<\\/a> and Spaces<\\/a>. It would seem intentionality is core to all things Donald Judd, so I am curious to know whether the order of publications was intentional, and if so, what does ‘Furniture’ represent in the context of the other topics?<\\/p>\\n

RJ: The order was intentional and we started with Writings<\\/a>\\u00a0as a strong place to build a relationship with Don\\u2019s ideas, values, and thinking about existing in the world. You\\u2019ll notice the colour of each publication\\u2019s title is also an intentional system \\u2013 it is the colour of the next publication\\u2019s cover. The publications are different access points to Don\\u2019s work, as a writer, as an artist, and someone who is considering space with his furniture and architecture.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We started with Writings<\\/a>\\u00a0as a strong place to build a relationship with Don\\u2019s ideas, values, and thinking about existing in the world…The publications are different access points to Don\\u2019s work, as a writer, as an artist, and someone who is considering space with his furniture and architecture.” \\u2013 Rainer Judd<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2120,\"id\":2120,\"title\":\"5_Block-Lib-JF-Marfa_Matthew-Millman\",\"filename\":\"5_Block-Lib-JF-Marfa_Matthew-Millman.jpg\",\"filesize\":1951704,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/donald-judd-furniture-with-rainer-judd\\/5_block-lib-jf-marfa_matthew-millman\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"5_block-lib-jf-marfa_matthew-millman\",\"status\":\"inherit\",\"uploaded_to\":1979,\"date\":\"2026-04-28 00:17:50\",\"modified\":\"2026-04-28 00:17:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1125,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1125,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1125,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman.jpg\",\"full_width-width\":1500,\"full_width-height\":1125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/5_Block-Lib-JF-Marfa_Matthew-Millman.jpg\",\"medium2-width\":1500,\"medium2-height\":1125}},\"use_caption\":true,\"caption\":\"

First Library, La Mansana de Chinati\\/The Block, Judd Foundation, Marfa, Texas.
\\nPhoto Matthew Millman \\u00a9 Judd Foundation.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: The book catalogues Judd\\u2019s evolution as a furniture designer, with a specific focus on materiality. Initially focused on timber, later designs were fabricated in sheet metal and steel frame. Did Judd ever experiment with other materials such as plastic or glass? What are his lesser-known material forays or even failures?<\\/p>\\n

RJ: Yes! I am so glad you noticed this as it is so nuanced to Don\\u2019s approach to making. He was interested in materials for their qualities, rather than for what they might mean or represent. That understanding of something\\u2013the material\\u2013existing in itself and being enough, is felt in his designs.<\\/p>\\n

He did not experiment with plastic or glass. That did not mean that he didn\\u2019t appreciate good design that utilised those materials, it was just not something he wanted to use in his furniture. In terms of failure in furniture design, he acknowledges one in his essay It\\u2019s Hard To Find A Good Lamp<\\/a>, and I think that can help frame his entire approach to furniture and art. He came to understand that derivation of forms from his art, transposed to furniture and architecture, was futile. This is because unlike art, furniture and architecture have to be functional, serve a purpose.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“He was interested in materials for their qualities, rather than for what they might mean or represent. That understanding of something\\u2014the material\\u2014existing in itself and being enough, is felt in his designs.” \\u2013 Rainer Judd<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2062,\"id\":2062,\"title\":\"11_RanchOffice-JF-Marfa_Elizabeth-Felicella\",\"filename\":\"11_RanchOffice-JF-Marfa_Elizabeth-Felicella.jpg\",\"filesize\":974718,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/donald-judd-furniture-with-rainer-judd\\/11_ranchoffice-jf-marfa_elizabeth-felicella\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"11_ranchoffice-jf-marfa_elizabeth-felicella\",\"status\":\"inherit\",\"uploaded_to\":1979,\"date\":\"2026-04-23 23:08:04\",\"modified\":\"2026-04-23 23:08:04\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/11_RanchOffice-JF-Marfa_Elizabeth-Felicella.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Ranch Office, Judd Foundation, Marfa, Texas.
\\nPhotograph \\u00a9 Elizabeth Felicella. Courtesy Judd Foundation.
\\nDonald Judd Art \\u00a9 Judd Foundation \\/ Artists Rights Society (ARS), New York.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Judd\\u2019s highly rational approach could be viewed through the contemporary lens of minimal waste sustainability. His works demonstrates a respect for natural materials, and he felt passionate about the relationship between his work and the spaces they inhabit. However, was sustainable practice or environmentalism a concern for Judd?<\\/p>\\n

RJ: Don was an environmentalist and a conservationist. Throughout his life he advocated for the preservation of cities and buildings, and for the protection of the natural world from development and destruction. He was a founding member of the Texas chapter of the Environmental Defense Fund<\\/a>. During his lifetime, he slowly acquired close to 40,000 acres of land south of Marfa, his ranch, Ayala de Chinati<\\/a>. \\u201cAyala\\u201d is a basque word, and it translates to where a slope meets a pasture or meadow. Today, this land is protected as part of a conservation easement that is central to Judd Foundation<\\/a>\\u2019s mission.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2063,\"id\":2063,\"title\":\"2_Block-NE-JF-Marfa_Elizabeth-Felicella-1\",\"filename\":\"2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"filesize\":117878,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/donald-judd-furniture-with-rainer-judd\\/2_block-ne-jf-marfa_elizabeth-felicella-1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2_block-ne-jf-marfa_elizabeth-felicella-1\",\"status\":\"inherit\",\"uploaded_to\":1979,\"date\":\"2026-04-23 23:11:04\",\"modified\":\"2026-04-23 23:11:04\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":667,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"large-width\":1000,\"large-height\":667,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":667,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":667,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"full_width-width\":1000,\"full_width-height\":667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/2_Block-NE-JF-Marfa_Elizabeth-Felicella-1.jpg\",\"medium2-width\":1000,\"medium2-height\":667}},\"use_caption\":true,\"caption\":\"

North room, East building, La Mansana de Chinati\\/The Block, Judd Foundation, Marfa, Texas.
\\nPhotograph \\u00a9 Elizabeth Felicella. Courtesy Judd Foundation.
\\nDonald Judd Art \\u00a9 Judd Foundation \\/ Artists Rights Society (ARS), New York.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Don was an environmentalist and a conservationist. Throughout his life he advocated for the preservation of cities and buildings, and for the protection of the natural world from development and destruction.” \\u2013 Rainer Judd<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Judd wrote in It\\u2019s Hard to Find a Good Lamp, \\u201cThe difference between art and architecture is fundamental. Furniture and architecture can only be approached as such. Art cannot be imposed upon them.\\u201d Given this, what do you think Judd would make of collectible design as a concept? Is a focus on functionality and clarity at odds with being collectible, or is what one chooses to make of an object irrelevant to the maker themselves?<\\/p>\\n

RJ: It is hard to say what he would think of collectible design as a concept, especially today. I know that Don disliked consumerism, commercialisation, and capitalism. He had strong opinions about furniture as furniture, its installation as well as its production.<\\/p>\\n

If you think of his spaces in New York<\\/a> and Marfa<\\/a>, and all the furniture found there, with designs by Marcel Breuer, Mies van der Rohe, Alvar Aalto, Gerrit Rietveld, and others, you would think he was someone engaging in collectible design. But he did not think about it as an activity; he bought that furniture because he liked it and he used it. He believed in living with objects that were not only useful but also well made and beautiful. He knew good furniture and good architecture could have a positive effect on people.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2064,\"id\":2064,\"title\":\"8_ArchitectureStudio-JF-Marfa_Florian-Holzherr\",\"filename\":\"8_ArchitectureStudio-JF-Marfa_Florian-Holzherr.jpg\",\"filesize\":1743657,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/donald-judd-furniture-with-rainer-judd\\/8_architecturestudio-jf-marfa_florian-holzherr\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"8_architecturestudio-jf-marfa_florian-holzherr\",\"status\":\"inherit\",\"uploaded_to\":1979,\"date\":\"2026-04-23 23:14:16\",\"modified\":\"2026-04-23 23:14:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":998,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr.jpg\",\"medium_large-width\":768,\"medium_large-height\":511,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr-1200x798.jpg\",\"large-width\":1200,\"large-height\":798,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":998,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":998,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr.jpg\",\"full_width-width\":1500,\"full_width-height\":998,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/8_ArchitectureStudio-JF-Marfa_Florian-Holzherr.jpg\",\"medium2-width\":1500,\"medium2-height\":998}},\"use_caption\":true,\"caption\":\"

Architecture Studio, Judd Foundation, Marfa, Texas.
\\nPhotograph \\u00a9 Florian Holzherr. Courtesy Judd Foundation.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I know that Don disliked consumerism, commercialisation, and capitalism. He had strong opinions about furniture as furniture, its installation as well as its production.” \\u2013 Rainer Judd<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Finally, what is next for Judd Foundation<\\/a>? Is there another publication in the works?<\\/p>\\n

RJ: This year, we are publishing a second edition of Donald Judd Spaces<\\/a>\\u00a0with MACK<\\/a>. It includes new photography of the Architecture Office. The new edition also has elevation drawings of all of Don\\u2019s spaces, so slightly more architectural.<\\/p>\\n

NHK: I look forward to getting my hands on a copy. Rainer, thank you for discussing Donald Judd Furniture.<\\/a><\\/p>\\n

RJ: Thank you, Neil.<\\/p>\\n

\\u2013<\\/p>\\n

Donald Judd Furniture<\\/a>\\u00a0is available to purchase via Bookshop by Uro<\\/a> and other select bookshops.<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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Last week, we immersed ourselves in Melbourne Art Fair 2026, hosting three Design Conversations as part of the inaugural edition of FUTUREOBJEKT \\u2013 a collectible design salon bringing together galleries, studios and practitioners at the intersection of art, design and material culture.<\\/p>\\n\",\"hero_image\":{\"ID\":2110,\"id\":2110,\"title\":\"MAF\",\"filename\":\"MAF.jpg\",\"filesize\":4431055,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-24 01:26:02\",\"modified\":\"2026-04-24 01:26:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Last week, we immersed ourselves in Melbourne Art Fair<\\/a> 2026, hosting three Design Conversations as part of the inaugural edition of FUTUREOBJEKT<\\/a> \\u2013 a collectible design salon bringing together galleries, studios and practitioners at the intersection of art, design and material culture.<\\/p>\\n

By any measure, the fair was a landmark edition. Record attendance saw over 20,000 art and design aficionados come through the doors, with an estimated AU$16.4M in artwork and collectible design sales injected into the local sector. More than 60 galleries and Indigenous art centres joined the lineup alongside FUTUREOBJEKT, which debuted with over 20 designers and design studios \\u2014 a compelling first chapter for what promises to be an enduring fixture of the fair.<\\/p>\\n

Exhibition photography by Annika Kafcaloudis.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2074,\"id\":2074,\"title\":\"MAF_0226_138-WEB\",\"filename\":\"MAF_0226_138-WEB.jpg\",\"filesize\":491508,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_138-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_138-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-23 23:41:43\",\"modified\":\"2026-04-23 23:41:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_138-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Agglomerati for FUTUREOBJEKT.<\\/p>\\n\"},{\"image\":{\"ID\":2075,\"id\":2075,\"title\":\"MAF_0226_139-WEB\",\"filename\":\"MAF_0226_139-WEB.jpg\",\"filesize\":468939,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_139-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_139-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-23 23:41:45\",\"modified\":\"2026-04-23 23:41:45\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_139-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Agglomerati for FUTUREOBJEKT.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2076,\"id\":2076,\"title\":\"MAF_0226_050-WEB\",\"filename\":\"MAF_0226_050-WEB.jpg\",\"filesize\":480220,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_050-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_050-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-23 23:48:25\",\"modified\":\"2026-04-23 23:48:25\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_050-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Beci Orpin and Softer Studio for FUTUREOBJEKT.<\\/p>\\n\"},{\"image\":{\"ID\":2077,\"id\":2077,\"title\":\"MAF_0226_053-WEB\",\"filename\":\"MAF_0226_053-WEB.jpg\",\"filesize\":550590,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_053-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_053-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-23 23:48:27\",\"modified\":\"2026-04-23 23:48:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_053-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Beci Orpin and Softer Studio for FUTUREOBJEKT.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":2084,\"id\":2084,\"title\":\"MAF_0226_210-WEB\",\"filename\":\"MAF_0226_210-WEB.jpg\",\"filesize\":552313,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_210-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_210-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-24 00:26:15\",\"modified\":\"2026-04-24 00:26:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2048,\"height\":1366,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB.jpg\",\"full_width-width\":2048,\"full_width-height\":1366,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_210-WEB-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Dalton Stewart & Annie Paxton for FUTUREOBJEKT.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2080,\"id\":2080,\"title\":\"MAF_0226_096-WEB\",\"filename\":\"MAF_0226_096-WEB.jpg\",\"filesize\":436106,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_096-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_096-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-24 00:23:31\",\"modified\":\"2026-04-24 00:23:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_096-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Cordon Salon, Rosanna Ceravolo, Jordan Fleming & Marta Figueiredo for FUTUREOBJEKT.<\\/p>\\n\"},{\"image\":{\"ID\":2083,\"id\":2083,\"title\":\"MAF_0226_217-WEB\",\"filename\":\"MAF_0226_217-WEB.jpg\",\"filesize\":485277,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_217-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_217-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-24 00:24:06\",\"modified\":\"2026-04-24 00:24:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_217-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Cordon Salon, Rosanna Ceravolo, Jordan Fleming & Marta Figueiredo for FUTUREOBJEKT.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

As Melbourne Art Fair<\\/a>‘s marketing and communications partner, NHO led strategy development by first defining the Fair\\u2019s objectives, target markets and key messages. This informed a comprehensive tactical plan across owned and earned channels, including digital marketing, events, media partnerships, programming and public relations.\\u2060
\\n\\u2060
\\nWe took to the stage too, with NHO Founding Director, Neil Hugh Kenna, curating and moderating a series of Design Conversations \\u2013 an invitation for a diverse cohort of designers, gallerists, curators, collectors and cultural figures to interrogate the ideas, tensions and trajectories shaping contemporary design practice and collecting.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2114,\"id\":2114,\"title\":\"VolkerHaug\",\"filename\":\"VolkerHaug.jpg\",\"filesize\":2433762,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/volkerhaug\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"volkerhaug\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:30:41\",\"modified\":\"2026-04-26 23:30:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/VolkerHaug-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Volker Haug, Founder of Volker Haug Studio.
\\nPhotograph by Annika Kafcaloudis. <\\/p>\\n\"},{\"image\":{\"ID\":2115,\"id\":2115,\"title\":\"JordanFleming\",\"filename\":\"JordanFleming.jpg\",\"filesize\":2911581,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/jordanfleming\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jordanfleming\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:32:13\",\"modified\":\"2026-04-26 23:32:13\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/JordanFleming-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Jordan Fleming, Designer.
\\nPhotograph courtesy of Jordan Fleming.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2118,\"id\":2118,\"title\":\"SusanTait\",\"filename\":\"SusanTait.jpg\",\"filesize\":2405646,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/susantait\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"susantait\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:44:51\",\"modified\":\"2026-04-26 23:44:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/SusanTait-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Susan Tait, Creative Director, Tait.
\\nPhotograph courtesy of Tait. <\\/p>\\n\"},{\"image\":{\"ID\":2119,\"id\":2119,\"title\":\"BrahmanPerera\",\"filename\":\"BrahmanPerera-1.jpg\",\"filesize\":2933549,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/brahmanperera-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"brahmanperera-2\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:48:06\",\"modified\":\"2026-04-26 23:48:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/BrahmanPerera-1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Brahman Perera, Interior Designer.
\\nPhotograph by Kristy Leslie.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The first conversation, ‘From Creativity to Capital: Scaling Practice in a Global Economy’, examined the structural obstacles facing emerging and established design practices \\u2014 from manufacturing and logistics to financing \\u2014 and the strategic pathways toward commercial viability. The discussion brought together Volker Haug, Founder of Volker Haug Studio<\\/a>; Jordan Fleming<\\/a>, Designer; and Susan Tait, Creative Director of Tait<\\/a>, exploring how local grounding and global engagement intersect in building sustainable, resilient practices.<\\/p>\\n

The second conversation, ‘Collecting with Conscience: Power, Privilege and the Politics of Collecting’, turned to the evolving landscape of design collecting, where a new generation of collectors is demanding greater transparency around diversity, sustainability and ethical practice. The panel \\u2014 comprising Nicole Durling, Executive Director of Craft Victoria<\\/a>; Interior Designer Brahman Perera<\\/a>; and Mayatili Marika, General Manager of Agency Projects<\\/a> \\u2014 explored how socially conscious collecting is expanding visibility for underrepresented artists and designers, and redefining what responsible stewardship looks like.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2112,\"id\":2112,\"title\":\"NicoleDurling\",\"filename\":\"NicoleDurling.jpg\",\"filesize\":2524019,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/nicoledurling\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nicoledurling\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:17:59\",\"modified\":\"2026-04-26 23:17:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NicoleDurling-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Nicole Durling, Executive Director of Craft Victoria.
\\nPhotograph courtesy of Craft Victoria.<\\/p>\\n\"},{\"image\":{\"ID\":2113,\"id\":2113,\"title\":\"MayatiliMarika\",\"filename\":\"MayatiliMarika.jpg\",\"filesize\":3587760,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/mayatilimarika\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mayatilimarika\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:19:17\",\"modified\":\"2026-04-26 23:19:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MayatiliMarika-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Mayatili Marika, General Manager at Agency Projects.
\\nPhotograph courtesy of Agency Projects.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2116,\"id\":2116,\"title\":\"GemmaSavio\",\"filename\":\"GemmaSavio.jpg\",\"filesize\":2609504,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/gemmasavio\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"gemmasavio\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:35:22\",\"modified\":\"2026-04-26 23:35:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/GemmaSavio-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Gemma Savio, Curator of Contemporary Design & Architecture, NGV.
\\nPhotograph by Eugene Hyland.<\\/p>\\n\"},{\"image\":{\"ID\":2117,\"id\":2117,\"title\":\"AnnaVarendorff\",\"filename\":\"AnnaVarendorff.jpg\",\"filesize\":2794550,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/annavarendorff\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"annavarendorff\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-26 23:38:21\",\"modified\":\"2026-04-26 23:38:21\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/AnnaVarendorff-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Anna Varendorff, Artist & Designer ACV Studio.
\\nPhotograph by Annika Kafcaloudis. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The third and final conversation, ‘Fetishising Function: The Cultural and Economic Codes of Collectible Design’, interrogated the moment at which an object transcends utility to become a cultural artefact \\u2014 and the forces that determine its value. Neil was joined by Gemma Savio, Curator of Contemporary Design and Architecture at the NGV<\\/a>, and Artist and Designer Anna Varendorff<\\/a>, for a discussion on the criteria shaping collectability and the trajectories influencing the market’s future.<\\/p>\\n

Together, the conversations established FUTUREOBJEKT<\\/a>‘s Design Conversations program as a platform for critical, timely dialogue at the intersection of design, culture and commerce, reflecting the fair’s ambition to position collectible design within a broader cultural and intellectual context.<\\/p>\\n

Our thanks to all speakers joining Neil in conversation, and to the truly dedicated Melbourne Art Fair<\\/a> team and Board, particularly for their commitment to the strategic planning process, as well as all our partners and collaborators who contributed to a Fair to remember.\\u2060<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2078,\"id\":2078,\"title\":\"MAF_0226_200-WEB\",\"filename\":\"MAF_0226_200-WEB.jpg\",\"filesize\":469519,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_200-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_200-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-23 23:50:22\",\"modified\":\"2026-04-23 23:50:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_200-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Christopher Boots for FUTUREOBJEKT.<\\/p>\\n\"},{\"image\":{\"ID\":2079,\"id\":2079,\"title\":\"MAF_0226_202-WEB\",\"filename\":\"MAF_0226_202-WEB.jpg\",\"filesize\":503143,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_202-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_202-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-23 23:50:23\",\"modified\":\"2026-04-23 23:50:23\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_202-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Christopher Boots for FUTUREOBJEKT.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":2086,\"id\":2086,\"title\":\"MAF_0226_072-WEB\",\"filename\":\"MAF_0226_072-WEB.jpg\",\"filesize\":483810,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_072-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_072-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-24 00:28:55\",\"modified\":\"2026-04-24 00:28:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_072-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Don Cameron for FUTUREOBJEKT.<\\/p>\\n\"},{\"image\":{\"ID\":2085,\"id\":2085,\"title\":\"MAF_0226_077-WEB\",\"filename\":\"MAF_0226_077-WEB.jpg\",\"filesize\":431830,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-art-fair-design-design-conversations-for-futureobjekt\\/maf_0226_077-web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"maf_0226_077-web\",\"status\":\"inherit\",\"uploaded_to\":2059,\"date\":\"2026-04-24 00:28:32\",\"modified\":\"2026-04-24 00:28:32\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1366,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB.jpg\",\"full_width-width\":1366,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/MAF_0226_077-WEB.jpg\",\"medium2-width\":1366,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

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Last week we brought together Sydney clients and friends for an afterwork drink to toast the year ahead. <\\/p>\\n\",\"hero_image\":{\"ID\":2042,\"id\":2042,\"title\":\"260203 NHO Event x Joel Pratley 0105\",\"filename\":\"260203-NHO-Event-x-Joel-Pratley-0105.jpg\",\"filesize\":5851026,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/sydney-mixer\\/260203-nho-event-x-joel-pratley-0105\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"260203-nho-event-x-joel-pratley-0105\",\"status\":\"inherit\",\"uploaded_to\":2011,\"date\":\"2026-04-14 01:15:16\",\"modified\":\"2026-04-14 01:15:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4000,\"height\":2667,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/260203-NHO-Event-x-Joel-Pratley-0105-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Last week we brought together Sydney clients and friends for an afterwork drink to toast the year ahead. Melissa and Michael at Fred International<\\/a> kindly allowed us to commandeer their beautiful showroom for the moment; a perfect backdrop for spritely drinks and conversations alike. Our thanks to all who made it. <\\/p>\\n

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Last week Melbourne clients, collaborators and community came together for a spring mixer. We’ve always believed in the power of bringing people together, and any excuse will do.<\\/p>\\n\",\"hero_image\":{\"ID\":1990,\"id\":1990,\"title\":\"NHO_26_11_25_157\",\"filename\":\"NHO_26_11_25_157.jpg\",\"filesize\":4613828,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/spring-mixer\\/nho_26_11_25_157\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_26_11_25_157\",\"status\":\"inherit\",\"uploaded_to\":1978,\"date\":\"2026-04-13 23:32:28\",\"modified\":\"2026-04-13 23:32:28\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157.jpg\",\"full_width-width\":1600,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2026\\/04\\/NHO_26_11_25_157.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Last week Melbourne clients, collaborators and community came together for a spring mixer. We’ve always believed in the power of bringing people together, and any excuse will do. \\u2060
\\n\\u2060
\\nWhether spilling out onto Moor Street, cosying up on the sofa (Cc Nau Design<\\/a>, Adam Goodrum Studio<\\/a>), or taking a last minute meeting in the ‘Zoom Room’ (See: Halcyon Lake<\\/a>), guests mingled as we toasted the year that was.\\u2060
\\n\\u2060
\\nWe were only too glad to support local businesses including Halle Aux Vins<\\/a>, Morning Market<\\/a> and Fatto a Mano<\\/a> who kept us fed and watered. And let’s not forget our friends at Flowers Vasette<\\/a> as well.\\u2060
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\\r\\nIn Conversation with Leon van Schaik
\\r\\n17.11.25\",\"listing_description\":\"

Leon van Schaik is a Melbourne-based writer, curator, and educator specialising in architecture and design. With a career spanning critical writing, exhibition curation, and design research, he explores the intersection of spatial thinking, culture, and everyday experience. His work is known for bridging theory and practice, offering nuanced perspectives on how architecture shapes human life.<\\/p>\\n\",\"hero_image\":{\"ID\":1930,\"id\":1930,\"title\":\"Leon van Schaik\",\"filename\":\"Leon-van-Schaik.jpg\",\"filesize\":2345888,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/leon-van-schaik\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"leon-van-schaik\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-19 00:23:25\",\"modified\":\"2025-08-19 00:23:25\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Leon-van-Schaik-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

Leon van Schaik is a Melbourne-based writer, curator, and educator specialising in architecture and design. With a career spanning critical writing, exhibition curation, and design research, he explores the intersection of spatial thinking, culture, and everyday experience. His work is known for bridging theory and practice, offering nuanced perspectives on how architecture shapes human life. Leon is also the author of Thinking Space<\\/a>, which takes readers on a journey through his own library\\u2014a collection cultivated over decades of teaching and reflection\\u2014revealing the texts that have shaped him, the personal connections they hold, and their enduring influence as conceptual touchstones.<\\/p>\\n

NHO Writer & Producer, Hayley Tillett, recently spoke with Leon about Thinking Space<\\/a>. This is their conversation.<\\/p>\\n

Portrait courtesy of Leon van Schaik.<\\/p>\\n

\\u2013<\\/p>\\n

HT: Leon, thank you for joining me. Your emeritus professorial status and retirement sparked an introspective review of your home library \\u2013 its contents, its organic yet meticulous organisation, its purpose, and its ongoing curation. What did examining your library in this way allow you to see or understand about yourself?<\\/p>\\n

LvS: I began this book project as a mechanical exercise in deciding what should be done with my library. I annoyed two early readers by exaggerating my likes and dislikes. That set me back, and after some reflection I set off on another tack: what had all these books meant to me? I realised that during my professional career there was a direct import for me, when a book joined or departed. Even though I did not realise it at the time, these arrivals and exits marked shifts in my mental space. And, through my work, I was chiefly talking to architects and designers about their own mental space. I came to realise that the slow evolution of my own mental space was there in the library, the constant backdrop. Each purchase felt urgent and important: I was for or against the arguments in the books. This book moved me out of that turmoil and into a calm place. I have come to regard the books as a geological stratum on which I can rest. I still buy books, argue with them and de-access some. But softly.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1932,\"id\":1932,\"title\":\"Library\",\"filename\":\"Library.jpg\",\"filesize\":4638179,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/library\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"library\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-19 05:57:00\",\"modified\":\"2025-08-19 05:57:00\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Library-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Leon van Schaik’s home library, Melbourne.
\\nPhotograph courtesy of Leon van Schaik.<\\/p>\\n\"},{\"image\":{\"ID\":1940,\"id\":1940,\"title\":\"Launch\",\"filename\":\"Launch-1.jpg\",\"filesize\":3066972,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/launch-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"launch-2\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 05:08:36\",\"modified\":\"2025-08-22 05:08:36\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Launch-1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Leon van Schaik at the launch of Thinking Space.
\\nPhotograph courtesy of RMIT.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I began this book project as a mechanical exercise in deciding what should be done with my library… I came to realise that the slow evolution of my own mental space was there in the library, the constant backdrop.” \\u2013 Leon van Schaik<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: In Thinking Space<\\/a>, you describe arranging new titles in your collection beside those they\\u2019re \\u201cmost in conversation with.\\u201d Reviewing your 42 shelves, you identified themes \\u2013 a third of which became the foundation of the book. How did you determine which stories were most compelling to carry forward?<\\/p>\\n

LvS: To me, all the 42 shelves are equally important, and the shelves sit in my mind\\u2019s eye. However, making a book is not a solo activity, you work with editors and their fact checkers and proofreaders and, vitally, with a book designer. So, although I worked through and wrote up 42 shelves, scoping the book with the editor and designer made it clear that 14 shelves would make a readable and affordable book. Editor, Mat Ward<\\/a>, selected his favourites and I was comfortable with the selection. Then with designer, Stuart Geddes<\\/a>, we worked these up into the book using a format that reflects my working process: ideogram, caption, text. We discussed an index and decided\\u2014this being a book about books\\u2014on the bibliographic index with which the book starts. And mimicking the library itself, this is cross referenced within the text.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1935,\"id\":1935,\"title\":\"MatWard\",\"filename\":\"MatWard.jpg\",\"filesize\":3406287,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/matward\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"matward\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 04:49:07\",\"modified\":\"2025-08-22 04:49:07\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/MatWard-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Publisher Mat Ward, Uro Publications.
\\nPhotograph courtesy of Collingwood Yards.<\\/p>\\n\"},{\"image\":{\"ID\":1934,\"id\":1934,\"title\":\"TS_Ideogram\",\"filename\":\"TS_Ideogram.jpg\",\"filesize\":7358045,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/ts_ideogram\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ts_ideogram\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 04:41:50\",\"modified\":\"2025-08-22 04:41:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/TS_Ideogram-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

‘The Proper and Rigour in Architecture’ ideogram from Thinking Space by Leon van Schaik.
\\nPhotograph courtesy of Bookshop by Uro.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: The ideograms summarising each shelf are evocative, combining text, illustration, and symbolism. When did you begin exploring ideas visually in this way, and how have these graphic explorations helped you analyse or re-experience your library?<\\/p>\\n

LvS: Actually, my working method for many years has been to assemble the material that I am working on and then make an ideogram that captures my thinking on one page. Only then do I write. I first used this approach during my design thesis at the Architectural Association School of Architecture in 1970. I have stuck to the process ever since, whether writing or designing. In 2013, Lyon Housemuseum<\\/a> published Ideograms: Leon van Schaik<\\/a>, a book dedicated to my method. An earlier essay on the subject, Poetics of the Ideogram, also appears in Diagrams of Architecture<\\/a>, Mark Garcia (Ed.), published by Wiley in 2010.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1936,\"id\":1936,\"title\":\"1\",\"filename\":\"1.jpg\",\"filesize\":2948371,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/1-9\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"1-9\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 04:51:32\",\"modified\":\"2025-08-22 04:51:32\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

‘Ekphrasis: How We Read Now’ ideogram from Thinking Space by Leon van Schaik.
\\nImage courtesy of Leon van Shaick.<\\/p>\\n\"},{\"image\":{\"ID\":1937,\"id\":1937,\"title\":\"2\",\"filename\":\"2.jpg\",\"filesize\":2883693,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/2-8\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2-8\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 04:52:09\",\"modified\":\"2025-08-22 04:52:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/2-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

‘On Being: Fat Books Shelf’ ideogram from Thinking Space by Leon van Schaik.
\\nImage courtesy of Leon van Schaik.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: You cite your own profile as sitting amongst books centred around \\u2018The Social Nature of Being, Trusting People, Giving Agency.\\u2019 What are some of the key titles that have served as enduring touchstones in your work and life, and why do they continue to resonate?<\\/p>\\n

LvS: I will name three works. After a reading from the book at Bookshop by Uro<\\/a> in Chippendale, a student asked me which book I would recommend to him if I could only name one. Immediately I told him to read Steen Eiler Rasmussen\\u2019s ‘Experiencing Architecture’<\\/a>. I told him how this book was required reading in my first year, but that I thought that it was too simple minded to take seriously. Later, I came to think of it as a foundational text for understanding what architecture can do. In this regard, I rank it alongside Gaston Bachelard\\u2019s ‘The Poetics of Space’<\\/a>. Not mentioned in Thinking Space is the role that art, specifically painting, plays in my life. Artist Richard Hamilton\\u2019s foundation year taught me most of what I know about designing, and when I moved to Australia, I believed that I could understand the country if I bought its art. I have a small collection, augmented by that of my son. In this context, I cherish Victoria Newhouse\\u2019s ‘Art and the Power of Placement’. This reveals how the placing of a work determines its meaning, and I think this can be reverse engineered into space-making. Finally, ‘The Dawn of Everything: A New History of Humanity’<\\/a> by David Graeber and David Wengrow. Humans have been much more creative in their social organising that we think. This wonderful survey on our deep history is heartening, as in a similar vein is Luke Kemp\\u2019s ‘Goliath\\u2019s Curse’<\\/a> which I am halfway through.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1938,\"id\":1938,\"title\":\"Uro_1\",\"filename\":\"Uro_1.jpg\",\"filesize\":4835207,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/uro_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"uro_1\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 05:02:15\",\"modified\":\"2025-08-22 05:02:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Bookshop by Uro, Chippendale.
\\nPhotograph by Hamish McIntosh.<\\/p>\\n\"},{\"image\":{\"ID\":1939,\"id\":1939,\"title\":\"Uro_2\",\"filename\":\"Uro_2.jpg\",\"filesize\":6379380,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/uro_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"uro_2\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 05:02:37\",\"modified\":\"2025-08-22 05:02:37\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Uro_2-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Bookshop by Uro, Chippendale.
\\nPhotograph by Hamish McIntosh.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Thinking Space<\\/a> is also deeply personal, reflecting on relationships, memories, and identity. In Queer Life (and Death) you describe how this part of your collection offered a kind of community through which you engaged with your sexuality. How did encountering these texts help you navigate your own sense of self and connection with others?<\\/p>\\n

LvS: My library is my empathy machine. It enables me to imagine other ways of living, other lives. The shelves have helped me to live my idiosyncratic life. It helps me encounter thresholds that once identified I have crossed or have not wanted to cross. In the books there are minds that I might not otherwise have encountered, and in the rudderless life outside easy norms these books have given me docking points leading to safe moorings. For me, my family, and my friends.<\\/p>\\n

HT: You also described your library as \\u201ca map of my intellectual, social, and spiritual growth.\\u201d What value has it offered to your work and life more broadly?<\\/p>\\n

LvS: In an ideogram dated 20\\/11\\/2023 I cite Vivian Gopnik on Albert Camus: \\u201cThe great paradox of life: that humans are compelled to seek meaning in a world where meaning clearly is not to be found.\\u201d (NYRB Vol. LXX, No. 18, p. 20). My library is a series of event horizons, each of which has seemed to afford me a glimpse of purpose. Each glimpse is enshrined on a shelf, and there I can \\u2018see\\u2019 them, surf them virtually. As many have noted, libraries and gardens die when their creators pass on or away. When I die these glimpses will die too, unless this book passes them on to others.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1944,\"id\":1944,\"title\":\"Albert Camus_landscape\",\"filename\":\"Albert-Camus_landscape.jpg\",\"filesize\":1924854,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/albert-camus_landscape\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"albert-camus_landscape\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 05:43:37\",\"modified\":\"2025-08-22 05:43:37\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Albert-Camus_landscape-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Albert Camus.
\\nPhotograph by Loomis Dean.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“My library is my empathy machine. It enables me to imagine other ways of living, other lives. The shelves have helped me to live my idiosyncratic life.” \\u2013 Leon van Schaik<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: The book is as much about the act of reflection as it is about design. How do you see contemplation\\u2014and even the act of collecting\\u2014as integral to creative practice and the value of design?<\\/p>\\n

LvS: Over the years in the design practice research program, I have encountered, across Australia, Asia and Europe, a few dozen exceptional architects and designers. In the intensive discussions leading to research progress reviews, it is manifest to me that all designers establish a mental space, and that space is the platform from which they design. I have not wished to tell them what books they should read, I have wanted to know what books they have read. Which films, poetry, music bothers them? What landscapes have framed their spatial intelligence? I could only ask these questions by being clear about my own answers.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1943,\"id\":1943,\"title\":\"Monologues_ideogram\",\"filename\":\"Monologues_ideogram.jpg\",\"filesize\":2451306,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/thinking-space-with-leon-van-schaik\\/monologues_ideogram\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"monologues_ideogram\",\"status\":\"inherit\",\"uploaded_to\":1929,\"date\":\"2025-08-22 05:39:57\",\"modified\":\"2025-08-22 05:39:57\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Monologues_ideogram-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

‘Monologues and Echoes in Architecture’ ideogram by Leon van Schaik.
\\nImage courtesy of Leon van Schaik.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“In the intensive discussions leading to research progress reviews, it is manifest to me that all designers establish a mental space, and that space is the platform from which they design.” \\u2013 Leon van Schaik<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Finally, what do you hope readers will carry with them after closing Thinking Space \\u2013 not just about architecture, art, or philosophy, but about living more thoughtfully in the world?<\\/p>\\n

LvS: The question embeds the answer: ‘to live more thoughtfully in the world.’ I hope every reader thinks about their own shelves as they read about mine. That they consider the stories that their shelves house. And I know from responses of many readers that this is what happens when they read this book. Some have been moved to write to me and tell me about their shelves, occasionally some tell me where they house my books! I know the statistics of publishing, and that most books sell few copies. But I have treasured some books and pamphlets that have had very small print runs. They are in the book. My hope is that this book is cherished for what it opens in the mental space of its readers.<\\/p>\\n

HT: Leon, thank you for sharing your thoughts.<\\/p>\\n

LvS: Thank you for the close reading that has led to your questions. I appreciate this very much.<\\/p>\\n

\\u2013<\\/p>\\n

Thinking Space<\\/a> is available to purchase via Bookshop by Uro<\\/a> and other select bookshops.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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\\r\\nIn Conversation with Long Prawn
\\r\\n16.10.25\",\"listing_description\":\"

Long Prawn is a Melbourne based artistic food practice that delivers rigorously researched food expertise heavily seasoned with creative event design. Led by founders Lauren Stephens and Fred Mora, its food is enveloped in community, props and performance \\u2013 from buffet tables to nouveau-haute cuisine. Responsive, rewarding and resourceful, Long Prawn\\u2019s work spans food, ideas, events, and workshops.<\\/p>\\n\",\"hero_image\":{\"ID\":1966,\"id\":1966,\"title\":\"LP4\",\"filename\":\"LP4.jpg\",\"filesize\":2522225,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/lp4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"lp4\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-30 02:56:50\",\"modified\":\"2025-09-30 02:56:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/LP4-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Long Prawn<\\/a> is a Melbourne based artistic food practice that delivers rigorously researched food expertise heavily seasoned with creative event design. Led by founders Lauren Stephens and Fred Mora, its food is enveloped in community, props and performance \\u2013 from buffet tables to nouveau-haute cuisine. Responsive, rewarding, and resourceful, Long Prawn<\\/a>\\u2019s work spans food, ideas, events, and workshops, with each project uniquely expressing the value of design. Long Prawn has partnered local and global brands, including Adidas<\\/a>, Aesop<\\/a>, ARC’TERYX<\\/a>, Birkenstock<\\/a>, Broached Commissions<\\/a>, COMME des GARCONS<\\/a>, <\\/span>Melbourne Food & Wine Festival<\\/a>, Milieu Property<\\/a>, Molonglo<\\/a>, Open House Melbourne<\\/a>, Rising Festival<\\/a>, Robin Boyd Foundation<\\/a>, Schwartz Media<\\/a>, Sn\\u00f8hetta<\\/a>, <\\/span>TarraWarra Museum<\\/a>, and VICE<\\/a>.<\\/p>\\n

Here, Hayley Tillett, NHO Writer & Producer, sits down with Fred and Lauren to discuss their playful approach to food design, and its capacity to shape eating, interaction, memory, and engagement. This is their conversation.<\\/p>\\n

Portrait by Ben Clement.<\\/p>\\n

\\u2013<\\/p>\\n

HT: Hi Prawns, thanks so much for joining me. When people hear \\u2018food design,\\u2019 they often think it\\u2019s just about plating or presentation. How do you define food design in your practice?<\\/p>\\n

FM\\/LS: Food design, to us, is the bombastic wondering, wandering, of how food can stoke conversation, meaningful relationships between people and a lasting engagement with audiences, grandparents, settings, communities, growers, artists, students, and our own families. It is the scripting of touchpoints that share a character or a story. Plating is a thing, but to us, the elements off the plate are just as critical. If the waiter has a leaky Biro in their pocket, the food tastes different. If you see the soil that a cabbage was pulled from, your food tastes different. Yes, we eat with our eyes, but our vision does not cease to inform us at the edge of the plate. So, in that, we feel food design is really just world-building. As Brillat-Savarin said, “tell me what you eat and I will tell you what you are.”<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Food design is the scripting of touchpoints that share a character or a story. Plating is a thing, but to us, the elements off the plate are just as critical.” \\u2013 Fred Mora and Lauren Stephens, Long Prawn<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1960,\"id\":1960,\"title\":\"long_prawn_1750820569_3662470845405950875_208259803\",\"filename\":\"long_prawn_1750820569_3662470845405950875_208259803.jpg\",\"filesize\":347898,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/long_prawn_1750820569_3662470845405950875_208259803\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"long_prawn_1750820569_3662470845405950875_208259803\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-15 23:00:34\",\"modified\":\"2025-09-15 23:00:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1920,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1920,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803.jpg\",\"full_width-width\":1440,\"full_width-height\":1920,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845405950875_208259803.jpg\",\"medium2-width\":1440,\"medium2-height\":1920}},\"use_caption\":true,\"caption\":\"

Portico Wasteland for A New Normal by Finding Infinity, as part of Melbourne Design Week 2025.
\\nPhotograph by Jana Langhorst.<\\/p>\\n\"},{\"image\":{\"ID\":1962,\"id\":1962,\"title\":\"long_prawn_1750820569_3662470845456218399_208259803\",\"filename\":\"long_prawn_1750820569_3662470845456218399_208259803.jpg\",\"filesize\":223231,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/long_prawn_1750820569_3662470845456218399_208259803\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"long_prawn_1750820569_3662470845456218399_208259803\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-15 23:00:35\",\"modified\":\"2025-09-15 23:00:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1920,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1920,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803.jpg\",\"full_width-width\":1440,\"full_width-height\":1920,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1750820569_3662470845456218399_208259803.jpg\",\"medium2-width\":1440,\"medium2-height\":1920}},\"use_caption\":true,\"caption\":\"

Portico Wasteland for A New Normal by Finding Infinity, as part of Melbourne Design Week 2025.
\\nPhotograph by Jana Langhorst.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Your projects blend research, performance, and communal eating. How do you maintain a balance between logistics and creating playful, immersive experiences?<\\/p>\\n

FM\\/LS: Perhaps, practicality is overrated. Restaurants get the opportunity to really polish their offering, but as our work is often exploratory and novel to some extent, it is the unknown occurrences that are most rewarding to our audience as well as for us. For example, if we had been too pragmatic, we may never have chosen to make sausages live, directly from grinder-to-hot-plate, with their contents changing according to a crowd-sourced film selection with Wook of STEAK FILM<\\/a>. We may also not have placed a feed-trough filled with live yabbies in the middle of Collingwood Yards<\\/a> to create a Live Yabby Fishing Experience<\\/a>. We think immersive experiences should have both the stage and the players feeling things together, coming to wonderful realisations, even if the wheels are falling off or smoke is billowing from under the hood \\u2013 something that actually happened when we used the waste heat energy from car engines, driving from one MPavilion<\\/a> to another, to cook hermetically sealed food packages\\u2026beep beep.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Perhaps, practicality is overrated. Restaurants get the opportunity to really polish their offering, but as our work is often exploratory and novel to some extent, it is the unknown occurrences that are most rewarding to our audience as well as for us.” \\u2013 Fred Mora and Lauren Stephens, Long Prawn<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1951,\"id\":1951,\"title\":\"long_prawn_1668121052_2968737021914875228_208259803\",\"filename\":\"long_prawn_1668121052_2968737021914875228_208259803.jpg\",\"filesize\":182887,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/long_prawn_1668121052_2968737021914875228_208259803\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"long_prawn_1668121052_2968737021914875228_208259803\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-12 03:22:16\",\"modified\":\"2025-09-12 03:22:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803.jpg\",\"full_width-width\":1440,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121052_2968737021914875228_208259803.jpg\",\"medium2-width\":1440,\"medium2-height\":1800}},\"use_caption\":true,\"caption\":\"

Live Leisure Yabby Fishing experience for Melbourne Fringe 2025.
\\nPhotograph by Ben Clement.<\\/p>\\n\"},{\"image\":{\"ID\":1952,\"id\":1952,\"title\":\"long_prawn_1668121217_2968738399718599246_208259803\",\"filename\":\"long_prawn_1668121217_2968738399718599246_208259803.jpg\",\"filesize\":328016,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/long_prawn_1668121217_2968738399718599246_208259803\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"long_prawn_1668121217_2968738399718599246_208259803\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-12 03:22:17\",\"modified\":\"2025-09-12 03:22:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803.jpg\",\"full_width-width\":1440,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/long_prawn_1668121217_2968738399718599246_208259803.jpg\",\"medium2-width\":1440,\"medium2-height\":1800}},\"use_caption\":true,\"caption\":\"

Live Leisure Yabby Fishing experience for Melbourne Fringe 2025.
\\nPhotograph by Ben Clement.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Props, rituals, and spatial design are foundational to your events. Can you share an example where those elements came together to transform the food into a more sensorial, emotional, or memorable experience?<\\/p>\\n

FM\\/LS: Last year, we were given our most significant and large-scale opportunity to create a space, program and public offering which was terminally Long Prawn<\\/a>; COOKED The Hot Plate Stage<\\/a>. A smoulderingly antipodean BBQ and performance space examined the public barbecue as an arena for communal cooking, entertainment, and cross-cultural exchange. A place to gather and grill, with food, performance, and conversation on the menu.<\\/p>\\n

The public BBQ hangar was conceived and designed by Mikhail Savin Rodrick Projects<\\/a> with a big, big BBQ made by installation artist, Mike Hewson<\\/a>, which is soon to feature in his Art Gallery NSW<\\/a> exhibition, The Key Is Under The Mat<\\/a>. The program folded together various saucy elements: hotty design, bratty bratwursts, spoonfuls of collaborators, chefs we crush on, food we adore, and artists that make us blush.<\\/p>\\n

There were many occasions, whether it was the public grilling or the private sit-downs, that felt entirely true to us, a big coming together of our influences with touchpoints that were accessible right across the community, from kids to those who call Fed Square<\\/a> home.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1967,\"id\":1967,\"title\":\"Cook3\",\"filename\":\"Cook3.jpg\",\"filesize\":3530733,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/cook3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cook3\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-30 03:01:03\",\"modified\":\"2025-09-30 03:01:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook3-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

GRILL PRIV\\u00c9 \\u2013 Hoons And Buggers with Ecstasy Cookbook (UK) Harrison Ritchie-Jones. COOKED The Hot Plate Stage, for the 2024 Melbourne Fringe Festival Civic Commission. Photograph by Ben Clement.<\\/p>\\n\"},{\"image\":{\"ID\":1956,\"id\":1956,\"title\":\"Cook1\",\"filename\":\"Cook1.jpg\",\"filesize\":2994466,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/cook1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cook1\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-12 04:27:32\",\"modified\":\"2025-09-12 04:27:32\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/Cook1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

HOT NIGHTS \\u2013 Indecisive Cinema with Wook and Steak Film (KR), COOKED The Hot Plate Stage, for the 2024 Melbourne Fringe Festival Civic Commission. Photograph by Ben Clement.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“There were many occasions, whether it was the public grilling or the private sit-downs, that felt entirely true to us, a big coming together of our influences with touchpoints that were accessible right across the community, from kids to those who call Fed Square home.” \\u2013 Fred Mora and Lauren Stephens, Long Prawn<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: You\\u2019re often engaged by brands for activations. How do food and shared experiences function as a form of brand expression, and how does that differ from more conventional marketing approaches?<\\/p>\\n

FM\\/LS: Yes! We offer a range of varied services via Practise Prawn World<\\/a> which span across event design, culinary services, spatial design and beyond. In many ways, it is where ideas we have tested via Long Prawn<\\/a> can be applied to intentional communication strategies or audience building. When eyes, ears and mouths are fed with care and intention, people tend to trust you, walk with you. Careless food reeks of mediocrity, so when it is nurtured, exalted, people take notice. Whether that is a quiche Lorraine or a single oyster, detail and going slow matter.<\\/p>\\n

HT: Reflecting on your body of work, which events or workshops helped to crystallise your philosophy as a practice?<\\/p>\\n

FM\\/LS: Very early on, we were given the opportunity to be part of a wild series titled Otis Armada<\\/a> (thank you, Gus and George!) that built out temporary, thematic dining events. The level of detail we imbued into Otis Armada<\\/a> and the subsequent abandon for responsible budgeting proved to be a formative learning experience for our practice to this day. We hope that our philosophy remains iterative; not set in rose quartz but fluid to change, new approaches and ideas that nudge or rattle us awake in the morning.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1954,\"id\":1954,\"title\":\"1\",\"filename\":\"1.jpg\",\"filesize\":50660,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/1-10\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"1-10\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-12 04:21:46\",\"modified\":\"2025-09-12 04:21:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":560,\"height\":701,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1.jpg\",\"medium_large-width\":560,\"medium_large-height\":701,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1.jpg\",\"large-width\":560,\"large-height\":701,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1.jpg\",\"1536x1536-width\":560,\"1536x1536-height\":701,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1.jpg\",\"2048x2048-width\":560,\"2048x2048-height\":701,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1.jpg\",\"full_width-width\":560,\"full_width-height\":701,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/1.jpg\",\"medium2-width\":560,\"medium2-height\":701}},\"use_caption\":true,\"caption\":\"

Otis Armada, part of the Brutalist Block Party presented by Assemble Papers and Open House Melbourne.
\\nPhotograph by Ben Clement.<\\/p>\\n\"},{\"image\":{\"ID\":1955,\"id\":1955,\"title\":\"2\",\"filename\":\"2.jpg\",\"filesize\":48790,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/world-building-with-food-in-conversation-with-long-prawn\\/2-9\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2-9\",\"status\":\"inherit\",\"uploaded_to\":1950,\"date\":\"2025-09-12 04:21:47\",\"modified\":\"2025-09-12 04:21:47\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":560,\"height\":701,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2.jpg\",\"medium_large-width\":560,\"medium_large-height\":701,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2.jpg\",\"large-width\":560,\"large-height\":701,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2.jpg\",\"1536x1536-width\":560,\"1536x1536-height\":701,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2.jpg\",\"2048x2048-width\":560,\"2048x2048-height\":701,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2.jpg\",\"full_width-width\":560,\"full_width-height\":701,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/09\\/2.jpg\",\"medium2-width\":560,\"medium2-height\":701}},\"use_caption\":true,\"caption\":\"

Otis Armada, part of the Brutalist Block Party presented by Assemble Papers and Open House Melbourne.
\\nPhotograph by Ben Clement.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“When eyes, ears and mouths are fed with care and intention, people tend to trust you, walk with you. Careless food reeks of mediocrity, so when it is nurtured, exalted, people take notice.” \\u2013 Fred Mora and Lauren Stephens, Long Prawn<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Looking ahead, how do you see food design evolving as a field? Are there emerging cultural shifts, technologies, or design thinking trends that feel especially influential, and how does Long Prawn aim to lead or respond to them?<\\/p>\\n

FM\\/LS: Over the past 11 years of keeping a rolling boil of projects, it\\u2019s been brilliant to see new practices bubbling up in this space; both locally and abroad. While we were happy to be toiling in a less ploughed field, I don\\u2019t think the idiom of \\u2018too many cooks in the kitchen\\u2019 stands here, with a more mainstream and welcomed understanding of food as critical cultural fodder, and more voices, more stories, more attention and care and flavour. Really, we just hanker to eat better, have less crooked food systems, and see food stories that are beautiful, or painful and important, or totally clownish. No one is immune to trends, yet we always try to seek knowledge or ideas that may have fallen out of fashion, by the wayside. The crumbs off the side of the plate, knowledge of antiquity, and our history and older folks can share this with us; it\\u2019s honestly the stuff worth paying attention to.<\\/p>\\n

HT: Fred, Lauren \\u2013 thanks for your time.<\\/p>\\n

FM\\/LS: Thanks Hayley!<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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\\r\\n04.09.25\",\"listing_description\":\"

Suzy Annetta is a Melbourne-born curator and the Founder & Publisher of Design Anthology \\u2013 an independent design and architecture magazine with a strong international following. Based in Hong Kong for over 18 years, Suzy is a recognised authority on regional design who sits on advisory panels, judges international design awards, and contributes to books, interviews, television, podcasts, and live events, all while championing a refined, narrative-driven approach to showcasing the best of Asian and global design.<\\/p>\\n\",\"hero_image\":{\"ID\":1919,\"id\":1919,\"title\":\"Suzy Annetta\",\"filename\":\"Suzy-Annetta.jpg\",\"filesize\":3044168,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/suzy-annetta-on-the-value-of-design\\/suzy-annetta\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"suzy-annetta\",\"status\":\"inherit\",\"uploaded_to\":1918,\"date\":\"2025-08-07 22:01:20\",\"modified\":\"2025-08-07 22:01:20\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

\\u2013<\\/p>\\n

Suzy Annetta<\\/a> is a Melbourne-born curator and the Founder & Publisher of Design Anthology<\\/a> \\u2013 an independent design and architecture magazine with a strong international following. Based in Hong Kong for over 18 years, Suzy<\\/a> is a recognised authority on regional design who sits on advisory panels, judges international design awards, and contributes to books, interviews, television, podcasts, and live events, all while championing a refined, narrative-driven approach to showcasing the best of Asian and global design.<\\/p>\\n

Portrait by Gavin Green<\\/a>. <\\/p>\\n

\\u2013<\\/p>\\n

The Value of Design by Suzy Annetta<\\/a><\\/p>\\n

Do we really need another chair? <\\/p>\\n

I often find myself asking this question. After more than a decade as the founding Editor-in-Chief of Design Anthology<\\/a> and as the curator of EMERGE<\\/a> (an initiative of the DesignSingapore Council<\\/a>), I\\u2019ve seen hundreds of new products, installations, and collections launched into the world. Some are clever, some are beautiful, some are even groundbreaking. But if I\\u2019m honest, I\\u2019ve sometimes wondered \\u2014 do we really need another chair, another lamp, another coffee table?<\\/p>\\n

And yet, I keep falling in love.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1926,\"id\":1926,\"title\":\"DA copy\",\"filename\":\"DA-copy.jpg\",\"filesize\":1695966,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/suzy-annetta-on-the-value-of-design\\/da-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"da-copy\",\"status\":\"inherit\",\"uploaded_to\":1918,\"date\":\"2025-08-11 23:24:17\",\"modified\":\"2025-08-11 23:24:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/DA-copy-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Design Anthology magazine, founded by Suzy Annetta in 2014.
\\nPhotograph courtesy of Design Anthology. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The ones that stay with me, that I can\\u2019t forget weeks or even years later, are never the purely functional ones. They\\u2019re the pieces that tell a story \\u2013 objects that somehow carry with them a narrative, a sense of place, a glimpse into a designer\\u2019s mind or heart. Design, for me, has always been about more than just use or beauty. Its real value lies in its emotional resonance, in its ability to communicate, connect, and even educate.<\\/p>\\n

I think of the first time I encountered the work of Trent Jansen<\\/a>. His objects are like physical folktales, each embedded with Australian history and culture, sometimes playful, sometimes confronting. Or Fernando Laposse<\\/a>, who transforms humble materials like corn husks and sisal into richly textured works that speak of environmental stewardship and traditional craft in his native Mexico. Formafantasma<\\/a>, too, come to mind \\u2014 their work is an ongoing investigation into material, history, and ecology, where every object feels like a carefully considered argument about how we might live more responsibly in the future.<\\/p>\\n

These are objects that ask you to slow down, to look closer, to listen.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Design, for me, has always been about more than just use or beauty. Its real value lies in its emotional resonance, in its ability to communicate, connect, and even educate.” \\u2013 Suzy Annetta <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1922,\"id\":1922,\"title\":\"Trent_02\",\"filename\":\"Trent_02.jpg\",\"filesize\":2197659,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/suzy-annetta-on-the-value-of-design\\/trent_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"trent_02\",\"status\":\"inherit\",\"uploaded_to\":1918,\"date\":\"2025-08-07 22:52:49\",\"modified\":\"2025-08-07 22:52:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Pankalangu Cabinet by Trent Jansen for Broached Monsters, 2017.
\\nPhotograph by Michael Corridore.<\\/p>\\n\"},{\"image\":{\"ID\":1921,\"id\":1921,\"title\":\"Trent_01\",\"filename\":\"Trent_01.jpg\",\"filesize\":3014361,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/suzy-annetta-on-the-value-of-design\\/trent_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"trent_01\",\"status\":\"inherit\",\"uploaded_to\":1918,\"date\":\"2025-08-07 22:52:41\",\"modified\":\"2025-08-07 22:52:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Trent_01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Pankalangu Armchair by Trent Jansen for Broached Monsters, 2017.
\\nPhotograph by Michael Corridore.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Through my work in design publishing, I\\u2019ve had the privilege of meeting countless designers like these \\u2013 people who see their practice as a form of storytelling. Covering their work in Design Anthology<\\/a> was never just about photographing a beautiful piece against a white backdrop. It was about uncovering the why behind it. Who made it? Why did they make it this way? What does it carry with it into the world?<\\/p>\\n

I\\u2019ve come to realise that storytelling is not just what gives design emotional weight \\u2013 it\\u2019s what gives design longevity. In a world drowning in stuff, the things that matter are the things that mean something. A chair that may recall a dream-like state, or a material experiment that reveals a possible sustainable future\\u2014that\\u2019s the kind of design people keep, cherish, and pass on.<\\/p>\\n

There\\u2019s also something quietly radical about this. In the face of overproduction and overconsumption, storytelling in design asks us to pause and reflect. It reminds us that objects are not just things but vessels: of culture, of memory, of future possibility. A lamp can illuminate the story of a disappearing craft. A vase can tell you about a threatened ecosystem. A chair can speak softly of the world you hope to live in.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019ve come to realise that storytelling is not just what gives design emotional weight \\u2013 it\\u2019s what gives design longevity. In a world drowning in stuff, the things that matter are the things that mean something.” \\u2013 Suzy Annetta<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1927,\"id\":1927,\"title\":\"FF__02\",\"filename\":\"FF__02.jpg\",\"filesize\":2663222,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/suzy-annetta-on-the-value-of-design\\/ff__02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ff__02\",\"status\":\"inherit\",\"uploaded_to\":1918,\"date\":\"2025-08-11 23:25:15\",\"modified\":\"2025-08-11 23:25:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Botanica I by Formafantasma, 2011.
\\nPhotograph by Luisa Zanzani.<\\/p>\\n\"},{\"image\":{\"ID\":1928,\"id\":1928,\"title\":\"FF__01\",\"filename\":\"FF__01.jpg\",\"filesize\":2979596,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/suzy-annetta-on-the-value-of-design\\/ff__01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ff__01\",\"status\":\"inherit\",\"uploaded_to\":1918,\"date\":\"2025-08-11 23:25:35\",\"modified\":\"2025-08-11 23:25:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/FF__01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Botanica V by Formafantasma, 2011.
\\nPhotograph by Luisa Zanzani.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1925,\"id\":1925,\"title\":\"Fernando Laposse\",\"filename\":\"Fernando-Laposse.jpg\",\"filesize\":1711529,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/suzy-annetta-on-the-value-of-design\\/fernando-laposse\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fernando-laposse\",\"status\":\"inherit\",\"uploaded_to\":1918,\"date\":\"2025-08-08 06:49:42\",\"modified\":\"2025-08-08 06:49:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Fernando-Laposse-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

The Pink Furry armchair by Fernando Laposse, 2022.
\\nPhotograph by Timothy Doyon. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I suppose that\\u2019s why I keep doing what I do. Even when I\\u2019m tempted to roll my eyes at yet another press release for yet another furniture launch, I can\\u2019t help but open it, curious to see if there\\u2019s a story waiting for me. And when I find it\\u2014when an object reveals itself to be more than a sum of materials and functions\\u2014I feel that familiar spark. It\\u2019s the feeling of connection.<\\/p>\\n

Design\\u2019s true value, I think, is in its ability to connect us: to each other, to our histories, to the environments we inhabit, and to the futures we want to imagine. It\\u2019s a bridge between the everyday and the extraordinary, between the tangible and the intangible. When it works, design isn\\u2019t just a reflection of its time \\u2014 it\\u2019s a sign of what\\u2019s to come.<\\/p>\\n

So yes, perhaps we do need another chair \\u2013 if it\\u2019s a chair that tells a story.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Design\\u2019s true value, I think, is in its ability to connect us: to each other, to our histories, to the environments we inhabit, and to the futures we want to imagine.” \\u2013 Suzy Annetta<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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%%sitename%%\",\"metadesc-tax-disciplines\":\"\",\"noindex-tax-disciplines\":false,\"taxonomy-disciplines-ptparent\":0},\"social\":{\"facebook_site\":\"\",\"instagram_url\":\"\",\"linkedin_url\":\"\",\"myspace_url\":\"\",\"og_default_image\":\"\",\"og_default_image_id\":\"\",\"og_frontpage_title\":\"\",\"og_frontpage_desc\":\"\",\"og_frontpage_image\":\"\",\"og_frontpage_image_id\":\"\",\"opengraph\":true,\"pinterest_url\":\"\",\"pinterestverify\":\"\",\"twitter\":true,\"twitter_site\":\"\",\"twitter_card_type\":\"summary_large_image\",\"youtube_url\":\"\",\"wikipedia_url\":\"\"}},\"title\":\"Suzy Annetta on The Value of Design - Neil Hugh Office\",\"description\":\"\",\"opengraph_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta-960x1200.jpg\",\"opengraph_title\":\"Suzy Annetta on The Value of Design - Neil Hugh Office\",\"opengraph_description\":\"\",\"twitter_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/08\\/Suzy-Annetta-960x1200.jpg\",\"twitter_title\":\"Suzy Annetta on The Value of Design - Neil Hugh Office\",\"twitter_description\":\"\"}}","title":"Suzy Annetta on The Value of Design","slug":"suzy-annetta-on-the-value-of-design","publishedDateUnix":1756977886},{"acf_json":"{\"type\":{\"term_id\":19,\"name\":\"Book Club\",\"slug\":\"book-club\",\"term_group\":0,\"term_taxonomy_id\":18,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":10,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":false,\"sub_title\":\"Book Club\",\"title_override\":\"Retain, Repair, Reinvest
\\r\\nIn Conversation with Steve Mintern of OFFICE
\\r\\n31.07.25 \",\"listing_description\":\"

OFFICE is a not-for-profit multidisciplinary design and research practice based in Melbourne. Its projects span the intersections of built form, research, discourse and education. As a registered charity, the studio\\u2019s operations, processes, and outputs are bound by a constitution to make projects for the public good. The practice\\u2019s latest book, Retain, Repair, Reinvest, is essential reading for all who care about equitable housing provision.<\\/p>\\n\",\"hero_image\":{\"ID\":1901,\"id\":1901,\"title\":\"Ascot Vale_0032\",\"filename\":\"Ascot-Vale_0032.jpg\",\"filesize\":4167268,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/ascot-vale_0032\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ascot-vale_0032\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-10 23:50:35\",\"modified\":\"2025-07-10 23:50:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0032-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

OFFICE<\\/a> is a not-for-profit multidisciplinary design and research practice based in Melbourne. Its projects span the intersections of built form, research, discourse and education. As a registered charity, the studio\\u2019s operations, processes, and outputs are bound by a constitution to make projects for the public good.<\\/p>\\n

The practice\\u2019s latest book\\u2014Retain, Repair, Reinvest<\\/a>\\u2014is essential reading for all who care about equitable housing provision. Using Ascot Vale Estate as a case study, the book champions a \\u2018tenants first\\u2019 approach\\u2014advocating for the retention and renewal of public housing over demolition, while highlighting its social, environmental, and economic value. It suggests that a sustainable future requires us to rethink development by, as architect, scholar and urban designer Charlotte Malterre-Barthes succinctly suggests, \\u201cnot demolishing, not building new, building less, building with what exists, building differently, and caring for it.\\u201d<\\/p>\\n

NHO Writer and Producer, Hayley Tillett, recently sat down with OFFICE<\\/a>\\u2019s Steve Mintern to discuss Retain, Repair, Reinvest<\\/a>. This is their conversation.<\\/p>\\n

Photograph by Ben Hosking<\\/a>.<\\/p>\\n

Retain, Repair, Reinvest<\\/a> is available to purchase via Bookshop by Uro<\\/a> and other select bookshops.<\\/p>\\n

\\u2013<\\/p>\\n

HT: Hi Steve, thanks for joining me to discuss Retain, Repair, Reinvest<\\/a>. In the book\\u2019s foreword, planning activist and academic, Kate Shaw, outlines the premise of a \\u2018false choice binary,\\u2019 \\u201cwhere people renting in rundown dwellings in rundown neighbourhoods are faced with further decay or reinvestment requiring their displacement.\\u201d Retain, Repair, Reinvest<\\/a> presents a compelling alternative for working with what already exists. What prompted you and the OFFICE<\\/a> team to tackle this subject?<\\/p>\\n

SM: Kate Shaw did a lecture for our previous book, The Politics of Public Space<\\/a>, at the Carlton Public Housing Estate, which has gone through Victoria\\u2019s Public Housing Renewal Program<\\/a>. Large sections have been demolished with land sold off and redeveloped by private developers. Kate talks about the \\u2018false binary\\u2019 created by managed neglect \\u2013 how public housing, over the past 40 years, hasn\\u2019t been properly cared for or maintained by the government. It\\u2019s a deliberate act, where buildings are allowed to deteriorate to the point that demolition and redevelopment starts to feel like the only option.<\\/p>\\n

The estates in disrepair increase the stigma that the general population might have of public housing residents \\u2013 that they don\\u2019t care for their communities. In reality, it\\u2019s the government\\u2019s job to maintain those buildings as the owner and landlord. The residents, communities, support networks and mutual aid that occurs in public housing are remarkable, despite how the buildings are cared for. We\\u2019re interested in looking at alternative ways to consider refurbishment, redevelopment, and infill rather than razing estates to the ground, selling sites to the private market, and expecting developers to provide housing that\\u2014in a wealthy country like Australia\\u2014should be provided by the government to people in need.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1902,\"id\":1902,\"title\":\"Image-1-Front-Cover\",\"filename\":\"Image-1-Front-Cover.jpg\",\"filesize\":318169,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/image-1-front-cover\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"image-1-front-cover\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 00:08:55\",\"modified\":\"2025-07-11 00:08:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1121,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover-300x224.jpg\",\"medium-width\":300,\"medium-height\":224,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover.jpg\",\"medium_large-width\":768,\"medium_large-height\":574,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover-1200x897.jpg\",\"large-width\":1200,\"large-height\":897,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1121,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1121,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover.jpg\",\"full_width-width\":1500,\"full_width-height\":1121,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Image-1-Front-Cover.jpg\",\"medium2-width\":1500,\"medium2-height\":1121}},\"use_caption\":true,\"caption\":\"

The Politics of Public Space by OFFICE, 2020.
\\nPhotograph courtesy of OFFICE.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1914,\"id\":1914,\"title\":\"Ascot Vale_0027\",\"filename\":\"Ascot-Vale_0027.jpg\",\"filesize\":5573725,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/ascot-vale_0027\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ascot-vale_0027\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 03:07:25\",\"modified\":\"2025-07-11 03:07:25\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0027-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Ascot Vale Estate.
\\nPhotograph by Ben Hosking.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We\\u2019re interested in looking at alternative ways to consider refurbishment, redevelopment, and infill rather than razing estates to the ground, selling sites to the private market, and expecting developers to provide housing that\\u2014in a wealthy country like Australia\\u2014should be provided by the government to people in need.” \\u2013 Steve Mintern<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: How was Ascot Vale Estate identified as a feasibility study?<\\/p>\\n

SM: We were working with people in the Save Public Housing Collective<\\/a> \\u2013 a group of volunteers, residents, housing activists, and community members concerned about the future of public housing. Through them, we connected with the residents at Ascot Vale, including Clare Hanson, who invited us to visit the estate, which was slated for demolition at the time. The buildings are incredible \\u2013 designed by Best Overend, the architect behind the much-loved Cairo Flats. If they were in Fitzroy, they\\u2019d be million-dollar apartments, but because they\\u2019re public housing, they\\u2019re dismissed as \\u2018not fit for purpose\\u2019 and marked for demolition.<\\/p>\\n

HT: That seems so counterintuitive. How did you begin collaborating with the residents in Save Ascot Vale Estate (S.A.V.E.) to develop the Retain, Repair, Reinvest (RRR) model?<\\/p>\\n

SM: We spent a lot of time at the estate. Clare’s clear with her opinions, but there were plenty of strong advocates in the community who we connected with. A part of Ascot Vale had already been demolished and sold off, so there was mounting fear that would happen to the entire estate \\u2013 which is huge, 57 buildings. We set up a range of different sessions\\u2014drop-in workshops and gatherings around the picnic table\\u2014to reach people in different ways and meet them where they are.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1903,\"id\":1903,\"title\":\"Claire\",\"filename\":\"Claire.jpg\",\"filesize\":5749702,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/claire\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"claire\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 00:16:39\",\"modified\":\"2025-07-11 00:16:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Claire-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Ascot Vale Estate resident, Clare Hanson.
\\nPhotograph by Ben Hosking.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1904,\"id\":1904,\"title\":\"Ascot Vale_0011\",\"filename\":\"Ascot-Vale_0011.jpg\",\"filesize\":4432088,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/ascot-vale_0011\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ascot-vale_0011\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 00:17:14\",\"modified\":\"2025-07-11 00:17:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0011-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Ascot Vale Estate, designed by Best Overend.
\\nPhotograph by Ben Hosking.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The buildings are incredible \\u2013 designed by Best Overend, the architect behind the much-loved Cairo Flats. If they were in Fitzroy, they\\u2019d be million-dollar apartments, but because they\\u2019re public housing, they\\u2019re dismissed as \\u2018not fit for purpose\\u2019 and marked for demolition.” \\u2013 Steve Mintern<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: The book states that an estimated 20 percent of Ascot Vale Estate is vacant due to lack of maintenance and repair \\u2013 \\u201ca huge government failure to leave dwellings empty during a housing crisis,\\u201d particularly given the 70,000+ people on the public housing waitlist. This includes the book\\u2019s pilot site at 42 Ascot Street. What led to this building being left unused for so long, and what does it say about the broader approach to public housing in Victoria?<\\/p>\\n

SM: There was a fire in the 42 Ascot Street building maybe three or four years before we started doing work there, and it was vacant until the building was renovated in 2022. So, that’s a full block of flats empty because the roof needs to be replaced. That\\u2019s not a huge amount of work, and it would mean that all these dwellings are now homes for people. It\\u2019s a perfect case study of why public housing has vacancy rates, which is deeply concerning as the waitlist is so long.<\\/p>\\n

Public housing is the most important element in solving the housing crisis. You house the people who need housing \\u2013 it\\u2019s not complicated, right? Making luxury apartments does not fix the housing crisis because housing doesn’t trickle down. The intentional neglect of public housing is an excuse for demolition, and the amount of public housing being built is sharply in decline.<\\/p>\\n

We are barely building any new public housing in Victoria, and we’re demolishing the stuff we do have in favour of privatisation. We\\u2019re in a neoliberal country and neoliberal state. Australian governments typically sell off services and infrastructure\\u2014water, power, Telstra in the 90s\\u2014and public housing is much the same. It\\u2019s another type of community infrastructure \\u2013 a necessity and basic human right that people need to live.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1905,\"id\":1905,\"title\":\"Ascot Vale_fire\",\"filename\":\"Ascot-Vale_fire.jpg\",\"filesize\":2299355,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/ascot-vale_fire\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ascot-vale_fire\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 00:30:26\",\"modified\":\"2025-07-11 00:30:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_fire-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Fire damage at 42 Ascot Street.
\\nPhotograph courtesy of OFFICE.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Public housing is the most important element in solving the housing crisis. You house the people who need housing \\u2013 it\\u2019s not complicated, right? Making luxury apartments does not fix the housing crisis because housing doesn\\u2019t trickle down.” \\u2013 Steve Mintern<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Absolutely. I love economist and public policy commentator Richard Denniss\\u2019 emphatic analysis of this in the book: \\u201cThe economics suggest the public sector should be the optimal developer of housing in Australia\\u2026 Does the government own lots of land? Yes. Are they in charge of rezoning land? Yes. Can they borrow cheaper than any property developer? Yes. Can they go to the same market for builders and say, \\u2018Can you construct this building?\\u2019 Yes. Can they put tenants in it? Yes. Where\\u2019s the magic? What skills do developers have over governments?\\u201d Why is this simple equation being overcomplicated and overlooked?<\\/p>\\n

SM: I think that it comes down to will. It is possible. It is cheaper. It is better for the residents. It is better for the environment. So, then it comes down to why the government doesn’t want to do it. That’s the big question here in Victoria: why is the government so hell-bent on doing something that is a bad outcome by every single metric except for what the private property sector wants?<\\/p>\\n

HT: Meanwhile, community housing seems to be growing. What is the difference between community and public housing and what are your concerns with this trend?<\\/p>\\n

SM: Some community housing providers are great and some, we hear from residents, aren’t. Firstly, residents pay more in community housing\\u201430% of their household income, as opposed to 25% in public housing\\u2014which can significantly affect affordability, especially for people on low incomes. Residents can also be evicted from community housing without much notice, whereas public housing offers more security of tenure.<\\/p>\\n

Because community housing is not government owned, residents\\u2019 recourse for maintenance or safety issues is a lot less. There\\u2019s generally far less oversight, which, for vulnerable people, is particularly concerning. That might be fine if public housing was growing at the same rate to support this demographic, but it’s not. The government tends to use the word \\u2018social housing\\u2019 as a catchall for public, community and affordable housing and people assume it\\u2019s all government public housing, which it\\u2019s not.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1906,\"id\":1906,\"title\":\"Ascot Vale_0104\",\"filename\":\"Ascot-Vale_0104.jpg\",\"filesize\":5430839,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/ascot-vale_0104\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ascot-vale_0104\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 00:34:50\",\"modified\":\"2025-07-11 00:34:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0104-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Ascot Vale Estate.
\\nPhotograph by Ben Hosking.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The government tends to use the word \\u2018social housing\\u2019 as a catchall for public, community and affordable housing and people assume it\\u2019s all government public housing, which it\\u2019s not.” \\u2013 Steve Mintern<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: The book rightly calls out the problematic concept of \\u2018deconcentrating disadvantage.\\u2019 Why is this such an ineffective\\u2014and even harmful, strategy in your view?<\\/p>\\n

SM: The idea of \\u2018social mix\\u2019 is misleading and completely unproven, particularly in Australia. The term originates from the US, where big public housing estates have big issues. The idea is that if you put some middle-class people near the poor people, they suddenly realise: \\u2018Wow, I wish I wasn\\u2019t poor. Maybe I\\u2019ll be middle-class now.\\u2019 It\\u2019s incredibly patronising.<\\/p>\\n

The most effective way to de-concentrate disadvantage in public housing is to build more public housing to expand the demographic of those who live in it. In parts of Europe, where 20\\u201330 percent of the population lives in public housing, the stigma simply doesn\\u2019t exist. It\\u2019s the lack of public housing that creates the greater problem.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1915,\"id\":1915,\"title\":\"Ascot Vale_0274 copy\",\"filename\":\"Ascot-Vale_0274-copy.jpg\",\"filesize\":4758734,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/ascot-vale_0274-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ascot-vale_0274-copy\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 03:12:00\",\"modified\":\"2025-07-11 03:12:00\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2161,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy-300x216.jpg\",\"medium-width\":300,\"medium-height\":216,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":553,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy-1200x864.jpg\",\"large-width\":1200,\"large-height\":864,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1106,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1475,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy-2500x1801.jpg\",\"full_width-width\":2500,\"full_width-height\":1801,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Ascot-Vale_0274-copy-1600x1153.jpg\",\"medium2-width\":1600,\"medium2-height\":1153}},\"use_caption\":true,\"caption\":\"

Ascot Vale Estate.
\\nPhotograph by Ben Hosking.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The most effective way to de-concentrate disadvantage in public housing is to build more public housing to expand the demographic of those who live in it. In parts of Europe, where 20\\u201330 percent of the population lives in public housing, the stigma simply doesn\\u2019t exist.” \\u2013 Steve Mintern<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Tenant displacement is identified as a primary concern with renewal programs, with \\u2018right to return\\u2019 agreements not guaranteed, and new developments providing less amenity ie. fewer bedrooms for returning residents. In what ways is displacing public housing communities harmful?<\\/p>\\n

SM: One in 100 public housing residents will die from being forcibly displaced \\u2013 that\\u2019s startling and, sadly, in line with what we\\u2019ve witnessed through this project. There\\u2019s a huge amount of mutual aid that happens in these communities. People care for each other and know how to access the services and infrastructure they need. Some residents have lived in their homes for 20 years, so displacing them has a devastating effect on their sense of self, health and wellbeing. There\\u2019s also a cost to the education system by forcibly displacing kids out of schools.<\\/p>\\n

It’s a traumatic experience for a lot of people, especially with a lack of knowledge of where they’re going, how long they’re away for, or whether they\\u2019ll be returning at all. A lot of residents are recent migrants, people living with disabilities, people that have escaped domestic violence. In many cases, these people have just felt a sense of security and community, which is now being pulled away from them. When the demolition of 44 public housing towers across Melbourne was announced, residents found out on the news. It was unfathomable. Keeping residents on site during maintenance and redevelopment is better for them \\u2013 and, in a gross way, better for the economy.<\\/p>\\n

HT: I imagine the administrative load of relocating residents would be incredibly onerous.<\\/p>\\n

SM: Absolutely. And, if you demolish all the public housing, residents have to go somewhere else. So, the government is either filling up vacant public housing with existing residents, rather than those on the waitlist, or they\\u2019re renting or purchasing properties off the private market, driving up the cost of housing for everyone. It makes no economic sense in terms of our housing crisis. Imagine bidding against the state government at a private house auction.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“If you demolish all the public housing, residents have to go somewhere else. So, the government is either filling up vacant public housing with existing residents, rather than those on the waitlist, or they\\u2019re renting or purchasing properties off the private market, driving up the cost of housing for everyone. It makes no economic sense in terms of our housing crisis.” \\u2013 Steve Mintern<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1917,\"id\":1917,\"title\":\"RRR_AV_V2\",\"filename\":\"RRR_AV_V2.png\",\"filesize\":3339828,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/rrr_av_v2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"rrr_av_v2\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-21 23:37:03\",\"modified\":\"2025-07-21 23:37:03\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1920,\"height\":1080,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2-300x169.png\",\"medium-width\":300,\"medium-height\":169,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2.png\",\"medium_large-width\":768,\"medium_large-height\":432,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2-1200x675.png\",\"large-width\":1200,\"large-height\":675,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2.png\",\"1536x1536-width\":1536,\"1536x1536-height\":864,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2.png\",\"2048x2048-width\":1920,\"2048x2048-height\":1080,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2.png\",\"full_width-width\":1920,\"full_width-height\":1080,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_AV_V2-1600x900.png\",\"medium2-width\":1600,\"medium2-height\":900}},\"use_caption\":true,\"caption\":\"

Design render for 42 Ascot Street.
\\nImage courtesy of OFFICE.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Given 42 Ascot Street\\u2019s logical planning, original build quality and appropriate scale, what are some of the key design measures proposed for the revitalisation of the building?<\\/p>\\n

SM: We made minimal changes to respect the original architecture. The dwellings work well as they are, so we minimised demolition and prioritised simple upgrades to improve thermal performance \\u2013 replacing windows with double-glazing, improving sun-shading to windows, and investing in mechanical upgrades. We widened a few doorways to make them SDA compliant and installed a new lift core to make most of the apartments accessible by people with mobility issues. It\\u2019s a light set of works to bring the architecture up to contemporary standards.<\\/p>\\n

HT: UK-based architect Paul Karakusevic<\\/a> suggests balancing \\u201cradical refurbishment and radical infill\\u201d is essential to maximise the potential of existing, well-situated housing on large blocks. How could this strategy improve the Victorian Public Housing Renewal Program (PHRP)?<\\/p>\\n

SM: The vast majority of Victoria\\u2019s public housing are modernist estates surrounded by huge areas of grass, which isn\\u2019t particularly ecologically valuable or useful to people. There’s lots of opportunities for infill to increase density, upgrade the landscape to improve amenity for residents, and deal with some of the urban design issues that some of these estates are facing. Given we need more public housing and existing estates are already on government land, it\\u2019s a great place to start housing more people.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1916,\"id\":1916,\"title\":\"Aerial\",\"filename\":\"Aerial-1.jpg\",\"filesize\":4081706,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/aerial-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"aerial-2\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 03:14:08\",\"modified\":\"2025-07-11 03:14:08\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Aerial-1-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Ascot Vale Estate, aerial view.
\\nPhotograph courtesy of OFFICE.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: It seems to make sense for sequencing too \\u2013 new dwellings can be built on site, and existing residents can be relocated to a new apartment in the same estate, while their original dwelling is being upgraded. In what other ways do you feel that prioritising retention over demolition elevates the role of design?<\\/p>\\n

SM: Sequencing is a big advantage. Internationally, a lot of award-winning projects are refurbishments and retrofits. In 2021, The Pritzker Architecture Prize<\\/a> was awarded to Anne Lacaton and Jean-Philippe Vassal<\\/a>, who are known for their humane approach to public and social housing, and their emphasis on refurbishment over demolition.<\\/p>\\n

Australia is a bit of a way behind, as we are often with these things. We need to understand the subtlety of reuse, where we are as a society, where we are in a climate crisis, and that we can’t demolish buildings that are good just because we want to put up something new and shiny that might be easier than dealing with an existing building or an existing community. Seeing the value of working with existing buildings that have good bones to bring them up to contemporary standards is an interesting challenge and should be a standard practice in the 21st century.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1910,\"id\":1910,\"title\":\"Grand Parc\",\"filename\":\"Grand-Parc.jpg\",\"filesize\":2394550,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/grand-parc\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"grand-parc\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 01:11:10\",\"modified\":\"2025-07-11 01:11:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2175,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc-300x218.jpg\",\"medium-width\":300,\"medium-height\":218,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc.jpg\",\"medium_large-width\":768,\"medium_large-height\":557,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc-1200x870.jpg\",\"large-width\":1200,\"large-height\":870,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1114,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1485,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc-2500x1813.jpg\",\"full_width-width\":2500,\"full_width-height\":1813,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/Grand-Parc-1600x1160.jpg\",\"medium2-width\":1600,\"medium2-height\":1160}},\"use_caption\":true,\"caption\":\"

Grand Parc Bordeaux by Lacaton & Vassal \\u2013 a significant renovation of 530 public housing units across three 10-storey buildings.
\\nPhotograph by Philippe Ruault.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We need to understand the subtlety of reuse, where we are as a society, where we are in a climate crisis, and that we can’t demolish buildings that are good just because we want to put up something new and shiny that might be easier than dealing with an existing building or an existing community.” \\u2013 Steve Mintern<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: It\\u2019s heartening to see public housing projects being acknowledged on the world stage. How does OFFICE<\\/a> hope to evolve its practice and pursue further reparative projects in the future?<\\/p>\\n

SM: We’re currently working on another Retain, Repair, Reinvest project in Sydney at the Waterloo Public Housing Estate \\u2013 an enormous estate with an interesting community to engage with. We\\u2019re finding Sydney to be much more progressive with their housing policies compared to Melbourne \\u2013 they build new public housing and are much more open to retrofits and refurbishment projects.<\\/p>\\n

Ultimately, we\\u2019d love to design these projects as an architecture and landscape practice. We want to enact the research work we\\u2019ve done and work with communities to achieve built outcomes that prove what we\\u2019re saying is possible. There’s only so long we can release reports \\u2013 the evidence is there, so bringing these principles into the real world is the real aim.<\\/p>\\n

HT: Steve, thank you for your time. It\\u2019s been a pleasure.<\\/p>\\n

SM: Thank you.<\\/p>\\n

\\u2013<\\/p>\\n

Retain, Repair, Reinvest<\\/a> is available to purchase via Bookshop by Uro<\\/a> and other select bookshops.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1913,\"id\":1913,\"title\":\"RRR_cover\",\"filename\":\"RRR_cover.jpg\",\"filesize\":2151791,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/07\\/RRR_cover.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/retain-repair-reinvest-with-steve-mintern\\/rrr_cover\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"rrr_cover\",\"status\":\"inherit\",\"uploaded_to\":1900,\"date\":\"2025-07-11 02:21:36\",\"modified\":\"2025-07-11 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\\r\\n10.06.25\",\"listing_description\":\"

Although I spent 4 years studying design at university, I wouldn\\u2019t call myself particularly well-versed in design history. I never spent much time exploring the mid-century period, and I\\u2019ve never been interested in visiting the Milan Furniture Fair. Truthfully, I could tell you more about a spoon maker in Coburg than I could about the legacy of Charles and Ray Eames. Design, for me, has always been about those in my immediate vicinity. <\\/p>\\n\",\"hero_image\":{\"ID\":1887,\"id\":1887,\"title\":\"DH\",\"filename\":\"DH.jpg\",\"filesize\":1290463,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/dh\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"dh\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 04:34:29\",\"modified\":\"2025-06-03 04:34:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/DH-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060 <\\/p>\\n

\\u2013 <\\/p>\\n

We\\u2019re excited to share the reflections of Dale Hardiman<\\/a>, as he considers his ongoing passion for cultivating community in design. Dale<\\/a> is a Melbourne based designer\\u2014co-founder of furniture and object brand, Dowel Jones<\\/a>, and collaborative project, Friends & Associates<\\/a>. Dale<\\/a>\\u2019s work explores the social, ecological and political life of materials and the systems through which they are made and supplied. His projects often interrogate the notion of place and how designed goods and systems are ultimately informed by people and communities exercising values, behaviours and attitudes towards resources and supply chains. Dale<\\/a> works across various fields, including furniture, lighting and accessory design, event and exhibition design, facilitation, art direction and branding, and is regularly invited to speak on industry panels. <\\/p>\\n

Portrait by Kristoffer Paulsen<\\/a>. <\\/p>\\n

\\u2013 <\\/p>\\n

The Value of Design by Dale Hardiman<\\/a>.<\\/p>\\n

Although I spent 4 years studying design at university, I wouldn\\u2019t call myself particularly well-versed in design history. I never spent much time exploring the mid-century period, and I\\u2019ve never been interested in visiting the Milan Furniture Fair<\\/a>. Truthfully, I could tell you more about a spoon maker in Coburg than I could about the legacy of Charles and Ray Eames<\\/a>. Design, for me, has always been about those in my immediate vicinity. <\\/p>\\n

Peers often speak about their impressive design collections\\u2014owning a Pesce<\\/a> vase or a Castiglioni<\\/a> light\\u2014truly beautiful objects. But if you visited my home, you\\u2019d find works by Liam Fleming<\\/a>, Andrew Carvolth<\\/a>, Claudia Lau<\\/a>, and Alterfact Studio<\\/a> \\u2013 all local creatives practicing today.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1894,\"id\":1894,\"title\":\"GraftVase\",\"filename\":\"GraftVase.jpg\",\"filesize\":3598375,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/graftvase\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"graftvase\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:17:49\",\"modified\":\"2025-06-03 05:17:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/GraftVase-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Graft Vase by Liam Fleming, 2018.
\\nPhotograph by Grant Hancock.<\\/p>\\n\"},{\"image\":{\"ID\":1895,\"id\":1895,\"title\":\"CL\",\"filename\":\"CL.jpg\",\"filesize\":3698561,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/cl\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cl\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:22:22\",\"modified\":\"2025-06-03 05:22:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/CL-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Blooming Tower by Claudia Lau, 2023.
\\nPhotograph courtesy of Claudia Lau. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Truthfully, I could tell you more about a spoon maker in Coburg than I could about the legacy of Charles and Ray Eames<\\/a>. Design, for me, has always been about those in my immediate vicinity.” \\u2013 Dale Hardiman<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Sixteen years ago, I moved from Bendigo to Melbourne with my now-wife. None of our friends had relocated yet, so we arrived in a city where we knew no one. I\\u2019d only just taken an interest in furniture design and was still unaware of the designers already practicing in Australia. In my first year of university, I decided to take a gamble and email some established creatives\\u2014one of them was Ross Gardam<\\/a>, who agreed to meet me for a coffee. <\\/p>\\n

We continued to catch up every so often, with Ross<\\/a> sharing thoughts on my university projects and the work he was developing. Little did I know I was speaking with one of the country\\u2019s most respected designers\\u2014someone who spent hours discussing my (frankly terrible) student work with no clear benefit to himself. On reflection, those early conversations shaped my career trajectory. They sparked my belief in collaborative practice and the value of generosity in design.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1888,\"id\":1888,\"title\":\"RossGardam\",\"filename\":\"RossGardam.jpg\",\"filesize\":2617986,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/rossgardam\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"rossgardam\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 04:39:36\",\"modified\":\"2025-06-03 04:39:36\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/RossGardam-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Australian designer, Ross Gardam.
\\nPhotograph by Haydn Cattach.<\\/p>\\n\"},{\"image\":{\"ID\":1889,\"id\":1889,\"title\":\"Hemera\",\"filename\":\"Hemera.jpg\",\"filesize\":1579839,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/hemera\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hemera\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 04:45:29\",\"modified\":\"2025-06-03 04:45:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Hemera-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Hemera Desk Lamp by Ross Gardam, 2019.
\\nPhotograph courtesy of Ross Gardam. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Between 2013 and 2016, I organised five group exhibitions, then began working with Tom Skeehan<\\/a> on a new project: Friends & Associates<\\/a>. The name was crucial to the way we worked. ‘Friends’ reflected the values we sought in creative relationships\\u2014honesty, integrity, supportiveness, humility\\u2014while ‘Associates’ acknowledged the business and economic realities of design. <\\/p>\\n

Through the project, we\\u2019ve collaborated with over 300 creatives across Australia, helping to support the creation of an enormous body of work, some of which now sits in permanent institutional collections, all without us ever taking a commission on sales. This year, we presented our 13th exhibition, 100 LIGHTS<\\/a>, showcasing lighting by 100 Australian creatives, including works by Elliat Rich<\\/a>, Thomas Maxam Studio<\\/a>, Marlo Lyda<\\/a>, Another Bureau of Design<\\/a>, and Foolscap Studio<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1898,\"id\":1898,\"title\":\"100Lights04\",\"filename\":\"100Lights04.jpg\",\"filesize\":3803058,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/100lights04\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"100lights04\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:56:28\",\"modified\":\"2025-06-03 05:56:28\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights04-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

100 LIGHTS by Friends & Associates, 2025.
\\nPhotograph by Sean Fennessy.<\\/p>\\n\"},{\"image\":{\"ID\":1891,\"id\":1891,\"title\":\"100Lights02\",\"filename\":\"100Lights02.jpg\",\"filesize\":4633591,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/100lights02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"100lights02\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 04:53:10\",\"modified\":\"2025-06-03 04:53:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/100Lights02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

100 LIGHTS by Friends & Associates, 2025.
\\nPhotograph by Sean Fennessy.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1899,\"id\":1899,\"title\":\"Portrait\",\"filename\":\"Portrait.jpg\",\"filesize\":2377588,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/portrait\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"portrait\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:56:33\",\"modified\":\"2025-06-03 05:56:33\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/Portrait-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Dale Hardiman & Tom Skeehan at 100 LIGHTS, 2025.
\\nPhotograph by Sean Fennessy. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We\\u2019ve collaborated with over 300 creatives across Australia, helping to support the creation of an enormous body of work, some of which now sits in permanent institutional collections, all without us ever taking a commission on sales.” \\u2013 Dale Hardiman<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Design has the power to create movements, cultivate communities, and build lasting friendships. If we\\u2019re not personally invested in initiating these forms of collaboration and support, how can we expect others to be? As I\\u2019ve grown older and gained experience through these collaborative endeavours, my understanding of \\u2018good design\\u2019 has shifted. Originally it was shaped by aesthetics and innovation, now\\u2014in my mid-thirties\\u2014I\\u2019m far more interested in personal storytelling. I think about how narratives can be imbued in objects, which influences my personal affection towards them, even if the object is \\u2018ugly.\\u2019<\\/p>\\n

We now live in a time that encourages highly individual personal style, yet we can be influenced by arbitrary metrics invented by corporations to gauge whether our work is good, based on the level of engagement it receives on social media platforms. Globalisation has made it easy to ship goods from anywhere in the world, often with little concern for environmental impact. Many companies continue to manufacture offshore under the guise of \\u2018making design accessible\\u2019 \\u2013 but is this just a cover to maximise profit in an age where anything can be shipped anywhere? <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1892,\"id\":1892,\"title\":\"AWorld01\",\"filename\":\"AWorld01.jpg\",\"filesize\":3260867,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/aworld01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"aworld01\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:00:05\",\"modified\":\"2025-06-03 05:00:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Drift by Tom Fereday [front] and A Suggestion of a Possibility by Nat Turnbull [rear] at A World We Don’t Want by Friends & Associates, 2021.
\\nPhotograph by Kristoffer Paulsen.<\\/p>\\n\"},{\"image\":{\"ID\":1893,\"id\":1893,\"title\":\"AWorld02\",\"filename\":\"AWorld02.jpg\",\"filesize\":2750340,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/aworld02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"aworld02\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:00:12\",\"modified\":\"2025-06-03 05:00:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/AWorld02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Tailings by Andrew Carvolth at A World We Don’t Want by Friends & Associates, 2021.
\\nPhotograph by Kristoffer Paulsen.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1896,\"id\":1896,\"title\":\"WL01\",\"filename\":\"WL01.jpg\",\"filesize\":3179621,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/wl01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wl01\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:43:43\",\"modified\":\"2025-06-03 05:43:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Welcome to Wasteland by Friends & Associates, 2019.
\\nPhotograph by Josh Robenstone. <\\/p>\\n\"},{\"image\":{\"ID\":1897,\"id\":1897,\"title\":\"WL02\",\"filename\":\"WL02.jpg\",\"filesize\":2241698,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dale-hardiman-on-the-value-of-design\\/wl02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wl02\",\"status\":\"inherit\",\"uploaded_to\":1886,\"date\":\"2025-06-03 05:43:48\",\"modified\":\"2025-06-03 05:43:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/06\\/WL02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Welcome to Wasteland by Friends & Associates, 2019.
\\nPhotograph by Josh Robenstone. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Design has the power to create movements, cultivate communities, and build lasting friendships. If we\\u2019re not personally invested in initiating these forms of collaboration and support, how can we expect others to be?” \\u2013 Dale Hardiman<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

If I\\u2019ve learnt anything over the past ten years in design, it\\u2019s that creatives are inherently social. Even the shortest conversation with someone still studying or just starting out can bolster their confidence to continue producing work for years into the future. It\\u2019s heartening to see more Australian designers interested in presenting their work locally\\u2014a shift from my early years, when showing in Milan was seen as the only path to gain recognition back home. <\\/p>\\n

Design is inherently political. Good design is also moral and ethical. I\\u2019m not a writer, nor a public commentator, but what I do know is that we can all support others without needing anything in return. 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As part of our ongoing commitment to learning and reconciliation, we recently invited a group of clients to join us for a guided tour of the National Gallery of Victoria\\u2019s Wurrdha Marra<\\/a> collection, led by First Nations Curator, Edwina Green.<\\/p>\\n\",\"hero_image\":{\"ID\":1840,\"id\":1840,\"title\":\"Bark Salon\",\"filename\":\"Bark-Salon.jpg\",\"filesize\":3003644,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/bark-salon\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bark-salon\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 02:25:16\",\"modified\":\"2025-03-25 02:25:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Bark-Salon-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

As part of our ongoing commitment to learning and reconciliation, we recently invited a group of clients to join us for a guided tour of the National Gallery of Victoria\\u2019s Wurrdha Marra<\\/a> collection, led by First Nations Curator, Edwina Green. The experience provided a rich and layered exploration of contemporary Indigenous art and design, offering insight into the ways First Nations artists express Country, culture, and connection through materiality, form, and storytelling. <\\/p>\\n

The ever-evolving Wurrdha Marra<\\/a> exhibition space, meaning \\u2018Many Mobs\\u2019 in the Wurundjeri Woi Wurrung language, occupies the ground floor and foyer of The Ian Potter Centre and features emerging to senior artists from different time periods and regions. The collection celebrates the diversity of First Nations art and design, fostering visual dialogues and juxtapositions that connect audiences with the many Aboriginal and Torres Strait Islander communities across the Country. <\\/p>\\n

Photograph (above) by Sean Fennessy. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1848,\"id\":1848,\"title\":\"8\",\"filename\":\"8.jpg\",\"filesize\":762784,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/8-4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"8-4\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 02:34:27\",\"modified\":\"2025-03-25 02:34:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1439,\"height\":1799,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8.jpg\",\"2048x2048-width\":1439,\"2048x2048-height\":1799,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8.jpg\",\"full_width-width\":1439,\"full_width-height\":1799,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/8.jpg\",\"medium2-width\":1439,\"medium2-height\":1799}},\"use_caption\":true,\"caption\":\"

Janyinki Jukurrpa and Ngalyipi manu karnta Jukurrpa (Snake vine and women’s Dreaming), 1986, by Beryl Napangardi Robertson, and Untitled, 1989, by Lindsay Bird Mpetyan (foreground).
\\nThe British Museum Series, 2024, by Matthew Harris (background).
\\nPhotograph by Tim Carrafa.<\\/p>\\n\"},{\"image\":{\"ID\":1847,\"id\":1847,\"title\":\"7\",\"filename\":\"7.jpg\",\"filesize\":467530,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/7-4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"7-4\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 02:33:17\",\"modified\":\"2025-03-25 02:33:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7.jpg\",\"full_width-width\":1440,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/7.jpg\",\"medium2-width\":1440,\"medium2-height\":1800}},\"use_caption\":true,\"caption\":\"

Moving out of muteness, 2013, by Robert Andrew.
\\nPhotograph by Tim Carrafa. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1854,\"id\":1854,\"title\":\"6\",\"filename\":\"6-1.jpg\",\"filesize\":980425,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/6-7\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"6-7\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 04:04:35\",\"modified\":\"2025-03-25 04:04:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1.jpg\",\"full_width-width\":1440,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/6-1.jpg\",\"medium2-width\":1440,\"medium2-height\":1800}},\"use_caption\":true,\"caption\":\"

Boomerangs, 2023, by Keemon Williams.
\\nPhotography by Tim Carrafa.<\\/p>\\n\"},{\"image\":{\"ID\":1843,\"id\":1843,\"title\":\"3\",\"filename\":\"3.jpg\",\"filesize\":775496,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/3-6\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3-6\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 02:33:01\",\"modified\":\"2025-03-25 02:33:01\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3.jpg\",\"full_width-width\":1440,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/3.jpg\",\"medium2-width\":1440,\"medium2-height\":1800}},\"use_caption\":true,\"caption\":\"

Big yam Dreaming, 1995, by Kwementyay Kngwarreye.
\\nPhotograph by Tim Carrafa. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The experience provided a rich and layered exploration of contemporary Indigenous art and design, offering insight into the ways First Nations artists express Country, culture, and connection through materiality, form, and storytelling. <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The tour underscored the powerful intersection of Indigenous knowledge and contemporary design practice. From large-scale installations to intricate weavings and ceramics, the collection revealed deep narratives of resilience, innovation, and identity. Edwina\\u2019s thoughtful commentary illuminated the ways in which Indigenous artists challenge Western perspectives, embedding Country and ancestral knowledge into every aspect of their work. For our clients\\u2014many of whom shape the built environment\\u2014this was an opportunity to reflect on how these principles might inform a more meaningful, responsive approach to design. <\\/p>\\n

As a B Corp<\\/a> certified business, we see immense value in experiences that broaden perspectives and encourage deeper engagement with First Nations culture. The Wurrdha Marra<\\/a> tour was a timely reminder of the role that art and design play in shaping conversations about history, truth-telling, and reconciliation. <\\/p>\\n

We encourage others to visit the exhibition, fostering a greater appreciation for Indigenous artistry and its relevance to contemporary practice. For further details, visit the NGV<\\/a> website here<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1844,\"id\":1844,\"title\":\"4\",\"filename\":\"4.jpg\",\"filesize\":527298,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/4-6\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"4-6\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 02:33:06\",\"modified\":\"2025-03-25 02:33:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4.jpg\",\"full_width-width\":1440,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/4.jpg\",\"medium2-width\":1440,\"medium2-height\":1800}},\"use_caption\":true,\"caption\":\"

Seven Sisters Song, 2021, by Kaylene Whiskey.
\\nPhotograph by Tim Carrafa. <\\/p>\\n\"},{\"image\":{\"ID\":1841,\"id\":1841,\"title\":\"1\",\"filename\":\"1.jpg\",\"filesize\":924633,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/1-7\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"1-7\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 02:32:55\",\"modified\":\"2025-03-25 02:32:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1440,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1.jpg\",\"2048x2048-width\":1440,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1.jpg\",\"full_width-width\":1440,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/1.jpg\",\"medium2-width\":1440,\"medium2-height\":1800}},\"use_caption\":true,\"caption\":\"

Bark Salon, featuring a monumental display of 150 bark paintings from the NGV Collection.
\\nPhotograph by Tim Carrafa. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1851,\"id\":1851,\"title\":\"Car1\",\"filename\":\"Car1.jpg\",\"filesize\":2447449,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/car1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"car1\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 03:42:07\",\"modified\":\"2025-03-25 03:42:07\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Car1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Car, art and the landscape, 1990, by Marylin Brown Petyarr.
\\nPhotograph courtesy of NGV. <\\/p>\\n\"},{\"image\":{\"ID\":1853,\"id\":1853,\"title\":\"Tony Albert_Yabu\",\"filename\":\"Tony-Albert_Yabu.jpg\",\"filesize\":2802482,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/exploring-wurrdha-marra\\/tony-albert_yabu\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"tony-albert_yabu\",\"status\":\"inherit\",\"uploaded_to\":1839,\"date\":\"2025-03-25 03:49:02\",\"modified\":\"2025-03-25 03:49:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Tony-Albert_Yabu-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Yabu, 2020, by Tony Albert.
\\nPhotograph courtesy of Tony Albert.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

From large-scale installations to intricate weavings and ceramics, the collection revealed deep narratives of resilience, innovation, and identity… For our clients\\u2014many of whom shape the built environment\\u2014this was an opportunity to reflect on how these principles might inform a more meaningful, responsive approach to design. <\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\nIn Conversation with Alexis Kalagas
\\r\\n06.03.25\",\"listing_description\":\"

Alexis Kalagas works across urban strategy, research, design, and development, with a focus on housing, neighbourhoods, and urban futures. A former foreign policy advisor with the Department of the Prime Minister and Cabinet, he has contributed to social design projects worldwide with the Z\\u00fcrich-based Urban-Think Tank and, more recently, in Australia as head of public programs at Molonglo.<\\/p>\\n\",\"hero_image\":{\"ID\":1813,\"id\":1813,\"title\":\"Alexis+Headshot+Large\",\"filename\":\"AlexisHeadshotLarge.jpeg\",\"filesize\":115927,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/alexisheadshotlarge\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"alexisheadshotlarge\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-02-25 01:58:02\",\"modified\":\"2025-02-25 01:58:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":958,\"height\":1280,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge-225x300.jpeg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1026,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge-898x1200.jpeg\",\"large-width\":898,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge.jpeg\",\"1536x1536-width\":958,\"1536x1536-height\":1280,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge.jpeg\",\"2048x2048-width\":958,\"2048x2048-height\":1280,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge.jpeg\",\"full_width-width\":958,\"full_width-height\":1280,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/AlexisHeadshotLarge.jpeg\",\"medium2-width\":958,\"medium2-height\":1280}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Alexis Kalagas<\\/a> works across urban strategy, research, design, and development, with a focus on housing, neighbourhoods, and urban futures. A former foreign policy advisor with the Department of the Prime Minister and Cabinet, he has contributed to social design projects worldwide with the Z\\u00fcrich-based Urban-Think Tank<\\/a> and, more recently, in Australia as head of public programs at Molonglo<\\/a>. His work has been exhibited at the Seoul Biennale<\\/a> and Oslo Architecture Triennale<\\/a>, and his writing includes Reactivate Athens: 101 Ideas (2017).<\\/a><\\/p>\\n

Here, Hayley Tillett, Writer & Producer at NHO, sat down with Alexis<\\/a> to discuss his latest research examining the rise of solo living in Australia and his vision for a new generation of cooperative housing.<\\/p>\\n

Portrait courtesy of Willem-Dirk du Toit.<\\/span><\\/a><\\/p>\\n

\\u2013<\\/p>\\n

HT: Welcome, Alexis. Thanks for joining us. Can you tell us about your journey into urban strategy and research?<\\/p>\\n

AK: It\\u2019s probably a little unorthodox! I\\u2019ve always been fascinated by cities, but that interest didn\\u2019t immediately dovetail with my professional life. A key moment was being involved in something called the Broadmoor Project during an exchange semester in Boston. It was an initiative that matched teams of graduate students in design, public policy, business, law, and public health with a real-world client in New Orleans. The aim was to support long-term neighbourhood recovery after the devastation of Hurricane Katrina.<\\/p>\\n

It was a really instructive experience in understanding how, at its core, urban strategy is multi-layered, collaborative, and transdisciplinary. It’s never just spatial. Our client actually went on to become the first ever female mayor of New Orleans. I was studying in Geneva at the time, after a stint as a foreign policy advisor in Canberra, and working with NGOs involved in armed conflict resolution. Not too long after I moved to Z\\u00fcrich and joined an interdisciplinary design practice called Urban-Think Tank<\\/a>. That pivot really set me on my way.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1814,\"id\":1814,\"title\":\"\",\"filename\":\"1440533528_KatrinaFlooding.jpg\",\"filesize\":1059678,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/new-orleans-floodwaters\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"new-orleans-floodwaters\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-02-25 02:07:01\",\"modified\":\"2025-02-25 02:07:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2718,\"height\":1925,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding-300x212.jpg\",\"medium-width\":300,\"medium-height\":212,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding.jpg\",\"medium_large-width\":768,\"medium_large-height\":544,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding-1200x850.jpg\",\"large-width\":1200,\"large-height\":850,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1088,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1450,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding-2500x1771.jpg\",\"full_width-width\":2500,\"full_width-height\":1771,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/1440533528_KatrinaFlooding-1600x1133.jpg\",\"medium2-width\":1600,\"medium2-height\":1133}},\"use_caption\":true,\"caption\":\"

Floodwaters from Hurricane Katrina filling the streets near downtown New Orleans, 2005.
\\nPhotograph by David J. Phillip.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: As Australia sees a significant rise in lone-person households, what challenges do traditional housing models present for this growing demographic, and how can we rethink design and development to better serve solo residents?<\\/p>\\n

AK: The simple answer is there\\u2019s no one-size-fits-all approach. One in four households now are single-occupant and it\\u2019s the fastest-growing household type. To put it in context, within the next decade lone-person households will outnumber nuclear families. Some people are living alone by circumstance, others by choice. It\\u2019s a pretty broad category that encompasses everyone from a young professional enjoying their first rush of independence in an apartment in Collingwood to a divorced empty nester in a four-bedroom house in the suburbs.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“One in four households now are single-occupant and it\\u2019s the fastest-growing household type. To put it in context, within the next decade lone-person households will outnumber nuclear families.” \\u2013 Alexis Kalagas<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

It\\u2019s important to remember though that Australian cities were developed with nuclear families as the dominant social paradigm. 70 percent of dwellings in Melbourne have three or more bedrooms. There\\u2019s a push underway in certain areas to address this gap through new development. But the answer in the last 30 years or so has been to flood urban housing markets with a fairly generic solution: the one-bedroom apartment. During the apartment boom, one-beds were very much an investor-focused product. They were located in the lowest-value parts of a project, the people who bought them didn\\u2019t live in them, and they still have the highest rental turnover. For renters they\\u2019re also expensive. So you have a choice between a high price for autonomy, or sharing a dwelling designed for the intimacy of a familial relationship.<\\/p>\\n

I\\u2019m most interested in how the housing market can adjust and innovate in the face of demographic change. In the past, architects and developers responded creatively to societal shifts that produced new forms of urban living. Think, for example, of interwar \\u2018bachelor flats\\u2019 for the influx of single working men, which replaced converted terraces and boarding houses. Or the drive-up villa units that began to proliferate around the same time divorce laws were liberalised in the mid-1970s. Lone person households today have so many unmet needs \\u2013 social isolation, the \\u2018single tax\\u2019, the inability to age in community. The current system isn’t responding to the diversity and specificity of how we actually live.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019m most interested in how the housing market can adjust and innovate in the face of demographic change. In the past, architects and developers responded creatively to societal shifts that produced new forms of urban living.” \\u2013 Alexis Kalagas<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Can you share any standout examples, locally or globally, where these challenges have been successfully addressed?<\\/p>\\n

AK: My research is very much a work-in-progress. It\\u2019s hard to discuss a topic like this in Melbourne though without referencing the Cairo Flats<\\/a>. Today, the focus tends to be on the compact apartment footprints. But Best Overend, who was both the architect and instigator, was heavily influenced by ‘existenzminimum’ ideas circulating in Europe during his time in London in the 1930s. Yes, private living space was reduced, but that was balanced by access to communal spaces and services. A dining room, laundry facilities, a huge shared rooftop, a generous central garden. The scale is also conducive to building community. There\\u2019s a reason it\\u2019s still so popular.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1830,\"id\":1830,\"title\":\"CairoFlats\",\"filename\":\"CairoFlats.jpg\",\"filesize\":3578314,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/cairoflats\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cairoflats\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:18:22\",\"modified\":\"2025-03-05 22:18:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/CairoFlats-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Perspective sketch titled \\u2018Proposed apartment house Fitzroy\\u2019 by Leonard A Bullen.
\\nCourtesy of State Library Victoria.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1820,\"id\":1820,\"title\":\"Cairo_01\",\"filename\":\"Cairo_01.jpg\",\"filesize\":5147864,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/cairo_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cairo_01\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-02-25 02:35:19\",\"modified\":\"2025-02-25 02:35:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Cairo_01-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Cairo Flats, Fitzroy, designed by Acheson Best Overend in 1935.
\\nPhotograph by Amelia Stanwix.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Internationally, Z\\u00fcrich is definitely a touchstone for me. Forty-five percent of households there are single-occupant. I became really fascinated by the experiments in collective living in cooperative housing projects, often led by people who had formative experiences in the 1980s squatting scene. Cultural norms are obviously important. You could see though how cooperatives were grappling with universal questions of privacy, autonomy, and belonging, and how our preferences might change and evolve.<\\/p>\\n

One innovation that emerged is the cluster apartment. Each apartment-like unit is effectively a cell within an extended resident community. You can live autonomously, but cross the threshold of your private living space and you\\u2019re part of an 8-12 person cluster organised around connected kitchen, dining, and living areas. Spaces to come together and socialise. As a typology it\\u2019s gone mainstream. It\\u2019s being replicated by for-profit developers.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Internationally, Z\\u00fcrich is definitely a touchstone for me. Forty-five percent of households there are single-occupant. I became really fascinated by the experiments in collective living in cooperative housing projects, often led by people who had formative experiences in the 1980s squatting scene.” \\u2013 Alexis Kalagas<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: Are there any other international projects that have piqued your interest?<\\/p>\\n

AK: I\\u2019m keen to visit a number of projects in Japan. One is Apartment House in Tokyo by Takahashi Ippei<\\/a>. It\\u2019s not really a house or an apartment complex. It\\u2019s a building designed for eight individuals to live independently, but each unit has one defining element: a spacious bath, double-height windows that catch the morning sun, an elaborate kitchen. If you rarely feel like cooking at home, the lack of a kitchen might not bother you, but an evening bath is a quiet luxury. The idea is that the building is only truly experienced as the sum of its parts, and that requires a necessary kind of neighbourliness to emerge. It\\u2019s obviously not a mass market model. But it asks some really interesting questions about how we coexist in cities that are becoming more atomised.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1818,\"id\":1818,\"title\":\"Apartment\",\"filename\":\"Apartment.jpg\",\"filesize\":2531721,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/apartment\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"apartment\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-02-25 02:18:51\",\"modified\":\"2025-02-25 02:18:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/Apartment-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Apartment House, Tokyo, by Takahashi Ippei.
\\nPhotograph courtesy of Takahashi Ippei<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: On the subject of housing innovation, your work on cooperative housing offers a scalable \\u2018middle ground\\u2019 for Australians locked out of traditional homeownership. Do some of the solutions for solo living overlap or inform your vision for cooperative housing?<\\/p>\\n

AK: Absolutely. The space for experimentation in Australia is constrained by perceptions of market risk. It\\u2019s why the growth of the build-to-rent sector promised so much. The investment timelines are different, projects have a single owner, there is potential for movement within a building, and the key metric is occupancy rather than resale value. We haven\\u2019t really seen much of an attempt by build-to-rent operators here to explore new typologies though \\u2013 there\\u2019s been a convergence at the upper end of the market around delivering fairly conventional hotel-style amenity.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“In a sense, the Z\\u00fcrich cooperative model is a form of non-profit build-to-rent that\\u2019s focused on generating long-term public value.” \\u2013 Alexis Kalagas<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: What project benchmarks have inspired your approach?<\\/p>\\n

AK: I already mentioned cooperative housing in Z\\u00fcrich in the context of cluster apartments. In a sense, the Z\\u00fcrich cooperative model is a form of non-profit build-to-rent that\\u2019s focused on generating long-term public value. The model creates space for design innovation because it\\u2019s not speculative. It doesn\\u2019t need to produce an investment return. Below-market rents tied to the cost of development minimise the risk of vacancy. And cooperative members are involved in shaping design briefs, especially through competitions.<\\/p>\\n

A few projects have become relatively well-known in Australia, at least among architects. Kalkbreite<\\/a> and Mehr als Wohnen<\\/a>, for example. There are some earlier adaptive reuse projects though that demonstrate the flexibility of the underlying financial model. One, which I used to live around the corner from, is called Dreieck. Back in the 1970s, the City of Z\\u00fcrich acquired 13 buildings that hadn\\u2019t been maintained well and were in poor condition \\u2013 a full urban block. The city expected they would be demolished for a transport project. But the project was rejected in a referendum, and the residents and local community campaigned to halt the demolition. They eventually founded the Dreieck cooperative and negotiated a 60-year lease from the city.<\\/p>\\n

Since the late 1990s, the cooperative has refurbished and renovated all but two of the original buildings, which were 100-years-old and structurally unsound. In their place they added two contemporary infill buildings, which sensitively fill the gaps in the block and complement the existing fabric while introducing ground-floor space for values-aligned businesses. It\\u2019s just a beautiful, modest piece of city that opens itself to the neighbourhood and demonstrates the benefits of long-term local investment, stewardship, and care. The rents are also really cheap. Almost half what I was paying in the private rental market.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1833,\"id\":1833,\"title\":\"Kalkbreite1\",\"filename\":\"Kalkbreite1.jpg\",\"filesize\":4037054,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/kalkbreite1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"kalkbreite1\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:31:03\",\"modified\":\"2025-03-05 22:31:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Kalkbreite1-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Kalkbreite, Z\\u00fcrich, by M\\u00fcller Sigrist Architekten.
\\nPhotograph by Martin Stollenwerk.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1831,\"id\":1831,\"title\":\"Mehr2\",\"filename\":\"Mehr2.jpg\",\"filesize\":5058681,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/mehr2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mehr2\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:22:08\",\"modified\":\"2025-03-05 22:22:08\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr2-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Mehr als Wohnen, Z\\u00fcrich, by Muller Sigrist Architekten.
\\nPhotograph by Johannes Marburg.<\\/p>\\n\"},{\"image\":{\"ID\":1832,\"id\":1832,\"title\":\"Mehr1\",\"filename\":\"Mehr1.jpg\",\"filesize\":5544343,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/mehr1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mehr1\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:24:44\",\"modified\":\"2025-03-05 22:24:44\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Mehr als Wohnen, Z\\u00fcrich, by Muller Sigrist Architekten.
\\nPhotograph by Johannes Marburg.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1838,\"id\":1838,\"title\":\"Mehr3\",\"filename\":\"Mehr3.jpg\",\"filesize\":2803087,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/mehr3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mehr3\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-06 02:17:55\",\"modified\":\"2025-03-06 02:17:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Mehr3-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Cluster apartment at Mehr als Wohnen, Z\\u00fcrich, by Muller Sigrist Architekten.
\\nPhotograph by Johannes Marburg.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: What are the key principles behind your proposed limited-equity model, and how has the pilot project progressed so far? Can you share any insights into the challenges and opportunities you\\u2019ve encountered?<\\/p>\\n

AK: We\\u2019ve spent a lot of time working through the complexities of how you translate the Z\\u00fcrich model, with its 100-year history and enabling policy environment, to an Australian context. There\\u2019s a clear need though. The median deposit for a first-home buyer in Melbourne has increased by 82 percent in the last five years. Average help from the \\u2018bank of mum and dad\\u2019 is $73,000, but most people don\\u2019t expect any support at all. And meanwhile, rents have gone up by more than 50 percent in the last ten years. Almost half of rentals are unaffordable to a typical household, and the average length of a tenancy is less than two years.<\\/p>\\n

We believe our Middle Ground<\\/a> model is one answer to address the large pool of middle-income households that earn too much to be eligible for social and affordable housing, but are struggling with rising rents and insecurity in the rental market. At its core is the concept of \\u2018cost rent\\u2019, which means that what you pay to live in a project is tied to repaying the cost of the development and its ongoing maintenance over a long period. It shields residents from market forces. Residents buy into the cooperative through a refundable \\u2018deposit\\u2019. You can stay for as long as you want. Rent is capped, so the built-in annual increase is less than half the comparable increase in Melbourne over the last decade. It\\u2019s effectively a form of rent-stabilisation that makes living there more affordable over time in comparison to private rental. There\\u2019s also a high degree of resident control, as residents collectively own the building through the cooperative.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We believe our Middle Ground<\\/a> model is one answer to address the large pool of middle-income households who earn too much to be eligible for social and affordable housing, but are struggling with rising rents and insecurity in the rental market. At its core is the concept of \\u2018cost rent\\u2019, which means that what you pay to live in a project is tied to repaying the cost of the development over a long period.” \\u2013 Alexis Kalagas<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Most of our group come from a design and development background. We probably didn\\u2019t anticipate that the bulk of our work so far would be focused on that enabling environment I mentioned \\u2013 finding ways to replicate the access to land and finance that allowed cooperatives to become a key piece of the housing equation in Z\\u00fcrich. We\\u2019ve made a lot of progress. We know the conditions that will enable a pilot to work, and we\\u2019ve had a really positive response when presenting the model in focus groups. What we\\u2019d really like to see now is governments supporting community-led models like this in some of the same ways they do social and affordable housing. Not through one-off capital grants, but by expanding access to low-interest finance. It would be a catalytic investment in a scalable model that can make a real difference.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1828,\"id\":1828,\"title\":\"Dreieck1\",\"filename\":\"Dreieck1.jpg\",\"filesize\":6048012,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/dreieck1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"dreieck1\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:10:09\",\"modified\":\"2025-03-05 22:10:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Dreieck, Z\\u00fcrich.
\\nPhotograph by Alexis Kalagas.<\\/p>\\n\"},{\"image\":{\"ID\":1829,\"id\":1829,\"title\":\"Dreieck2\",\"filename\":\"Dreieck2.jpg\",\"filesize\":6043086,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/dreieck2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"dreieck2\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:12:12\",\"modified\":\"2025-03-05 22:12:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Dreieck2-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Dreieck, Z\\u00fcrich.
\\nPhotograph by Alexis Kalagas.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HT: The Middle Ground<\\/a> model aims to integrate a mix of uses alongside housing that gives back to the neighbourhood. Why is this aspect important to you?<\\/p>\\n

AK: So much of the public conversation at the moment is about housing targets. A good neighbourhood comes alive though through an ecology of activities and relationships that thrive on proximity.<\\/p>\\n

An example I love are the innenh\\u00f6fe\\u2014the inner courtyards\\u2014of late 19th-century perimeter block housing in Z\\u00fcrich, which were a place for manual work and making. The boundaries between the domestic and the industrious were blurred. Today, those pavilion-style workshops have been occupied by creative businesses and even small-scale retail and hospitality operators. Living and working coexist at a neighbourhood scale in a really organic way. The porosity of the innenh\\u00f6fe opens up the private life of the block to gentle forms of public use.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1827,\"id\":1827,\"title\":\"Innenhofe\",\"filename\":\"Innenhofe.jpg\",\"filesize\":4005060,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/innenhofe\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"innenhofe\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:02:15\",\"modified\":\"2025-03-05 22:02:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/Innenhofe-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Tellhof by Unbekannt, Z\\u00fcrich \\u2013 an example of the innenh\\u00f6fe.
\\nPhotography by Vera Hartmann.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Most neighbourhoods in Melbourne are much more functionally divided. But infill densification is an opportunity to disrupt that pattern. And not just ground-floor cafes! A big part of my consulting practice is working with development and design teams to develop use strategies that will improve the urban outcomes of neighbourhood-scale projects. Accommodating a mix of uses isn\\u2019t just a question of architecture. Spaces obviously need to be fit-for-purpose. And the more flexible over time, the better. Like I mentioned at the beginning though, urban strategy is multi-layered. Cost is important. And cost is inherently connected to the development strategy and investment model.<\\/p>\\n

It\\u2019s the reason why cooperative development is a great fit for the provision of space for uses beyond housing. For example, affordable creative space, which inner Melbourne is losing rapidly. It\\u2019s ultimately about long-term local investment in the city and the recirculation of social profits. What I\\u2019m really interested in at the moment is how we can think more creatively beyond just inserting discrete uses beneath a block of apartments. How could we connect those uses in a more tangible way to the life of the resident community?<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“What I\\u2019m really interested in at the moment is how we can think more creatively beyond just inserting discrete uses beneath a block of apartments. How could we connect those uses in a more tangible way to the life of the resident community?” \\u2013 Alexis Kalagas<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

One of the best projects I\\u2019ve visited in the last year is A House for Artists<\\/a> in London. There\\u2019s so much to say about it, from the intelligent design by Apparata<\\/a>, to the innovative partnership between the Borough of Barking and Dagenham, arts organisation Create London<\\/a>, and the Mayor of London. But the headline idea\\u2014to provide affordable living and working spaces for artists and their families in return for delivering free creative programs for the neighbourhood from the ground floor community hall\\u2014is a model I could imagine applying in so many different ways. It\\u2019s really inspiring.<\\/p>\\n

HT: Agreed \\u2013 a great example of a mixed-use development delivering value for the neighbourhood. Thank you for sharing your time and insights, Alexis.<\\/p>\\n

AK: Thanks for having me.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1834,\"id\":1834,\"title\":\"AHouseforArtists1\",\"filename\":\"AHouseforArtists1.jpg\",\"filesize\":3281007,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/ahouseforartists1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ahouseforartists1\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:48:15\",\"modified\":\"2025-03-05 22:48:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists1-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

A House for Artists, London, by Apparata Architects.
\\nPhotograph by Johan Dehlin.<\\/p>\\n\"},{\"image\":{\"ID\":1835,\"id\":1835,\"title\":\"AHouseforArtists2\",\"filename\":\"AHouseforArtists2.jpg\",\"filesize\":3611866,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/ahouseforartists2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ahouseforartists2\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:54:51\",\"modified\":\"2025-03-05 22:54:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists2-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

A House for Artists, London, by Apparata Architects.
\\nPhotograph by Julia Forsman.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1836,\"id\":1836,\"title\":\"AHouseforArtists3\",\"filename\":\"AHouseforArtists3.jpg\",\"filesize\":2007192,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/alexis-kalagas-on-rethinking-urban-living\\/ahouseforartists3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ahouseforartists3\",\"status\":\"inherit\",\"uploaded_to\":1811,\"date\":\"2025-03-05 22:55:35\",\"modified\":\"2025-03-05 22:55:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/03\\/AHouseforArtists3-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

A House for Artists, London, by Apparata Architects.
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\\r\\n13.02.25\",\"listing_description\":\"

Clear skies and a sunny top of 25\\u00b0C last Sunday made for a wonderful close to Midsumma Festival, Australia\\u2019s premier queer arts and cultural event.<\\/p>\\n\",\"hero_image\":{\"ID\":1765,\"id\":1765,\"title\":\"NHO003-Midsumma-250209-026-MichaelPham-WebRes\",\"filename\":\"NHO003-Midsumma-250209-026-MichaelPham-WebRes.jpg\",\"filesize\":792938,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/pride-pitstop\\/nho003-midsumma-250209-026-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho003-midsumma-250209-026-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1764,\"date\":\"2025-02-10 22:26:49\",\"modified\":\"2025-02-10 22:26:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":1601,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes.jpg\",\"full_width-width\":2400,\"full_width-height\":1601,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-026-MichaelPham-WebRes-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Clear skies and a sunny top of 25\\u00b0C last Sunday made for a wonderful close to Midsumma Festival<\\/a>, Australia\\u2019s premier queer arts and cultural event. <\\/p>\\n

We were pleased to host a Pride Pitstop, with refreshments thanks to our friends at StrangeLove <\\/a> and Lip Service<\\/a>, hydrating us before we headed out into the rainbow-fuelled throng as Gertrude, Smith and Peel Streets in Fitzroy and Collingwood came alive.<\\/p>\\n

The now legendary one-day street party, Victoria Street Pride<\\/a>, is a free and inclusive celebration of Victoria\\u2019s LGBTIQA+ communities, allies, and friends \\u2013 plus a wonderful opportunity to celebrate community. <\\/p>\\n

Photography by Michael Pham<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1782,\"id\":1782,\"title\":\"NHO003-Midsumma-250209-028-MichaelPham-WebRes\",\"filename\":\"NHO003-Midsumma-250209-028-MichaelPham-WebRes.jpg\",\"filesize\":927641,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/02\\/NHO003-Midsumma-250209-028-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/pride-pitstop\\/nho003-midsumma-250209-028-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho003-midsumma-250209-028-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1764,\"date\":\"2025-02-10 22:28:50\",\"modified\":\"2025-02-10 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\\r\\n30.01.25\",\"listing_description\":\"

This month, our dear friend Brooke Holm hosted an artwork fundraiser at NHO in support of artists and arts workers affected by the LA fires.<\\/p>\\n\",\"hero_image\":{\"ID\":1733,\"id\":1733,\"title\":\"Brooke_Portrait\",\"filename\":\"Brooke_Portrait.jpg\",\"filesize\":2586211,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-fires-artwork-fundraiser-by-brooke-holm\\/brooke_portrait\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"brooke_portrait\",\"status\":\"inherit\",\"uploaded_to\":1732,\"date\":\"2025-01-23 01:58:14\",\"modified\":\"2025-01-23 01:58:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2800,\"height\":3500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Brooke_Portrait-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

This month, our dear friend Brooke Holm<\\/a> hosted an artwork fundraiser at NHO in support of artists and arts workers affected by the LA fires. Born and raised in California, Brooke showcased select photographic artworks from her catalogue, notably works from 2015\\u20132019 series including Arctic, Salt & Sky, and Mineral Matter, among others. <\\/p>\\n

In Brooke’s words: “For over 15 years, I have explored and photographed the Earth\\u2019s surface, creating detailed environmental portraits of its elemental features. Often working from small aircrafts at low altitudes, I focus on the relationship between human and non-human life from a distanced perspective, revealing the intricate ecosystems that sustain the planet. When we shift our perspective, the Earth reveals itself as a vast network of bodies, each contributing to the survival of the whole. This is particularly resonant as Los Angeles experiences an acute and devastating wildfire event.\\u201d<\\/p>\\n

The event saw Brooke raise USD 10K for Grief & Hope<\\/a> and The Brick<\\/a>, who have joined forces to aid impacted individuals in the art community. Congratulations on this thoughtful initiative, Brooke. We are proud to have played a small part. <\\/p>\\n

Gallery photography by Dan Hocking.<\\/a>
\\nPhotographic artworks by Brooke Holm<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1739,\"id\":1739,\"title\":\"Mineral Matter IV\",\"filename\":\"Mineral-Matter-IV.jpg\",\"filesize\":3020391,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-fires-artwork-fundraiser-by-brooke-holm\\/mineral-matter-iv\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mineral-matter-iv\",\"status\":\"inherit\",\"uploaded_to\":1732,\"date\":\"2025-01-23 02:01:24\",\"modified\":\"2025-01-23 02:01:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2800,\"height\":3500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-IV-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Mineral Matter IV by Brooke Holm.<\\/p>\\n\"},{\"image\":{\"ID\":1748,\"id\":1748,\"title\":\"Salt & Sky IV\",\"filename\":\"Salt-Sky-IV.jpg\",\"filesize\":3006977,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-fires-artwork-fundraiser-by-brooke-holm\\/salt-sky-iv\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"salt-sky-iv\",\"status\":\"inherit\",\"uploaded_to\":1732,\"date\":\"2025-01-23 02:02:15\",\"modified\":\"2025-01-23 02:02:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2800,\"height\":3500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Salt-Sky-IV-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Salt Sky IV by Brooke Holm.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1760,\"id\":1760,\"title\":\"3.SandSea_III\",\"filename\":\"3.SandSea_III.jpg\",\"filesize\":6350087,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-fires-artwork-fundraiser-by-brooke-holm\\/3-sandsea_iii\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3-sandsea_iii\",\"status\":\"inherit\",\"uploaded_to\":1732,\"date\":\"2025-01-23 05:09:32\",\"modified\":\"2025-01-23 05:09:32\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2251,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1153,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1537,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III-2500x1876.jpg\",\"full_width-width\":2500,\"full_width-height\":1876,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/3.SandSea_III-1600x1201.jpg\",\"medium2-width\":1600,\"medium2-height\":1201}},\"use_caption\":true,\"caption\":\"

Sand Sea III by Brooke Holm.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“When we shift our perspective, the Earth reveals itself as a vast network of bodies, each contributing to the survival of the whole. This is particularly resonant as Los Angeles experiences an acute and devastating wildfire event.” \\u2013 Brooke Holm<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1746,\"id\":1746,\"title\":\"Sald & Sky V\",\"filename\":\"Sald-Sky-V.jpg\",\"filesize\":3095354,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-fires-artwork-fundraiser-by-brooke-holm\\/sald-sky-v\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"sald-sky-v\",\"status\":\"inherit\",\"uploaded_to\":1732,\"date\":\"2025-01-23 02:02:03\",\"modified\":\"2025-01-23 02:02:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2800,\"height\":3500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Sald-Sky-V-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Salt Sky V by Brooke Holm.<\\/p>\\n\"},{\"image\":{\"ID\":1742,\"id\":1742,\"title\":\"Mineral Matter X (L)\",\"filename\":\"Mineral-Matter-X-L.jpg\",\"filesize\":3079298,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-fires-artwork-fundraiser-by-brooke-holm\\/mineral-matter-x-l\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mineral-matter-x-l\",\"status\":\"inherit\",\"uploaded_to\":1732,\"date\":\"2025-01-23 02:01:41\",\"modified\":\"2025-01-23 02:01:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2800,\"height\":3500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/Mineral-Matter-X-L-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Mineral Matter X by Brooke Holm.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1761,\"id\":1761,\"title\":\"BrookeHolm_Raudfjorden\",\"filename\":\"BrookeHolm_Raudfjorden.jpg\",\"filesize\":1967358,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-fires-artwork-fundraiser-by-brooke-holm\\/brookeholm_raudfjorden\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"brookeholm_raudfjorden\",\"status\":\"inherit\",\"uploaded_to\":1732,\"date\":\"2025-01-30 02:54:41\",\"modified\":\"2025-01-30 02:54:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3500,\"height\":2623,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden-1200x899.jpg\",\"large-width\":1200,\"large-height\":899,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1151,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1535,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden-2500x1874.jpg\",\"full_width-width\":2500,\"full_width-height\":1874,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2025\\/01\\/BrookeHolm_Raudfjorden-1600x1199.jpg\",\"medium2-width\":1600,\"medium2-height\":1199}},\"use_caption\":true,\"caption\":\"

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\\r\\n23.11.24\",\"listing_description\":\"

We\\u2019re excited to be working with the Holcim Foundation on a digital marketing campaign for its 2025 Awards program \\u2013 the world\\u2019s most significant competition for sustainable design, now accepting submissions.<\\/p>\\n\",\"hero_image\":{\"ID\":1724,\"id\":1724,\"title\":\"1\",\"filename\":\"1-1.jpg\",\"filesize\":3226630,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/1-6\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"1-6\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 05:44:03\",\"modified\":\"2024-10-14 05:44:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/1-1-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

We\\u2019re excited to be working with the Holcim Foundation<\\/a> on a digital marketing campaign for its 2025 Awards<\\/a> program \\u2013 the world\\u2019s most significant competition for sustainable design, now accepting submissions. With a USD 1M prize pool, to be eligible projects must be client-supported and at late design phase or already under construction.<\\/p>\\n

Truly global, the awards champion projects in five regions worldwide, elevating standards in sustainable design, and independently judged by a team of globally significant practitioners including Lina Ghotmeh<\\/a>, Sou Fujimoto<\\/a>, and Kjetil Tr\\u00e6dal Thorsen<\\/a>.<\\/p>\\n

The legacy of the Awards is impressive, and many winners have gone on to gain greater international acclaim, including New York\\u2019s BIG U Dryline<\\/a> by Bjarke Ingels Group<\\/a> and One Architecture<\\/a>, Pritzker Prize-winning Di\\u00e9b\\u00e9do Francis K\\u00e9r\\u00e9<\\/a>\\u2019s Gando Primary School<\\/a> in Burkina Faso, and most recently, London\\u2019s landmark Natural History Museum Gardens<\\/a>.<\\/p>\\n

Open to all, entry is free, with submissions due by 11 February 2025.<\\/a><\\/p>\\n

\\u2013<\\/p>\\n

The Holcim Foundation for Sustainable Construction<\\/a> is an independent non-profit organisation based in Zurich, Switzerland, whose mission is to support people who are change accelerators for sustainable construction. In addition to its flagship Awards<\\/a> program, first conducted in 2004, the Foundation<\\/a> partners with academics and industry-leading practitioners to create educational opportunities and organises events to facilitate the exchange of ideas and best practices.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1705,\"id\":1705,\"title\":\"HA_3\",\"filename\":\"HA_3.jpg\",\"filesize\":237053,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/ha_3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ha_3\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 04:56:12\",\"modified\":\"2024-10-14 04:56:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_3.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Archaeological Center Augusta Raurica, Switzerland, by Karamuk Kuo Architects.
\\n2017 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\"},{\"image\":{\"ID\":1704,\"id\":1704,\"title\":\"HA_2\",\"filename\":\"HA_2.jpg\",\"filesize\":166912,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/ha_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ha_2\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 04:56:09\",\"modified\":\"2024-10-14 04:56:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_2.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Archaeological Center Augusta Raurica, Switzerland, by Karamuk Kuo Architects.
\\n2017 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1719,\"id\":1719,\"title\":\"2\",\"filename\":\"2.jpg\",\"filesize\":2783705,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/2-5\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2-5\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 05:07:09\",\"modified\":\"2024-10-14 05:07:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/2-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Stream Co-Habitat, Turkey, by Openact Architecture.
\\n2023 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1711,\"id\":1711,\"title\":\"HA_9\",\"filename\":\"HA_9.jpg\",\"filesize\":250992,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/ha_9\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ha_9\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 04:56:25\",\"modified\":\"2024-10-14 04:56:25\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_9.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Stream Co-Habitat, Turkey, by Openact Architecture.
\\n2023 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\"},{\"image\":{\"ID\":1709,\"id\":1709,\"title\":\"HA_7\",\"filename\":\"HA_7.jpg\",\"filesize\":272462,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/ha_7\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ha_7\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 04:56:21\",\"modified\":\"2024-10-14 04:56:21\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_7.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Stream Co-Habitat, Turkey, by Openact Architecture.
\\n2023 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1720,\"id\":1720,\"title\":\"3\",\"filename\":\"3.jpg\",\"filesize\":2887710,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/3-5\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3-5\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 05:11:49\",\"modified\":\"2024-10-14 05:11:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/3-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Casa Par\\u00e1sito, Ecuador by El Sindicato Arquitectura.
\\n2020 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1715,\"id\":1715,\"title\":\"HA_13\",\"filename\":\"HA_13.jpg\",\"filesize\":247020,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/ha_13\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ha_13\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 04:56:35\",\"modified\":\"2024-10-14 04:56:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_13.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Casa Par\\u00e1sito, Ecuador by El Sindicato Arquitectura.
\\n2020 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\"},{\"image\":{\"ID\":1717,\"id\":1717,\"title\":\"HA_15\",\"filename\":\"HA_15.jpg\",\"filesize\":224653,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/ha_15\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ha_15\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 04:56:39\",\"modified\":\"2024-10-14 04:56:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/HA_15.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Casa Par\\u00e1sito, Ecuador by El Sindicato Arquitectura.
\\n2020 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1721,\"id\":1721,\"title\":\"4\",\"filename\":\"4.jpg\",\"filesize\":3506157,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/4-5\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"4-5\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 05:14:24\",\"modified\":\"2024-10-14 05:14:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/4-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

SHAU Microlibraries, Indonesia, by SHAU.
\\n2018 Winner.
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SHAU Microlibraries, Indonesia, by SHAU.
\\n2018 Winner.
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SHAU Microlibraries, Indonesia, by SHAU.
\\n2018 Winner.
\\nPhotograph courtesy of Holcim Foundation.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1722,\"id\":1722,\"title\":\"5\",\"filename\":\"5.jpg\",\"filesize\":4497641,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/holcim-foundation-awards-2025\\/5-4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"5-4\",\"status\":\"inherit\",\"uploaded_to\":1702,\"date\":\"2024-10-14 05:17:24\",\"modified\":\"2024-10-14 05:17:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/5-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Hikma Complex, Niger, by Mariam Issoufou Architects & Studio Chahar.
\\n2018 Winner.
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Hikma Complex, Niger, by Mariam Issoufou Architects & Studio Chahar.
\\n2018 Winner.
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Hikma Complex, Niger, by Mariam Issoufou Architects & Studio Chahar.
\\n2018 Winner.
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We\\u2019re delighted to share the musings of Karen McCartney\\u2014acclaimed author, editor, curator and supporter of exceptional architecture, interiors, craft and design\\u2014as she reflects on the value of design as a lifestyle-enhancing medium and circuit-breaker of the mundane. <\\/p>\\n\",\"hero_image\":{\"ID\":1642,\"id\":1642,\"title\":\"Karen McCartney\",\"filename\":\"Karen-McCartney.jpg\",\"filesize\":3888777,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/karen-mccartney\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"karen-mccartney\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-02 21:39:24\",\"modified\":\"2024-10-02 21:39:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Karen-McCartney-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

\\u2013<\\/p>\\n

We\\u2019re delighted to share the musings of Karen McCartney, as she reflects on the value of design as a lifestyle-enhancing medium and circuit-breaker of the mundane. For the uninitiated, Karen is an acclaimed author, editor, curator and supporter of exceptional architecture, interiors, craft and design. Her extensive career in print media is paralleled by her authorship of several best-selling interiors and architecture books, including Iconic Australian Houses and Superhouse, which have been translated into successful exhibitions at the Museum of Sydney<\\/a>, while Perfect Imperfect formed the basis for a curated exhibition at the Nishi Gallery<\\/a> in collaboration with Hotel Hotel<\\/a>, Canberra. The Alchemy of Things; Interiors shaped by curious minds, showcases the homes of collectors, architects and artists. Karen continues to impart her design wisdom as Architecture Editor for Belle<\\/a> magazine, and Editorial Strategy Advisor for Est Living<\\/a>.<\\/p>\\n

Portrait by Michael Wee<\\/a>.<\\/p>\\n

\\u2013<\\/p>\\n

The Value of Design by Karen McCartney<\\/p>\\n

After two hours in a broken-down hire car on a dusty Portuguese motorway slip road in the dying heat of the day, 100km from Porto, things were getting a little testy. No water, increasing need of a toilet and phone batteries draining before our eyes, we were beginning to catastrophise.<\\/p>\\n

Fast forward to the arrival at The Largo<\\/a>, a recently opened hotel in a very old part of Porto with architecture by Frederico Valsassina<\\/a> and interiors by Space Copenhagen<\\/a>, we felt a heightened sense of relief. Architects talk about \\u2018prospect and refuge\\u2019 and we experienced a strong sense of refuge in this solid, authentic, considered and beautiful building. If one aspect of the value of design is how it makes you feel, vulnerability and anxiety were replaced with security and the sensory blessings of a good feed and a great bed (not to mention oak floorboards as wide as the Mississippi.) Design value is heightened by the experience of contrasts.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1643,\"id\":1643,\"title\":\"Largo_01\",\"filename\":\"Largo_01.jpg\",\"filesize\":2762288,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/largo_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"largo_01\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-02 21:41:58\",\"modified\":\"2024-10-02 21:41:58\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

The Largo, Porto.
\\nPhoto courtesy of The Largo.<\\/p>\\n\"},{\"image\":{\"ID\":1644,\"id\":1644,\"title\":\"Largo_02\",\"filename\":\"Largo_02.jpg\",\"filesize\":3788752,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/largo_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"largo_02\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-02 21:42:05\",\"modified\":\"2024-10-02 21:42:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/Largo_02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

The Largo, Porto.
\\nPhoto courtesy of The Largo.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Not to go on too much about The Largo<\\/a>, but the shower stall had just two taps\\u2014one for each shower type, hence rendering complexity simple. I couldn\\u2019t help but recall a friend with a French chateau, which had been previously owed by a Dutch entrepreneur. Into these high-ceilinged majestic rooms he had installed clear plastic shower pods with all sorts of baffling dials \\u2013 I could pick up a local French radio station but not get the water going. <\\/p>\\n

We live in an increasingly intuitive world and design utility, where innovation solves a problem and improves lives, is an irrefutable goal. We place a high value on design quality as we become more discerning about the things that we allow into our lives but once accepted (and mastered), we are brand loyal. Personally, I don\\u2019t have the mental bandwidth to change from my Apple iPhone unless they disappoint me in some fundamental, unforgivable way \\u2013 which is not outside the realms of possibility.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We live in an increasingly intuitive world and design utility, where innovation solves a problem and improves lives, is an irrefutable goal.” \\u2013 Karen McCartney<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I remember the launch of a new Qantas premium economy class seat designed by David Caon<\\/a> where my recognition of its attributes was somewhat academic. A couple of years later as I settled into my Qantas seat ready for the 24-hour long haul, I appreciated every ergonomic decision, every thoughtful detail, every extra centimetre of space that had been eked out for my benefit. Context is everything. <\\/p>\\n

In a similar vein, I admire the work of industrial designer Benjamin Hubert<\\/a> at Layer<\\/a> for his ability to interrogate a problem and mine for solutions that combine technology, materiality intelligence and sustainability. The GO<\\/a> wheelchair is a human-centric vehicle that is custom calibrated to the needs of the user – their input gathered through the GO<\\/a> app allowing the specification of optional elements. Equally forward focused is the work of designer Yves Behar<\\/a> who created the Snoo<\\/a> – a robotic crib fitted with microphones, speakers and sensors embedded into its structure that rocks with a \\u2018womb-like motion\\u2019 and generates a soothing white noise. With all these things – you don\\u2019t care until you really do! <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1656,\"id\":1656,\"title\":\"GO_02\",\"filename\":\"GO_02.jpg\",\"filesize\":2073896,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/go_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"go_02\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-03 01:37:14\",\"modified\":\"2024-10-03 01:37:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/GO_02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

GO Wheelchair.
\\nPhotograph courtesy of Layer.<\\/p>\\n\"},{\"image\":{\"ID\":1655,\"id\":1655,\"title\":\"G_01\",\"filename\":\"G_01.jpg\",\"filesize\":1445527,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/g_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"g_01\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-03 01:37:09\",\"modified\":\"2024-10-03 01:37:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/G_01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

GO Wheelchair.
\\nPhotograph courtesy of Layer.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

At an elementary level, good design endures; consider the pleasure of a well-crafted umbrella on a rainy day, a perfect coffee from a Duralex<\\/a> glass or using a pair of John Pawson salad servers<\\/a>. Designer Jasper Morrison<\\/a> has made it his mission to celebrate the super-ordinary in his shop<\\/a> in London\\u2019s East End. Selections include items such as the Giannina La Tradizione Coffee Maker<\\/a> and the 1970s Ellepi Klizia designed whale-shaped stapler. With his own designs for brands such as Iittala<\\/a>, Emeco<\\/a>, Flos<\\/a> and Maruni<\\/a>, there is nothing superfluous \\u2013 he is a master of refinement and reduction and with this rigour comes design longevity.<\\/p>\\n

But alongside all this utility there is also a great joy in the aesthetics of design where it moves away from everyday function and into the realm of surprise and delight; a flourish, a mismatch, an excess or even an awkwardness. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1650,\"id\":1650,\"title\":\"SS\",\"filename\":\"SS.jpg\",\"filesize\":1504820,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/ss\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ss\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-02 23:47:39\",\"modified\":\"2024-10-02 23:47:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/SS-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

JP Ebony Salad Severs by John Pawson.
\\nPhotograph courtesy of John Pawson.<\\/p>\\n\"},{\"image\":{\"ID\":1649,\"id\":1649,\"title\":\"John Pawson\",\"filename\":\"John-Pawson.jpg\",\"filesize\":2233401,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/john-pawson\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"john-pawson\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-02 23:47:20\",\"modified\":\"2024-10-02 23:47:20\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/John-Pawson-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

John Pawson.
\\nPhotograph courtesy of Artspace.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1657,\"id\":1657,\"title\":\"JM\",\"filename\":\"JM.jpg\",\"filesize\":1111043,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/jm\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jm\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-03 02:13:38\",\"modified\":\"2024-10-03 02:13:38\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/JM-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

T1 Chair by Jasper Morrison for Maruni, 90th Anniversary Edition.
\\nPhotograph courtesy of Jasper Morrrison. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“…there is also a great joy in the aesthetics of design where it moves away from everyday function and into the realm of surprise and delight; a flourish, a mismatch, an excess or even an awkwardness.” \\u2013 Karen McCartney <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I love the work of Martyn Thompson<\\/a> \\u2013 his hand-decorated ceramic and glass pieces, his painterly woven wall art and his wallpapers and rugs are all anchored in collaborative craft and shaped with a depth of narrative that gives them an emotional charge. Design can also push into the realm of art. I am thinking of Trent Jansen<\\/a>\\u2019s recent show, Boundless<\\/a>, at Mint<\\/a> for the London Design Festival<\\/a> (along with artisans Tanya Singer, Errol Evans, and Johnny Nargoodah) with the one-off pieces inspired by Australia\\u2019s landscape and its First Nations culture. Or the extraordinary design capability and marquetry work of Adam Goodrum<\\/a> and Arthur Seigneur<\\/a> with \\u2018The Kissing Cabinet<\\/a>,\\u2019 shown this year at Tolarno Galleries<\\/a> – a mesmeric tour de force of colour and motion. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1638,\"id\":1638,\"title\":\"MT_01\",\"filename\":\"MT_01.jpg\",\"filesize\":4358669,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/mt_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mt_01\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-02 04:00:10\",\"modified\":\"2024-10-02 04:00:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Martyn Thompson’s ceramics for Hard + Soft, shown at Oigall.
\\nPhotograph by Annika Kafcaloudis.<\\/p>\\n\"},{\"image\":{\"ID\":1639,\"id\":1639,\"title\":\"MT_02\",\"filename\":\"MT_02.jpg\",\"filesize\":5148737,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/mt_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mt_02\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-02 04:00:20\",\"modified\":\"2024-10-02 04:00:20\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/MT_02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Martyn Thompson’s ceramics for Hard + Soft, shown at Oigall.
\\nPhotograph by Annika Kafcaloudis.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We need awe, joy, excitement and creative stimulation to sit in parallel to life-altering innovation and incremental improvements in the everyday.” \\u2013 Karen McCartney<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

In these instances, utility and design democracy are not top of the list but the world is an undeniably enriched, more cultured, more interesting place as the result of how imagination dovetails with manifest skill and expert expression. We need awe, joy, excitement and creative stimulation to sit in parallel to life-altering innovation and incremental improvements in the everyday. To give design value, it requires dedication to problem solving, creative intelligence, a big dose of the care factor and an ability to see the world beyond what already exists – because otherwise it is just more stuff! <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1658,\"id\":1658,\"title\":\"TJ\",\"filename\":\"TJ.jpg\",\"filesize\":1599290,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/karen-mccartney-on-the-value-of-design\\/tj\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"tj\",\"status\":\"inherit\",\"uploaded_to\":1637,\"date\":\"2024-10-03 02:15:35\",\"modified\":\"2024-10-03 02:15:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/TJ-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Manta Pilti Credenza by Trent Jansen.
\\nPhotograph by Fiona Susanto.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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\\r\\n08.10.24\",\"listing_description\":\"

In the spirit of neighbourly togetherness, last week we welcomed \\u201cthe locals\\u201d for a drink to toast our arrival on Moor Street in Fitzroy.<\\/p>\\n\",\"hero_image\":{\"ID\":1660,\"id\":1660,\"title\":\"NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes\",\"filename\":\"NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes.jpg\",\"filesize\":809705,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/neighbourhood-drinks\\/nho002-neighbourhood-drinks-241003-019-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho002-neighbourhood-drinks-241003-019-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1659,\"date\":\"2024-10-07 00:03:03\",\"modified\":\"2024-10-07 00:03:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":1601,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes.jpg\",\"full_width-width\":2400,\"full_width-height\":1601,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-019-MichaelPham-WebRes-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

In the spirit of neighbourly togetherness, last week we welcomed \\u201cthe locals\\u201d for a drink to toast our arrival on Moor Street in Fitzroy.<\\/p>\\n

Following seven years in nearby Collingwood, we\\u2019re struck by all the wonderful people in our immediate locale \\u2013 some might even say that\\u2019s when good neighbours become good friends. As the roller door went up, Melbourne\\u2019s unseasonably warm weather set the tone for a memorable evening.<\\/p>\\n

We\\u2019re grateful to be surrounded by such an inspiring cohort, with guests from local businesses such as Christopher Boots<\\/a>, DesignOffice<\\/a>, Flack Studio<\\/a>, Oig\\u00e5ll Projects<\\/a>, TCYK<\\/a>, Aesop<\\/a>, McCluskey Studio<\\/a>, Cult Design<\\/a>, Foolscap Studio<\\/a>, Edition Office<\\/a>, BAR Studio<\\/a>, Bookshop by Uro<\\/a>, Agency Projects<\\/a>, and Pan After<\\/a>, as well as designers including Dale Hardiman<\\/a>, Claudia Lau<\\/a> and Ella Saddington<\\/a>.<\\/p>\\n

More than a place for work, our new home is envisaged as the physical manifestation of our vision to elevate the value of design \\u2013 a place for you as much as for us. Please drop by sometime soon. <\\/p>\\n

Photography by Michael Pham<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1665,\"id\":1665,\"title\":\"NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes\",\"filename\":\"NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes.jpg\",\"filesize\":615322,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/neighbourhood-drinks\\/nho002-neighbourhood-drinks-241003-012-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho002-neighbourhood-drinks-241003-012-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1659,\"date\":\"2024-10-07 00:19:33\",\"modified\":\"2024-10-07 00:19:33\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-012-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Claudia Lau, Calum Hurley, Josh Budgen and Achol Manyiel.<\\/p>\\n\"},{\"image\":{\"ID\":1667,\"id\":1667,\"title\":\"NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes\",\"filename\":\"NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes.jpg\",\"filesize\":552879,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/neighbourhood-drinks\\/nho002-neighbourhood-drinks-241003-023-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho002-neighbourhood-drinks-241003-023-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1659,\"date\":\"2024-10-07 00:20:18\",\"modified\":\"2024-10-07 00:20:18\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-023-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

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Fletcher Barns and B. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1692,\"id\":1692,\"title\":\"NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes\",\"filename\":\"NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes.jpg\",\"filesize\":741191,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/neighbourhood-drinks\\/nho002-neighbourhood-drinks-241003-025-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho002-neighbourhood-drinks-241003-025-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1659,\"date\":\"2024-10-08 01:54:22\",\"modified\":\"2024-10-08 01:54:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":1601,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes.jpg\",\"full_width-width\":2400,\"full_width-height\":1601,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/10\\/NHO002-Neighbourhood-Drinks-241003-025-MichaelPham-WebRes-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

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\\r\\n24.09.24\",\"listing_description\":\"

Discover the perspective of Neil Hugh Kenna, Founder & Director of NHO, who brings an intuitive approach to brand strategy and marketing, underpinned by the ideal of \\u2018design as a business imperative.\\u2019 Following over a decade of international brand management, Neil established his eponymous office in 2016 with a desire to bring pragmatic function to the highly creative design sector. Here, Neil reflects on NHO’s evolution, demystifies brand strategy as a service, and looks to the future with optimism.<\\/p>\\n\",\"hero_image\":{\"ID\":1622,\"id\":1622,\"title\":\"GG_HIH018_NHOPortraits_Neil_LR\",\"filename\":\"GG_HIH018_NHOPortraits_Neil_LR.jpg\",\"filesize\":3654858,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/gg_hih018_nhoportraits_neil_lr\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"gg_hih018_nhoportraits_neil_lr\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-06 05:42:06\",\"modified\":\"2024-09-06 05:42:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR.jpg\",\"full_width-width\":2400,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Discover the perspective of Neil Hugh Kenna, Founder & Director of NHO, who brings an intuitive approach to brand strategy and marketing, underpinned by the ideal of \\u2018design as a business imperative.\\u2019 Following over a decade of international brand management, Neil established his eponymous office in 2016 with a desire to bring pragmatic function to the highly creative design sector. Here, Neil reflects on NHO’s evolution, demystifies brand strategy as a service, and looks to the future with optimism.<\\/p>\\n

\\u2013 <\\/p>\\n

Q: What inspired you to establish NHO? <\\/p>\\n

A: I was working in brand strategy and marketing for a global retailer for close to 10 years and was ready for a new chapter. I wanted to work for myself and always had an interest in design, so I thought why not combine my personal passion for design with my professional skillset? I began knocking on doors and approaching businesses to introduce myself and what I had to offer, and it grew from there. I won my first client, and then another and another, before hiring someone to help with the workload. Before I knew it, I had grown a little team who share my passion for design. A wonderfully talented and dedicated bunch, I might add. <\\/p>\\n

A bit of naivety and blind confidence was essential in charting that course. At the time, I didn\\u2019t know anyone in the design industry. There was no grand business plan \\u2013 growth was intuitive and incremental. I\\u2019ve always said, \\u2018no conversation is wasted,\\u2019 because you never know the potential impact of one meeting and how that might shape the future. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019ve always said, \\u2018no conversation is wasted,\\u2019 because you never know the potential impact of one meeting and how that might shape the future.” \\u2013 Neil Hugh Kenna.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How was the agency\\u2019s self-appointed vision to elevate the value of design and its potential for positive impact established?<\\/p>\\n

A: For a long time, I’ve had a keen interest in design, which was nurtured through mentors in my early career. Initially, that started with Scandinavian design, which I really dove into. I remember learning about architects and designers like Alvar Aalto<\\/a> and Arne Jacobson<\\/a> and feeling incredibly inspired. It opened my eyes not only to their amazing talent but their holistic approach to design, conceptualising not just the architecture but the furniture and objects within. That demonstrated to me just how much thought and consideration goes into design, and it unpacked all these layers that I now refer to as \\u2018value.\\u2019 <\\/p>\\n

I didn\\u2019t come from a background where design was particularly well understood or discussed, but my strong connections with Scandinavia through professional and personal relationships highlighted for me this chasm between what is inherent in established design cultures versus what is lacking in Australia. What was blindingly obvious, at the time, was the misunderstanding or even lack of acknowledgement of design in Australia. I wanted to play a part in elevating its role. Since then, design awareness and appreciation has grown unbelievably, but there’s still a long way to go. I believe in businesses that stand for something and pursue a vision that\\u2019s greater than themselves. At NHO, we use our voice to champion design broadly, however we believe this benefits our clients too. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I believe in businesses that stand for something and pursue a vision that\\u2019s greater than themselves. At NHO, we use our voice to champion design broadly, however we believe this benefits our clients too.” \\u2013 Neil Hugh Kenna.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1626,\"id\":1626,\"title\":\"Alvar Aalto\",\"filename\":\"Alvar-Aalto.jpg\",\"filesize\":2900385,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/alvar-aalto\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"alvar-aalto\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-10 03:35:01\",\"modified\":\"2024-09-10 03:35:01\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Alvar-Aalto-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Studio Aalto, Alvar Aalto’s personal studio, Helsinki.
\\nPhotograph by Rich Stapleton. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How has your background in journalism shaped the business and your intuitive approach to brand strategy and marketing?<\\/p>\\n

A: Because of my background in journalism, I’ve always valued storytelling and written communication. You\\u2019d think that would be a standard value in brand strategy and marketing but so often it\\u2019s overlooked. I also value concise expression, which has influenced NHO’s house style. More broadly, journalism taught me to be interested and engaged, to have great attention to detail, and to respect people\\u2019s stories. I think journalists have a great responsibility to understand and communicate personal narratives, which I apply to our role in representing clients. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Because of my background in journalism, I’ve always valued storytelling and written communication. I also value concise expression, which has influenced NHO’s house style.” \\u2013 Neil Hugh Kenna<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: While NHO was initially focused on the built environment, today the office seeks collaboration with businesses that share its value of design in sectors as far reaching as retail and consumer goods, hotels and hospitality, and galleries and cultural institutions. How did this evolution occur and what is next for the agency?<\\/p>\\n

A: We seek to work with people, businesses and brands that share our value of design so that we’re working towards our vision to elevate its value. Naturally this leans towards the built environment, however, design is much broader than what can be seen. We\\u2019re always interested in working with businesses from other creative fields who share our value of design. We now have cultural institutions, creative agencies and consumer goods in the mix. If our mission is to elevate the value of design, we need to consider the definition of design quite broadly. In terms of where we’re headed, I see our client mix continuing to grow in breadth and diversity \\u2013 evidence of progress in achieving or working towards our vision. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1628,\"id\":1628,\"title\":\"NHO_01\",\"filename\":\"NHO_01.jpg\",\"filesize\":4023388,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/nho_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_01\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-10 04:25:05\",\"modified\":\"2024-09-10 04:25:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Photograph by Gavin Green.
\\nArt direction by Marsha Golemac.<\\/p>\\n\"},{\"image\":{\"ID\":1629,\"id\":1629,\"title\":\"NHO_02\",\"filename\":\"NHO_02.jpg\",\"filesize\":3590305,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/nho_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_02\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-10 04:25:12\",\"modified\":\"2024-09-10 04:25:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Photograph by Gavin Green.
\\nArt direction by Marsha Golemac.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How does NHO approach marketing differently from more traditional approaches, and why is strategy such a fundamental part of your process?<\\/p>\\n

A: Sometimes people are confused by what NHO does, because strategy can be hard to define. It’s often easier for people to grasp the concept of more tangible services such as PR \\u2013 and while PR is an important part of what we do, we offer so much more than that. If a client approaches us for PR services alone, we question: \\u2018What about the rest of the marketing mix? Before we consider tactical marketing, what is your brand strategy? Who are you? What do you stand for? How are you differentiated? Where are you going?\\u2019 <\\/p>\\n

Until those fundamental elements are bedded down, short term tactical marketing moves are futile. Once the foundations are firm, however, we approach these moves holistically. \\u2018Nothing works in isolation\\u2019 is one of our favourite catch cries. Based on the client’s objectives, we devise a strategy that addresses the whole marketing mix \\u2013 media placements, website, email marketing, social media, partnerships, events, advertising, paid search, SEO. It goes on and on, but the point is, it needs to be holistic. This obsession with “PR” is problematic to say the least. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“If a client approaches us for PR services alone, we question: \\u2018What about the rest of the marketing mix? Before we consider tactical marketing, what is your brand strategy? Who are you? What do you stand for? How are you differentiated? Where are you going?'” \\u2013 Neil Hugh Kenna<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How has NHO navigated the challenges of the past few years and what strategies have helped you stay optimistic during uncertain times?<\\/p>\\n

A: There’s no doubt the last couple of years have been tumultuous. A lot of uncertainty across the board is destabilising for all. We know that in a depressed market or in a downturn, the businesses that retreat are the ones that are sealing their fate. Though it\\u2019s easier said than done, when times are shaky, from a brand strategy and a marketing perspective, it’s the right time to put your foot on the accelerator because your competitors will be retreating, particularly if their foundations are not very stable. That opens opportunities for more airtime, if you can hold strong and power through. Tough times don\\u2019t last forever, and when you come out the other side, you\\u2019re on the front foot in a position to really maximise opportunity, as opposed to suddenly needing to claw your way back. <\\/p>\\n

Through this challenging time, we have managed to persevere and we\\u2019re fortunate to have grown. We\\u2019re already seeing the green shoots of optimism coming back to the market. We\\u2019re feeling optimistic about the times ahead, and in many ways, the last few years have allowed us to get the house in order and make sure we\\u2019re in tip top shape. <\\/p>\\n

Our new office in Fitzroy is a statement of confidence \\u2013 a symbol of us backing ourselves. The vision for this space is much bigger than our everyday work. We have an open-door policy for our community and plan to host events, exhibitions and talks \\u2013 again, playing our role in striving to elevate the value of design and contribute to the conversation, not simply facilitate it. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1631,\"id\":1631,\"title\":\"NHO_04\",\"filename\":\"NHO_04.jpg\",\"filesize\":2925210,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/nho_04\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_04\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-10 04:55:56\",\"modified\":\"2024-09-10 04:55:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_04-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

NHO Fitzroy. <\\/p>\\n\"},{\"image\":{\"ID\":1630,\"id\":1630,\"title\":\"NHO_03\",\"filename\":\"NHO_03.jpg\",\"filesize\":3499188,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/nho_03\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_03\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-10 04:55:50\",\"modified\":\"2024-09-10 04:55:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/NHO_03-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Photograph by Gavin Green.
\\nArt direction by Marsha Golemac. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: As a food and wine aficionado, can you share some of your favourite restaurants in Melbourne or abroad? <\\/p>\\n

A: When it comes to restaurants, bars and cafes, it really depends on the occasion and the mood, so I\\u2019ve got quite a diverse mix of favourites. During the week, you’ll often find me having lunch at Napier Quarter<\\/a> in Fitzroy \\u2013 I love everything that Dan and the team do. A new favourite is Carnation Canteen<\\/a>, also around the corner from our office in Fitzroy. I love what Audrey and her team have brought to the neighbourhood \\u2013 I’m a big fan. <\\/p>\\n

An old favourite, which I always go back to for a cosy winter night or to sit on the terrace in summer, is City Wine Shop<\\/a> on Spring Street in Melbourne. If I\\u2019m in the CBD on the weekend, my partner Ash and I love to pop into Gimlet<\\/a> for a martini and some fries. Closer to home, The Montague <\\/a> is my go-to pub in Albert Park, which I love for its friendly neighbourhood vibe. <\\/p>\\n

Overseas, somewhere I always return to is Ved Stranden 10<\\/a> in Copenhagen. There’s something special about sitting by the canal in Copenhagen drinking amazing wine and eating marcona almonds in the sunshine, if you’re lucky. I consider Stockholm my second home though, so my tips are endless. Drop me a line for anyone who is interested, although you could just bunker down at Ett Hem<\\/a> and be utterly and entirely fulfilled. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1623,\"id\":1623,\"title\":\"Carnation Canteen\",\"filename\":\"Carnation-Canteen.jpg\",\"filesize\":2898340,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/carnation-canteen\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"carnation-canteen\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-06 05:53:22\",\"modified\":\"2024-09-06 05:53:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Carnation-Canteen-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Carnation Canteen, Fitzroy.
\\nPhotograph courtesy of Carnation Canteen.<\\/p>\\n\"},{\"image\":{\"ID\":1624,\"id\":1624,\"title\":\"Gimlet\",\"filename\":\"Gimlet.jpg\",\"filesize\":4164317,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/gimlet\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"gimlet\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-07 03:17:48\",\"modified\":\"2024-09-07 03:17:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Gimlet-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Gimlet, Melbourne.
\\nPhotograph by Sharyn Cairns.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Overseas, somewhere I always return to is Ved Stranden 10 in Copenhagen. There\\u2019s something special about sitting by the canal in Copenhagen drinking amazing wine and eating marcona almonds in the sunshine, if you\\u2019re lucky.” \\u2013 Neil Hugh Kenna<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1627,\"id\":1627,\"title\":\"Ved Stranden 10\",\"filename\":\"Ved-Stranden-10.jpg\",\"filesize\":2560082,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/ved-stranden-10\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ved-stranden-10\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-10 03:57:00\",\"modified\":\"2024-09-10 03:57:00\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Ved-Stranden-10-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Ved Stranden 10, Copenhagen.
\\nPhotograph by Lindsey Mason.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1635,\"id\":1635,\"title\":\"VS10_02\",\"filename\":\"VS10_02.jpg\",\"filesize\":6486285,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/vs10_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"vs10_02\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-24 03:05:32\",\"modified\":\"2024-09-24 03:05:32\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_02-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Ved Stranden 10, Copenhagen.<\\/p>\\n\"},{\"image\":{\"ID\":1634,\"id\":1634,\"title\":\"VS10_01\",\"filename\":\"VS10_01.jpg\",\"filesize\":6813035,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/vs10_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"vs10_01\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-24 03:05:24\",\"modified\":\"2024-09-24 03:05:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/VS10_01-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Ved Stranden 10, Copenhagen.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1636,\"id\":1636,\"title\":\"EttHemm\",\"filename\":\"EttHemm.jpg\",\"filesize\":2710320,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-neil-hugh-kenna\\/etthemm\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"etthemm\",\"status\":\"inherit\",\"uploaded_to\":1621,\"date\":\"2024-09-24 03:28:56\",\"modified\":\"2024-09-24 03:28:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/EttHemm-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Ett Hem, Stockholm.
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Office\",\"description\":\"\",\"opengraph_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR-960x1200.jpg\",\"opengraph_title\":\"5 Minutes with Neil Hugh Kenna - Neil Hugh Office\",\"opengraph_description\":\"\",\"twitter_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/GG_HIH018_NHOPortraits_Neil_LR-960x1200.jpg\",\"twitter_title\":\"5 Minutes with Neil Hugh Kenna - Neil Hugh Office\",\"twitter_description\":\"\"}}","title":"5 Minutes with Neil Hugh Kenna","slug":"5-minutes-with-neil-hugh-kenna","publishedDateUnix":1727182648},{"acf_json":"{\"type\":{\"term_id\":20,\"name\":\"Impact\",\"slug\":\"impact\",\"term_group\":0,\"term_taxonomy_id\":19,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":11,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":false,\"sub_title\":\"Impact\",\"title_override\":\"Data Feminist: Catherine D'Ignazio
\\r\\n05.09.24\",\"listing_description\":\"

Open public spaces act as the great leveller in the contemporary city. While buildings often divide us, even public ones, open civic space is where diverse and competing interests meet. From the right to protest to the impacts of those protests on businesses and retail, and from the benefits of surveillance for safety to the infringement on privacy, these interests are often in active tension. <\\/p>\\n\",\"hero_image\":{\"ID\":1613,\"id\":1613,\"title\":\"CDI\",\"filename\":\"CDI.jpg\",\"filesize\":419926,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/data-feminist-catherine-dignazio\\/cdi\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cdi\",\"status\":\"inherit\",\"uploaded_to\":1612,\"date\":\"2024-09-03 05:26:41\",\"modified\":\"2024-09-03 05:26:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1200,\"height\":790,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI-300x198.jpg\",\"medium-width\":300,\"medium-height\":198,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI.jpg\",\"medium_large-width\":768,\"medium_large-height\":506,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI.jpg\",\"large-width\":1200,\"large-height\":790,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI.jpg\",\"1536x1536-width\":1200,\"1536x1536-height\":790,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI.jpg\",\"2048x2048-width\":1200,\"2048x2048-height\":790,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI.jpg\",\"full_width-width\":1200,\"full_width-height\":790,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CDI.jpg\",\"medium2-width\":1200,\"medium2-height\":790}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Open public spaces act as the great leveller in the contemporary city. While buildings often divide us, even public ones, open civic space is where diverse and competing interests meet. From the right to protest to the impacts of those protests on businesses and retail, and from the benefits of surveillance for safety to the infringement on privacy, these interests are often in active tension. With Melbourne and Sydney on track to become megacities by 2050, examining and reimagining the role of these spaces amid population growth, increased densities and a warming planet has never been more vital.<\\/p>\\n

Living Cities Forum<\\/a> 2024 ponders these questions through its slew of cross-disciplinary speakers, spanning architects to curators, academics to landscape designers. Presenting virtually at both Melbourne and Sydney events is Catherine D\\u2019Ignazio<\\/a> \\u2013 a coder, scholar and artist\\/designer combining feminism and technology to create more inclusive open spaces, both online and offline. Here, Hayley Curnow, NHO Writer & Producer, sits down with Catherine to discuss her progressive ideas on the future of the public realm.<\\/p>\\n

\\u2013 <\\/p>\\n

Hayley: Thanks for joining us, Catherine. Your work explores the intersection of technology and feminism. How can these fields inspire designers to develop more inclusive and equitable spaces?<\\/p>\\n

Catherine: One of my learnings along the way is that feminism is an essential tool in our toolbox if we want to create buildings, products, public spaces and digital systems that work for all of us. Why? Feminism, and particularly intersectional feminism, has spent decades studying and explaining structural inequality with respect to sex, gender, race, class, ability and more. In the context of technology, feminism gives us conceptual tools for understanding and anticipating the ways in which data sets, algorithms and AI will disproportionately penalise, misrepresent and exclude members of non-dominant groups. <\\/p>\\n

One of my pet peeves with tech journalists is when they write news articles about discriminatory systems as if it’s a surprise. Of course, automated resume screening systems, trained predominantly on resumes of men, would then penalise and demote women’s resumes. Duh! This is the absolutely expected behavior if you have any training in feminism, critical race theory, postcolonial theory, disability justice, or other explanatory frameworks that address the root causes of structural inequality. The harder and more interesting design question is how to mitigate these kinds of structural inequalities through design. When we go into a design process we can work to mitigate and challenge such “default settings” through our designs. Feminism gives us the tools for such an understanding. It’s like the healthy soil from which design for liberation can grow.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“In the context of technology, feminism gives us conceptual tools for understanding and anticipating the ways in which data sets, algorithms and AI will disproportionately penalise, misrepresent and exclude members of non-dominant groups.” \\u2013 Catherine D’Ignazio<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1614,\"id\":1614,\"title\":\"LCF_01\",\"filename\":\"LCF_01.jpg\",\"filesize\":803433,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/data-feminist-catherine-dignazio\\/lcf_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"lcf_01\",\"status\":\"inherit\",\"uploaded_to\":1612,\"date\":\"2024-09-03 05:30:57\",\"modified\":\"2024-09-03 05:30:57\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01.jpg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_01.jpg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Living Cities Forum, 2023.
\\nPhotograph courtesy of Living Cities Forum.<\\/p>\\n\"},{\"image\":{\"ID\":1615,\"id\":1615,\"title\":\"LCF_02\",\"filename\":\"LCF_02.jpg\",\"filesize\":900255,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/data-feminist-catherine-dignazio\\/lcf_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"lcf_02\",\"status\":\"inherit\",\"uploaded_to\":1612,\"date\":\"2024-09-03 05:31:17\",\"modified\":\"2024-09-03 05:31:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02.jpg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_02.jpg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Living Cities Forum, 2023.
\\nPhotograph courtesy of Living Cities Forum.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: In your book, Data Feminism<\\/a>, you explore ethical data science practices. Can you share a project or initiative that integrates these principles and reveal how it shaped outcomes for the community? <\\/p>\\n

CD: What Lauren Klein<\\/a> and I do in Data Feminism<\\/a> is to use the teachings of intersectional feminism in order to arrive at seven principles for practicing more ethical and equitable data science. The first two principles are foundational. They are: examine power and challenge power. By “power” we mean the structural inequality that results from sexism, white supremacy, colonialism and so on. The idea with relating these to data science is that we can use data-driven approaches to arrive at better understandings of structural inequality as well as to use data to challenge and change those inequities.<\\/p>\\n

I think these two principles are embodied well in my most recent book, Counting Feminicide: Data Feminism in Action<\\/a>. It’s an extended case study about how feminist activists in Latin America are using data science to challenge feminicide \\u2013 the gender-related killing of women and girls, including cisgender and transgender women. The book showcases the work of activists like Mar\\u00eda Salguero<\\/a>. She has singlehandedly compiled the largest public database on feminicide in Mexico and her numbers regularly exceed and contradict the accounts of the state about the phenomenon. Using her data, she has helped families locate loved ones, provided data to journalists and NGOs and has testified in front of Mexico\\u2019s Congress multiple times.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1617,\"id\":1617,\"title\":\"DF\",\"filename\":\"DF.jpg\",\"filesize\":303467,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/data-feminist-catherine-dignazio\\/df\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"df\",\"status\":\"inherit\",\"uploaded_to\":1612,\"date\":\"2024-09-03 06:07:49\",\"modified\":\"2024-09-03 06:07:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":550,\"height\":619,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF-267x300.jpg\",\"medium-width\":267,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF.jpg\",\"medium_large-width\":550,\"medium_large-height\":619,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF.jpg\",\"large-width\":550,\"large-height\":619,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF.jpg\",\"1536x1536-width\":550,\"1536x1536-height\":619,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF.jpg\",\"2048x2048-width\":550,\"2048x2048-height\":619,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF.jpg\",\"full_width-width\":550,\"full_width-height\":619,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/DF.jpg\",\"medium2-width\":550,\"medium2-height\":619}},\"use_caption\":true,\"caption\":\"

Data Feminism by Catherine D’Ignazio and Lauren F. Klein.
\\nPublished by MIT Press.<\\/p>\\n\"},{\"image\":{\"ID\":1618,\"id\":1618,\"title\":\"CF\",\"filename\":\"CF.jpg\",\"filesize\":328162,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/data-feminist-catherine-dignazio\\/cf\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cf\",\"status\":\"inherit\",\"uploaded_to\":1612,\"date\":\"2024-09-03 06:07:59\",\"modified\":\"2024-09-03 06:07:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":550,\"height\":619,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF-267x300.jpg\",\"medium-width\":267,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF.jpg\",\"medium_large-width\":550,\"medium_large-height\":619,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF.jpg\",\"large-width\":550,\"large-height\":619,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF.jpg\",\"1536x1536-width\":550,\"1536x1536-height\":619,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF.jpg\",\"2048x2048-width\":550,\"2048x2048-height\":619,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF.jpg\",\"full_width-width\":550,\"full_width-height\":619,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/CF.jpg\",\"medium2-width\":550,\"medium2-height\":619}},\"use_caption\":true,\"caption\":\"

Counting Feminicide: Data Feminism in Action by Catherine D’Ignazio and Lauren F. Klein.
\\nPublished by MIT Press.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: As the Director of the Data + Feminism Lab at MIT<\\/a>, what are some of the most exciting projects or research areas being explored that demonstrate the potential of feminist technology in urban planning and civic engagement?<\\/p>\\n

CD: At the Data + Feminism Lab<\\/a> we think a lot about how to infrastructure the grassroots data science being undertaken by feminist activists, tenants\\u2019 rights movements, and coalitions for racial justice, among others. In general, I think building feminist technology means supporting and sustaining the vital and under resourced work of these folks. For example, in one project where we are looking at “proptech” or property technology, it’s apparent that landlords have a whole array of tools, systems and tech on their side.\\u00a0Landlords can know almost everything about tenants whereas tenants can know very, very little about landlords and, say, their history of evicting people unfairly or not fixing broken things on the property. Why is there so much information asymmetry? Where are the technologies and prediction systems that help tenants build power? Why are we not building those? At the Data + Feminism Lab, we try to build tools when there are systematic gaps such as these. In a small way, this can help address the very profound asymmetry of tools and information in a profit-driven space like technology.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“At the Data + Feminism Lab<\\/a>, we try to build tools when there are systematic gaps. In a small way, this can help address the very profound asymmetry of tools and information in a profit-driven space like technology.” \\u2013 Catherine D’Ignazio<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1619,\"id\":1619,\"title\":\"Chart\",\"filename\":\"Chart.jpg\",\"filesize\":204534,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/data-feminist-catherine-dignazio\\/chart\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"chart\",\"status\":\"inherit\",\"uploaded_to\":1612,\"date\":\"2024-09-03 06:11:19\",\"modified\":\"2024-09-03 06:11:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1200,\"height\":790,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart-300x198.jpg\",\"medium-width\":300,\"medium-height\":198,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart.jpg\",\"medium_large-width\":768,\"medium_large-height\":506,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart.jpg\",\"large-width\":1200,\"large-height\":790,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart.jpg\",\"1536x1536-width\":1200,\"1536x1536-height\":790,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart.jpg\",\"2048x2048-width\":1200,\"2048x2048-height\":790,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart.jpg\",\"full_width-width\":1200,\"full_width-height\":790,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/Chart.jpg\",\"medium2-width\":1200,\"medium2-height\":790}},\"use_caption\":true,\"caption\":\"

Graphic courtesy of Catherine D’Ignazio.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: What can audiences expect from your upcoming presentation at Living Cities Forum?<\\/p>\\n

CD: As I prepared my talk, I reflected on how our designs so often privilege the “default body” which is a body that is elite, that is white, that is male, that is not disabled and so on. It’s a very tiny slice of the population once you start to add up all those privileges into one body! So, the question is how do we make spaces and places and systems that work for all the bodies, in all their situations\\u2026 with a little bit of joy, and fun, and laughter in the process?<\\/p>\\n

I\\u2019ll be speaking about default settings \\u2013 of buildings, of physical systems and of digital systems \\u2013 and how we can begin to design beyond the defaults. Largely, I’m responding to a prompt from Ruha Benjamin<\\/a> where she invites us to reimagine the default settings of both our technologies and our societies. What might that look like? My talk is one answer.<\\/p>\\n

\\u2013<\\/p>\\n

The Living Cities Forum<\\/a> is presented by the Naomi Milgrom Foundation<\\/a>.<\\/p>\\n

Purchase tickets to Living Cities Forum<\\/a> Melbourne and Sydney here<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1616,\"id\":1616,\"title\":\"LCF_\",\"filename\":\"LCF_.jpg\",\"filesize\":795518,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/data-feminist-catherine-dignazio\\/lcf_\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"lcf_\",\"status\":\"inherit\",\"uploaded_to\":1612,\"date\":\"2024-09-03 06:02:15\",\"modified\":\"2024-09-03 06:02:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":667,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_.jpg\",\"large-width\":1000,\"large-height\":667,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":667,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":667,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_.jpg\",\"full_width-width\":1000,\"full_width-height\":667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/09\\/LCF_.jpg\",\"medium2-width\":1000,\"medium2-height\":667}},\"use_caption\":true,\"caption\":\"

Living Cities Forum, 2023.
\\nPhotograph by Alan Weedon.<\\/p>\\n\",\"display_reduced\":false}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post 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\\r\\nIn Conversation with Adam Goodrum & Jordan Fleming
\\r\\n25.07.24\",\"listing_description\":\"

International design fairs have long been a drawcard for Australian designers and design enthusiasts, offering an enticing glimpse into diverse and established design cultures and a once-necessary springboard to global opportunities and domestic credibility. However, with the proliferation of online platforms and increasing sustainability concerns, are events such as Milan Design Week still relevant, particularly for antipodean designers, and does the tyranny of distance still exist?<\\/p>\\n\",\"hero_image\":{\"ID\":1609,\"id\":1609,\"title\":\"AG\",\"filename\":\"AG.jpg\",\"filesize\":2429888,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/ag\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ag\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-24 22:56:11\",\"modified\":\"2024-07-24 22:56:11\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AG-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

International design fairs have long been a drawcard for Australian designers and design enthusiasts, offering an enticing glimpse into diverse and established design cultures and a once-necessary springboard to global opportunities and domestic credibility. However, with the proliferation of online platforms and increasing sustainability concerns, are events such as Milan Design Week<\\/a> still relevant, particularly for antipodean designers, and does the tyranny of distance still exist?<\\/p>\\n

Here, Hayley Curnow, NHO Writer & Producer, speaks with lauded Australian designer, Adam Goodrum<\\/a>, best known for his work with Cappellini<\\/a>, NAU<\\/a> and Tait<\\/a>, and emerging Australian designer, Jordan Fleming<\\/a>, whose collectible works have been exhibited in Melbourne, Milan, and most recently in Brussels. Together they consider these questions, reflecting on the impact of Australia\\u2019s geographic remoteness, the unique opportunities afforded by design weeks and fairs, and how they navigate the complexities of exhibiting abroad from their homes in Sydney and Melbourne respectively.<\\/p>\\n

HC: Adam and Jordan, thanks for joining me. I saw you exhibited in the same group show for Melbourne Design Week<\\/a> earlier this year \\u2013 Matters<\\/a> at Villa Alba. Did you know each other prior to that?<\\/p>\\n

AG: It was lovely to be included. It\\u2019s the first time we\\u2019ve exhibited work in parallel.<\\/p>\\n

JF: We\\u2019ve been familiar with each other\\u2019s work for some time, but never had the opportunity to exhibit together until now.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1607,\"id\":1607,\"title\":\"Eclat\",\"filename\":\"Eclat.jpg\",\"filesize\":2792524,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/eclat\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"eclat\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 05:40:33\",\"modified\":\"2024-07-23 05:40:33\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Eclat-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Matters featuring \\u00c9clat by Jordan Fleming, Melbourne Design Week, 2024.
\\nPhotograph by Matthew McGuiggan.<\\/p>\\n\"},{\"image\":{\"ID\":1603,\"id\":1603,\"title\":\"JF\",\"filename\":\"JF.jpg\",\"filesize\":1578136,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/jf\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jf\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 04:17:34\",\"modified\":\"2024-07-23 04:17:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Designer Jordan Fleming.
\\nPhotograph by Alice Hutchison.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1600,\"id\":1600,\"title\":\"Matters\",\"filename\":\"Matters.jpg\",\"filesize\":928923,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/matters\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"matters\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 04:02:30\",\"modified\":\"2024-07-23 04:02:30\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Matters.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Matters featuring the Billo Armchair by Adam Goodrum for NAU, Melbourne Design Week, 2024.
\\nPhotograph by Nicole Williams.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: Melbourne Design Week<\\/a> goes from strength to strength, but it arrives nearly just as quickly as Milan Design Week<\\/a> finishes. Adam, you\\u2019re a frequent fixture at Milan, having exhibited work at Local Milan<\\/a>, curated by Emma Elizabeth, and through your partnerships with international brands such as Cappellini<\\/a>, Alessi<\\/a>, Cantarutti<\\/a>, and District Eight<\\/a>, which has helped put Australian design on the world map. How have you seen the fair evolve over your time exhibiting and attending?<\\/p>\\n

AG: Salone del Mobile<\\/a> is where it all started \\u2013 a platform for big brands to come together and present new work. Now it\\u2019s grown into all these fringe satellite exhibitions, which in some ways have overtaken it. I think a lot of attendees don\\u2019t make it to the main fair, but I will say, there are some inspiring things to see at Salone<\\/a> \\u2013 even in the way products are presented. There is a general feeling that it\\u2019s overwhelming but then it\\u2019s particularly special when a company presents work in a way where it breathes, and you can appreciate it. Flos<\\/a> create these incredible, walk-through experiences where you could be anywhere in the world. It’s memorable beyond the actual products displayed. You\\u2019re just in this euphoric state.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1601,\"id\":1601,\"title\":\"Alessi\",\"filename\":\"Alessi.jpg\",\"filesize\":1832687,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/alessi\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"alessi\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 04:08:11\",\"modified\":\"2024-07-23 04:08:11\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Alessi-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Roost Egg Cup by Adam Goodrum for Alessi.
\\nPhotograph courtesy of Adam Goodrum.<\\/p>\\n\"},{\"image\":{\"ID\":1602,\"id\":1602,\"title\":\"Cantarutti\",\"filename\":\"Cantarutti.jpg\",\"filesize\":2094594,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/cantarutti\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cantarutti\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 04:10:43\",\"modified\":\"2024-07-23 04:10:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Cantarutti-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Dory Lounge Chair by Adam Goodrum for Cantarutti.
\\nPhotograph courtesy of Adam Goodrum.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1576,\"id\":1576,\"title\":\"Flos\",\"filename\":\"Flos.jpg\",\"filesize\":902500,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/flos\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"flos\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-16 06:23:51\",\"modified\":\"2024-07-16 06:23:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Flos.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Flos stand at Euroluce, Milan Design Week 2024.
\\nPhotograph by Gianluca Bellomo.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Salone del Mobile<\\/a> is where it all started \\u2013 a platform for big brands to come together and present new work. Now it\\u2019s grown into all these fringe satellite exhibitions, which in some ways have overtaken it.” \\u2013 Adam Goodrum<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: Jordan, have you attended or exhibited at Milan Design Week<\\/a> before?<\\/p>\\n

JF: Interestingly, the only year I\\u2019ve been to Milan was the first fair after Covid. I wasn\\u2019t exhibiting but I met a curator who was familiar with my work, which led to an invitation to exhibit in a group show for Lake Como Design Festival<\\/a> and Milan Design Week<\\/a> in subsequent years. I recently exhibited solo at Collectible<\\/a> in Brussels. It\\u2019s one big fair in one big building with a collectible focus \\u2013 it was an amazing atmosphere to be a part of.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1595,\"id\":1595,\"title\":\"JF_3\",\"filename\":\"JF_3.jpg\",\"filesize\":2624664,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/jf_3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jf_3\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 02:17:49\",\"modified\":\"2024-07-23 02:17:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_3-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

In Search of Lost Time by Movimento featuring works by Jordan Fleming, Lake Como Design Festival, 2022.
\\nPhotograph courtesy of Jordan Fleming.<\\/p>\\n\"},{\"image\":{\"ID\":1608,\"id\":1608,\"title\":\"JF_4\",\"filename\":\"JF_4.jpg\",\"filesize\":1338962,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/jf_4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jf_4\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 05:43:08\",\"modified\":\"2024-07-23 05:43:08\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_4-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

In Search of Lost Time by Movimento featuring works by Jordan Fleming, Lake Como Design Festival, 2022.
\\nPhotograph courtesy of Jordan Fleming.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1594,\"id\":1594,\"title\":\"JF_2\",\"filename\":\"JF_2.jpg\",\"filesize\":2494248,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/jf_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jf_2\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 02:17:46\",\"modified\":\"2024-07-23 02:17:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

The Path by Movimento featuring works by Jordan Fleming, Milan Design Week, 2023.
\\nPhotograph courtesy of Jordan Fleming.<\\/p>\\n\"},{\"image\":{\"ID\":1593,\"id\":1593,\"title\":\"JF_1\",\"filename\":\"JF_1.jpg\",\"filesize\":2968571,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/jf_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jf_1\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 02:17:41\",\"modified\":\"2024-07-23 02:17:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_1-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

The Path by Movimento featuring works by Jordan Fleming, Milan Design Week, 2023.
\\nPhotograph courtesy of Jordan Fleming.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: Having both been exposed to international design fairs early in your careers, how have these experiences shaped your career trajectories?<\\/p>\\n

AG: For me, it\\u2019s been fundamental. When I finished university, I had, for better or worse, a passion to pursue design. At the time, there was no digital media. There was Domus<\\/a> magazine and other publications, and the founder of Space<\\/a> furniture, Kevin Jarrett, had strong relationships with Italian brands. To go overseas, visit showrooms and learn about these amazing companies and designers was so inspiring and felt completely unfamiliar. The design landscape in Australia, then compared to now, is black and white \\u2014 it\\u2019s grown unbelievably.<\\/p>\\n

HC: Opportunities to travel and engage with the broader design landscape must have enriched your perspective considerably.<\\/p>\\n

AG: The opportunity to go to Milan was literally life changing. To be immersed in a culture of design that I knew very little about seemed like a fairytale. I remember Philippe Starck<\\/a> and all these superstar designers walking around with cameras following them. Back then, design was much less appreciated in Australia. Going overseas, I observed a different level of appreciation for what a designer offered, particularly in places with strong cultures of design, like Italy and Scandinavia. When I did have some luck with overseas companies like Cappellini<\\/a>, it was incredibly important for my career. It\\u2019s kind of funny \\u2013 I was the same designer in Australia, but after working internationally, I noticed this validation when I came back home, and more opportunities came about.<\\/p>\\n

JF: It\\u2019s easy to forget how accessible everything is now. We see so much from afar \\u2013 you can almost live it without being there. We have our bubble in Australia, and it\\u2019s amazing and there\\u2019s so much going on, but going to international fairs and seeing the breadth and diversity of work is incredibly inspiring and encouraging. Like, \\u2018okay, I\\u2019ve got to keep pushing,\\u2019 you know?<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1606,\"id\":1606,\"title\":\"Stitch Stool\",\"filename\":\"Stitch-Stool.jpg\",\"filesize\":398333,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/stitch-stool\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"stitch-stool\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 04:50:51\",\"modified\":\"2024-07-23 04:50:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Stitch-Stool.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Stitch Stool by Adam Goodrum for Cappellini.
\\nPhotograph courtesy of Adam Goodrum.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I was the same designer in Australia, but after working internationally, I noticed this validation when I came back home, and more opportunities came about.” \\u2013 Adam Goodrum<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: It\\u2019s almost a sense-check of your work that holds you to a higher standard. What other benefits do you see attending in person?<\\/p>\\n

JF: For me, it\\u2019s a lot to do with optics. Often people have seen my work online, then see it in person and I\\u2019m there and able to have these incredible conversations, which lead to other opportunities. It\\u2019s a little daunting. You\\u2019re just a tiny fish in a big pond, but there\\u2019s always great attendance and appreciation for the work. It still shocks me that people are willing to spend money on the spot to take home a piece of your work. That\\u2019s probably not so common in Australia yet.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1611,\"id\":1611,\"title\":\"JF_C2\",\"filename\":\"JF_C2.jpg\",\"filesize\":1718132,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/jf_c2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jf_c2\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-25 01:53:44\",\"modified\":\"2024-07-25 01:53:44\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Looking at me Looking at you by Jordan Fleming at Collectible, Brussels, 2024.
\\nPhotograph by Michele Margot.<\\/p>\\n\"},{\"image\":{\"ID\":1610,\"id\":1610,\"title\":\"JF_C1\",\"filename\":\"JF_C1.jpg\",\"filesize\":2074810,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/jf_c1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jf_c1\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-25 01:53:39\",\"modified\":\"2024-07-25 01:53:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/JF_C1-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Looking at me Looking at you by Jordan Fleming at Collectible, Brussels, 2024.
\\nPhotograph by Michele Margot.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: It must be beneficial having that face-to-face time and for people to interact with the work directly and make those connections.<\\/p>\\n

AG: That\\u2019s maybe the most obvious benefit. It’s one thing to show work on a digital platform, but it’s all about relationships and bonds with like-minded people which lead to the most enjoyable work. Unexpectedly, I\\u2019ve made some of my strongest Australian connections while overseas at events such as UCCA<\\/a> in Beijing, ICFF<\\/a> in New York, Milan Design Week<\\/a> and Stockholm Furniture Fair<\\/a>. You\\u2019d like to think you\\u2019re not going to an international fair to hang out with other Australians, but some of my most valuable relationships with local companies started over there.<\\/p>\\n

JF: It\\u2019s interesting how that happens. Everyone\\u2019s in a small geographic area and there for the same reason for a short amount of time, so you\\u2019re naturally on the same level. I recently became good friends with a South African designer who was exhibiting in the same space as me at Collectible<\\/a> in Brussels. He\\u2019s quite advanced in his career and he\\u2019s been so generous sharing his knowledge. Even overseas, you can develop a sense of community quite quickly.<\\/p>\\n

AG: Mentorship is interesting. Overseas, there\\u2019s a culture of doing internships with studios, which really lacks here. It’s challenging for Australian designers, because you can’t get much information or advice. The fairs are a good opportunity to meet other designers and share insights, whether it be about royalties or exhibiting. If you\\u2019re not there, those organic conversations don\\u2019t happen.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1604,\"id\":1604,\"title\":\"BC\",\"filename\":\"BC.jpg\",\"filesize\":800704,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/bc\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bc\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 04:24:40\",\"modified\":\"2024-07-23 04:24:40\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/BC.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Broached Retreat featuring the Birdsmouth Table and Inside Out Cabinet by Adam Goodrum for Broached Commissions, UCCA Beijing, 2014.
\\nPhotograph courtesy of Adam Goodrum.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019ve made some of my strongest Australian connections while overseas at events such as UCCA<\\/a> in Beijing, ICFF<\\/a> in New York, Milan Design Week<\\/a> and Stockholm Furniture Fair<\\/a>. You\\u2019d like to think you\\u2019re not going to an international fair to hang out with other Australians, but some of my most valuable relationships with local companies started over there.” \\u2013 Adam Goodrum<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: With so many design fairs springing up across the globe, how do you find the right event to exhibit your work?<\\/p>\\n

AG: It\\u2019s interesting. I work with Cult<\\/a> on their brand NAU<\\/a>. We\\u2019ve exhibited in New York, Singapore and New Zealand, but we\\u2019ve never presented in Milan before. Right now, we\\u2019re looking at the logistics of Salone del Mobile<\\/a>, thinking about flat-packed stands, positioning, and all the rest of it. By comparison, the work I\\u2019m doing for Adam & Arthur<\\/a> alongside Arthur Seigneur sits more in the collectible category. New York has cemented itself in that scene, but perhaps it\\u2019s wise to do something in Seoul, which is more on the precipice. We\\u2019ll probably do a recce trip to make decisions about the right platform. I think you need to be informed to position yourself strategically, particularly when you don\\u2019t have deep pockets.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1589,\"id\":1589,\"title\":\"Nau\",\"filename\":\"Nau.jpg\",\"filesize\":1093127,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/nau\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nau\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-16 06:41:16\",\"modified\":\"2024-07-16 06:41:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Nau.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Fat Tulip 2 Seater Sofa by Adam Goodrum for NAU at ICFF New York 2017.
\\nPhotograph by Brooke Holm.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1596,\"id\":1596,\"title\":\"AA_1\",\"filename\":\"AA_1.jpg\",\"filesize\":2179649,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/aa_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"aa_1\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 02:31:50\",\"modified\":\"2024-07-23 02:31:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_1-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Arthur Seigneur and Adam Goodrum of Adam & Arthur with The Kissing Cabinet, recipient of the Melbourne Design Week Award 2024.
\\nPhotograph by Lillie Thompson.<\\/p>\\n\"},{\"image\":{\"ID\":1597,\"id\":1597,\"title\":\"AA_2\",\"filename\":\"AA_2.jpg\",\"filesize\":1822567,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/aa_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"aa_2\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 02:31:55\",\"modified\":\"2024-07-23 02:31:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/AA_2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Arthur Seigneur with The Kissing Cabinet.
\\nPhotograph by Lillie Thompson.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: In terms of investment, some companies have come under scrutiny in recent years for producing excessive material waste. Do you feel that approach has evolved in the time you’ve been attending design fairs, Adam?<\\/p>\\n

AG: Some fair stands are multi-million-dollar architectural feats that are created new every year. It is staggering the amount of money some companies spend and what ends up in landfill is quite horrific. A lot of brands are evaluating their impact and considering whether they produce a new stand every second year to reduce their impact or explore digital formats to present work in a more sustainable manner. The fair was once an essential platform for big brands to present new work to distributors. Now, there is more emphasis on direct and online sales, the fair format is arguably less relevant as it used to be and might leave companies questioning its value, especially given the cost and wastefulness.<\\/p>\\n

JF: I believe there will be a natural pivot to a more minimalist approach over time because it’ll become so obviously silly \\u2013 particularly as things change quickly with our climate and we start to look more closely at our resources. I don\\u2019t know what that will look like, whether there\\u2019s more of a push towards online platforms, an increased focus on reused materials or even, some sort of initiative to work within sustainable parameters.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The fair was once an essential platform for big brands to present new work to distributors. Now, there is more emphasis on direct and online sales, the fair format is arguably less relevant as it used to be and might leave companies questioning its value, especially given the cost and wastefulness.” \\u2013 Adam Goodrum<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: It would be an incredible initiative to invite designers to rethink the fair\\u2019s presentation norms through a more sustainable lens. Perhaps there\\u2019s an opportunity for organisers to dictate these design standards more explicitly?<\\/p>\\n

AG: I haven\\u2019t been to 3 Days of Design<\\/a> in Copenhagen, but it seems to be growing in momentum. It doesn\\u2019t have a fair ground, so there are no stands being made, and perhaps that\\u2019s a natural evolution of designers thinking more mindfully about waste.<\\/p>\\n

JF: When I was in Milan a couple of years ago, there was a group that got hold of a desolate sewing factory to use for the week and they did that again this year with another building destined for demolition. It\\u2019s a bit more avant garde, and for me, those were the most exciting places to visit \\u2013 so ad hoc and bizarre. So, there might be more of a push to take up vacant spaces. Fairs could become less regular to slow down consumption and environmental impact, but I think they\\u2019ll always have a place.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1605,\"id\":1605,\"title\":\"3Days\",\"filename\":\"3Days.jpg\",\"filesize\":500131,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/3days\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3days\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 04:36:02\",\"modified\":\"2024-07-23 04:36:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/3Days.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Knit! by Kvadrat featuring the Conversation Series by Adam Goodrum for Kvadrat Febrik, 3 Days of Design, Copenhagen, 2020.
\\nPhotograph courtesy of Adam Goodrum.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: How do you tackle sustainability in your own practices?<\\/p>\\n

JF: If I ever send something overseas, it stays overseas until it sells. Sending work over, especially by air freight, is A: wildly expensive, and B: really builds up the carbon miles. I think it\\u2019s worth considering smaller pieces, where possible, that can be packed in your luggage or sent as a small package.<\\/p>\\n

AG: Being a little bit longer in the tooth in my career, I have shifted my focus. My work with overseas companies is an exciting part of my business, but I focus on the Australian market more than I did before. It makes sense to work with companies who are local, rather than having to constantly jump on a plane to work abroad. I\\u2019ve shown work in Milan with Local Design<\\/a>, curated by Emma Elizabeth, alongside some incredible Australian designers. It\\u2019s an amazing platform that makes participating more accessible.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“If I ever send something overseas, it stays overseas until it sells. Sending work over, especially by air freight, is A: wildly expensive, and B: really builds up the carbon miles.” \\u2013 Jordan Fleming<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: It\\u2019s a powerful proposition for a community of Australian designers to showcase their work together, from a conceptual and logistical standpoint.<\\/p>\\n

AG: Working with Emma was amazing \\u2013 she speaks Italian and lived in Milan for a while. Even simple tasks like rigging up a light can be so complex in another country. To have that collective to work together makes sense, particularly to share costs because the real estate, even for the smallest exhibition footprint, costs so much.<\\/p>\\n

JF: The logistics of getting my work to Brussels recently, insuring it, and being down to the last day before opening and waiting for crates to turn up, was intense. And then it\\u2019s the little connections, like \\u201chow do you get the work from your accommodation to the exhibition space? Where do you buy plywood here?\\u201d It\\u2019s almost better not knowing what you\\u2019re getting yourself into until you\\u2019re there. I think that bit of ignorance helped me, because I probably wouldn’t have done it if I\\u2019d known how complex it would be logistically, particularly exhibiting solo.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1598,\"id\":1598,\"title\":\"Local Milan_1\",\"filename\":\"Local-Milan_1.jpg\",\"filesize\":1976716,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/local-milan_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"local-milan_1\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 02:45:29\",\"modified\":\"2024-07-23 02:45:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_1-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Local Milan by Emma Elizabeth, featuring the Bloom Cabinet by Adam & Arthur, Milan Design Week, 2018
\\nPhotograph courtesy of Local Design.<\\/p>\\n\"},{\"image\":{\"ID\":1599,\"id\":1599,\"title\":\"Local Milan_2\",\"filename\":\"Local-Milan_2.jpg\",\"filesize\":1849699,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/going-global-in-conversation-with-adam-goodrum-and-jordan-fleming\\/local-milan_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"local-milan_2\",\"status\":\"inherit\",\"uploaded_to\":1572,\"date\":\"2024-07-23 02:45:34\",\"modified\":\"2024-07-23 02:45:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/Local-Milan_2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Emma Elizabeth, curator of Local Milan.
\\nPhotograph courtesy of Local Design.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: What advice would you offer to emerging designers seeking to leverage opportunities in this area to gain a foothold in the industry and advance their careers?<\\/p>\\n

AG: I\\u2019d 100-percent encourage others to partake in international events. In Australia, we are such a long way from everything else and it\\u2019s so exciting to be exposed to international design cultures, and potential opportunities. It gives you a kick up the pants to do something with a point of difference, too.<\\/p>\\n

JF: I think it is important to have good foundations here in Australia, but exhibiting abroad has added another layer to my career and influenced how I see things. I think it\\u2019s vital to keep sharing Australian design internationally. People are often shocked when you say you\\u2019re from Australia, like \\u201cyou came all this way with your work?\\u201d There\\u2019s a real pride in being present with your pieces and people find that quite compelling.<\\/p>\\n

HC: Adam and Jordan, thank you for sharing your experiences. We look forward to seeing your work exhibited at home and abroad sometime soon.<\\/p>\\n

AG: Pleasure.<\\/p>\\n

JF: Thanks for having me.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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People are often shocked when you say you\\u2019re from Australia, like \\u201cyou came all this way with your work?\\u201d There\\u2019s a real pride in being present with your pieces and people find that quite compelling.” \\u2013 Jordan Fleming<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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On a crisp Tuesday morning last month, we brought our community of clients and industry friends together for a guided walking tour along the traditional lands of the Birrarung to Dights Falls in Abbotsford, Victoria. Led by our enthusiastic guides from Wurundjeri Woi-wurrung Cultural Heritage Aboriginal Corporation<\\/a>, the walk traversed significant Indigenous Australian, settler, natural and contemporary landmarks, revealing the traditional rhythms and relationships between people and place.<\\/p>\\n

Photography by Michael Pham<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1569,\"id\":1569,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes.jpg\",\"filesize\":1244508,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-001-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-001-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 04:40:46\",\"modified\":\"2024-07-09 04:40:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":1601,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes.jpg\",\"full_width-width\":2400,\"full_width-height\":1601,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-001-MichaelPham-WebRes-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Gathering at Abbotsford Convent.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1552,\"id\":1552,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-002-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-002-MichaelPham-WebRes.jpg\",\"filesize\":1075482,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-002-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-002-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-002-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 02:58:24\",\"modified\":\"2024-07-09 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Led by our spirited guides, the walk traversed significant Indigenous, settler, natural and contemporary landmarks, revealing the traditional rhythms and relationships between people and place.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1555,\"id\":1555,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes.jpg\",\"filesize\":1750646,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-012-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-012-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 03:07:39\",\"modified\":\"2024-07-09 03:07:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":1601,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes.jpg\",\"full_width-width\":2400,\"full_width-height\":1601,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-012-MichaelPham-WebRes-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Acknowledgement of Country.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1566,\"id\":1566,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes.jpg\",\"filesize\":1199359,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-018-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-018-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 04:18:05\",\"modified\":\"2024-07-09 04:18:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-018-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Keen participants chewing sheoak needles, used by Indigenous people to reduce thirst by increasing saliva production.<\\/p>\\n\"},{\"image\":{\"ID\":1540,\"id\":1540,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes.jpg\",\"filesize\":932496,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-020-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-020-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 02:39:46\",\"modified\":\"2024-07-09 02:39:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes.jpg\",\"full_width-width\":1600,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-020-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Walking tour guide picking sheoak needles.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Our guides\\u2019 knowledge, humour and enthusiasm allowed the group to connect with the landscape\\u2019s history and significance \\u2013 particularly the final landmark of Dights Falls, a traditional meeting place, vital food source, and site of cultural and spiritual strength for the Wurundjeri people. The falls are also a reminder of the historical interactions between Indigenous people and European settlers. The construction of the first weir at Dights Falls in the 1840s marked the beginning of significant changes to the natural landscape, significantly impacting traditional Indigenous living practices.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1550,\"id\":1550,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes.jpg\",\"filesize\":1148767,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-095-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-095-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 02:40:24\",\"modified\":\"2024-07-09 02:40:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes.jpg\",\"full_width-width\":1600,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-095-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Walking along the banks of the Birrarung.<\\/p>\\n\"},{\"image\":{\"ID\":1543,\"id\":1543,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes.jpg\",\"filesize\":848312,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-033-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-033-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 02:39:56\",\"modified\":\"2024-07-09 02:39:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-033-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Learning about the medicinal properties of Kangaroo Apple.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1546,\"id\":1546,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes.jpg\",\"filesize\":845320,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-056-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-056-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 02:40:08\",\"modified\":\"2024-07-09 02:40:08\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":1600,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes.jpg\",\"full_width-width\":2400,\"full_width-height\":1600,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-056-MichaelPham-WebRes-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Learning about the origins of the Birrarung, or ‘Yarra’ River, derived from ‘Yarro Yarro’ meaning ‘flowing water.’<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Our guides\\u2019 knowledge, humour and enthusiasm allowed the group to connect with the landscape\\u2019s history and significance \\u2013 particularly the final landmark of Dights Falls, a traditional meeting place, vital food source, and site of cultural and spiritual strength for the Wurundjeri 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Identifying Indigenous scar trees, the result of bark removal for various purposes.<\\/p>\\n\"},{\"image\":{\"ID\":1564,\"id\":1564,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes.jpg\",\"filesize\":1010050,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-050-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-050-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 03:37:10\",\"modified\":\"2024-07-09 03:37:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes.jpg\",\"full_width-width\":1600,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-050-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Discussing Dreamtime stories and traditional songlines.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Visiting this significant place, just 10 minutes from NHO, reminded us of the value in tuning in to our surroundings, connecting with new perspectives and recognising Indigenous peoples\\u2019 enduring connection to the land. As we celebrate NAIDOC Week<\\/a> (07-14 July), we encourage you to consider organising a tour with your own colleagues and communities as a cultural learning initiative and mark of ongoing and meaningful reconciliation. <\\/p>\\n

In addition to Dights Falls, tours are also run by Wurundjeri Woi-wurrung Cultural Heritage Aboriginal Corporation<\\/a> in Fitzroy and the Yarra Ranges. Learn more here<\\/a>. In addition to educational tours, the Wurundjeri Woi-wurrung Cultural Heritage Aboriginal Corporation<\\/a> offers services in Cultural Heritage, Natural Resource Management, Cultural Practices for Events, Cultural Consultations, Language and Naming, Cross-Cultural Awareness Training and Research. Explore the services here<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1560,\"id\":1560,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes.jpg\",\"filesize\":1518843,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-083-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-083-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 03:27:31\",\"modified\":\"2024-07-09 03:27:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-083-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Learning about possum pelt cloaks.<\\/p>\\n\"},{\"image\":{\"ID\":1568,\"id\":1568,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes.jpg\",\"filesize\":671529,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-079-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-079-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 04:38:25\",\"modified\":\"2024-07-09 04:38:25\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-079-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

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Discussing traditional hunting and gathering.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1563,\"id\":1563,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes.jpg\",\"filesize\":872988,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-075-michaelpham-webres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-075-michaelpham-webres\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 03:30:51\",\"modified\":\"2024-07-09 03:30:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-075-MichaelPham-WebRes.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Dights Falls, Abbotsford.<\\/p>\\n\"},{\"image\":{\"ID\":1562,\"id\":1562,\"title\":\"NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes\",\"filename\":\"NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1.jpg\",\"filesize\":948441,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/walking-country\\/nho001-first-nations-walking-tour-240604-073-michaelpham-webres-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho001-first-nations-walking-tour-240604-073-michaelpham-webres-2\",\"status\":\"inherit\",\"uploaded_to\":1536,\"date\":\"2024-07-09 03:30:47\",\"modified\":\"2024-07-09 03:30:47\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1601,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1.jpg\",\"full_width-width\":1601,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-073-MichaelPham-WebRes-1.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

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Office\",\"description\":\"\",\"opengraph_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-086-MichaelPham-WebRes-1200x801.jpg\",\"opengraph_title\":\"Walking Country - Neil Hugh Office\",\"opengraph_description\":\"\",\"twitter_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/07\\/NHO001-First-Nations-Walking-Tour-240604-086-MichaelPham-WebRes-1200x801.jpg\",\"twitter_title\":\"Walking Country - Neil Hugh Office\",\"twitter_description\":\"\"}}","title":"Walking Country","slug":"walking-country","publishedDateUnix":1720538762},{"acf_json":"{\"type\":{\"term_id\":19,\"name\":\"Book Club\",\"slug\":\"book-club\",\"term_group\":0,\"term_taxonomy_id\":18,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":10,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":true,\"sub_title\":\"Book Club \",\"title_override\":\"Among Buildings
\\r\\nIn Conversation with Michael Roper, Tom Ross & Stuart Geddes
\\r\\n18.06.24\",\"listing_description\":\"

Tom Ross is an architectural and editorial photographer, published internationally. Michael Roper is a poet, architect, and co-director of Melbourne practice Architecture Architecture. Stuart Geddes is a graphic designer, PhD candidate and Industry Fellow at RMIT University. Together, these Melbourne-based creatives have created Among Buildings \\u2013 a book that reflects on 26 examples of significant Melbourne architecture through photography and poetry.<\\/p>\\n\",\"hero_image\":{\"ID\":1508,\"id\":1508,\"title\":\"AB_PRESS017_fullres\",\"filename\":\"AB_PRESS017_fullres.jpg\",\"filesize\":27663259,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/ab_press017_fullres\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ab_press017_fullres\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-05-27 23:55:41\",\"modified\":\"2024-05-27 23:55:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":8688,\"height\":5792,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/05\\/AB_PRESS017_fullres-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

Tom Ross<\\/a> is an architectural and editorial photographer, published internationally. Michael Roper<\\/a> is a poet, architect, and co-director of Melbourne practice Architecture architecture<\\/a>. Stuart Geddes<\\/a> is a graphic designer, PhD candidate and Industry Fellow at RMIT University<\\/a>. Together, these Melbourne-based creatives have created Among Buildings<\\/a> \\u2013 a book that reflects on 26 examples of significant Melbourne architecture through photography and poetry. <\\/p>\\n

Exploiting the productive tension between the written word and the photographic image, the book\\u2014now in its second print edition\\u2014draws upon aspects of place, myth, history, and personal experience in an open-ended exploration of some of Australia\\u2019s most iconic works of architecture. Among these are Robin Boyd<\\/a>\\u2019s Featherston House, the Griffins<\\/a>\\u2019 Capitol Theatre<\\/a>, and Yuncken Freeman\\u2019s Sidney Myer Music Bowl<\\/a>. The publication makes no attempt to present a complete picture of the subject buildings, rather it presents a series of open-ended, personal reflections \\u2013 fragments in a kaleidoscope of possible imaginings. <\\/p>\\n

NHO Founder and Director, Neil Hugh Kenna, recently sat down with Tom, Michael, and Stuart to discuss Among Buildings<\\/a>. This is their conversation.<\\/p>\\n

Portrait courtesy of Michael Roper.<\\/p>\\n

Among Buildings<\\/a> by Tom Ross, Michael Roper & Stuart Geddes is available to purchase via Bookshop by Uro<\\/a> and other select bookshops.<\\/p>\\n

\\u2013<\\/p>\\n

NHK: Welcome to NHO Book Club and thank you for joining us to discuss Among Buildings<\\/a>. What first inspired your collaboration and how did the interdisciplinary nature of the project influence the creative process? <\\/p>\\n

MR: It was quite unplanned. At some point in the late 90s, Stuart and I were fellow dish-pigs in a Smith Street restaurant called Col\\u2019s Caf\\u00e9. Some 15 years later, Tom and I shared a studio space above Tattoo Magic on Gertrude Street. Around the same time, Stuart and Tom were both regulars at Everyday Coffee<\\/a>. The three of us first joined forces for Among Buildings<\\/a>.<\\/p>\\n

From the outset, Tom and I started talking a lot about images and words. Eventually, I started writing about Tom\\u2019s images and Tom started making images for my words. This evolved into making regular visits to buildings together.<\\/p>\\n

A couple of years into the process, Stuart joined the team and gave the publication its shape. Up until that point we really weren\\u2019t sure what format the work would take. He tested a lot of our assumptions about the work and its presentation, fundamentally transforming how it\\u2019s read. <\\/p>\\n

As much as we love the finished publication, the collaborative process was the greatest pleasure \\u2013 the simple act of discovering, sharing and developing ideas. Collaboration is all about changing and being changed \\u2013 it\\u2019s a thrill. Every aspect of this publication is the result of a true collaboration between the three of us.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1532,\"id\":1532,\"title\":\"Among Buildings_Tom Ross\",\"filename\":\"Among-Buildings_Tom-Ross.jpeg\",\"filesize\":236282,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/among-buildings_tom-ross\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"among-buildings_tom-ross\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 03:03:05\",\"modified\":\"2024-06-13 03:03:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1005,\"height\":670,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross.jpeg\",\"large-width\":1005,\"large-height\":670,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross.jpeg\",\"1536x1536-width\":1005,\"1536x1536-height\":670,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross.jpeg\",\"2048x2048-width\":1005,\"2048x2048-height\":670,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross.jpeg\",\"full_width-width\":1005,\"full_width-height\":670,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Among-Buildings_Tom-Ross.jpeg\",\"medium2-width\":1005,\"medium2-height\":670}},\"use_caption\":true,\"caption\":\"

Seaford Lifesaving Club by Robert Simeoni.
\\nPhotograph by Tom Ross. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“From the outset, Tom and I started talking a lot about images and words. Eventually, I started writing about Tom\\u2019s images and Tom started making images for my words. This evolved into making regular visits to buildings together.” \\u2013 Michael Roper<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: How did you select the 26 examples of Melbourne architecture featured in the book and what criteria, if any, guided your choices?<\\/p>\\n

MR: We were mostly interested in buildings that people might be familiar with, in order to make the act of de-familiarising them more potent. We were hoping to offer new perspectives on known buildings, validating the notion that a personal, fleeting experience is as relevant to our understanding of the built environment as any encyclopedia entry. While there were no strict rules guiding their selection, there\\u2019s a fairly even spread of buildings from the 1870s to the 2010s, with no two buildings designed by the same architect.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1520,\"id\":1520,\"title\":\"6\",\"filename\":\"6.jpg\",\"filesize\":3457007,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/6-4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"6-4\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 01:20:56\",\"modified\":\"2024-06-13 01:20:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/6-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Federation Square by Lab Architecture Studio in Among Buildings.
\\nPhotograph courtesy of Michael Roper. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We were mostly interested in buildings that people might be familiar with, in order to make the act of de-familiarising them more potent.” \\u2013 Michael Roper.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In architect, artist, and poet Alex Selenitsch\\u2019s introduction, he suggests the raw material for the book\\u2019s photographs and poems are your visits to these buildings \\u2013 \\u201cand indeed, that is what the viewer\\/reader is encouraged to reimagine.\\u201d How do the photographs and poems capture your personal encounters, and what are the possibilities and limitations of these mediums as storytelling devices? <\\/p>\\n

MR: Every month Tom and I would visit a new building. We took our time, having long drawn-out conversations about what we saw and thought as we moved around, covering aspects of place, myth, history, and our personal experiences of the buildings. Tom would be taking photos and I\\u2019d be writing down our thoughts. On a couple of rare occasions I\\u2019d almost have the poem finished by the end of the visit. More often I would go home and sit down with my notes and Tom\\u2019s photographs with remnants of our conversation turning in my head. Over the course of the month Tom and I would refine our ideas, resolving the words and images into something which we felt spoke to the building and our experience of the place. <\\/p>\\n

Throughout the process we often reflected on the mode of \\u2018storytelling\\u2019 if that\\u2019s even what it is. If traditional stories are understood as an arc, we often talked about a field of scattered notions which, when seen together, might begin to stir a sense of the thing we\\u2019re looking at. This may not lend itself to immediate comprehension, but we hope that the work offers the reward of discovery. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1514,\"id\":1514,\"title\":\"5F8A3424\",\"filename\":\"5F8A3424.jpg\",\"filesize\":974285,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/5f8a3424\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"5f8a3424\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-11 04:33:44\",\"modified\":\"2024-06-11 04:33:44\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":1333,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424.jpg\",\"2048x2048-width\":2000,\"2048x2048-height\":1333,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424.jpg\",\"full_width-width\":2000,\"full_width-height\":1333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5F8A3424-1600x1066.jpg\",\"medium2-width\":1600,\"medium2-height\":1066}},\"use_caption\":true,\"caption\":\"

Architect, artist, and poet Alex Selenitsch with Stuart Geddes, Tom Ross and Michael Roper at the launch of Among Buildings.
\\nPhotograph courtesy of Michael Roper. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“If traditional stories are understood as an arc, we often talked about a field of scattered notions which, when seen together, might begin to stir a sense of the thing we\\u2019re looking at. This may not lend itself to immediate comprehension, but we hope that the work offers the reward of discovery.” \\u2013 Michael Roper<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: What weight, if any, did the historical narratives of each building have on your lived experience of them. Did this influence your representation of the building?<\\/p>\\n

TR: The Shrine of Remembrance<\\/a> certainly. I find the ANZAC story uncomfortable and even unsettling as a national identity myth. Without being explicit I think that feeling imbues the photos, perhaps foreboding in the shadows. RMIT Design Hub<\\/a> I have mixed feelings about. Ultimately I love it, and fall for the seductive qualities but it was too hard to resist poking at the perfect box.<\\/p>\\n

MR: The prospect of representing these landmarks of Melbourne architecture was sometimes a little daunting. It was important to remind ourselves that while they may be celebrated, they were still just \\u2018bricks and mortar\\u2019 like any other building \\u2013 hence Among Buildings, rather than Among Architecture. There are threads of historical narrative written through a number of the poems, but it isn\\u2019t really the focus of the work. A couple of examples:<\\/p>\\n

– Queen Victoria Market<\\/a> reflects on the history of this site as a colonial burial ground for aboriginal people. It\\u2019s impossible to think of this place, without considering who is underfoot.
\\n– The Heide<\\/a> poems thread together aspects of John and Sunday Reed\\u2019s life among their coterie of artists.
\\n– Manchester Unity<\\/a> was the first commercial building to challenge church and state for dominance on the Melbourne skyline. We draw this together with a story of the night when two crocodiles escaped from the South Seas restaurant in the building\\u2019s basement, sending patrons fleeing.
\\n– Storey Hall<\\/a> draws upon the building\\u2019s history as a place of cultural resistance, originally constructed by Irish Catholics, later a gathering place for the Suffragettes, and ARM<\\/a>\\u2019s challenge to the neat, sanitising order of the city\\u2019s buildings. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1533,\"id\":1533,\"title\":\"Sunday Reed\",\"filename\":\"Sunday-Reed.jpg\",\"filesize\":294632,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/sunday-reed\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"sunday-reed\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 03:10:22\",\"modified\":\"2024-06-13 03:10:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1200,\"height\":790,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed-300x198.jpg\",\"medium-width\":300,\"medium-height\":198,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed.jpg\",\"medium_large-width\":768,\"medium_large-height\":506,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed.jpg\",\"large-width\":1200,\"large-height\":790,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed.jpg\",\"1536x1536-width\":1200,\"1536x1536-height\":790,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed.jpg\",\"2048x2048-width\":1200,\"2048x2048-height\":790,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed.jpg\",\"full_width-width\":1200,\"full_width-height\":790,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Sunday-Reed.jpg\",\"medium2-width\":1200,\"medium2-height\":790}},\"use_caption\":true,\"caption\":\"

Sunday Reed at the Front Door of Heide I, 1965.
\\nPhotograph by Albert Tucker, courtesy of Heide. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: The photographic styles vary across the book \\u2013 from the almost surrealist depiction of the Capitol Theatre<\\/a> to the blurred, atmospheric capture of Heide<\\/a> I\\u2019s gardens. Tom, what photographic techniques did you draw on to bring your experience of each place to life? <\\/p>\\n

TR: I started with some self-imposed rules like always 50mm lens, black and white, hand-held, and vertical composition. It\\u2019s easier to start when there\\u2019s limitations for me. Then we just gradually broke all those rules, which is fine too. The high key flash was only used for Capitol Theatre<\\/a>, it looks so unfamiliar and abstract, sharpening those acoustic wall and ceiling sculptures. Generally I wanted a quickness, informality, and real humanistic look to the photos. Rather than \\u2018professional photography\\u2019, more snap shots, to open it up and be more accessible. Like someone wandering around. For the Sidney Myer Music Bowl<\\/a>, for example, I wanted to tip my hat to Australian photographer Wolfgang Seivers<\\/a> having loved his contribution, so there\\u2019s a dramatic low angle and dark sky I think he would\\u2019ve appreciated. Looking at ICI House<\\/a> we chatted about the film Playtime, the super long lens reduces the building to a flat backdrop bringing the fun idiosyncratic ways people use the building into the foreground.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1535,\"id\":1535,\"title\":\"IMG_5406-2\",\"filename\":\"IMG_5406-2.png\",\"filesize\":1083416,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/img_5406-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"img_5406-2\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-17 23:19:27\",\"modified\":\"2024-06-17 23:19:27\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2-300x225.png\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2.png\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2-1200x900.png\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2.png\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2.png\",\"2048x2048-width\":2000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2.png\",\"full_width-width\":2000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/IMG_5406-2-1600x1200.png\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Capitol Theatre by Walter Burley Griffin and Marion Mahony Griffin in Among Buildings.
\\nPhotograph courtesy of Bookshop by Uro. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1527,\"id\":1527,\"title\":\"W_0\",\"filename\":\"W_0.jpg\",\"filesize\":1000979,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/w_0\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"w_0\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 02:10:05\",\"modified\":\"2024-06-13 02:10:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0.jpg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_0.jpg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Bryant & May match factory, Richmond 1939, by Wolfgang Sievers.
\\nPhotograph courtesy of RMIT.<\\/p>\\n\"},{\"image\":{\"ID\":1528,\"id\":1528,\"title\":\"W_1\",\"filename\":\"W_1.jpg\",\"filesize\":734698,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/w_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"w_1\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 02:10:09\",\"modified\":\"2024-06-13 02:10:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1.jpg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/W_1.jpg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Stanhill, 1951, by Wolfgang Sievers.
\\nPhotograph courtesy of RMIT.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I started with some self-imposed rules like always 50mm lens, black and white, hand-held, and vertical composition. It\\u2019s easier to start when there\\u2019s limitations for me. Then we just gradually broke all those rules, which is fine too.” \\u2013 Tom Ross<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Among Buildings<\\/a>\\u2019 photography is black-and-white, bar one project: Edmond and Corrigan\\u2019s Athan House. What guided this choice and how does it add to the book\\u2019s expression? <\\/p>\\n

TR: The Athan house basically demanded it be shot in colour \\u2013 it felt strange not to, so we left the door open. Then when Corrigan passed away the year we printed the book it was decided. A tribute.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1519,\"id\":1519,\"title\":\"5\",\"filename\":\"5.jpg\",\"filesize\":4822974,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/5-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"5-3\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 01:20:44\",\"modified\":\"2024-06-13 01:20:44\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/5-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Athan House by Edmond and Corrigan in Among Buildings.
\\nPhotograph courtesy of Michael Roper. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Stuart, the book\\u2019s understated typography, page design and flat-lay binding complements the photographs and poems beautifully. How do you feel these decisions enrich the book’s presentation?<\\/p>\\n

SG: Hey thanks. The approach was to be understated, as you say. In lots of ways the design of this book is about getting out of the way, and just reinforcing and supporting what is there. Subtle decisions about printing and paper and binding and pacing are there to support the words and pictures. A big part of this is about making a rich and comfortable reading experience in the context of words and pictures that aren\\u2019t necessarily comfortable or straightforward. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1531,\"id\":1531,\"title\":\"Cover\",\"filename\":\"Cover.jpg\",\"filesize\":3298731,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/cover\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cover\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 02:52:52\",\"modified\":\"2024-06-13 02:52:52\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Cover-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Among Buildings.
\\nPhotography courtesy of Michael Roper. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Subtle decisions about printing and paper and binding and pacing are there to support the words and pictures. A big part of this is about making a rich and comfortable reading experience in the context of words and pictures that aren\\u2019t necessarily comfortable or straightforward.” \\u2013 Stuart Geddes <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: As a tight curation of photography and text, Among Buildings<\\/a> offers an inherently open-ended exploration of architecture that fosters multiple interpretations. How do you hope readers will engage with the book, or the buildings within its pages?<\\/p>\\n

MR: The buildings in this publication are presented through a very subjective lens \\u2013 images and words are personal and fleeting. There\\u2019s no attempt here to be objective or comprehensive in any way. We hope that our words and images might inspire readers to look to their city with fresh eyes, approaching familiar old buildings with newfound curiosity. We really hope that readers might take the book to some of these buildings and read them in-situ \\u2013 particularly in the case of Queen Victoria Market<\\/a>, the Shrine of Remembrance<\\/a> and the Heide<\\/a> buildings. <\\/p>\\n

NHK: Michael, can you tell us about the closing piece of poetry, contained in the book\\u2019s jacket? What sentiment did you hope to leave with readers, and why? <\\/p>\\n

MR: It\\u2019s a simple little ditty, suggesting anyone can dream their own reality into existence with as much authority as the next person. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1517,\"id\":1517,\"title\":\"3\",\"filename\":\"3.jpg\",\"filesize\":3272477,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/3-4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3-4\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 01:20:26\",\"modified\":\"2024-06-13 01:20:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/3-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

The Fitzroy Baths by Sir John Monash in Among Buildings.
\\nPhotograph courtesy of Michael Roper. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Lastly, how do you perceive the role of Among Buildings<\\/a> in elevating the value of design, and its cultural significance within Melbourne and beyond?<\\/p>\\n

MR: I don\\u2019t think this was ever really the objective, but if the book has anything to say on the cultural significance of design, hopefully the message is that there is no authority on such matters. <\\/p>\\n

NHK: Thank you for sharing your thoughts with us. <\\/p>\\n

MR: Thank you!<\\/p>\\n

TR: Yeah, thanks for having us.<\\/p>\\n

SG: Anytime. <\\/p>\\n

\\u2014<\\/p>\\n

Among Buildings<\\/a> by Tom Ross, Michael Roper & Stuart Geddes is available to purchase via Bookshop by Uro<\\/a> and other select bookshops.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“If the book has anything to say on the cultural significance of design, hopefully the message is that there is no authority on such matters.” \\u2013 Michael Roper<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1521,\"id\":1521,\"title\":\"7\",\"filename\":\"7.jpg\",\"filesize\":3598892,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/among-buildings-with-michael-roper-tom-ross-stuart-geddes\\/7-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"7-3\",\"status\":\"inherit\",\"uploaded_to\":1507,\"date\":\"2024-06-13 01:21:04\",\"modified\":\"2024-06-13 01:21:04\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/7-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Among Buildings.
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Last week NHO Founder & Director, Neil Hugh Kenna joined a panel event hosted by BAR Studio to discuss the NHO approach to placemaking for \\u201847 Easey Street\\u2019 \\u2013 BAR\\u2019s new home and very personal mixed-use project in Collingwood, well-known to locals as the former home of community radio station, PBS.<\\/p>\\n\",\"hero_image\":{\"ID\":1510,\"id\":1510,\"title\":\"Bar Studio Opening Event - State of Play - 24th May_GRIFFIN SIMM_ FINALS_8\",\"filename\":\"Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8.jpg\",\"filesize\":4665701,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/building-community-place-consciously\\/bar-studio-opening-event-state-of-play-24th-may_griffin-simm_-finals_8\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bar-studio-opening-event-state-of-play-24th-may_griffin-simm_-finals_8\",\"status\":\"inherit\",\"uploaded_to\":1509,\"date\":\"2024-06-04 04:04:38\",\"modified\":\"2024-06-04 04:04:38\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2668,\"height\":4000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8-2500x3748.jpg\",\"full_width-width\":2500,\"full_width-height\":3748,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8-1600x2399.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Last week NHO Founder & Director, Neil Hugh Kenna joined a panel event hosted by BAR Studio<\\/a> to discuss the NHO approach to placemaking for \\u201847 Easey Street\\u2019 \\u2013 BAR<\\/a>\\u2019s new home and very personal mixed-use project in Collingwood, well-known to locals as the former home of community radio station, PBS<\\/a>.<\\/p>\\n

Exploring the topic \\u2018Building Community & Place, Consciously<\\/a>\\u2019 and moderated by Suzy Annetta, Editor-In-Chief of Design Anthology<\\/a>, Neil joined BAR Studio<\\/a> Co-Founder, Felicity Beck, Founder of Revival Projects<\\/a> and project contractor, Robbie Neville, and Easey Street tenant, Mayatili Marika of Aboriginal and Torres Strait Islander not-for-profit organisation, Agency Projects<\\/a>, for an engaging discussion.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1511,\"id\":1511,\"title\":\"Bar Studio Opening Event - State of Play - 24th May_GRIFFIN SIMM_ FINALS_49\",\"filename\":\"Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49.jpg\",\"filesize\":1866057,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/building-community-place-consciously\\/bar-studio-opening-event-state-of-play-24th-may_griffin-simm_-finals_49\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bar-studio-opening-event-state-of-play-24th-may_griffin-simm_-finals_49\",\"status\":\"inherit\",\"uploaded_to\":1509,\"date\":\"2024-06-04 04:04:54\",\"modified\":\"2024-06-04 04:04:54\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4000,\"height\":2667,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_49-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

‘Building Community & Place, Consciously’ panel.
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Contemplating the needs and motivations of a cast of individuals, organisations and community groups was central to our process, however as Neil noted on the panel, with full occupancy, the real fun starts now as relationships grow, a genuine sense of community develops, and business prospers.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Contemplating the needs and motivations of a cast of individuals, organisations and community groups was central to our process, however as Neil noted on the panel, with full occupancy, the real fun starts now as relationships grow, a genuine sense of community develops, and business prospers.<\\/p>\\n

Taking the audience through NHO\\u2019s placemaking methodology, Neil recounted a three stage process comprising Visioning, Consultation, and Distillation, with respect for what\\u2019s come before central to the project\\u2019s never finished, always evolving ethos. It\\u2019s a truism that good things cannot be rushed, however by providing solid yet malleable scaffolding, good things can grow, and thus place is “made”.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1512,\"id\":1512,\"title\":\"Bar Studio Opening Event - State of Play - 24th May_GRIFFIN SIMM_ FINALS_54\",\"filename\":\"Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54.jpg\",\"filesize\":2283970,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/building-community-place-consciously\\/bar-studio-opening-event-state-of-play-24th-may_griffin-simm_-finals_54\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bar-studio-opening-event-state-of-play-24th-may_griffin-simm_-finals_54\",\"status\":\"inherit\",\"uploaded_to\":1509,\"date\":\"2024-06-04 04:05:12\",\"modified\":\"2024-06-04 04:05:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4000,\"height\":2667,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_54-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

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Office\",\"opengraph_description\":\"\",\"twitter_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/06\\/Bar-Studio-Opening-Event-State-of-Play-24th-May_GRIFFIN-SIMM_-FINALS_8-800x1200.jpg\",\"twitter_title\":\"Building Community & Place, Consciously - Neil Hugh Office\",\"twitter_description\":\"\"}}","title":"Building Community & Place, Consciously","slug":"building-community-place-consciously","publishedDateUnix":1717667599},{"acf_json":"{\"type\":{\"term_id\":20,\"name\":\"Impact\",\"slug\":\"impact\",\"term_group\":0,\"term_taxonomy_id\":19,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":11,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":false,\"sub_title\":\"Impact\",\"title_override\":\"B Corp Advocacy: In Conversation
\\r\\n14.05.24\",\"listing_description\":\"

NHO has been B Corp certified since March 2023 \\u2013 a reflection of our values and our vision to elevate the value of design and its potential for positive impact. We believe all businesses, regardless of their size, have influence \\u2013 and thus responsibility \\u2013 for employees, clients, governance, the environment, and our communities.<\\/p>\\n\",\"hero_image\":{\"ID\":1492,\"id\":1492,\"title\":\"Impact_Advocacy\",\"filename\":\"Impact_Advocacy.jpg\",\"filesize\":2752290,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/impact_advocacy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"impact_advocacy\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-18 02:56:17\",\"modified\":\"2024-04-18 02:56:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Impact_Advocacy-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHO has been B Corp<\\/a> certified since March 2023 \\u2013 a reflection of our values and our vision to elevate the value of design and its potential for positive impact. We believe all businesses, regardless of their size, have influence \\u2013 and thus responsibility \\u2013 for employees, clients, governance, the environment, and our communities. B Corp<\\/a> provides a framework to ensure that influence is positive; a toolkit for successfully marrying purpose with profit. <\\/p>\\n

Here, Lillian Lim, Director of NHO, speaks with Melbourne based property developer, Milieu<\\/a>, Australian rug brand, Armadillo<\\/a>, Sydney based creative agency, Frost*collective<\\/a> and architecture and interior design practice, Studio Prineas<\\/a>, reflecting on their B Corp<\\/a> experience in the hope it will inspire yours.<\\/p>\\n

This conversation features:
\\n\\u2022 Michael McCormack \\u2013 Managing Director, Milieu<\\/a>
\\n\\u2022 Jodie Fried and Sally Pottharst \\u2013 Co-Founders, Armadillo<\\/a>
\\n\\u2022 Alarna Rose \\u2013 Head of Purpose, Armadillo<\\/a>
\\n\\u2022 Vince Frost \\u2013 Founder, CEO and Executive Creative Director, Frost*collective<\\/a>
\\n\\u2022 Carlo Giannasca \\u2013 Chief Operating Officer & Partner, Frost*collective<\\/a>
\\n\\u2022 Eva-Marie Prineas \\u2013 Principal of Studio Prineas<\\/a> <\\/p>\\n

\\u2013<\\/p>\\n

Lillian: Thank you all for joining us, and congratulations on achieving B Corp<\\/a> certification. Michael, what inspired Milieu to join the B Corp<\\/a> movement, and how does being a certified B Corp<\\/a> align with the company\\u2019s ethos, values, mission and goals?<\\/p>\\n

Michael \\u2013 Managing Director, Milieu<\\/a>: We\\u2019re a purpose-driven developer and our foundations are rooted in a progressive cause \\u2013 to provide thoughtful and considered solutions that build better cities, while embracing social networks and the business landscape. Our alignment with B Corp<\\/a>\\u2019s philosophy encouraged us to pursue certification as a proof point of our company ethos. The B Corp<\\/a> framework has encouraged us to have meaningful team discussions and implement ongoing improvements as a force for positive change.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1494,\"id\":1494,\"title\":\"Breese\",\"filename\":\"Breese.jpeg\",\"filesize\":1397525,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/breese\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breese\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-18 04:17:51\",\"modified\":\"2024-04-18 04:17:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese-1200x800.jpeg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese.jpeg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese.jpeg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese.jpeg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Breese.jpeg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Breese Street by Milieu, designed by DKO with Breathe Architecture.
\\nPhotography by Tom Ross.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: Eva-Marie, your architecture and interior design practice, Studio Prineas<\\/a>, achieved certification in 2023. Can you walk us through the process?<\\/p>\\n

Eva-Marie \\u2013 Principal, Studio Prineas<\\/a>: Absolutely. We discovered the movement about five years ago and felt it was a tangible way to formalise our studio\\u2019s priorities and processes \\u2013 a push from good intentions to material actions. We began implementing practical ways that we could work towards the spirit of B Corp<\\/a>, then committed to a 12-month certification goal. We split the five ‘Impact’ areas \\u2013 Governance, Workers, Community, Environment and Customers \\u2013 between the team, which allowed everyone to feel invested and take ownership. One simple but meaningful move was to change the constitution of the company. Other tasks involved formalising our processes we already had in place into structured policies. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1483,\"id\":1483,\"title\":\"211215 - STUDIO PRINEAS - OFFICE PORTRAITS2663-Edit copy\",\"filename\":\"211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy.jpg\",\"filesize\":3404141,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/211215-studio-prineas-office-portraits2663-edit-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"211215-studio-prineas-office-portraits2663-edit-copy\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-16 04:14:50\",\"modified\":\"2024-04-16 04:14:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3883,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy-232x300.jpg\",\"medium-width\":232,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":994,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy-927x1200.jpg\",\"large-width\":927,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy.jpg\",\"1536x1536-width\":1187,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy.jpg\",\"2048x2048-width\":1582,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy-2500x3236.jpg\",\"full_width-width\":2500,\"full_width-height\":3236,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/211215-STUDIO-PRINEAS-OFFICE-PORTRAITS2663-Edit-copy-1600x2071.jpg\",\"medium2-width\":1600,\"medium2-height\":2071}},\"use_caption\":true,\"caption\":\"

Eva-Marie Prineas, Principal of Studio Prineas.
\\nPhotography by Felix Forest. <\\/p>\\n\"},{\"image\":{\"ID\":1484,\"id\":1484,\"title\":\"Team\",\"filename\":\"Team.jpg\",\"filesize\":4264094,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/team\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"team\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-16 04:15:09\",\"modified\":\"2024-04-16 04:15:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3883,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team-232x300.jpg\",\"medium-width\":232,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team.jpg\",\"medium_large-width\":768,\"medium_large-height\":994,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team-927x1200.jpg\",\"large-width\":927,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team.jpg\",\"1536x1536-width\":1187,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team.jpg\",\"2048x2048-width\":1582,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team-2500x3236.jpg\",\"full_width-width\":2500,\"full_width-height\":3236,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Team-1600x2071.jpg\",\"medium2-width\":1600,\"medium2-height\":2071}},\"use_caption\":true,\"caption\":\"

The Studio Prineas team.
\\nPhotography by Felix Forest.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We began implementing practical ways that we could work towards the spirit of B Corp<\\/a>, then committed to a 12-month certification goal. We split the five ‘Impact’ areas \\u2013 Governance, Workers, Community, Environment and Customers \\u2013 between the team, which allowed everyone to feel invested and take ownership.” \\u2013 Eva-Marie Prineas, Principal of Studio Prineas<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: That familiarity with B Corp<\\/a>\\u2019s ethos must have been invaluable in readying the business for certification. Of course, becoming a B Corp<\\/a> can also be a challenging journey. Jodie, are you able to share a challenge that Armadillo<\\/a> encountered in the certification process, as a leading rug supplier?<\\/p>\\n

Jodie \\u2013 Co-Founder, Armadillo<\\/a>: B Corp<\\/a> recertification takes place every three years, which requires an exceptional level of transparency and accountability. We\\u2019re currently entering this phase and our main challenge is maintaining standards across our supply chain. We\\u2019ve recently introduced processes to create additional visibility across the quality control, health and safety, and sustainability of our third-party suppliers, who we are fortunate to have long-term relationships with. <\\/p>\\n

Lillian: That must be a complex landscape to navigate as a manufacturer, particularly as your business continues to expand. Sally, can you elaborate on the steps Armadillo has taken to minimise its environmental footprint? <\\/p>\\n

Sally \\u2013 Co-Founder, Armadillo<\\/a>: Our rugs are hand-woven from natural fibres like silk, wool, linen and jute, and accredited with a Declare Label<\\/a> by the International Living Future Institute<\\/a>, which verifies that they do not contain any materials or chemicals that cause harm to human health or the environment. Our long-term goal is to gain full supply chain traceability back to the initial farmers and growers of the raw materials we source, and on the other end we are trying to steward the thoughtful disposal of our rugs by partnering with TRAKS<\\/a> on Australia\\u2019s first rug recycling program.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1485,\"id\":1485,\"title\":\"Armadillo Founders\",\"filename\":\"Armadillo-Founders.jpg\",\"filesize\":3066872,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/armadillo-founders\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"armadillo-founders\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-16 04:21:34\",\"modified\":\"2024-04-16 04:21:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-Founders-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Jodie Fried and Sally Pottharst, Co-Founders of Armadillo.
\\nPhotography by Victoria Zschommler.<\\/p>\\n\"},{\"image\":{\"ID\":1486,\"id\":1486,\"title\":\"Armadillo\",\"filename\":\"Armadillo.jpg\",\"filesize\":6482626,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/armadillo\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"armadillo\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-16 04:22:16\",\"modified\":\"2024-04-16 04:22:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Armadillo Staccato rug series.
\\nStyling by Joseph Gardner, photography by Anson Smart.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Our long-term goal is to gain full supply chain traceability back to the initial farmers and growers of the raw materials we source, and on the other end we are trying to steward the thoughtful disposal of our rugs by partnering with TRAKS<\\/a> on Australia\\u2019s first rug recycling program.” \\u2013 Sally Pottharst, Co-Founder of Armadillo<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: Thoughtful initiatives such as these are critical given waste is rife in the design and construction industry. What are your thoughts on this, Eva-Marie? How can architects and designers improve global outcomes?<\\/p>\\n

Eva-Marie \\u2013 Principal, Studio Prineas<\\/a>: We recognise that we work in an industry that is one of the largest producers of carbon and, as architects, it is our responsibility to wield our influence in a way that supports more positive outcomes on both a macro and micro level. Our team focuses on small and consistent measures to minimise our carbon footprint and we\\u2019ve produced significantly less waste than even 10 years ago. We went through the Carbon Neutral certification process and offset our minimal emissions for 3 years. We\\u2019ve now channeled those funds towards professional development for our team and clients, so we can design better outcomes for the future of our planet. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1503,\"id\":1503,\"title\":\"Fisherman's House\",\"filename\":\"Fishermans-House.jpg\",\"filesize\":1366772,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/fishermans-house\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fishermans-house\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-23 00:05:39\",\"modified\":\"2024-04-23 00:05:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fishermans-House.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Fisherman’s House by Studio Prineas, which sensitively connects a 19th century fisherman\\u2019s cottage with a new, off-form concrete tower.
\\nPhotography by Gavin Green. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We recognise that we work in an industry that is one of the largest producers of carbon and, as architects, it is our responsibility to wield our influence in a way that supports more positive outcomes on both a macro and micro level.” \\u2013 Eva-Marie Prineas, Principal of Studio Prineas<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: The B Corp<\\/a> framework has the capacity to shape business operations, culture and relationships too, a key motivating factor for Frost*collective<\\/a>. How has this played out in your creative agency, Vince?<\\/p>\\n

Vince \\u2013 Founder, CEO and Executive Creative Director, Frost*collective<\\/a>: Our B Corp accreditation has made us more selective about who we work with. We make sure we only do business with clients who share our environmental, social and governance (ESG) values \\u2013 a filter to decide who we do and don\\u2019t work with that holds us to a higher standard. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1495,\"id\":1495,\"title\":\"Vince Frost\",\"filename\":\"Vince-Frost-1.jpg\",\"filesize\":1078441,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/vince-frost-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"vince-frost-2\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-18 04:22:19\",\"modified\":\"2024-04-18 04:22:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Vince-Frost-1.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Vince Frost, Founder, CEO and Executive Creative Director, Frost*collective.
\\nPhotography by Alana Landsberry. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Our B Corp<\\/a> accreditation has made us more selective about who we work with. We make sure we only do business with clients who share our environmental, social and governance (ESG) values \\u2013 a filter to decide who we do and don\\u2019t work with that holds us to a higher standard.” \\u2013 Vince Frost, Founder, CEO and Executive Creative Director of Frost*collective<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: I imagine that helps to bolster aligned messaging in the studio, which can be transformative to internal operations and culture. Michael, what are some specific initiatives, policies or practices that Milieu<\\/a> has implemented as a result of pursuing B Corp<\\/a> certification \\u2013 in particular, considering ethical decision-making and responsible business practices at all levels of the organisation?<\\/p>\\n

Michael \\u2013 Managing Director, Milieu<\\/a>: Our Supplier Code of Conduct defines how we collaborate with peers and collaborators who share our values. It emphasises community and social responsibility, individual choice and workplace respect, and ongoing environmental stewardship and development. We’ve established a wellness benefit policy so all employees can access free exercise classes, flexible public holidays, MERS (an employment rewards scheme), and \\u2018Charitable Giving,\\u2019 a community investment policy, which has seen us support Pay the Rent<\\/a>, Creative Culture (CCP)<\\/a>, Lifeblood<\\/a>, Homes for Homes<\\/a>, and Open Kitchen<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1504,\"id\":1504,\"title\":\"OK2\",\"filename\":\"OK2.jpg\",\"filesize\":1396099,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/ok2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ok2\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-23 00:22:27\",\"modified\":\"2024-04-23 00:22:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/OK2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Open Kitchen, a Milieu Hospitality initiative launched in April 2020 that provides complimentary meals to people in the hospitality industry.
\\nPhotography courtesy of Milieu. <\\/p>\\n\"},{\"image\":{\"ID\":1506,\"id\":1506,\"title\":\"MM2\",\"filename\":\"MM2.jpg\",\"filesize\":1351961,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/mm2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mm2\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-23 00:45:20\",\"modified\":\"2024-04-23 00:45:20\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/MM2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Centre for Contemporary Photography’s Summer Salon, supported by Milieu.
\\nPhotography courtesy of Milieu. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: Carlo, what Frost*collective<\\/a> projects best reflect the B Corp<\\/a> values and the company’s mission to \\u2018Design a Better World’? <\\/p>\\n

Carlo \\u2013 Chief Operating Officer & Partner, Frost*collective<\\/a>: Refettorio OzHarvest Sydney<\\/a> is an Australian-first social impact collaboration between OzHarvest<\\/a> and Massimo Bottura\\u2019s not-for-profit organisation Food for Soul<\\/a>. It’s a unique place designed to offer our city\\u2019s most vulnerable a free nourishing meal made with rescued food. As a pro bono partner, we contributed time and expertise to create the interiors, engaged artists and helped determine the functionality of the space. We’ve also refreshed the brand identity of Camp Quality<\\/a> \\u2013 a not-for-profit organisation that supports children and families impacted by cancer. One particularly rewarding project was the magnetic brand we created for Fellten<\\/a> \\u2013 a global, future-thinking vision by the founders of two global leaders in EV classic car conversion, Australia’s Jaunt Motors and the UK\\u2019s Zero EV. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1501,\"id\":1501,\"title\":\"Fellten_1\",\"filename\":\"Fellten_1.jpg\",\"filesize\":2265609,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/fellten_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fellten_1\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-22 23:44:12\",\"modified\":\"2024-04-22 23:44:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_1-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Fellten brand by Frost*collective.
\\nPhotography courtesy of Frost*collective.<\\/p>\\n\"},{\"image\":{\"ID\":1502,\"id\":1502,\"title\":\"Fellten_2\",\"filename\":\"Fellten_2.jpg\",\"filesize\":1260995,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/fellten_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fellten_2\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-22 23:50:59\",\"modified\":\"2024-04-22 23:50:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Fellten_2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Fellten brand by Frost*collective.
\\nPhotography courtesy of Frost*collective. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: Alarna, we\\u2019ve touched on the appeal of B Corp<\\/a> certification in attracting values-aligned clients. How does this play out as a product supplier, particularly in relation to Armadillo<\\/a>\\u2019s commitment to its customers, from quality product to ethical marketing practices and providing opportunities for meaningful customer feedback?<\\/p>\\n

Alarna \\u2013 Head of Purpose, Armadillo<\\/a>: Customer service is at the core of our business, from formal quality control mechanisms to third party product certifications, a designated after-sales care service to customer engagement surveys. We are true believers in the approach to \\u2018buy once and buy well.\\u2019 To ensure exceptional quality, our rugs undergo internationally recognised testing for VOCs, colorfastness, durability, and overall texture, before they’re launched to market.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1498,\"id\":1498,\"title\":\"Armadillo_LA\",\"filename\":\"Armadillo_LA.jpg\",\"filesize\":776572,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/armadillo_la\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"armadillo_la\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-18 04:28:36\",\"modified\":\"2024-04-18 04:28:36\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/Armadillo_LA.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Armadillo LA.
\\nPhotography by Sharyn Cairns.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: Learning from and working with others is key, particularly when we strive to tackle ambitious business goals. Eva-Marie, what partnerships or collaborations with local organisations or non-profits is Studio Prineas<\\/a> undertaking that demonstrate its commitment to community involvement and social responsibility?<\\/p>\\n

Eva-Marie: We support Two Good Co<\\/a>\\u2019s mission to provide cooked meals and care packs to shelters that house women affected by domestic violence. Our contributions range from donations to volunteer cooking days with our team and clients. We also regularly support the Indigenous Literacy Foundation<\\/a> in preserving and teaching First Nations languages at risk of being lost \\u2013 an engagement that reflects our commitment to respecting and honoring Country in our work. <\\/p>\\n

Lillian: How about Milieu<\\/a>, Michael?<\\/p>\\n

Michael \\u2013 Managing Director, Milieu<\\/a>: As part of our commitment to shaping better cities, Milieu <\\/a>actively supports emerging arts and culture. Since 2018, we have partnered with the Centre for Contemporary Photography (CCP)<\\/a> through sponsorship and collaborations, and in 2022, we extended our support by backing the CCP Creative Residency<\\/a> program, facilitating networking and outcomes for creatives. This year, we proudly serve as the Fitzroy and Collingwood precinct partner for PHOTO 2024<\\/a>, Australia\\u2019s largest photography festival. PHOTO<\\/a> commissions artists to create and present work at urban sites, emphasising inclusion and access. The festival program prioritises diverse and progressive discourse, with most events free of charge to the community.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1500,\"id\":1500,\"title\":\"PHOTO\",\"filename\":\"PHOTO.jpg\",\"filesize\":740968,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/b-corp-advocacy-in-conversation\\/photo\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"photo\",\"status\":\"inherit\",\"uploaded_to\":1481,\"date\":\"2024-04-18 04:38:02\",\"modified\":\"2024-04-18 04:38:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/04\\/PHOTO.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

PHOTO 2022: International Festival of Photography.
\\nPhotography courtesy of PHOTO. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Lillian: It\\u2019s wonderful to see these cultural initiatives springing up and engaging the public. Eva-Marie, can you share any final advice for businesses interested in becoming B Corp<\\/a> certified? <\\/p>\\n

Eva-Marie \\u2013 Principal, Studio Prineas<\\/a>: If you are considering certification, it needs to be embedded in the philosophy of your business. B Corp<\\/a> certification is not something that sits on the side as a box to tick. The philosophy and commitments of being a B Corp<\\/a> must translate to the way you run your business. This messaging needs to underscore your conversations with clients, consultants, and potential employees to attract the right projects and staff, and reinforce the philosophy, pursuit and spirit of your company.<\\/p>\\n

Lillian: Thank you all for sharing your time and insights. <\\/p>\\n

Learn more about the B Corp<\\/a> movement here<\\/a> and read about NHO’s journey here<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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\\r\\nIn Conversation with Andy Fergus, Part 02
\\r\\n09.05.24\",\"listing_description\":\"

Andy Fergus is an urban designer and design advocate, passionate about helping government, ethical developers and communities create successful places. With a background across planning, urban design and architecture, Andy operates at all scales of the city from the urban plan to the individual building, often acting as a translator between disciplines and scales.<\\/p>\\n\",\"hero_image\":{\"ID\":1468,\"id\":1468,\"title\":\"Andy Fergus_02\",\"filename\":\"Andy-Fergus_02.jpg\",\"filesize\":4474536,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/andy-fergus_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"andy-fergus_02\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-21 04:14:13\",\"modified\":\"2024-03-21 04:14:13\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus_02-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Andy Fergus<\\/a> is an urban designer and design advocate, passionate about helping government, ethical developers and communities create successful places. With a background across planning, urban design and architecture, Andy<\\/a> operates at all scales of the city from the urban plan to the individual building, often acting as a translator between disciplines and scales.<\\/p>\\n

Here, Hayley Curnow, Writer & Producer at NHO, sat down with Andy<\\/a> to discuss his philosophy on creating sustainable cities and communities \\u2013 particularly, his focus on the relationship between urban economics, planning frameworks and spatial design.<\\/p>\\n

With so many rich insights to share, we deliver this conversation in two parts.<\\/p>\\n

Photograph by Urban Design Forum Australia<\\/a>. <\\/p>\\n

\\u2013<\\/p>\\n

Part 02<\\/p>\\n

\\u2013<\\/p>\\n

HC: Hi Andy, thanks for picking up the conversation again. We wrapped up Part 01<\\/a> with a few urban design projects that you find yourself returning to in your consultancy work. Which other projects have you picked apart with your clients to feed into their briefs? <\\/p>\\n

AF: An example I often draw upon is Southbank Boulevard<\\/a> by the City of Melbourne<\\/a> with TCL \\u2013 Taylor Cullity Lethlean.<\\/a> Out of the front of Melbourne Recital Centre<\\/a>, in particular, it\\u2019s the first landscape I\\u2019ve experienced in Melbourne that brings an incredibly strong sense of our natural landscape, with our informal mosaic of wild planting to a project that is unashamedly urban. <\\/p>\\n

The more opportunities I have to work with first nations people and designers, the more I scrape the surface about the importance of connecting to the country that you\\u2019re on. While each engagement gives rise to different opportunities, landscape strategies to heal country and provide space for others species consistently emerges as a priority. I love the Southbank project because it evokes so much possibility. I think that people have tended to think that urban space is hard, structured, and European in character, and big landscapes in Australia are wild, open, and rambling and have this distinctive character. I think this project inspires what the next generation of public space on Country could be. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1451,\"id\":1451,\"title\":\"Southbank Boulevard_01\",\"filename\":\"Southbank-Boulevard_01.jpg\",\"filesize\":494972,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/southbank-boulevard_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"southbank-boulevard_01\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-19 00:36:45\",\"modified\":\"2024-03-19 00:36:45\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1200,\"height\":800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01.jpg\",\"1536x1536-width\":1200,\"1536x1536-height\":800,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01.jpg\",\"2048x2048-width\":1200,\"2048x2048-height\":800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01.jpg\",\"full_width-width\":1200,\"full_width-height\":800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_01.jpg\",\"medium2-width\":1200,\"medium2-height\":800}},\"use_caption\":true,\"caption\":\"

Southbank Boulevard by the City of Melbourne with Taylor Cullity Lethlean.
\\nPhotograph by Dianna Snape.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1452,\"id\":1452,\"title\":\"Southbank Boulevard_02\",\"filename\":\"Southbank-Boulevard_02.jpg\",\"filesize\":469951,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/southbank-boulevard_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"southbank-boulevard_02\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-19 00:36:48\",\"modified\":\"2024-03-19 00:36:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1200,\"height\":800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02.jpg\",\"1536x1536-width\":1200,\"1536x1536-height\":800,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02.jpg\",\"2048x2048-width\":1200,\"2048x2048-height\":800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02.jpg\",\"full_width-width\":1200,\"full_width-height\":800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Southbank-Boulevard_02.jpg\",\"medium2-width\":1200,\"medium2-height\":800}},\"use_caption\":true,\"caption\":\"

Southbank Boulevard by the City of Melbourne with Taylor Cullity Lethlean.
\\nPhotograph by Dianna Snape.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

On a personal note, we took a similar approach in my own street. We spoke with Wurundjeri Aunties about how we had tried to understand this place, its geology and its pre-European history, and sought their guidance and expertise. We ripped up a sad rectangle of lawn and struggling garden beds and replanted it as an indigenous meadow, with a focus on pollinators. The community now arrive to a landscape that\\u2019s of this place, and constantly changes across the seasons. I\\u2019m among the other hundreds of residents that now feel like the custodians of their environment \\u2013 and the experiment hasn’t stopped because we are still planting things and ripping things out. It\\u2019s a wonderful laboratory to try things out. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1462,\"id\":1462,\"title\":\"EG_02\",\"filename\":\"EG_02.jpg\",\"filesize\":2949024,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/eg_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"eg_02\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-20 22:57:27\",\"modified\":\"2024-03-20 22:57:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG_02-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Community planting at Nightingale Village.
\\nPhotograph by Andy Fergus.<\\/p>\\n\"},{\"image\":{\"ID\":1463,\"id\":1463,\"title\":\"EG\",\"filename\":\"EG.jpg\",\"filesize\":3536677,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/eg\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"eg\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-20 22:57:32\",\"modified\":\"2024-03-20 22:57:32\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/EG-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

The indigenous meadow at Nightingale Village.
\\nPhotograph by Andy Fergus.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Another project I often reference is Habitat<\\/a> in Byron Bay, which is an extraordinary example of a mixed-use environment that blends a good offer of workplace, retail, hospitality and living in a completely newly built environment. People flock to it, despite it being on the edge of the town, because the space and programming is so successful. The urban framework is sophisticated, and landscaping is incorporated in such a way that you absolutely know where you are \\u2013 a very distinctive subtropical landscape. The most recent stage (Stage 4) also has one of the best raingarden streetscapes I have seen in my life. It\\u2019s incredibly inspiring. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1453,\"id\":1453,\"title\":\"Habitat_01\",\"filename\":\"Habitat_01.jpg\",\"filesize\":2690987,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/habitat_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"habitat_01\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-19 00:44:44\",\"modified\":\"2024-03-19 00:44:44\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1984,\"height\":1323,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01.jpg\",\"2048x2048-width\":1984,\"2048x2048-height\":1323,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01.jpg\",\"full_width-width\":1984,\"full_width-height\":1323,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Habitat_01-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Habitat, Byron Bay.
\\nPhotograph by Christopher Frederick Jones. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: You must see ideas everywhere to feed into your work. <\\/p>\\n

AF: Oh, I do. My partner is also an urban designer, and we have absolutely no ability to go on a holiday without being complete nerds. We would spend probably a good 60 percent of any holiday visiting spaces \\u2013 but never to look at objects of architecture, rather to visit neighbourhoods and see the generic tissue of the city. That\\u2019s much more interesting to us. We aren\\u2019t interested in the sublime one-off projects, more the everyday. <\\/p>\\n

HC: That’s a nice distinction because you can\\u2019t fully understand the intricacies of those places from afar \\u2013 it\\u2019s through first-hand observation and participation. <\\/p>\\n

AF: Yes, it\\u2019s sitting there as the sun goes down and seeing the ecosystem of activity change from day to night. I’m obsessed with microclimate \\u2013 the difference between a cafe with a North-eastern corner aspect and a broad pedestrian route compared to one that\\u2019s South-west facing may be the difference between whether that business will succeed or die. That thinking about retail economy and how it meets microclimate fascinates me. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1455,\"id\":1455,\"title\":\"Ljubljana, Slovenija_01\",\"filename\":\"Ljubljana-Slovenija_01.jpg\",\"filesize\":4181280,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/ljubljana-slovenija_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ljubljana-slovenija_01\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-19 02:10:31\",\"modified\":\"2024-03-19 02:10:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ljubljana-Slovenija_01-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Urban plaza in Ljubljana, Slovenija.
\\nPhotograph by Andy Fergus. <\\/p>\\n\"},{\"image\":{\"ID\":1471,\"id\":1471,\"title\":\"L\",\"filename\":\"L.jpg\",\"filesize\":4186337,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/l\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"l\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-21 08:27:26\",\"modified\":\"2024-03-21 08:27:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/L-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Ljubljana, Slovenija, has pedestrianised over 100,000sqm of its central city since 2012, transforming the small city into a walkable paradise.
\\nPhotograph by Andy Fergus. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1470,\"id\":1470,\"title\":\"Vienna\",\"filename\":\"Vienna.jpg\",\"filesize\":3194920,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/vienna\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"vienna\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-21 04:27:30\",\"modified\":\"2024-03-21 04:27:30\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Vienna-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Misters to cool the body and create cooling air currents, Vienna, Austria.
\\nPhotograph by Andy Fergus. <\\/p>\\n\"},{\"image\":{\"ID\":1459,\"id\":1459,\"title\":\"Ile de Nantes, France\",\"filename\":\"Ile-de-Nantes-France.jpg\",\"filesize\":5565181,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/ile-de-nantes-france\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ile-de-nantes-france\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-19 02:20:59\",\"modified\":\"2024-03-19 02:20:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Ile-de-Nantes-France-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Communal courtyard by Hardel Le Bihan Architectes with Atelier Roberta in \\u00cele de Nantes, France.
\\nPhotograph by Andy Fergus. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I’m obsessed with microclimate \\u2013 the difference between a cafe with a North-eastern corner aspect and a broad pedestrian route compared to one that\\u2019s South-west facing may be the difference between whether that business will succeed or die. That thinking about retail economy and how it meets microclimate fascinates me.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: Accessibility is another key aspect of creating successful places. How do you incorporate principles of equity, inclusivity, and accessibility into your urban design work to ensure that all members of the community benefit from the projects you undertake?<\\/p>\\n

AF: There are many layers to that. I think as urban designers, urban safety is built into our profession but from its conception in the 60s, it was predominantly white male public safety. Now, from a cultural safety perspective, we think more broadly about users \\u2013 First Nations people, the LGBTQI+ community, women of various ages, children. It\\u2019s about making places that feel open and available to all. When we make suggestions of how a space can be used, we need to consider who might be prioritised and who might be marginalised by that decision. A basketball court, for example, may generally attract competitive, loud young boys who gather and dominate the space, making it less culturally available to other people. The concept of gender mainstreaming ensures that you consider these likely gender impacts in your design from the outset. It\\u2019s critical to articulate spaces so that one person\\u2019s use doesn\\u2019t diminish another\\u2019s. <\\/p>\\n

HC: How can designers be more generous in considering the integration of public space?<\\/p>\\n

AF: Beyond government-delivered public space, there is a huge role for private development to add more public space to the city. Some developers are very skilled at designing the spaces in between their buildings to be public, and to invite everyone in. I like the idea that even when you\\u2019re building private space, you’re adding new public networks to the city that feel available to everyone. So even in high end apartment developments, how could you create some public generosity that feels available to people who don’t live in that building? <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“When we make suggestions of how a space can be used, we need to consider who might be prioritised and who might be marginalised by that decision. It\\u2019s critical to articulate spaces so that one person\\u2019s use doesn\\u2019t diminish another\\u2019s.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: How about physical accessibility?<\\/p>\\n

AF: Equal access is critical. Such a high proportion of people experience mobility limitations and vision impairment, which influence how they can use public space. Issues of access are becoming more challenging with the effects of climate change on two things \\u2013 one, flooding events and the effect of flooding events on the levels that you need to establish in an urban development, and two, extreme heat and shading from heat. <\\/p>\\n

I\\u2019ve worked on projects recently where the ground floor has had to be raised 2.2-meters above ground level, which would require a 26-metre-long ramp. Stairs make fabulous urban spaces, but stairs are an impediment to many people. The industry is so fearful of the insurance effects of flooding, that our response is incredibly brutal. We need to find better solutions so that we don’t disable our environments by creating elevated developments through our city where the building might be safe, but no one can use the public spaces because they’re elevated so high.<\\/p>\\n

On heat, it\\u2019s a difficult one as a high proportion of our population is vitamin D deficient. In one sense, you want to design a city that has sunlight in the cooler months and in the other sense, heat is one of the highest risks to life under climate change. So, if you look at how many 40-plus-degree days there\\u2019s going to be in Western Sydney in the near future<\\/a>, we’re talking about a higher risk of mortality for people who are vulnerable, ill, or elderly who don’t have a safe living environment. I predict that in years to come, a big movement is going to be the design of more shaded public space. The Pershing Square Renew<\\/a> design competition in LA is an interesting example of this, where they articulated a brief for a stage space that can be used for performance, but also a shade element within the plaza that adds to that space. Antwerp’s Theaterplein by Studio Bernardo Secchi & Paola Vigan\\u00f2<\\/a> is another extraordinary example of how this can be achieved without ruining a space in the cooler parts of the year. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1467,\"id\":1467,\"title\":\"Antwerp\",\"filename\":\"Antwerp.jpg\",\"filesize\":3540279,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/antwerp-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"antwerp-2\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-21 03:29:02\",\"modified\":\"2024-03-21 03:29:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Antwerp-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Domestic market at Theaterplein by Studio Bernardo Secchi & Paola Vigan\\u00f2, Antwerp.
\\nPhotograph by Teresa Cos. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Issues of access are becoming more challenging with the effects of climate change on two things \\u2013 one, flooding events and the effect of flooding events on the levels that you need to establish in an urban development, and two, extreme heat and shading from heat.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: There\\u2019s certainly opportunity to grapple with these challenges with ingenuity. But there\\u2019s also environmental considerations and economic constraints to contend with. How do you address this in your consulting work?<\\/p>\\n

AF: Because of the type of work I do, I have had to develop a reasonable degree of financial literacy. A big part of my work is navigating how to provide a generous outcome within budget constraints by knowing what is and isn’t possible. I think I thrive in a more constrained environment, because it just happens that my own personal penchant is for looser fit, under-designed spaces that are a bit simpler and Spartan and can evolve over time with the soft landscaping. So, that’s kind of helpful. <\\/p>\\n

With buildings, I don’t particularly care what happens above about four stories, but I care a hell of a lot about what happens on the ground plane. So, I would rather see budgets stripped out at the upper levels and have double the budget spent on the ground floor. Then you can deliver an exquisite human environment by using materials that your body can relate to. <\\/p>\\n

Environmentally, a focus for me of late has been around material selection and embodied carbon. I think the battle for operational carbon neutrality in new projects is close to won, but we have a massive challenge when it comes to upfront embodied carbon. Using existing materials on site is something I’m really interested in. How can you re-use demolished fabric as valued material that you couldn\\u2019t afford to buy? Consider a 300-year-old spotted gum roof truss. You couldn\\u2019t buy that from a supplier \\u2013 it doesn\\u2019t exist. So how do you value materials on a spiritual level as much as you do economically and environmentally?<\\/p>\\n

I\\u2019ve probably already shown my card around my passion for ecology. A big focus for me, is questioning how non-human outcomes can benefit from urban development. Working in collaboration with landscape architects, I’m quite passionate about even small opportunities to bring nature into the city, rather than seeing the city as urban and the periphery as nature. I have loved opportunities to work with first nations designers, because its quickly clear that this is very much a shared passion. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I think I thrive in a more constrained environment, because it just happens that my own personal penchant is for looser fit, under-designed spaces that are a bit simpler and Spartan and can evolve over time with the soft landscaping.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: Your practice must be incredibly collaborative. Is it rewarding to work amongst such a diverse cohort of disciplines?<\\/p>\\n

AF: Yeah, I hate working alone. I would much rather work in collaboration with small groups, to share in other people’s knowledge. It\\u2019s something I\\u2019m very aware of. I\\u2019m 36, so I guess I\\u2019m still probably considered \\u2018emerging\\u2019 in my profession, but I’ve been lucky enough to be invited to events, locally and interstate, as an expert on certain topics. I think something unique to our generation, and something that will be absolutely critical to the next generation, is this idea of arriving in a place with open arms and an open mind. It’s not about selling this dogmatic idea that needs to be executed, it’s more about finding a solution that makes sense and can be executed by the people responsible for it. The travelling merchant expert is a deeply outmoded model.<\\/p>\\n

HC: What keeps you going to explore those boundaries?<\\/p>\\n

AF: I like this idea of a self-directed career. When you graduate as a designer, you’re set out this red carpet of what you think you’re going to be, and it’s quite linear. It\\u2019s got nothing to do with the career pathways that millennials are experiencing in reality. I think that pluralist mindset of working in collaboration, but also, in learning from lots of different disciplines is so critical. I’m a hybrid practitioner who works in the housing space, as well as urban design, as well as architecture and landscape architecture. It’s not about being an expert in all these fields but having enough knowledge about each that you’re a good collaborator. In the built environment, this hybridity bizarrely still seems to be unusual when professions can otherwise be quite siloed. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I’m a hybrid practitioner who works in the housing space, as well as urban design, as well as architecture and landscape architecture. It’s not about being an expert in all these fields but having enough knowledge about each that you’re a good collaborator.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: It\\u2019s certainly valuable to look beyond our core profession \\u2013 it can otherwise become a bit of an echo chamber.<\\/p>\\n

AF: It can. I\\u2019ve probably spent the last three years reading as much as I can about our pre-European history, first nations cultural experiences and connections to landscape, historical and contemporary. I\\u2019ve been reading a lot about anthropology, landscape history, systems and geology, and reading a lot about dynamics of power and government over history, learning from different regimes, democratic or otherwise, and their ability to produce intended outcomes in cities or within their population. Perhaps anthropology is a core focus, but that wider range of knowledge has added so much to the way I think about problems, rather than looking at them from within the prism of the profession, which is so limiting.<\\/p>\\n

HC: Andy, this has been an incredibly thought provoking conversation. We appreciate your insights and know our audience will too. <\\/p>\\n

AF: My pleasure. Thanks Hayley. <\\/p>\\n

\\u2013<\\/p>\\n

Read Part 01<\\/a> of our conversation here<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1469,\"id\":1469,\"title\":\"MPav\",\"filename\":\"MPav.jpg\",\"filesize\":3659186,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-02\\/mpav\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mpav\",\"status\":\"inherit\",\"uploaded_to\":1449,\"date\":\"2024-03-21 04:16:58\",\"modified\":\"2024-03-21 04:16:58\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MPav-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Andy Fergus with fellow Urban Design Forum committee members at MPavilion.
\\nPhoto by Josh Blashki.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I think something unique to our generation, and something that will be absolutely critical to the next generation, is this idea of arriving in a place with open arms and an open mind. It’s not about selling this dogmatic idea that needs to be executed, it’s more about finding a solution that makes sense and can be executed by the people responsible for it. The travelling merchant expert is a deeply outmoded model.” \\u2013 Andy Fergus<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\nIn Conversation with Andy Fergus, Part 01
\\r\\n03.04.24\",\"listing_description\":\"

Andy Fergus is an urban designer and design advocate, passionate about helping government, ethical developers and communities create successful places. With a background across planning, urban design and architecture, Andy operates at all scales of the city from the urban plan to the individual building, often acting as a translator between disciplines and scales. <\\/p>\\n\",\"hero_image\":{\"ID\":1439,\"id\":1439,\"title\":\"Andy Fergus\",\"filename\":\"Andy-Fergus.png\",\"filesize\":1590052,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/andy-fergus\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"andy-fergus\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:03:17\",\"modified\":\"2024-03-14 05:03:17\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1202,\"height\":1608,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus-224x300.png\",\"medium-width\":224,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus.png\",\"medium_large-width\":768,\"medium_large-height\":1027,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus-897x1200.png\",\"large-width\":897,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus.png\",\"1536x1536-width\":1148,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus.png\",\"2048x2048-width\":1202,\"2048x2048-height\":1608,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus.png\",\"full_width-width\":1202,\"full_width-height\":1608,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Andy-Fergus.png\",\"medium2-width\":1202,\"medium2-height\":1608}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Andy Fergus<\\/a> is an urban designer and design advocate, passionate about helping government, ethical developers and communities create successful places. With a background across planning, urban design and architecture, Andy<\\/a> operates at all scales of the city from the urban plan to the individual building, often acting as a translator between disciplines and scales. <\\/p>\\n

Here, Hayley Curnow, Writer & Producer at NHO, sat down with Andy<\\/a> to discuss his philosophy on creating sustainable cities and communities \\u2013 particularly, his focus on the relationship between urban economics, planning frameworks and spatial design. <\\/p>\\n

With so many rich insights to share, we deliver this conversation in two parts.<\\/p>\\n

Portrait by Fraser McNally. <\\/p>\\n

–<\\/p>\\n

Part 01<\\/p>\\n

\\u2013<\\/p>\\n

HC: Thanks for joining us, Andy. I thought we might kick off by asking you what defines a \\u2018successful place.\\u2019<\\/p>\\n

AF: Good question. For me, a successful environment is a place where people thrive \\u2013 an environment that supports and nurtures human interaction. It’s less about the environment\\u2019s physical aspects, and more about the activities it frames and the interactions it supports. <\\/p>\\n

HC: That\\u2019s an important distinction when you think about design briefs, and the visual medium of design practice. <\\/p>\\n

AF: Yeah, I often think about this. I like to bring it back to a specific scenario, like \\u2018how could we facilitate environments that could host spontaneous long table dinners for 50 people at the drop of a hat?\\u2019 If the environment is well designed but it\\u2019s policed and people can\\u2019t have this spontaneous activity, then it\\u2019s not successful. And equally, if it\\u2019s an underdeveloped space with limited design investment, but it allows spontaneous activity and encourages people to take ownership, then it could be a successful environment. <\\/p>\\n

I\\u2019m really interested in this idea of the \\u2018scaffold\\u2019. I also like the concept of designing frayed ends into an environment. Let\\u2019s say you\\u2019ve got a landscape budget of $100,000 to spend on an area. What if you simply delivered residents bare soil and gave them the money and six months to work out how best to use it? How could you use the space as an opportunity to allow people to have more agency? Successful environments always have evidence of their users in them \\u2013 that\\u2019s what makes places great, more than whether they\\u2019re beautifully designed. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“For me, a successful environment is a place where people thrive \\u2013 an environment that supports and nurtures human interaction. It’s less about the environment\\u2019s physical aspects, and more about the activities it frames and the interactions it supports.”
\\n\\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: For sure. I imagine inviting user groups to help shape these environments can connect them to that space in a more emotive way.<\\/p>\\n

AF: It\\u2019s classic Place Attachment theory. It considers how people form a connection and attachment to a place through participation and how it becomes lodged in their cognitive map of their city. It\\u2019s as much about process as it is about outcome. <\\/p>\\n

HC: I love the idea of participatory place-making. <\\/p>\\n

AF: Yeah, it\\u2019s interesting to delve into. The basic theory of Place Attachment is organised around \\u2018person, place and process\\u2019. The physical space is really only a third of the factors that determine place attachment. If you\\u2019ve experienced trauma in a particular type of space that will influence your approach to that space, which is different to mine, which is different to someone else\\u2019s. Your cultural upbringing is going to determine how you respond to different types of places too. In many cultures it is a learned tradition for the community to step in and modify the environment to suit their needs. In Australia, we can be quick to critique government for neglect but slow to step in and shape the environment ourselves. So, I am really interested in how we can both leave space for this opportunity, but also actively design the process that gives the community agency.<\\/p>\\n

HC: Given these tendencies, how do you think architects and designers can participate in shaping their cities and communities, and what obstacles do they come up against in doing so?<\\/p>\\n

AF: The number one thing for me and how I’ve tried to shape my practice is that when the brief is written by the client and you’re responding to it, you\\u2019ve generally already lost. Of course, you can always advocate for more expansive thinking, but if you’re not in the room, shaping the brief and determining what success looks like, then you’re missing the biggest opportunity in the whole project.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“If you’re not in the room, shaping the brief and determining what success looks like, then you’re missing the biggest opportunity in the whole project.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: So that early engagement is critical to push the boundaries before the project has progressed too far?<\\/p>\\n

AF: Exactly. Since I left my role in the City of Melbourne<\\/a> in 2020, I found myself becoming much more involved in projects upfront and I often work closely with the client before the designer is engaged. In fact, quite often I work with the developers to select the right design team for their needs, because I think the way designers are selected can be incredibly arbitrary \\u2013 based on prior connections and who has done what before. Having a more robust methodology around the designer you want to deliver what you need is important. There is a huge role for design thinkers to inform the procurement both of the project overall and the design team. <\\/p>\\n

HC: So, it\\u2019s more like strategic counsel. How does that relationship work? <\\/p>\\n

AF: The fact that I\\u2019m a sole practitioner and I can’t design a cultural building, or I can’t deliver an apartment block by myself, and I have no intention to, means that I’m not threatening to other designers who I collaborate with. There\\u2019s a range of practices that I have this almost bolt-on relationship with, where I come in, support the project, and help establish what the preconditions will be. In reaction to attending an awful government funded business development seminar, I remember writing in fat marker on my business plan that I aim to collaborate rather than compete. <\\/p>\\n

If you look at Nightingale Village<\\/a>, which I worked on and live in, I’m not an author of any of the buildings or spaces in that precinct but the framework Mark Jacques from Openwork<\\/a> and I set for the ground level and building guidelines helped shape the ambition which the collective of architects then responded to with each of their designs. That\\u2019s an important distinction in my work. I\\u2019m interested in helping people step back and look at what they’re trying to achieve in the city rather than having to be the author. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1461,\"id\":1461,\"title\":\"Leftfield\",\"filename\":\"Leftfield_.jpeg\",\"filesize\":1383841,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/leftfield_\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"leftfield_\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-20 22:18:07\",\"modified\":\"2024-03-20 22:18:18\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_-225x300.jpeg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_-900x1200.jpeg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_.jpeg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_.jpeg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_.jpeg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Leftfield_-1600x2133.jpeg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Nightingale Leftfield by Kennedy Nolan, part of Nightingale Village.
\\nPhotograph by Tom Ross.<\\/p>\\n\"},{\"image\":{\"ID\":1441,\"id\":1441,\"title\":\"Evergreen_02\",\"filename\":\"Evergreen_02.jpg\",\"filesize\":1273211,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/evergreen_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"evergreen_02\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:14:14\",\"modified\":\"2024-03-14 05:14:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Evergreen_02-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Nightingale Evergreen by Clare Cousins Architects, part of Nightingale Village.
\\nPhotograph by Tom Ross.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: I imagine in some of these conversations, people can’t see the forest from the trees.<\\/p>\\n

AF: Some people in the development community, depending on their degree of seniority and agency, might see development success solely in terms of profit on cost, but there is so much more to any project than this. What’s your specific angle as a company and how are you making that attractive to stakeholders and your target community? In Australia, we seem to have a particularly poor culture of defining success in a brief. We write all the things that we want and the list of stuff that we need, but we don’t step back and ask: \\u2018What’s the vision? What would success look like? What are your performance indicators? And how can you evaluate them?\\u2019 I think it’s a discipline that\\u2019s becoming increasingly common in corporate governance \\u2013 it\\u2019s a really core strategy to doing good business that is frustratingly not applied to the making of cities. <\\/p>\\n

HC: Is that the main challenge you see when advocating for different working methodologies in the industry? <\\/p>\\n

AF: Designers need to learn the discipline of when to design and when to advise. And clients need to see the value in bringing designers on board early in defining the brief. Strategic Design consultancies are trained to ask questions and tease out what the core properties are, but in urban development, that\\u2019s not so common. Designers should be involved in the early phases of a project, but they should be willing to do so not just for the commission. They should be willing to be in for the impact, even if they don\\u2019t continue to be the lead designer in the project. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Designers should be involved in the early phases of a project, but they should be willing to do so not just for the commission. They should be willing to be in for the impact, even if they don\\u2019t continue to be the lead designer in the project.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: What strategies do you employ to have these conversations with government and development organisations?<\\/p>\\n

AF: The two have very different cultures. I think the biggest challenge with government is the chain of command, because generally the person you’re working with is not empowered to make the final decision. The bigger the organisation, whether private or public, the more difficult it is to navigate the chain of command, so I think studying the organisational chart and finding out who has the ability to make decisions is really crucial. When it comes to big organisations, I think we have a lot to learn from Mariana Mazzucato<\\/a>\\u2019s notion of a \\u2018mission-oriented\\u2019 approach to governance, in both the public and private sector in bringing the clarity of purpose to the fore in day-to-day decisions. <\\/p>\\n

Another important strategy is to be agenda-led. I always think of one objective I want to achieve for the project and for the city, which might be fostering a fantastic public connection through a neighbourhood that feels safe and vibrant and adds another layer to the city, or an ecological outcome that promotes habitat corridors so species can move through the neighbourhood. It\\u2019s about finding the agenda you’re trying to prosecute, and then being reflexive, so that you can explore your agenda through the agenda of your client. The other part is getting to know the client and understand their motivations. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I always think of one objective I want to achieve for the project and for the city, which might be fostering a fantastic public connection through a neighbourhood that feels safe and vibrant and adds another layer to the city, or an ecological outcome that promotes habitat corridors so species can move through the neighbourhood. It\\u2019s about finding the agenda you’re trying to prosecute, and then being reflexive, so that you can explore your agenda through the agenda of your client.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: How do you tease that out? <\\/p>\\n

AF: It\\u2019s about working with the client to understand them and assist them in learning from past projects. What have they done before? Where are they succeeded? And where have they perhaps not achieved things that they\\u2019ve wanted to? Can you take them on a field trip or site visit and share in the learning process together? <\\/p>\\n

HC: And how do you help them feed that into a new project? <\\/p>\\n

AF: I honestly feel to be an urban designer is to be a sampler, right? It\\u2019s not about creating new stuff all the time, it’s about applying trained observation, and converting experience into design strategies. The ability to use case studies to help people understand what they are doing is crucial. Part of that is articulating and learning from failure, which, culturally, is something we struggle to do in Australia because it is so litigious. In Australia, to admit failure, is to open yourself to a claim of negligence. Whereas in the Netherlands the discussion of failure is at the forefront of design practice \\u2013 it’s a cultural norm to critique your work, to learn quickly and move on. And that’s not the case here in Australia. Having an encyclopaedic knowledge of past examples of success or failure is one critical skill in helping coach people through the pros and cons of their ideas. Then we can bake those learnings into the brief. <\\/p>\\n

HC: Are there any projects you find yourself returning to across your consultancy work?<\\/p>\\n

AF: Two that I have been really drawn to in recent times are Collingwood Yards<\\/a> by Fieldwork<\\/a>, and the Willam Ngarrang Retrofit<\\/a> project on King William Street Fitzroy by Finding Infinity<\\/a> and Kennedy Nolan<\\/a>. Both projects demonstrate this idea of doing \\u2018just enough.\\u2019 They consider what the minimum framework is to make a space feel exceptional, that\\u2019s frugal with materials, frugal with investments and allows it to evolve. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1447,\"id\":1447,\"title\":\"CY_02\",\"filename\":\"CY_02.jpg\",\"filesize\":6366371,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/cy_02\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cy_02\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:28:58\",\"modified\":\"2024-03-14 05:28:58\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_02-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Collingwood Yards by Fieldwork.
\\nPhotograph by Tom Ross.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1448,\"id\":1448,\"title\":\"CY_03\",\"filename\":\"CY_03.jpg\",\"filesize\":6041476,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/cy_03\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cy_03\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:29:05\",\"modified\":\"2024-03-14 05:29:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/CY_03-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Collingwood Yards by Fieldwork.
\\nPhotograph by Tom Ross.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

HC: That\\u2019s interesting, the idea of giving a place breathing space to change. <\\/p>\\n

AF: It\\u2019s incredibly important. What I love about Collingwood Yards<\\/a> is the final landscape was never executed. They left the big trees in a beautifully proportioned crunchy gravel courtyard and it\\u2019s fabulous for it because it feels under-designed in the best way. It\\u2019s a loose framework and it shows how incredibly successful a car-free, pedestrian space that\\u2019s left relatively open and flexible can be. You don\\u2019t have to over-cook everything and design out flexibility. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“What I love about Collingwood Yards<\\/a> is the final landscape was never executed. They left the big trees in a beautifully proportioned crunchy gravel courtyard and it\\u2019s fabulous for it because it feels under-designed in the best way.” \\u2013 Andy Fergus<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1445,\"id\":1445,\"title\":\"Wilam+Ngarrang0395\",\"filename\":\"WilamNgarrang0395.jpg\",\"filesize\":610911,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/wilamngarrang0395\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wilamngarrang0395\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:21:20\",\"modified\":\"2024-03-14 05:21:20\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395.jpg\",\"full_width-width\":1500,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0395.jpg\",\"medium2-width\":1500,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Willam Ngarrang Retrofit by Finding Infinity and Kennedy Nolan.
\\nPhotograph by Eve Wilson.<\\/p>\\n\"},{\"image\":{\"ID\":1444,\"id\":1444,\"title\":\"Wilam+Ngarrang0369\",\"filename\":\"WilamNgarrang0369.jpg\",\"filesize\":874728,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/wilamngarrang0369\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wilamngarrang0369\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:21:17\",\"modified\":\"2024-03-14 05:21:17\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369.jpg\",\"full_width-width\":1500,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0369.jpg\",\"medium2-width\":1500,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Willam Ngarrang Retrofit by Finding Infinity and Kennedy Nolan.
\\nPhotograph by Eve Wilson.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1446,\"id\":1446,\"title\":\"Wilam+Ngarrang0619\",\"filename\":\"WilamNgarrang0619.jpg\",\"filesize\":690115,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/wilamngarrang0619\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wilamngarrang0619\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:21:23\",\"modified\":\"2024-03-14 05:21:23\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619.jpg\",\"full_width-width\":1500,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0619.jpg\",\"medium2-width\":1500,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Willam Ngarrang Retrofit by Finding Infinity and Kennedy Nolan.
\\nPhotograph by Eve Wilson.<\\/p>\\n\"},{\"image\":{\"ID\":1443,\"id\":1443,\"title\":\"Wilam+Ngarrang0357\",\"filename\":\"WilamNgarrang0357.jpg\",\"filesize\":634201,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/creating-sustainable-cities-and-communities-in-conversation-with-andy-fergus-part-01\\/wilamngarrang0357\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wilamngarrang0357\",\"status\":\"inherit\",\"uploaded_to\":1438,\"date\":\"2024-03-14 05:21:13\",\"modified\":\"2024-03-14 05:21:13\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357.jpg\",\"full_width-width\":1500,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/WilamNgarrang0357.jpg\",\"medium2-width\":1500,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Willam Ngarrang Retrofit by Finding Infinity and Kennedy Nolan.
\\nPhotograph by Eve Wilson.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The Willam Ngarrang Retrofit<\\/a> project is a great example of letting materials speak. It addresses what an existing building can do and how you can improve its sustainability foremost, which leads you to a fairly light-touch renovation that still feels exceptional. They\\u2019ve done just enough to make it delightful while achieving their objective of delivering a significant upgrade of the building\\u2019s environmental performance. This is a critical design strategy in the context of the climate crises. <\\/p>\\n

HC: Thanks Andy, we\\u2019ll pick up a few more of your favourite case studies in Part 02. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The Willam Ngarrang Retrofit<\\/a> project is a great example of letting materials speak. 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When our friends at Agency Projects<\\/a> asked us to devise a strategic communications mentorship program for participants in \\u201cthe most significant exhibition of Indigenous Australian art ever staged in the United States\\u201d we quickly got to work!<\\/p>\\n\",\"hero_image\":{\"ID\":1480,\"id\":1480,\"title\":\"Moa Arts\",\"filename\":\"Agency0_EDM.jpg\",\"filesize\":906049,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/torres-strait-artist-media-and-communications-mentorship\\/agency0_edm\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"agency0_edm\",\"status\":\"inherit\",\"uploaded_to\":1474,\"date\":\"2024-04-03 02:51:08\",\"modified\":\"2024-04-03 02:51:23\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1082,\"height\":800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM-300x222.jpg\",\"medium-width\":300,\"medium-height\":222,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM.jpg\",\"medium_large-width\":768,\"medium_large-height\":568,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM.jpg\",\"large-width\":1082,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM.jpg\",\"1536x1536-width\":1082,\"1536x1536-height\":800,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM.jpg\",\"2048x2048-width\":1082,\"2048x2048-height\":800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM.jpg\",\"full_width-width\":1082,\"full_width-height\":800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Agency0_EDM.jpg\",\"medium2-width\":1082,\"medium2-height\":800}},\"bg_colour\":\"#1E68A6\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

When our friends at Agency Projects<\\/a> asked us to devise a strategic communications mentorship program for participants in \\u201cthe most significant exhibition of Indigenous Australian art ever staged in the United States\\u201d we quickly got to work!<\\/p>\\n

With the Charlottesville Indigenous Art Takeover 2024<\\/a> fast approaching, representatives from the three participating organisations \\u2013 Moa Arts<\\/a>, Badu Art Centre<\\/a>, and Erub Arts<\\/a> \\u2013 undertook a four-part mentorship program that covered a variety of topics and practical skills, including how to identify and craft key messages, the power of storytelling, and the importance of relationship building. <\\/p>\\n

At its best, strategic communications propels the work and vision of great individuals, businesses, and organisations further, which is precisely what we hope we\\u2019ve achieved through inclusive mentorship.<\\/p>\\n

Pictured: Theradhayaw Sabi \\u2013 Traditional Adoption Lore V13 (834-23) by David Bosun (Moa Arts).<\\/a> Artwork photography courtesy of Les Yeux du Monde Gallery. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1475,\"id\":1475,\"title\":\"MOA\",\"filename\":\"MOA.png\",\"filesize\":4250653,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/torres-strait-artist-media-and-communications-mentorship\\/moa\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"moa\",\"status\":\"inherit\",\"uploaded_to\":1474,\"date\":\"2024-03-25 23:55:11\",\"modified\":\"2024-03-25 23:55:11\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2416,\"height\":1610,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA-300x200.png\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA.png\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA-1200x800.png\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA.png\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA.png\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA.png\",\"full_width-width\":2416,\"full_width-height\":1610,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA-1600x1066.png\",\"medium2-width\":1600,\"medium2-height\":1066}},\"use_caption\":true,\"caption\":\"

UKAPALIMIN: ETI KO ETI: RESILIENCE: Stories from the Torres Strait at the Les Yeux du Monde Gallery. Photograph courtesy of Les Yeux du Monde Gallery. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1476,\"id\":1476,\"title\":\"MOA_2\",\"filename\":\"MOA_2.jpg\",\"filesize\":2933892,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/torres-strait-artist-media-and-communications-mentorship\\/moa_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"moa_2\",\"status\":\"inherit\",\"uploaded_to\":1474,\"date\":\"2024-03-25 23:59:04\",\"modified\":\"2024-03-25 23:59:04\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2416,\"height\":1610,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2.jpg\",\"full_width-width\":2416,\"full_width-height\":1610,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MOA_2-1600x1066.jpg\",\"medium2-width\":1600,\"medium2-height\":1066}},\"use_caption\":true,\"caption\":\"

UKAPALIMIN: ETI KO ETI: RESILIENCE: Stories from the Torres Strait at the Les Yeux du Monde Gallery. Photograph courtesy of Moa Arts.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

With the Charlottesville Indigenous Art Takeover 2024<\\/a> fast approaching, representatives from the three participating organisations \\u2013 Moa Arts<\\/a>, Badu Art Centre<\\/a>, and Erub Arts<\\/a> \\u2013 undertook a four-part mentorship program that covered a variety of topics and practical skills, including how to identify and craft key messages, the power of storytelling, and the importance of relationship building.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1478,\"id\":1478,\"title\":\"Hang\",\"filename\":\"Hang.jpg\",\"filesize\":3526872,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/torres-strait-artist-media-and-communications-mentorship\\/hang\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hang\",\"status\":\"inherit\",\"uploaded_to\":1474,\"date\":\"2024-03-26 00:02:42\",\"modified\":\"2024-03-26 00:02:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1875,\"height\":2500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang.jpg\",\"full_width-width\":1875,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hang-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Installation of UKAPALIMIN: ETI KO ETI: RESILIENCE: Stories from the Torres Strait at Les Yeux du Monde Gallery, Charlottesville.
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Artists Lavinia Ketchell, Solomon Booth and Joshua Thaiday at UKAPALIMIN: ETI KO ETI: RESILIENCE: Stories from the Torres Strait at Les Yeux du Monde Gallery, Charlottesville.
\\nPhotograph courtesy of Moa Arts. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

UKAPALIMIN: ETI KO ETI: RESILIENCE: Stories from the Torres Strait<\\/a> at Les Yeux du Monde Gallery<\\/a>, brings together three Indigenous Art Centres from Badu Island, Erub Island and Moa Island in the Torres Strait, Australia for their first joint international exhibition.<\\/p>\\n

The Charlottesville Indigenous Art Takeover 2024<\\/a> opened on February 03 and runs until April 21 in Charlottesville, Virginia.<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\nCommunications Manager at NHO
\\r\\n14.03.24\",\"listing_description\":\"

Discover the perspective of Sarah Ferrall, Communications Manager at NHO, who combines tenacity, design knowledge and over a decade of global communications management in London to lend valuable expertise in brand strategy, messaging, and communications. Sarah reflects on the diversity of her role and the value of collaboration and trust, while encouraging brands to explore the road less travelled. <\\/p>\\n\",\"hero_image\":{\"ID\":1425,\"id\":1425,\"title\":\"Sarah Ferrall\",\"filename\":\"Sarah-Ferrall.jpg\",\"filesize\":3551379,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/sarah-ferrall\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"sarah-ferrall\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-13 22:32:04\",\"modified\":\"2024-03-13 22:32:04\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Sarah-Ferrall-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Discover the perspective of Sarah Ferrall, Communications Consultant at NHO, who combines tenacity, design knowledge and over a decade of global communications management in London to lend valuable expertise in brand strategy, messaging, and communications. Sarah reflects on the diversity of her role and the value of collaboration and trust, while encouraging brands to explore the road less travelled. <\\/p>\\n

\\u2013<\\/p>\\n

Q: Can you describe a day in your role as Communications Manager at NHO?<\\/p>\\n

A: My days are incredibly varied, which makes the role so interesting and enjoyable. I start most days by catching up on emails, checking in on the latest industry news, and scanning the daily paper headlines. It\\u2019s important keep abreast of the latest major stories and trends across our industry but also, more generally, across the sectors that touch our work, such as property and finance, and more creative industries from tech to fashion. <\\/p>\\n

As NHO\\u2019s Communications Manager, I work across our full client portfolio, so I take time each day to check-in with each Communications Consultant on our current projects or initiatives, talk through our strategy, and align on next steps. Day to day tasks vary dramatically \\u2013 I might be joining calls or meetings with our clients, meeting with an editor, heading to an event or exhibition, or spending time with the team to plan an exciting project launch or event that one of our client\\u2019s is hosting. I also get the opportunity to work closely with NHO\\u2019s directors on business development, so on any given day I might be joining a meeting with a potential new client or working through a proposal.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1433,\"id\":1433,\"title\":\"Venice Biennale Giardini\",\"filename\":\"Venice-Biennale-Giardini.jpg\",\"filesize\":6209392,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/venice-biennale-giardini\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"venice-biennale-giardini\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-13 23:02:33\",\"modified\":\"2024-03-13 23:02:33\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3024,\"height\":4032,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Venice-Biennale-Giardini-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

‘Pavilion of Australia’ by Denton Corker Marshall, Giardini della Biennale, Venice, 2015.
\\nPhotograph by Sarah Ferrall. <\\/p>\\n\"},{\"image\":{\"ID\":1437,\"id\":1437,\"title\":\"Jay Sae Jung Oh\",\"filename\":\"Jay-Sae-Jung-Oh.jpg\",\"filesize\":4254979,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/jay-sae-jung-oh\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jay-sae-jung-oh\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-14 00:30:35\",\"modified\":\"2024-03-14 00:30:35\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3024,\"height\":4032,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Jay-Sae-Jung-Oh-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

‘Savage’ series by Jay Sae Jung Oh presented by Salon 94 Gallery, Design Miami, 2020.
\\nPhotograph by Sarah Ferrall.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What is one of your career highlights and how has it enhanced your value of design?<\\/p>\\n

A: Living and working in the UK for many years, I was extremely fortunate to travel to some of the world\\u2019s most exciting design events, including regular visits to Milan Design Week<\\/a>, Maison et Objet<\\/a> in Paris, Venice Biennale<\\/a>, Stockholm Design Week<\\/a>, Art Basel<\\/a>, Design Miami<\\/a> and Design Shanghai<\\/a> \\u2013 each shaping my understanding of design. I was exposed to some of the world\\u2019s most established designers showcasing their expertise, and the innovative ideas and design concepts that propel our industry forward. <\\/p>\\n

Having the opportunity to experience design across the world has given me a great appreciation for how our industry is inextricably connected to many other sectors. Design plays a critical role in our everyday \\u2013 from housing to healthcare to how we protect the environment. It also impacts and influences industries like fashion and technology. It\\u2019s always exciting to see new collaborations between disciplines come to the foreground, presenting new ideas and visions for the future.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1428,\"id\":1428,\"title\":\"Hermes in Milan\",\"filename\":\"Hermes-in-Milan-copy.jpg\",\"filesize\":6473706,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/hermes-in-milan-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hermes-in-milan-copy\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-13 22:33:18\",\"modified\":\"2024-03-13 22:38:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3024,\"height\":4032,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-copy-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Herm\\u00e8s installation, Milan Design Week 2022.
\\nPhotograph by Sarah Ferrall.<\\/p>\\n\"},{\"image\":{\"ID\":1427,\"id\":1427,\"title\":\"Hermes in Milan\",\"filename\":\"Hermes-in-Milan-2-copy.jpg\",\"filesize\":5808797,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/hermes-in-milan-2-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hermes-in-milan-2-copy\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-13 22:33:09\",\"modified\":\"2024-03-13 22:40:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3024,\"height\":4032,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Hermes-in-Milan-2-copy-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Herm\\u00e8s installation, Milan Design Week 2022.
\\nPhotograph by Sarah Ferrall.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Having the opportunity to experience design across the world has given me a great appreciation for how our industry is inextricably connected to many other sectors. Design plays a critical role in our everyday \\u2013 from housing to healthcare to how we protect the environment.” \\u2013 Sarah Ferrall<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How does collaboration, amongst NHO\\u2019s communications professionals and their clients, seed innovative communications strategies? <\\/p>\\n

A: Whenever we work with a brand or business, we see ourselves as an extension of their internal team, rather than consultants that sit on the outside looking in. We develop the most effective strategies when we work closely with our clients, and can clearly understand the overall brand objectives and the factors that impact the day to day running of the business. Conversely, if we are kept at arm’s length, it makes it hard for us to \\u2018get in the weeds,\\u2019 to develop and drive a strategy that will have a strong impact. The most trusting working relationships breed the most creativity and innovation. Authentic connection with a brand fosters a blue sky approach, revealing new opportunities to share the brand\\u2019s message with their audience.<\\/p>\\n

Q: Reflecting on your passion for helping brands realise their ambitions, can you share any advice or words of wisdom?<\\/p>\\n

A: Be brave! The design industry and the media landscape are evolving so quickly that it can be detrimental to repeat the same strategies if you want to see growth or a change in brand position. Have confidence that you know your brand and audience well enough that new ideas, when shaped around clear objectives, can be impactful. And don\\u2019t be discouraged when you take a leap of faith, and things don\\u2019t pan out quite as you planned. We do our best learning in the face of unexpected outcomes. It\\u2019s important to track your successes and failures to help develop the most innovative path forward.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The most trusting working relationships breed the most creativity and innovation. Authentic connection with a brand fosters a blue sky approach, revealing new opportunities to share the brand\\u2019s message with their audience.” \\u2013 Sarah Ferrall<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1431,\"id\":1431,\"title\":\"MONA\",\"filename\":\"MONA.png\",\"filesize\":5771716,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/mona\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mona\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-13 22:42:44\",\"modified\":\"2024-03-13 22:42:44\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2142,\"height\":1604,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA-300x225.png\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA.png\",\"medium_large-width\":768,\"medium_large-height\":575,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA-1200x899.png\",\"large-width\":1200,\"large-height\":899,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA.png\",\"1536x1536-width\":1536,\"1536x1536-height\":1150,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA.png\",\"2048x2048-width\":2048,\"2048x2048-height\":1534,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA.png\",\"full_width-width\":2142,\"full_width-height\":1604,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/MONA-1600x1198.png\",\"medium2-width\":1600,\"medium2-height\":1198}},\"use_caption\":true,\"caption\":\"

MONA, Tasmania.
\\nPhotograph courtesy of Medium. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: Where did you grow up and what first sparked your interest in design?<\\/p>\\n

A: I grew up in Tasmania where we\\u2019re lucky to punch above our weight in terms of culture, architecture, and design. Perhaps that wasn\\u2019t always the case, but particularly, seeing how an institution like MONA<\\/a> can shape a whole city in terms of its global cultural positioning has been inspiring. I\\u2019ve always been interested in fashion, pouring over copies of US Vogue and Vanity Fair as a teenager \\u2013 a short hop, skip, and a jump to appreciating art and design from there. <\\/p>\\n

My interest in design was broadened during my time in London, surrounded by some of the best design and architecture in the world and just a short journey from global design capitals like Milan and Paris. It\\u2019s impossible not to be in awe of the history and creativity that is so easily found in these places. It also helps that my husband is a practicing architect, so for the last 15 years my weekends and holidays have been full of visits to to \\u201chave a quick look at a building.\\u201d <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1432,\"id\":1432,\"title\":\"Noguchi Museum\",\"filename\":\"Noguchi-Museum.jpg\",\"filesize\":10972733,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/noguchi-museum\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"noguchi-museum\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-13 22:47:48\",\"modified\":\"2024-03-13 22:47:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3024,\"height\":4032,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Noguchi-Museum-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Noguchi Museum, New York.
\\nPhotograph by Sarah Ferrall.<\\/p>\\n\"},{\"image\":{\"ID\":1430,\"id\":1430,\"title\":\"Stahl House LA copy\",\"filename\":\"Stahl-House-LA-copy.jpg\",\"filesize\":4282472,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-sarah-ferrall\\/stahl-house-la-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"stahl-house-la-copy\",\"status\":\"inherit\",\"uploaded_to\":1424,\"date\":\"2024-03-13 22:33:31\",\"modified\":\"2024-03-13 22:33:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3024,\"height\":4032,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2024\\/03\\/Stahl-House-LA-copy-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Stahl House, Los Angeles.
\\nPhotograph by Sarah Ferrall. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Be brave! The design industry and the media landscape are evolving so quickly that it can be detrimental to repeat the same strategies if you want to see growth or a change in brand position. 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\\r\\n05.12.23\",\"listing_description\":\"

The AI world is evolving fast, and while platforms such as ChatGPT hold immense potential in streamlining processes and improving efficiencies, it’s crucial to balance these technologies with human intervention and ingenuity.<\\/p>\\n\",\"hero_image\":{\"ID\":1422,\"id\":1422,\"title\":\"AI\",\"filename\":\"AI.jpg\",\"filesize\":639951,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ai-insights\\/ai\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ai\",\"status\":\"inherit\",\"uploaded_to\":1421,\"date\":\"2023-12-04 01:58:30\",\"modified\":\"2023-12-04 01:58:30\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1200,\"height\":1420,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI-254x300.jpg\",\"medium-width\":254,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI.jpg\",\"medium_large-width\":768,\"medium_large-height\":909,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI-1014x1200.jpg\",\"large-width\":1014,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI.jpg\",\"1536x1536-width\":1200,\"1536x1536-height\":1420,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI.jpg\",\"2048x2048-width\":1200,\"2048x2048-height\":1420,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI.jpg\",\"full_width-width\":1200,\"full_width-height\":1420,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/12\\/AI.jpg\",\"medium2-width\":1200,\"medium2-height\":1420}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The AI world is evolving fast, and while platforms such as ChatGPT hold immense potential in streamlining processes and improving efficiencies, it’s crucial to balance these technologies with human intervention and ingenuity. <\\/p>\\n

Here, NHO Digital Marketing Strategist, Lawrence Boal, reflects on the capabilities of major AI platforms entering mainstream news and gaining widespread use \\u2013 tools to use consciously, which you may find time-saving benefits from trialing.<\\/p>\\n

\\u2013<\\/p>\\n

OpenAI ChatGPT<\\/a>: A major update will enable ChatGPT to have voice conversations with users and interact using images. The technology is currently being used by Spotify for the platform\\u2019s podcasters to translate their content in different languages.<\\/p>\\n

Zoom AI Companion<\\/a>: You may have recently noticed the \\u201cAI Companion\\u201d in the bottom toolbar on Zoom video calls. A feature of the AI Companion includes a recap of what has been discussed so far if you arrive late to a video call. You can also ask AI Companion more specific questions about the meeting content. After the meeting, AI Companion smart recordings can automatically divide cloud recordings into smart chapters for easy review, with users able to highlight important information, and create next steps for attendees to action.<\\/p>\\n

Otter.AI<\\/a>: Otter AI has established itself as the market leading platform for turning voice conversations into smart notes that are easily searchable and shareable. Otter AI can be used to record and transcribe conversions or meetings using the Otter plug in on your mobile phone or web browser. You can the share conversations and meeting minutes with others.<\\/p>\\n

MeetGeek<\\/a>: Similar to Otter AI and Zoom AI Companion, MeetGeek transcribes meetings. The tool creates summaries, including topics discussed, action items, hot topics and even areas of concern that need to be addressed. The plugin is compatible with Zoom, Google Meet and Microsoft Teams.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The AI world is evolving fast, and while platforms such as ChatGPT hold immense potential in streamlining processes and improving efficiencies, it’s crucial to balance these technologies with human intervention and ingenuity.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Sanebox<\\/a>: Compatible with most email services, Sanebox keeps an AI eye out for important messages and keeps them in your inbox. Everything else goes into a new \\u201cSaneLater\\u201d folder than can be checked periodically. The plugin also can help save on email storage space by offloading attachments to cloud storage services, clearing out old emails automatically and unsubscribing to mailing lists you no longer wish to be on.<\\/p>\\n

Harpa<\\/a>: This free Google Chrome extension acts like a helpful web sidekick. For Google Searches, Harpa can potentially add better results with deeper context related to your search terms. The tool can also summarise YouTube videos, PDFs, web pages and documents. Other intriguing features Harpa offers is price tracking, competitor activity summaries and even audits of your onsite SEO. <\\/p>\\n

Scribe<\\/a>: This useful tool is perfect for creating process guides. Scribe can capture \\u2018how-to\\u2019 processes on your browser or desktop, then develops a step-by-step guide of the process with the click of a button. Sensitive information can be redacted to ensure it doesn\\u2019t show up on screenshots and you can then share your guides in multiple formats including PDF.<\\/p>\\n

\\u2013<\\/p>\\n

Each of these AI platforms swiftly process vast amounts of data, uncovering patterns and insights that largely elude human observation. This capability allows for efficient research, administration, and communications, and empowers businesses to make data-driven decisions to optimise resource allocation and improve productivity. <\\/p>\\n

In creative industries, the ability of AI platforms to automate repetitive tasks liberates users to focus on high-level, artistic endeavours, drawing on contextual comprehension, emotional intelligence, adaptability, and critical thinking \\u2013 skills that humans excel at, but which remain challenging for AI systems. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

In creative industries, the ability of AI platforms to automate repetitive tasks liberates users to focus on high-level, artistic endeavours, drawing on contextual comprehension, emotional intelligence, adaptability, and critical thinking \\u2013 skills that humans excel at, but which remain challenging for AI systems. <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

As with the integration of any new technological system, it is critical to test the capabilities and limitations of these noteworthy platforms in order for them to deliver true value. Ultimately, optimal efficiency derives from a dynamic interplay between AI technology and the irreplaceable attributes of human cognition. Given AI is ‘by design,’ NHO seeks to elevate its potential for positive impact through a considered approach that honours ethical considerations, authenticity, and creativity \\u2013 another tool in our toolkit, which we intend to put to good use. <\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\nCommunications Consultant at NHO
\\r\\n05.12.23\",\"listing_description\":\"

Today we meet Peter Bain, Communications Consultant at NHO, who speaks candidly about his role, his personal and professional achievements, and his love of Japan. With close to a decade of experience in fashion and design marketing, social media management and communications, Peter is skilled at connecting culture and brands through meaningful partnerships and powerful storytelling. <\\/p>\\n\",\"hero_image\":{\"ID\":1415,\"id\":1415,\"title\":\"PB\",\"filename\":\"PB.jpg\",\"filesize\":2486634,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/pb\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"pb\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-23 00:37:15\",\"modified\":\"2023-11-23 00:37:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3751,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB.jpg\",\"1536x1536-width\":1228,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB-2500x3126.jpg\",\"full_width-width\":2500,\"full_width-height\":3126,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/PB-1600x2001.jpg\",\"medium2-width\":1600,\"medium2-height\":2001}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Today we meet Peter Bain, Communications Consultant at NHO, who speaks candidly about his role, his personal and professional achievements, and his love of Japan. With close to a decade of experience in fashion and design marketing, social media management and communications, Peter is skilled at connecting culture and brands through meaningful partnerships and powerful storytelling. <\\/p>\\n

– <\\/p>\\n

Q: Describe a day in your role as Communications Consultant NHO?<\\/p>\\n

A: Where to begin! The beauty of being a Communications Consultant is the breadth of the work. On a ‘typical’ day, I might start by flicking through the day\\u2019s newspapers and new design magazine issues that have arrived, head to a client shoot, write copy for a new project, be in touch with the media and then head off to an event that afternoon. Did I mention emailing? Lots of emailing.<\\/p>\\n

Q: Reflecting on your strategic and creative approach to Communications and Public Relations, can you share a professional achievement that you are most proud of? <\\/p>\\n

A: Within a few months of starting at NHO, and with a little luck, I helped land a client the cover of Vogue Living. It was a great result, echoing NHO\\u2019s considered approach to Communications and Public Relations, which favours \\u2018quality over quantity.\\u2019 Of course, placements such as these are just one element of our marketing strategy. We develop a critical path for each project, leveraging our clients’ investment in photography and PR to reach new audiences through international media opportunities, industry awards, thought leadership events, and more. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1417,\"id\":1417,\"title\":\"Site Visit\",\"filename\":\"Site-Visit.jpg\",\"filesize\":2507416,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/site-visit\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"site-visit\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-23 02:25:10\",\"modified\":\"2023-11-23 02:25:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Site-Visit-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Client site visit.
\\nPhotograph by Peter Bain. <\\/p>\\n\"},{\"image\":{\"ID\":1418,\"id\":1418,\"title\":\"NP\",\"filename\":\"NP.jpg\",\"filesize\":4880205,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/np\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"np\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-23 02:25:41\",\"modified\":\"2023-11-23 02:25:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/NP-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Never Permanent 2023 talk program, Melbourne.
\\nPhotograph by Peter Bain.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Within a few months of starting at NHO, and with a little luck, I helped land a client the cover of Vogue Living. It was a great result, echoing NHO\\u2019s considered approach to Communications and Public Relations, which favours \\u2018quality over quantity.\\u2019” \\u2013 Peter Bain<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: Given the diverse nature of communications consultancy, what do you like most about your role?<\\/p>\\n

A: I enjoy working with like-minded, industry-leading brands, and I relish the opportunity to apply strategy and creativity to my work every day, supporting our clients’s objectives. At NHO, we believe that no part of the marketing mix works in isolation \\u2013 every tactic and touchpoint is considered as an integrated whole, requiring close collaboration between our team of experts.\\u00a0<\\/p>\\n

I also get to flex my strength in copywriting \\u2013 I contribute to a few design publications and platforms \\u2013 and it\\u2019s always inspiring to be surrounded by such beautiful work. Our clients are producing some of the best homes and furniture in Australia, so it\\u2019s a great privilege to work with these projects. <\\/p>\\n

Q: What is your favourite travel destination?<\\/p>\\n

A: Without a doubt, Japan. I’ve just returned from another three-week visit with my family, and my love for the country has only deepened. They just get it \\u2013 the food, the people, the efficiency, the attention to detail, the fashion, and, dare I say it, the toilets! Everything is meticulously thought out and perfect. During this most recent trip, we spent more time in Kyoto, which was a nice escape from the hustle and bustle of Tokyo. The contrast between the old and new in Kyoto is truly mesmerising.<\\/p>\\n

We plan to try and visit every year because I don’t think we’ve even scratched the surface of things to do and places to see. Over the years, I’ve been meticulous in collecting everyone’s tips, so my Google Sheet is brimming with ideas.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1419,\"id\":1419,\"title\":\"Yoyogi Park_3\",\"filename\":\"Yoyogi-Park_3-1.jpg\",\"filesize\":5023327,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/yoyogi-park_3-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"yoyogi-park_3-2\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-23 02:40:43\",\"modified\":\"2023-11-23 02:40:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4003,\"height\":6001,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1-2500x3748.jpg\",\"full_width-width\":2500,\"full_width-height\":3748,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Yoyogi-Park_3-1-1600x2399.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Yoyogi Park, Tokyo.
\\nPhotograph by Peter Bain. <\\/p>\\n\"},{\"image\":{\"ID\":1414,\"id\":1414,\"title\":\"Tokyo\",\"filename\":\"Tokyo.jpg\",\"filesize\":4468756,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/tokyo\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"tokyo\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-08 04:22:15\",\"modified\":\"2023-11-08 04:22:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4003,\"height\":6001,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo-2500x3748.jpg\",\"full_width-width\":2500,\"full_width-height\":3748,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Tokyo-1600x2399.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Tokyo.
\\nPhotograph by Peter Bain. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1420,\"id\":1420,\"title\":\"Kyoto\",\"filename\":\"Kyoto.jpg\",\"filesize\":3792619,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/kyoto\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"kyoto\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-23 02:41:43\",\"modified\":\"2023-11-23 02:41:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4003,\"height\":6001,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto-2500x3748.jpg\",\"full_width-width\":2500,\"full_width-height\":3748,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto-1600x2399.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Kyoto.
\\nPhotograph by Peter Bain. <\\/p>\\n\"},{\"image\":{\"ID\":1412,\"id\":1412,\"title\":\"Kyoto_2\",\"filename\":\"Kyoto_2.jpg\",\"filesize\":5078249,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/kyoto_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"kyoto_2\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-08 01:39:30\",\"modified\":\"2023-11-08 01:39:30\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4000,\"height\":6001,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2-2500x3751.jpg\",\"full_width-width\":2500,\"full_width-height\":3751,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/Kyoto_2-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Peter and baby Pip in Kyoto.
\\nPhotograph by Peter Bain. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I find joy in working with like-minded, industry-leading brands, and I relish the opportunity to apply strategy and creativity to my work every day.” \\u2013 Peter Bain<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: Can you share something about yourself that people might not know about you?<\\/p>\\n

A: Before becoming a first-time father in 2022, I\\u2019ve been pretty madly consumed by running for the better part of a decade \\u2013 marathoning, more specifically. I\\u2019ve been lucky enough to tick off a few \\u2018bucket list\\u2019 races like Berlin and Tokyo over the years and hope to do more soon, especially in Japan. I ran a 2:34 in 2019 at Berlin and it\\u2019s been a lifelong goal to break the coveted 2:30 barrier. Now that I have found my footing as a dad, I am planning on charting out a few races in 2024 and 2025. Watch this space.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1416,\"id\":1416,\"title\":\"2019 Berlin Marathon\",\"filename\":\"2019-Berlin-Marathon.jpg\",\"filesize\":1546313,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-peter-bain\\/2019-berlin-marathon\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2019-berlin-marathon\",\"status\":\"inherit\",\"uploaded_to\":1410,\"date\":\"2023-11-23 02:19:15\",\"modified\":\"2023-11-23 02:19:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4000,\"height\":2666,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon-2500x1666.jpg\",\"full_width-width\":2500,\"full_width-height\":1666,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/11\\/2019-Berlin-Marathon-1600x1066.jpg\",\"medium2-width\":1600,\"medium2-height\":1066}},\"use_caption\":true,\"caption\":\"

Berlin Marathon, 2019.
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\\r\\nDigital Marketing Strategist at NHO
\\r\\n25.10.23\",\"listing_description\":\"

Here, we discuss the evolving nature of digital marketing with Lawrence Boal, Digital Marketing Strategist at NHO, and his commitment to ongoing learning. Based in New York, Lawrence brings a global outlook to his role, applying a holistic, full-funnel digital marketing approach to support the business goals of his clients.<\\/p>\\n\",\"hero_image\":{\"ID\":1403,\"id\":1403,\"title\":\"LB\",\"filename\":\"LB.jpg\",\"filesize\":3292807,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lawrence-boal\\/lb\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"lb\",\"status\":\"inherit\",\"uploaded_to\":1402,\"date\":\"2023-10-11 05:40:38\",\"modified\":\"2023-10-11 05:40:38\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/LB-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Here, we speak with Lawrence Boal, Digital Marketing Strategist at NHO, about the evolving nature of digital marketing and his commitment to ongoing learning. Based in New York, Lawrence brings a global outlook to his role, applying a holistic, full-funnel digital marketing approach to support the business goals of his clients.<\\/p>\\n

\\u2013<\\/p>\\n

Q: Can you share a typical day in your role as Digital Marketing Strategist at NHO?<\\/p>\\n

A: A typical day begins with browsing various digital marketing and advertising websites to research the latest industry innovations, strategies, upcoming platform changes and updates. Having worked in the digital marketing space for over a decade, I quickly learned that what you know today may not be best practice or even relevant tomorrow. So, keeping informed allows me to optimise our digital marketing strategies and set our clients up for success.<\\/p>\\n

Most of my day is then spent reviewing data via our various digital marketing platforms and analytics dashboards. I am certainly a \\u201cnumbers\\u201d person and I enjoy looking at the different data points across timeframes to gather valuable insights for our clients. While understanding the immediate impact of our work is key to driving performance, we don\\u2019t get lost in the data \\u2014 overarching brand strategy always remains paramount.<\\/p>\\n

It certainly is not all work and no play though! The culture at NHO offers plenty of opportunities to visit events and exhibitions, which I enjoy attending when I get the chance in both New York City and closer to home in the Hamptons.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1404,\"id\":1404,\"title\":\"ICFF\",\"filename\":\"ICFF.jpg\",\"filesize\":2418082,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lawrence-boal\\/icff\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"icff\",\"status\":\"inherit\",\"uploaded_to\":1402,\"date\":\"2023-10-11 05:43:11\",\"modified\":\"2023-10-11 05:43:11\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

International Contemporary Furniture Fair (ICFF), NYC.
\\nPhotography by Jenna Bascom.<\\/p>\\n\"},{\"image\":{\"ID\":1405,\"id\":1405,\"title\":\"ICFF2\",\"filename\":\"ICFF2.jpg\",\"filesize\":2088781,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lawrence-boal\\/icff2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"icff2\",\"status\":\"inherit\",\"uploaded_to\":1402,\"date\":\"2023-10-11 05:44:29\",\"modified\":\"2023-10-11 05:44:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/ICFF2-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

International Contemporary Furniture Fair (ICFF), NYC.
\\nPhotography by Jenna Bascom.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: At NHO we pride ourselves on marrying best practice digital marketing strategy with our understanding of design and careful brand management more broadly. You’ve worked with NHO since 2019, what have you learned about design in that time?<\\/p>\\n

A: I have learnt an abundance from the NHO senior leadership team, my NHO colleagues and our clients over the past four years \\u2013 learnings not only limited to design but also process, strategic thinking, branding and much more. Perhaps the most valuable insight has been to balance brand positioning with analytics and \\u201cbest practice\\u201d digital marketing techniques, ensuring that campaign metrics are considered alongside a consistent expression of a client’s brand voice. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Perhaps the most valuable insight has been to balance brand positioning with analytics and \\u201cbest practice\\u201d digital marketing techniques, ensuring that campaign metrics are considered alongside a consistent expression of a client’s brand voice.” \\u2013 Lawrence Boal<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: Given your global experience in the digital marketing over the last decade, how have you observed the role of digital marketing evolve, particularly in recent years?<\\/p>\\n

A: Digital marketing has changed significantly since I began in the industry in 2011. Back then, it was often the last addition to a marketing media plan and the strategy would frequently involve simple banner advertisements on websites that covered a client\\u2019s desired target audience. Arguably, the biggest changes have occurred since the beginning of 2020, when the COVID pandemic opened digital marketing to a much wider audience.<\\/p>\\n

Now, digital marketing is often the first, or sometimes only, inclusion in a client\\u2019s marketing plan. There are different verticals, including SEM (search engine marketing) and paid social, each with a variety of combinations of platforms, placements and best practice principles in regards to ad assets, copy creation, call to action buttons, video time length and much more. In short, digital marketing has become incredibly diverse. At NHO, we navigate this complex terrain to find tailored digital marketing strategies that speak to the unique offerings and goals of each client.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“In short, digital marketing has become incredibly diverse. At NHO, we navigate this complex terrain to find tailored digital marketing strategies that speak to the unique offerings and goals of each client.” \\u2013 Lawrence Boal<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: Can you share any advice or words of wisdom for readers who might be curious in thinking more strategically about digital marketing?<\\/p>\\n

A: Always take a step back and look at the broader picture. Often in both life and digital marketing we get caught up focusing too closely on the short term. Recent successes or failures are important to acknowledge, however, what impact are these having on our broader goals? Is a recent success masking overall shortfalls? Or is a recent failure overshadowing a continued successful climb towards a goal? The same is true when looking ahead. What is the impact of short-term wins on long-term objectives?<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1408,\"id\":1408,\"title\":\"\",\"filename\":\"Hamptons.jpg\",\"filesize\":2408950,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lawrence-boal\\/usa-new-york-long-island-montaurk-coastline-with-lighthouse\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"usa-new-york-long-island-montaurk-coastline-with-lighthouse\",\"status\":\"inherit\",\"uploaded_to\":1402,\"date\":\"2023-10-12 06:26:57\",\"modified\":\"2023-10-12 06:27:18\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/10\\/Hamptons-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

A lighthouse in Montauk, part of the Town of East Hampton.
\\nPhotography courtesy of Heading Out. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: As we approach the end of 2023, what personal and professional goals do you have for the year ahead?<\\/p>\\n

A: From a professional perspective, I wish to continue getting ahead of the AI curve by gathering knowledge of various platforms and completing courses on how to best leverage AI text generation platforms such as ChatGPT and Google\\u2019s Bard. On a personal note, my wife and I are expecting our second child in January 2024, and I would like to tackle my current \\u201cdad bod\\u201d figure by continuing to compete in 5k races and build up to a marathon in 2024. A strict diet might be hard to follow as we enter the holiday months of Thanksgiving and Christmas in the USA though!<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Often in both life and digital marketing we get caught up focusing too closely on the short term. 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\\r\\nIn Conversation with Deyan Sudjic
\\r\\n08.08.23\",\"listing_description\":\"

Deyan Sudjic OBE is a writer, curator, and editor specialising in the fields of design and architecture, and Director Emeritus at London\\u2019s Design Museum. He was the founding editor of Blueprint magazine, a former editor of Domus, and the director of the 2002 Venice Architecture Biennale. In 2023 he launched Anima magazine dedicated to “design intelligence”. Deyan is also the author of numerous books including The Language of Things, Norman Foster: A Life in Architecture, and Boris Iofan: Stalin\\u2019s Architect.<\\/p>\\n\",\"hero_image\":{\"ID\":1390,\"id\":1390,\"title\":\"_MG_0088_LR\",\"filename\":\"MG_0088_LR.jpg\",\"filesize\":506391,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ettore-sottsass-the-poetry-of-things-by-deyan-sudjic\\/_mg_0088_lr\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"_mg_0088_lr\",\"status\":\"inherit\",\"uploaded_to\":1389,\"date\":\"2023-08-04 00:27:27\",\"modified\":\"2023-08-04 00:27:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":750,\"height\":1125,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR.jpg\",\"medium_large-width\":750,\"medium_large-height\":1125,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR.jpg\",\"large-width\":750,\"large-height\":1125,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR.jpg\",\"1536x1536-width\":750,\"1536x1536-height\":1125,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR.jpg\",\"2048x2048-width\":750,\"2048x2048-height\":1125,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR.jpg\",\"full_width-width\":750,\"full_width-height\":1125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/MG_0088_LR.jpg\",\"medium2-width\":750,\"medium2-height\":1125}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views, and reviews from the world of publishing in conversation with our favourite design authors, commentators, and provocateurs.<\\/p>\\n

Deyan Sudjic<\\/a> OBE is a writer, curator, and editor specialising in the fields of design and architecture, and Director Emeritus at London\\u2019s Design Museum<\\/a>. He was the founding editor of Blueprint<\\/a> magazine, a former editor of Domus<\\/a>, and the director of the 2002 Venice Architecture Biennale. In 2023 he launched Anima<\\/a> magazine dedicated to “design intelligence”. Deyan is also the author of numerous books including The Language of Things<\\/a>, Norman Foster: A Life in Architecture<\\/a>, and Boris Iofan: Stalin\\u2019s Architect<\\/a>.<\\/p>\\n

NHO Founder and Director, Neil Hugh Kenna recently spoke with Deyan to discuss another title in his portfolio, Ettore Sottsass: The Poetry of Things<\\/a>. This is their conversation.<\\/p>\\n

–<\\/p>\\n

NHK: Deyan, welcome. Thank you for making the time to speak today. Before we dive into your book \\u2013 Ettore Sottsass: The Poetry of Things \\u2013 I\\u2019d love to take a moment to reflect on your incredible career. From journalist, to curator, author, and Director Emeritus at London\\u2019s Design Museum, you\\u2019ve carved a distinct path. Dare I ask, was this by design<\\/em>? What initially sparked your interest in architecture and design?<\\/p>\\n

DS: I wouldn\\u2019t call it incredible. It\\u2019s certainly been a lot of fun. It\\u2019s been a license to be curious, to ask nosey questions and to meet interesting people. As a schoolboy I was determined to become an architect, as a way to address all those troublesome issues adolescents face about working out what and who they want to be. Architecture would be the choice of subject to study, and the career to follow. It didn\\u2019t quite work out that way. I realised that I wasn\\u2019t going to be a very good architect when I spent a year in a studio and found that I hadn\\u2019t much clue about how to make an architectural idea into a physical building.<\\/p>\\n

But looking back, I realise that there was something below the surface about design and architecture that intrigued me. My parents came to Britain from Yugoslavia \\u2013 a country that no longer exists. I learned their language at home, and English from the BBC, and I can remember the day that I realised, as a snotty child, that they didn\\u2019t speak English like anybody else. I can remember spending summers back in Yugoslavia, and noticing that banknotes there came with images of heroic workers and peasants, power stations, and coal mines, rather than portraits of the Queen, and worthy Brits kitted out in wigs and unnecessary amounts of facial hair.<\\/p>\\n

I was realising that national identity is designed rather than innate, and I wanted to know all I could about how architecture and design are used to do that.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“As a schoolboy I was determined to become an architect, as a way to address all those troublesome issues adolescents face about working out what and who they want to be… But looking back, I realise that there was something below the surface about design and architecture that intrigued me.”\\u00a0– Deyan Sudjic<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Given the breadth of your professional achievements, when you look back, was there a moment that was particularly powerful in shaping your trajectory? Did you ever consider taking a different route that may have led you elsewhere?<\\/p>\\n

DS: My daughter Olivia Sudjic<\\/a> is a novelist, who writes about some of the same issues that fascinate me: the impact on our lives of technology, and identity, through a fictional lens. It makes me realise that my fleeting ambitions to be that kind of writer were never going to be realised. I describe what I see, and never knowingly write fiction, but so often it has been literary writers who have been able to explore the world in the most powerful ways. When I want to understand the nature of the birth of the modern city, I read Dickens and Zola, Pamuk, or Ballard.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1400,\"id\":1400,\"title\":\"4_es_2002\",\"filename\":\"4_es_2002.jpg\",\"filesize\":1527569,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ettore-sottsass-the-poetry-of-things-by-deyan-sudjic\\/4_es_2002\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"4_es_2002\",\"status\":\"inherit\",\"uploaded_to\":1389,\"date\":\"2023-08-07 21:49:01\",\"modified\":\"2023-08-07 21:49:01\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2217,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002-217x300.jpg\",\"medium-width\":217,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002.jpg\",\"medium_large-width\":768,\"medium_large-height\":1064,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002-866x1200.jpg\",\"large-width\":866,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002.jpg\",\"1536x1536-width\":1109,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002.jpg\",\"2048x2048-width\":1478,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002.jpg\",\"full_width-width\":1600,\"full_width-height\":2217,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/4_es_2002.jpg\",\"medium2-width\":1600,\"medium2-height\":2217}},\"use_caption\":true,\"caption\":\"

Ettore Sottsass, Milan, 2002, courtesy Philip Sayer (page 32 i) via Phaidon Press.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“[Domus] was a magazine on a scale generous enough to be able devote 20 pages to a single building, enough to offer a sequence of images that could adequately describe its spatial and material qualities… Eventually it all came together as a freshly printed magazine, thick with the heady scent of ink when it arrived back from the printer. It was an irresistible and unique process.” – Deyan Sudjic<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Fortunately for us, your career has led you here today to discuss this wonderful book, and the man himself, Ettore Sottsass. Sottsass is best known as one of the founders of the Memphis Group, and for this reason I don\\u2019t want to dwell here too long. However, you were living in Milan during this time as the editor of Domus, a magazine founded by Gio Ponti in 1928. What do you recall of that period? What was life like?<\\/p>\\n

DS: It was an enormous privilege, like being given the keys to a finely tuned, beautifully crafted vintage racing car. I was at Domus just before the digital explosion transformed the ecology of publishing. There were budgets to send photographers to Beijing to explore the construction of the Herzog and de Meuron\\u2019s Olympic stadium, to Tokyo to look at the Prada flagship, and to Shenzhen to document the transformation of modern China. There was enough advertising to fund 400-page issues, and the time to plan and structure each issue as it took shape over the course of a month.\\u00a0 It was a magazine on a scale generous enough to be able devote 20 pages to a single building, enough to offer a sequence of images that could adequately describe its spatial and material qualities. Editing a magazine was a process that began with a features list, became a flat plan, and then, as the stories were laid out, turned into a dieline monochrome dummy. Eventually it all came together as a freshly printed magazine, thick with the heady scent of ink when it arrived back from the printer. It was an irresistible and unique process.<\\/p>\\n

My previous experience of working for a family-owned architectural magazine had been in London where the Architectural Review was still based in a pair of aristocratic 18th century houses, haunted by the ghosts of Nikolaus Pevsner and Reyner Banham. There was a recreation of a traditional English pub in the basement, with a stuffed lion and a gilded mirror etched with the signatures of Gropius and Le Corbusier. It was an organisation in which editors did not use typewriters but wrote long hand for a cadre of well-bred secretaries to type, ready for the printer.<\\/p>\\n

Domus in sharp contrast to this living fossil, had abandoned its old home on the via Monte dei Pieta,\\u00a0 just off the via Manzoni, at the start of the 1980s.\\u00a0 My desk designed by Gio Ponti himself, was a commanding maple wood affair with ingenious glass topped compartments to accommodate a telephone. It had little brass socks to protect its splayed legs, and had clearly been shipped out at the time of the move to Rozzano, where it looked more than a little out of place.<\\/p>\\n

I began to understand that Italy is a formal country. It took months to persuade people to use my first name. I came face to face with the complexities of publishing a magazine in two languages. At first, I tried to make the Italian text, running twice as long as the English, sound as clearcut as the English, until I realised how inappropriately blunt this would seem.<\\/p>\\n

Pierre Restany, the veteran art critic, told me about the time at the Venice Biennale in 1968 that he had to hide in Harry\\u2019s Bar to avoid being pushed in the canal by a group of leftist students for some perceived ideological transgression.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1392,\"id\":1392,\"title\":\"Fa100331\",\"filename\":\"Fa100331.jpeg\",\"filesize\":62078,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ettore-sottsass-the-poetry-of-things-by-deyan-sudjic\\/fa100331\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fa100331\",\"status\":\"inherit\",\"uploaded_to\":1389,\"date\":\"2023-08-04 00:32:11\",\"modified\":\"2023-08-04 00:32:11\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":871,\"height\":900,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331-290x300.jpeg\",\"medium-width\":290,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331.jpeg\",\"medium_large-width\":768,\"medium_large-height\":794,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331.jpeg\",\"large-width\":871,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331.jpeg\",\"1536x1536-width\":871,\"1536x1536-height\":900,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331.jpeg\",\"2048x2048-width\":871,\"2048x2048-height\":900,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331.jpeg\",\"full_width-width\":871,\"full_width-height\":900,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/Fa100331.jpeg\",\"medium2-width\":871,\"medium2-height\":900}},\"use_caption\":true,\"caption\":\"

One of Ettore’s most recognisable designs, the Carlton Room Divider (1981). Photography courtesy NGV.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

\\u201cMemphis was an important and fascinating aspect of Sottsass\\u2019s work, but it was only one episode in an extraordinarily fruitful career… To focus only on Memphis would be like talking about late Picasso and forgetting all about cubism.\\u201d – Deyan Sudjic<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Some analyses of Sottsass\\u2019 career suggest his association with the Memphis Group was actually limiting, overshadowing his many achievements that came before and after. In fact, in the book you note that being defined as a designer rather than an architect \\u201cdisturbed and irritated him\\u201d. Given this, what would you like people to know about Ettore Sottsass? Why was the time right to publish this book? (N.B. The Poetry of Things was first published by Phaidon in 2015).<\\/p>\\n

DS: Memphis was an important and fascinating aspect of Sottsass\\u2019s work, but it was only one episode in an extraordinarily fruitful career. He was an accomplished painter, though he gave up trying to be an artist, a lifelong photographer, who documented his world with a camera half a century before the smart phone allowed all of us to try to do the same, and he was a brilliant writer. He produced magazines, built houses and airports, designed main frame computers as well as studio glass. To focus only on Memphis would be like talking about late Picasso and forgetting all about cubism.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1393,\"id\":1393,\"title\":\"sotts-valentine\",\"filename\":\"sotts-valentine.jpeg\",\"filesize\":307657,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ettore-sottsass-the-poetry-of-things-by-deyan-sudjic\\/sotts-valentine\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"sotts-valentine\",\"status\":\"inherit\",\"uploaded_to\":1389,\"date\":\"2023-08-04 00:34:03\",\"modified\":\"2023-08-04 00:34:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":680,\"height\":850,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine-240x300.jpeg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine.jpeg\",\"medium_large-width\":680,\"medium_large-height\":850,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine.jpeg\",\"large-width\":680,\"large-height\":850,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine.jpeg\",\"1536x1536-width\":680,\"1536x1536-height\":850,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine.jpeg\",\"2048x2048-width\":680,\"2048x2048-height\":850,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine.jpeg\",\"full_width-width\":680,\"full_width-height\":850,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/sotts-valentine.jpeg\",\"medium2-width\":680,\"medium2-height\":850}},\"use_caption\":true,\"caption\":\"

Ettore’s now iconic Valentine Portable Typewriter (1968) for Olivetti. Photography courtesy Phaidon Press.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

\\u201cThe Olivettis saw it as a civic responsibility to invest in the facilities, to look after their employees, and to play a wider role in society. Some companies sponsor football teams. Olivetti supported Kinetic art exhibitions and restored Venetian landmarks.\\u201d – Deyan Sudjic<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Like all of us, Sottsass was shaped by his life\\u2019s experience. From his childhood, to the experience of war, extensive travels, and certainly meeting many people of influence \\u2013 yet it\\u2019s his meeting with Roberto Olivetti<\\/a> that you describe as the \\u201cpivotal event of his career\\u201d. What was so significant about this moment?<\\/p>\\n

DS: It\\u2019s how Sottsass describes it in his unreliable but very colourful memoirs. Roberto Olivetti was the son of Adriano, one of the most remarkable businessmen who ever lived. Roberto and Adriano were determined to transform Olivetti from a company that made typewriters and mechanical calculators into a modern computer manufacturer. They took a chance on appointing Sottsass to work on the physical form of their first computer.<\\/p>\\n

The Olivettis saw it as a civic responsibility to invest in the facilities, to look after their employees, and to play a wider role in society. Some companies sponsor football teams. Olivetti supported Kinetic art exhibitions and restored Venetian landmarks.<\\/p>\\n

Olivetti appointed his son-in-law, Giorgio Soavi, a writer and a close friend of Alberto Giacometti, as the company\\u2019s corporate design director. He and Renzo Zorzi, who edited Primo Levi\\u2019s first book, lead the selection of architects, artists, and designers to work for Olivetti. Zorzi, who retired in 1986, was succeeded by Paolo Viti. Louis Kahn built Olivetti\\u2019s factory in Pennsylvania. James Stirling designed its training centre in Britain. Carlo Scarpa, Gae Aulenti, and Ernesto Rogers did its showrooms. Olivetti employed Richard Meier to design its US headquarters in 1971 but cancelled the project. Kenzo Tange\\u2019s training centre in Yokohama did go ahead, while Milton Glaser and Herbert Bayer designed its posters.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1401,\"id\":1401,\"title\":\"2_es_1967\",\"filename\":\"2_es_1967.jpg\",\"filesize\":2101928,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ettore-sottsass-the-poetry-of-things-by-deyan-sudjic\\/2_es_1967\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2_es_1967\",\"status\":\"inherit\",\"uploaded_to\":1389,\"date\":\"2023-08-07 21:49:27\",\"modified\":\"2023-08-07 21:49:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1771,\"height\":1915,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967-277x300.jpg\",\"medium-width\":277,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967.jpg\",\"medium_large-width\":768,\"medium_large-height\":830,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967-1110x1200.jpg\",\"large-width\":1110,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967.jpg\",\"1536x1536-width\":1420,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967.jpg\",\"2048x2048-width\":1771,\"2048x2048-height\":1915,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967.jpg\",\"full_width-width\":1771,\"full_width-height\":1915,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/2_es_1967-1600x1730.jpg\",\"medium2-width\":1600,\"medium2-height\":1730}},\"use_caption\":true,\"caption\":\"

Ettore Sottsass, Milan, 1967, courtesy Perry King (page 32 g) via Phaidon Press.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: You describe Sottsass as, \\u201cA man whose life reflected the course of modern Italian history and who made us think about the material world around us differently. Without him, the world would have been a different and a poorer place.\\u201d Considering the state of design \\u2013 and of the world \\u2013 where architects and designers grapple with the challenge and opportunity of climate change, new technologies, and most recently artificial intelligence, what do you think Sottsass would have to say? What might he be working on if he were alive today?<\\/p>\\n

DS: Sottsass was always looking for ways of giving the things around us qualities that can last, amid constant change, and to comfort us in the face of the challenges that face us.<\\/p>\\n

NHK: A philosophy that’s never been more relevant. Thank you for your time, Deyan. You\\u2019ve been incredibly generous with your answers. Keep well.<\\/p>\\n

–<\\/p>\\n

Ettore Sottsass: The Poetry of Things by Deyan Sudjic is available to purchase via Phaidon Press<\\/a>\\u00a0and Bookshop by Uro<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1398,\"id\":1398,\"title\":\"3d_9780714869537_sottsass_LR\",\"filename\":\"3d_9780714869537_sottsass_LR.jpg\",\"filesize\":533993,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ettore-sottsass-the-poetry-of-things-by-deyan-sudjic\\/3d_9780714869537_sottsass_lr\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3d_9780714869537_sottsass_lr\",\"status\":\"inherit\",\"uploaded_to\":1389,\"date\":\"2023-08-04 01:25:29\",\"modified\":\"2023-08-04 01:25:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":1068,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR.jpg\",\"medium_large-width\":768,\"medium_large-height\":513,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR.jpg\",\"2048x2048-width\":1600,\"2048x2048-height\":1068,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR.jpg\",\"full_width-width\":1600,\"full_width-height\":1068,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/3d_9780714869537_sottsass_LR.jpg\",\"medium2-width\":1600,\"medium2-height\":1068}},\"use_caption\":false,\"caption\":\"

Ettore Sottsass and the Poetry of Things by Deyan Sudjic.
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Ettore Sottsass and the Poetry of Things by Deyan Sudjic. 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\\r\\nCommunications Consultant at NHO
\\r\\n31.07.23\",\"listing_description\":\"

Today we meet Cardia Speziale, Communications Consultant at NHO. In our conversation Cardia reflects on her role, the changing media landscape, as well as the impact travel has had and continues to have on her personal and professional life. Having lived and worked in Stockholm and the Philippines, Cardia’s adaptable, open-minded, and positive nature is informed by a global outlook and an enthusiasm for positive client outcomes.<\\/p>\\n\",\"hero_image\":{\"ID\":1383,\"id\":1383,\"title\":\"NHO_TeamProfile_Cardia\",\"filename\":\"NHO_TeamProfile_Cardia.jpg\",\"filesize\":233135,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-cardia-speziale-communications-consultant-at-nho\\/nho_teamprofile_cardia\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_teamprofile_cardia\",\"status\":\"inherit\",\"uploaded_to\":1382,\"date\":\"2023-08-01 03:54:21\",\"modified\":\"2023-08-01 03:54:21\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1600,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia.jpg\",\"2048x2048-width\":1600,\"2048x2048-height\":2000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia.jpg\",\"full_width-width\":1600,\"full_width-height\":2000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_TeamProfile_Cardia.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Today we meet Cardia Speziale, Communications Consultant at NHO. In our conversation Cardia reflects on her role, the changing media landscape, as well as the impact travel has had and continues to have on her personal and professional life. Having lived and worked in Stockholm and the Philippines, Cardia’s adaptable, open-minded, and positive nature is informed by a global outlook and an enthusiasm for positive client outcomes.<\\/p>\\n

–<\\/p>\\n

Q: Can you share a typical day in your role as Communications Consultant at NHO?<\\/p>\\n

A: A typical day for me generally consists of lots of reading to stay up to date with what\\u2019s happening in the industry and across the news more broadly, strategic media outreach, research and crafting of media angles, and consulting on a variety of communications and marketing activities to support our wonderful client cohort. No two days are ever the same, and the opportunity to work across such diverse, creative and interesting projects is incredibly motivating.<\\/p>\\n

As a team, we’re often out of the office attending events or travelling to stay connected to the broader industry. I had the pleasure of attending the London Design Biennale<\\/a> and London Festival of Architecture<\\/a> this year \\u2014 it was amazing to experience the value of design in such a different setting to my day to day.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1387,\"id\":1387,\"title\":\"NHO_Cardia_04\",\"filename\":\"NHO_Cardia_04.jpg\",\"filesize\":449315,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-cardia-speziale-communications-consultant-at-nho\\/nho_cardia_04\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_cardia_04\",\"status\":\"inherit\",\"uploaded_to\":1382,\"date\":\"2023-08-01 04:55:26\",\"modified\":\"2023-08-01 04:55:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1038,\"height\":1384,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04.jpg\",\"1536x1536-width\":1038,\"1536x1536-height\":1384,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04.jpg\",\"2048x2048-width\":1038,\"2048x2048-height\":1384,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04.jpg\",\"full_width-width\":1038,\"full_width-height\":1384,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_04.jpg\",\"medium2-width\":1038,\"medium2-height\":1384}},\"use_caption\":true,\"caption\":\"

“The Living Cities Forum was another memorable excursion of the past 12 months.”<\\/p>\\n\"},{\"image\":{\"ID\":1385,\"id\":1385,\"title\":\"NHO_Cardia_01\",\"filename\":\"NHO_Cardia_01.jpg\",\"filesize\":449245,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-cardia-speziale-communications-consultant-at-nho\\/nho_cardia_01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_cardia_01\",\"status\":\"inherit\",\"uploaded_to\":1382,\"date\":\"2023-08-01 04:01:50\",\"modified\":\"2023-08-01 04:01:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1038,\"height\":1384,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01.jpg\",\"1536x1536-width\":1038,\"1536x1536-height\":1384,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01.jpg\",\"2048x2048-width\":1038,\"2048x2048-height\":1384,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01.jpg\",\"full_width-width\":1038,\"full_width-height\":1384,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_01.jpg\",\"medium2-width\":1038,\"medium2-height\":1384}},\"use_caption\":true,\"caption\":\"

“Attending the London Design Biennale earlier this year was eye-opening, and inspiring. The unusually sunny weather certainly helped.”<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How has travel and working abroad affected the way you approach your work?<\\/p>\\n

A: I find travel is a great way to gain a more open minded perspective on what\\u2019s happening around me. So, on both a personal and professional level I have always valued travel for the opportunity it gives me to learn, grow, and be inspired.<\\/p>\\n

In that sense, my experience working abroad has affected my approach by challenging me to think outside the box and have deeper consideration for broader social and economic factors occurring around us. I also love that travel opens up a whole realm of interaction with people from all walks of life, which over the years has helped me be a more adaptable and open communicator.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The experience of living and working abroad has challenged me to think outside the box and give deeper consideration to the broader social and economic factors occurring around us.” \\u2013 Cardia Speziale<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What are your observations on the changing media landscape?<\\/p>\\n

A: The media landscape is always changing, and we speak every day with journalists and publishing teams who are undoubtedly feeling the pressures of being under-resourced, time poor, and grappling with more constraints than ever.<\\/p>\\n

In saying that, we view these challenges as opportunities to think differently about the ways we work with journalists to tell our clients’ stories. It’s also a reminder that strategic communications is not merely about editorial opportunities. We view communications as just one element of the marketing mix, so alongside media placements we are often working on partnerships, events, speaking opportunities, social media strategies, and advertising too with a highly strategic, quality over quantity approach.<\\/p>\\n

Q: Can you share something about yourself that people might not know?<\\/p>\\n

A: I love baking cakes (and eating them!).<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1388,\"id\":1388,\"title\":\"NHO_Cardia_03\",\"filename\":\"NHO_Cardia_03.jpg\",\"filesize\":250736,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-cardia-speziale-communications-consultant-at-nho\\/nho_cardia_03\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_cardia_03\",\"status\":\"inherit\",\"uploaded_to\":1382,\"date\":\"2023-08-01 04:58:20\",\"modified\":\"2023-08-01 04:58:20\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1038,\"height\":1038,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03-300x300.jpg\",\"medium-width\":300,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03.jpg\",\"medium_large-width\":768,\"medium_large-height\":768,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03.jpg\",\"large-width\":1038,\"large-height\":1038,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03.jpg\",\"1536x1536-width\":1038,\"1536x1536-height\":1038,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03.jpg\",\"2048x2048-width\":1038,\"2048x2048-height\":1038,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03.jpg\",\"full_width-width\":1038,\"full_width-height\":1038,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/08\\/NHO_Cardia_03.jpg\",\"medium2-width\":1038,\"medium2-height\":1038}},\"use_caption\":true,\"caption\":\"

“I recently baked this Milk & Honey Layered Cake. Recipes by Odette Williams are always a great place to start, and I’m hoping to power through more recipes in the coming months.”<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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We recently sat down with B Lab Australia and New Zealand to share a little insight into our path to certification.<\\/p>\\n

As a business, we acknowledge and recognise our position of both influence and impact. Being a Certified B Corporation provides a framework that allows us to harness that position for good.<\\/p>\\n

One of our most powerful learnings was to share responsibilities amongst the team. Not only does this make the submission workload more manageable, it educates and inspires a wider cohort who will themselves become internal champions for the movement.<\\/p>\\n

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It is with equal parts pride and humility that we announce our B Corp certification, joining a worldwide community of businesses committed to marrying \\u201cpurpose with profit\\u201d. If you\\u2019re unfamiliar with the certification, B Corporations are businesses that meet \\u201chigh standards of social and environmental performance, accountability, and transparency\\u201d. In a world of greenwashing, these are words and phrases that should rightly be scrutinised.<\\/p>\\n\",\"hero_image\":{\"ID\":1372,\"id\":1372,\"title\":\"B Corp_2\",\"filename\":\"B-Corp_2.jpg\",\"filesize\":508475,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nho-is-b-corp-certified\\/b-corp_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"b-corp_2\",\"status\":\"inherit\",\"uploaded_to\":1370,\"date\":\"2023-04-13 07:12:10\",\"modified\":\"2023-04-13 07:12:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#a7a599\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

It is with equal parts pride and humility that we announce our B Corp<\\/a> certification, joining a worldwide community of businesses committed to marrying \\u201cpurpose with profit\\u201d.<\\/p>\\n

If you\\u2019re unfamiliar with the certification, B Corporations<\\/a> are businesses that meet \\u201chigh standards of social and environmental performance, accountability, and transparency\\u201d. In a world of greenwashing, these are words and phrases that should rightly be scrutinised.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

It is with equal parts pride and humility that we announce our B Corp certification, joining a worldwide community of businesses committed to marrying \\u201cpurpose with profit\\u201d.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

A more basic premise is that all businesses, both big and small, have impact and influence \\u2013 over employees, clients, governance, the environment, and our communities. At NHO we\\u2019ve embraced this sense of responsibility \\u2013 and accountability \\u2013 through the rigorous B Corp<\\/a> certification process.<\\/p>\\n

Having completed a 12 month review and subsequent audit of the entirety of our business practices and operations, we can attest to B Corp\\u2019s<\\/a> stringent framework. From policies that ensure a safe and inclusive workplace, to measuring stakeholder satisfaction and ensuring there are ethical and sustainable supplies in the stationery cupboard, no stone is unturned.<\\/p>\\n

The B Corp<\\/a> framework draws on the United Nations Sustainable Development Goals<\\/a> (SDGs), helping businesses understand impact areas they can influence, thus honing their focus. From 17 SDGs as defined by the UN, we believe we will be most impactful by focusing on \\u2018Good Health & Wellbeing\\u2019, \\u2018Decent Work & Economic Growth\\u2019, \\u2018Reduced Inequalities\\u2019, \\u2018Sustainable Cities & Communities\\u2019, and \\u2018Responsible Consumption & Production\\u2019. You can read more about United Nations SDGs here<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

With a vision for elevating the value of design and its potential for positive impact, NHO is a business that strives to support the objectives of likeminded clients; those who share our value of design, commitment to people, and respect for place. B Corp is a framework that allows us to do just that.<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

With a vision for elevating the value of design and its potential for positive impact, NHO is a business that strives to support the objectives of likeminded clients; those who share our value of design, commitment to people, and respect for place. B Corp<\\/a> is a framework that allows us to do just that. Never denying that we are a commercial enterprise \\u2013 a business that exists to generate profit \\u2013 however, committing to also be a force for good, proving that purpose and profit are not mutually exclusive.<\\/p>\\n

This is just the beginning. Recertification takes place every three years, in which time we will be striving to inch the needle forward, ever improving, evolving, and growing.<\\/p>\\n

With respect for transparency, NHO\\u2019s complete \\u2018B Impact Score\\u2019 is publicly available here<\\/a>. To learn more about B Corp<\\/a> visit bcorporation.net.<\\/a><\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post 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Office\",\"description\":\"\",\"opengraph_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2-1200x800.jpg\",\"opengraph_title\":\"NHO is B Corp Certified - Neil Hugh Office\",\"opengraph_description\":\"\",\"twitter_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/B-Corp_2-1200x800.jpg\",\"twitter_title\":\"NHO is B Corp Certified - Neil Hugh Office\",\"twitter_description\":\"\"}}","title":"NHO is B Corp Certified","slug":"nho-is-b-corp-certified","publishedDateUnix":1683544172},{"acf_json":"{\"type\":{\"term_id\":19,\"name\":\"Book Club\",\"slug\":\"book-club\",\"term_group\":0,\"term_taxonomy_id\":18,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":10,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":false,\"sub_title\":\"Book Club \",\"title_override\":\"Women Design
\\r\\nIn Conversation with Libby Sellers
\\r\\n13.04.23\",\"listing_description\":\"

Libby Sellers is a design historian, independent curator and writer based in London. She was former senior curator of London\\u2019s Design Museum and previously supported emerging design through her eponymous gallery. In 2014, Libby was honoured by the British Women of the Year awards as a Woman of Achievement in the Arts, and in 2018, published Women Design \\u2014 a survey of the most dynamic female designers from the last 100 years, which has informed lectures, talks and articles on gender diversity in design ever since.<\\/p>\\n\",\"hero_image\":{\"ID\":1354,\"id\":1354,\"title\":\"LS\",\"filename\":\"LS.jpg\",\"filesize\":2348727,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/ls\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ls\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 01:37:14\",\"modified\":\"2023-04-06 01:37:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4325,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS-208x300.jpg\",\"medium-width\":208,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS.jpg\",\"medium_large-width\":768,\"medium_large-height\":1107,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS-832x1200.jpg\",\"large-width\":832,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS.jpg\",\"1536x1536-width\":1065,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS.jpg\",\"2048x2048-width\":1421,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS-2500x3604.jpg\",\"full_width-width\":2500,\"full_width-height\":3604,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/LS-1600x2307.jpg\",\"medium2-width\":1600,\"medium2-height\":2307}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

Libby Sellers is a design historian, independent curator and writer based in London. She was former senior curator of London\\u2019s Design Museum<\\/a> and previously supported emerging design through her eponymous gallery. In 2014, Libby was honoured by the British Women of the Year<\\/a> awards as a Woman of Achievement in the Arts, and in 2018, published Women Design<\\/a> \\u2014 a survey of the most dynamic female designers from the last 100 years, which has informed lectures, talks and articles on gender diversity in design ever since.<\\/p>\\n

Featuring 21 women designers, from design greats Eileen Gray<\\/a> and Lilly Reich to contemporary trailblazers Hella Jongerius<\\/a> and Patricia Urquiola<\\/a>, Women Design<\\/a> offers a rare glimpse into the working worlds of some of the most influential forces in contemporary design \\u2013 a perspective that is too often overlooked in historic narratives. Libby\\u2019s engaging storytelling, accompanied by a curation of archival imagery, celebrates the profound influence of women in shaping and enhancing design culture throughout history \\u2014 as practitioners, commentators, educators, and commissioners.<\\/p>\\n

NHO Founder and Director, Neil Hugh Kenna, recently sat down with Libby to discuss Women Design: Pioneers from the Twentieth Century to Today.<\\/a> This is their conversation. <\\/p>\\n

Portrait courtesy of Libby Sellers. <\\/p>\\n

– <\\/p>\\n

NHK: Hi Libby. We\\u2019re delighted you could join us to discuss your book, Women Design<\\/a>, which our team keenly read in celebration of International Women\\u2019s Day<\\/a> in March. What sparked your interest in covering this subject, and how did your research findings shape the book\\u2019s trajectory? <\\/p>\\n

LS: Thanks for the invitation and for selecting Women Design<\\/a>. It was an absolute privilege to delve into the lives of these women. While there are some familiar names, I hope that there were also several new stories \\u2013 or nuanced interpretations \\u2013 that shed some light on hitherto unknown practitioners and the changes they brought, and still bring, to the industry. Women Design<\\/a> grew out of a series of conversations, prompted by the international women\\u2019s marches, the UK\\u2019s 2018 centenary celebrations of the suffragettes, the-then upcoming centenary of the Bauhaus \\u2014 one of the first European schools to encourage female student applications \\u2014 and the international calls to eradicate gender disparity across all industries.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1356,\"id\":1356,\"title\":\"Bauhaus\",\"filename\":\"Bauhaus.jpeg\",\"filesize\":1026930,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/bauhaus\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bauhaus\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 02:53:03\",\"modified\":\"2023-04-06 02:53:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1509,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus-300x199.jpeg\",\"medium-width\":300,\"medium-height\":199,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus.jpeg\",\"medium_large-width\":768,\"medium_large-height\":509,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus-1200x795.jpeg\",\"large-width\":1200,\"large-height\":795,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus.jpeg\",\"1536x1536-width\":1509,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus.jpeg\",\"2048x2048-width\":1509,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus.jpeg\",\"full_width-width\":1509,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Bauhaus.jpeg\",\"medium2-width\":1509,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Bauhaus Dessau, opened in 1919.
\\nPhotograph by Nate Robert.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The issue of gender imbalance is not unique to the design industry, yet it is particularly at odds with an industry that predicates itself on liberal and forward-thinking ideals.” \\u2014 Libby Sellers<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In the book\\u2019s introduction, Alice Rawsthorn<\\/a> observes that \\u201chistorically, women have thrived on new turf where there are no male custodians, and they are free to invent their own ways of working.\\u201d How are the possibilities for change, growth and expansion in design becoming increasingly optimistic for women? Is there an opportunity to redefine disciplines \\u2018established\\u2019 by men, to reinvent engrained gender dynamics? <\\/p>\\n

LS: The issue of gender imbalance is not unique to the design industry, yet it is particularly at odds with an industry that predicates itself on liberal and forward-thinking ideals. A lot of progress has been made in 100 years for all marginalised groups, not just for women in the workplace, at both a legislative and practical level. But there is still much to do before equality is achieved. It is worrying that, in the UK, design and technology are being cut from the national curriculum in favour of core academic subjects. Obviously, students need a balance, yet by deliberately squeezing creativity out of children\\u2019s learning there is little hope that the next generation will know that they can, let alone want to, seek a career in the creative industries. The pipeline will be cut off or, at worse, restricted to a privileged minority. Education, access, and mentoring are key to encouraging inclusivity.<\\/p>\\n

NHK: Historically, women\\u2019s achievements have been far less visible than those of their male counterparts. How did the tenacity of designers, such as Althea McNish, Muriel Cooper, Zaha Hadid<\\/a> and Denise Scott Brown, among others, increase the visibility of women designers, and what lessons can be learnt to alleviate gender marginalisation in contemporary design culture?<\\/p>\\n

LS: As with most industries, often the main barrier holding women back in design is a lack of confidence. Success has as much to do with confidence as it does with competence. So yes \\u2013 tenacity and self-belief were, and remain, vital. But women were not even permitted to formally study design until the early decades of the twentieth century. And in certain countries, restrictions were imposed on married women\\u2019s employment until well into the mid-century. For example, US company law in the late 1960s forbade Lella Vignelli from holding a position in the same firm as her husband, Massimo. Instead, Lella had to contend with working from behind the scenes in a freelance consultancy role. Inevitably this had a major impact on the disparity between genders \\u2013 both in terms of access and their visibility. With each new exhibition, publication, conference, and so on, we learn of more female practitioners whose legacy and reputations were overshadowed. The lessons to be learned are (a) make some noise and (b) demand equality. It sounds righteous but is easily achievable. For example, when accepting an invitation to pitch, speak, exhibit or publish, enquire after the representational proportion of the others being asked to contribute. If the figures sit uncomfortably, demand change or don\\u2019t do it.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1362,\"id\":1362,\"title\":\"28vignelli-obit-1-superJumbo\",\"filename\":\"28vignelli-obit-1-superJumbo.jpg\",\"filesize\":354159,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/28vignelli-obit-1-superjumbo\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"28vignelli-obit-1-superjumbo\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 03:27:48\",\"modified\":\"2023-04-06 03:27:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1628,\"height\":1085,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo.jpg\",\"2048x2048-width\":1628,\"2048x2048-height\":1085,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo.jpg\",\"full_width-width\":1628,\"full_width-height\":1085,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/28vignelli-obit-1-superJumbo-1600x1066.jpg\",\"medium2-width\":1600,\"medium2-height\":1066}},\"use_caption\":true,\"caption\":\"

Massimo and Lella Vignelli.
\\nPhotograph by Fred R. Conrad.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1357,\"id\":1357,\"title\":\"Stacking Dinnerware\",\"filename\":\"Stacking-Dinnerware.jpeg\",\"filesize\":192955,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/stacking-dinnerware\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"stacking-dinnerware\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 03:01:37\",\"modified\":\"2023-04-06 03:01:37\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":1309,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware-300x196.jpeg\",\"medium-width\":300,\"medium-height\":196,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware.jpeg\",\"medium_large-width\":768,\"medium_large-height\":503,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware-1200x785.jpeg\",\"large-width\":1200,\"large-height\":785,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1005,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware.jpeg\",\"2048x2048-width\":2000,\"2048x2048-height\":1309,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware.jpeg\",\"full_width-width\":2000,\"full_width-height\":1309,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Stacking-Dinnerware-1600x1047.jpeg\",\"medium2-width\":1600,\"medium2-height\":1047}},\"use_caption\":true,\"caption\":\"

Stacking Dinnerware by Massimo and Lella Vignelli, designed in 1964.
\\nPhotography courtesy of MoMA.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“With each new exhibition, publication, conference, and so on, we learn of more female practitioners whose legacy and reputations were overshadowed. The lessons to be learned are (a) make some noise and (b) demand equality.” – Libby Sellers<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In your reflections on the work of architect Kazuyo Sejima<\\/a>, parallels are drawn between her subtle character and her architecture, which is discerning of its time and place. Similarly, the work of Hella Jongerius<\\/a> seeks to make industrially produced design more human and personal, namely through her thoughtful approach to colour. How can women designers harness their sensitivities, curiosities, and unique ways of experiencing the world to strengthen creative disciplines more broadly?<\\/p>\\n

LS: I don\\u2019t believe there are particular or specific vision, style, or approach that women bring to the creative industries, but I do identify shared qualities within my own generation. I think contemporary designers have broken the monocultures established in the twentieth century. Instead of designing for industry, they are designing for people. They acknowledge all the messiness in the world around us and try, through their designs, to offer solutions rather than ideological statements.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1358,\"id\":1358,\"title\":\"HJ\",\"filename\":\"HJ.jpeg\",\"filesize\":2136086,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/hj\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hj\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 03:07:14\",\"modified\":\"2023-04-06 03:07:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2560,\"height\":1588,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ-300x186.jpeg\",\"medium-width\":300,\"medium-height\":186,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ.jpeg\",\"medium_large-width\":768,\"medium_large-height\":476,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ-1200x744.jpeg\",\"large-width\":1200,\"large-height\":744,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":953,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1270,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ-2500x1551.jpeg\",\"full_width-width\":2500,\"full_width-height\":1551,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/HJ-1600x993.jpeg\",\"medium2-width\":1600,\"medium2-height\":993}},\"use_caption\":true,\"caption\":\"

Hella Jongerius.
\\nPhotograph by Laura Fiorio.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1360,\"id\":1360,\"title\":\"Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum\",\"filename\":\"Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"filesize\":86704,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/noon-colour-catcher-breathing-colour-by-hella-jongerius-london-design-museum\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"noon-colour-catcher-breathing-colour-by-hella-jongerius-london-design-museum\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 03:12:49\",\"modified\":\"2023-04-06 03:12:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":700,\"height\":1050,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"medium_large-width\":700,\"medium_large-height\":1050,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"large-width\":700,\"large-height\":1050,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"1536x1536-width\":700,\"1536x1536-height\":1050,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"2048x2048-width\":700,\"2048x2048-height\":1050,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"full_width-width\":700,\"full_width-height\":1050,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Noon-colour-catcher-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"medium2-width\":700,\"medium2-height\":1050}},\"use_caption\":true,\"caption\":\"

Noon colour catchers at Breathing Colour by Hella Jongerius, the Design Museum London.
\\nPhotograph courtesy of Smow. <\\/p>\\n\"},{\"image\":{\"ID\":1359,\"id\":1359,\"title\":\"Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum\",\"filename\":\"Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"filesize\":142337,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/colour-vases-research-breathing-colour-by-hella-jongerius-london-design-museum\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"colour-vases-research-breathing-colour-by-hella-jongerius-london-design-museum\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 03:12:48\",\"modified\":\"2023-04-06 03:12:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":700,\"height\":1050,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"medium_large-width\":700,\"medium_large-height\":1050,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"large-width\":700,\"large-height\":1050,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"1536x1536-width\":700,\"1536x1536-height\":1050,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"2048x2048-width\":700,\"2048x2048-height\":1050,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"full_width-width\":700,\"full_width-height\":1050,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Colour-Vases-Research-Breathing-Colour-by-Hella-Jongerius-London-Design-Museum.jpg\",\"medium2-width\":700,\"medium2-height\":1050}},\"use_caption\":true,\"caption\":\"

Colour Vases and examples of colour research at Breathing Colour by Hella Jongerius, the Design Museum London.
\\nPhotograph courtesy of Smow. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Assumptions about Ray Eames\\u2019 role as a support person, rather than an equal collaborator, to her husband Charles are echoed in many female and male partnerships throughout history, and sadly, often still today. Though women have long held equal footing in collaborative partnerships, public perception continues to lag. What more can be done to ensure the creative contributions of women are acknowledged and suitably credited in contemporary practice?<\\/p>\\n

LS: Rebalance the equation. Correct history. Demand change. There\\u2019s the incredulous story from as recent as 2014 when Patty Hopkins, co-founder of Hopkins Architects<\\/a>, was controversially photoshopped out of an image with her husband Michael Hopkins during the promotion of a BBC documentary, The Brits who Built the Modern World<\\/a>. It caused outrage. Rightly so.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1367,\"id\":1367,\"title\":\"Eames\",\"filename\":\"Eames.jpeg\",\"filesize\":103913,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/eames\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"eames\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 04:11:06\",\"modified\":\"2023-04-06 04:11:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1200,\"height\":849,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames-300x212.jpeg\",\"medium-width\":300,\"medium-height\":212,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames.jpeg\",\"medium_large-width\":768,\"medium_large-height\":543,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames.jpeg\",\"large-width\":1200,\"large-height\":849,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames.jpeg\",\"1536x1536-width\":1200,\"1536x1536-height\":849,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames.jpeg\",\"2048x2048-width\":1200,\"2048x2048-height\":849,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames.jpeg\",\"full_width-width\":1200,\"full_width-height\":849,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Eames.jpeg\",\"medium2-width\":1200,\"medium2-height\":849}},\"use_caption\":true,\"caption\":\"

Charles and Ray Eames, with their iconic fibreglass chairs.
\\nPhotograph courtesy of Artek. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Rebalance the equation. Correct history. Demand change.” \\u2014 Libby Sellers<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Zaha Hadid<\\/a> succinctly summarised the prejudices she faced in her career: \\u201cI\\u2019m a woman, which is a problem for some people. I\\u2019m a foreigner, another big problem. And I do work that is not normative. Not what they expect. Together it becomes difficult.\\u201d Meanwhile, Patricia Urquiola<\\/a> was challenged with her own prejudices, perceiving her own gender as a barrier, largely due to a lack of female role models in her early career. How are societal changes liberating contemporary designers and what impact do you expect this will have on future design discourse? <\\/p>\\n

LS: It\\u2019s a good question. Zaha<\\/a> originally refused to be described as a female architect. She later accepted the gendered title as realised the power she had as a role model. As I found in researching the book and choosing contemporary examples, there are many women who would prefer not to be described as a female designer. They believe focussing on their gender would ultimately detract from the conversation about the quality of their work. It is a valid concern, but the design industry was and largely remains a deeply patriarchal one. It is only when there is a truly level field that we can start a discussion about merit. Perhaps like Zaha<\\/a> did later in her life, by celebrating their rightful place both as a woman and a designer \\u2013 stepping forward as role models \\u2013 then we might be able to create a discernible difference and see the statistics change in women\\u2019s favour.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1366,\"id\":1366,\"title\":\"ZH\",\"filename\":\"ZH.jpg\",\"filesize\":553416,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/zh\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"zh\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-06 04:05:51\",\"modified\":\"2023-04-06 04:05:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH.jpg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH.jpg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Zaha Hadid.
\\nPhotography by Marco Grob. <\\/p>\\n\"},{\"image\":{\"ID\":1369,\"id\":1369,\"title\":\"ZH_Antwerp\",\"filename\":\"ZH_Antwerp.jpg\",\"filesize\":705590,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/zh_antwerp\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"zh_antwerp\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-11 01:02:24\",\"modified\":\"2023-04-11 01:02:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp.jpg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp.jpg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp.jpg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/ZH_Antwerp.jpg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Antwerp Port House by Zaha Hadid Architects, Antwerp. Photograph by Claudia Lorusso. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Contemporary design culture is reassessing the legacy of many female designers \\u2014 \\u201can overdue re-evaluation of a patriarchal history of modernism,\\u201d as you state in the book. Indeed, the book itself significantly contributes to this pursuit. In what other ways can we honour women\\u2019s contributions and engage with their stories, both retrospectively and in the present moment? <\\/p>\\n

LS: Cultural institutions, publications and periodicals have been awake to the need to rebalance their representation for a while, with many \\u2013 like the NGV \\u2013 initiating commissions and sponsored programs specifically to redress the equation. I\\u2019m not asking them to stop! Far from it, though the next stage of research and development might include a transnational, postcolonial framework that looks beyond the white, western world and our 20th century interpretations of culture. <\\/p>\\n

NHK: Libby, thank you kindly for joining us.<\\/p>\\n

LS: Thanks for including me in Book Club!<\\/p>\\n

\\u2013<\\/p>\\n

Women Design: Pioneers from the Twentieth Century to Today<\\/a> is published by Frances Lincoln<\\/a> and available for purchase at NGV Design Store<\\/a> and Quarto<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Cultural institutions, publications and periodicals have been awake to the need to rebalance their representation for a while, with many \\u2013 like the NGV \\u2013 initiating commissions and sponsored programmes specifically to redress the equation.” – Libby Sellers<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1368,\"id\":1368,\"title\":\"Book Cover 2\",\"filename\":\"Book-Cover-2.jpg\",\"filesize\":565018,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/04\\/Book-Cover-2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/women-design-with-libby-sellers\\/book-cover-2-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"book-cover-2-2\",\"status\":\"inherit\",\"uploaded_to\":1353,\"date\":\"2023-04-11 00:57:55\",\"modified\":\"2023-04-11 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\\r\\n22.02.23\",\"listing_description\":\"

At the beginning of every episode of my podcast, The Grand Tourist<\\/a>, I mention that I\\u2019ve been a design journalist \\u201cfor nearly 20 years.\\u201d That\\u2019s not exactly accurate, as my husband recently reminded me. It\\u2019s more like 23. I\\u2019m sliding into that age group where dates get fudged to conceal how old I am. <\\/p>\\n

I\\u2019m here to confess that the more I learn about design, the more complex the subject becomes for me. While I don\\u2019t know exactly how to define good design, I have learned what conditions good design needs to flourish.<\\/p>\\n\",\"hero_image\":{\"ID\":1324,\"id\":1324,\"title\":\"Dan Rubinstein\",\"filename\":\"Dan-Rubinstein.jpg\",\"filesize\":4767350,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/dan-rubinstein\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"dan-rubinstein\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-02 02:59:18\",\"modified\":\"2023-02-02 02:59:18\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Dan-Rubinstein-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

\\u2013<\\/p>\\n

We\\u2019re pleased to share the musings of Dan Rubinstein, a writer, editor, and consultant based in New York specialising in design, travel, art, and culture. His podcast, \\u2018The Grand Tourist with Dan Rubinstein,\\u2019<\\/a> recently launched its sixth season of weekly episodes, featuring guests such as chefs Daniel Boulud<\\/a> and Francis Mallmann, architects Bjarke Ingels<\\/a> and Annabelle Selldorf<\\/a>, designers Philippe Starck<\\/a> and Patricia Urquiola<\\/a>, artists Antony Gormley<\\/a> and David Salle<\\/a>, and collaborations with brands such as TEFAF<\\/a> and Fritz Hansen<\\/a>. Prior to launching the podcast, Dan was the Home & Design Director at Departures<\\/a> magazine and was previously the Editor-in-Chief of design magazine Surface<\\/a>. With more than 20 years of experience in media, he has contributed to publications such as The Wall Street Journal<\\/a>, Air Mail<\\/a>, Architectural Digest<\\/a>, and L\\u2019Officiel<\\/a>, informing his inquisitive approach to design culture. <\\/p>\\n

Portrait by Isaac Anthony<\\/a>. <\\/p>\\n

\\u2013<\\/p>\\n

The Value of Design by Dan Rubinstein <\\/p>\\n

At the beginning of every episode of my podcast, The Grand Tourist, I mention that I\\u2019ve been a design journalist \\u201cfor nearly 20 years.\\u201d That\\u2019s not exactly accurate, as my husband recently reminded me. It\\u2019s more like 23. I\\u2019m sliding into that age group where dates get fudged to conceal how old I am. <\\/p>\\n

I\\u2019m here to confess that the more I learn about design, the more complex the subject becomes for me. While I don\\u2019t know exactly how to define good design, I have learned what conditions good design needs to flourish.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1338,\"id\":1338,\"title\":\"The Grand Tourist_1jpg\",\"filename\":\"The-Grand-Tourist_1jpg.jpg\",\"filesize\":293203,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/the-grand-tourist_1jpg\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"the-grand-tourist_1jpg\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-02 04:37:50\",\"modified\":\"2023-02-02 04:37:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":900,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg.jpg\",\"1536x1536-width\":900,\"1536x1536-height\":1200,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg.jpg\",\"2048x2048-width\":900,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg.jpg\",\"full_width-width\":900,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/The-Grand-Tourist_1jpg.jpg\",\"medium2-width\":900,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Podcast, The Grand Tourist with Dan Rubinstein.
\\nImage courtesy of The Grand Tourist.<\\/p>\\n\"},{\"image\":{\"ID\":1337,\"id\":1337,\"title\":\"Nick Cave\",\"filename\":\"Nick-Cave.jpg\",\"filesize\":795162,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/nick-cave\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nick-cave\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-02 04:33:14\",\"modified\":\"2023-02-02 04:33:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":900,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave.jpg\",\"1536x1536-width\":900,\"1536x1536-height\":1200,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave.jpg\",\"2048x2048-width\":900,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave.jpg\",\"full_width-width\":900,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Nick-Cave.jpg\",\"medium2-width\":900,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

The premier episode of The Grand Tourist, season 6, featuring artist Nick Cave.
\\nImage courtesy of The Grand Tourist.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019m here to confess that the more I learn about design, the more complex the subject becomes for me. While I don\\u2019t know exactly how to define good design, I have learned what conditions good design needs to flourish.” – Dan Rubinstein <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

On my podcast I interview a wide variety of leaders and creatives, from chefs and architects to designers and hoteliers. There are many well-regarded luminaries who have been written about endlessly, but they are rarely documented with in-depth interviews that reveal something new about their work that\\u2019s unpolished, intimate, and significant.<\\/p>\\n

The more personalities I encounter, the more commonalities I discover among them. I\\u2019m convinced there\\u2019s little difference between French chef Daniel Boulud<\\/a> and British architect John Pawson<\\/a>. Or between artist Antony Gormley<\\/a> and interior designer India Mahdavi<\\/a>. I think all their successes across different fields are directly linked to three values.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1348,\"id\":1348,\"title\":\"JP_05\",\"filename\":\"JP_05.jpg\",\"filesize\":408350,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/jp_05\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jp_05\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-15 23:12:29\",\"modified\":\"2023-02-15 23:12:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":900,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05.jpg\",\"1536x1536-width\":900,\"1536x1536-height\":1200,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05.jpg\",\"2048x2048-width\":900,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05.jpg\",\"full_width-width\":900,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_05.jpg\",\"medium2-width\":900,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Barbican Apartment, London, by John Pawson.
\\nPhotography courtesy of John Pawson. <\\/p>\\n\"},{\"image\":{\"ID\":1349,\"id\":1349,\"title\":\"JP_06\",\"filename\":\"JP_06.jpg\",\"filesize\":406484,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/jp_06\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jp_06\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-15 23:12:31\",\"modified\":\"2023-02-15 23:12:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":900,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06.jpg\",\"1536x1536-width\":900,\"1536x1536-height\":1200,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06.jpg\",\"2048x2048-width\":900,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06.jpg\",\"full_width-width\":900,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_06.jpg\",\"medium2-width\":900,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Barbican Apartment, London, by John Pawson.
\\nPhotography courtesy of John Pawson.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The first is a monk-like devotion to craft, where caution is always valued over speed. One recent thought I learnt from MoMA curator Paola Antonelli<\\/a>: The opposite of good design isn\\u2019t ugly, it\\u2019s lazy. This applies equally to a small company making hand-painted wallpaper, where hurrying craftsmen or cutting materials costs would destroy the whole point of the brand, and to a large architectural firm planning a massive football stadium, where drafting blueprints before analysing the local design culture and urban plan would ruin the project before it\\u2019s begun. Great care, planning, and precision create design that transcends trends. Can you design an amazing desk using old banana peels? With enough time, yes.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“One recent thought I learnt from MoMA curator Paola Antonelli: The opposite of good design isn\\u2019t ugly, it\\u2019s lazy.” – Dan Rubinstein<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1333,\"id\":1333,\"title\":\"Paola Antonelli\",\"filename\":\"Paola-Antonelli-1.jpg\",\"filesize\":1900921,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/paola-antonelli-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"paola-antonelli-2\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-02 04:17:44\",\"modified\":\"2023-02-02 04:17:44\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2110,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1-300x211.jpg\",\"medium-width\":300,\"medium-height\":211,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":540,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1-1200x844.jpg\",\"large-width\":1200,\"large-height\":844,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1080,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1440,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1-2500x1758.jpg\",\"full_width-width\":2500,\"full_width-height\":1758,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Paola-Antonelli-1-1600x1125.jpg\",\"medium2-width\":1600,\"medium2-height\":1125}},\"use_caption\":true,\"caption\":\"

MoMA curator Paola Antonelli.
\\nPhotography courtesy of MoMA.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Another essential value is a boundless sense of curiosity. No design-led organisation can be closed off from new experiences, points of view, forms of art, or places to visit. In my interview with interior designer Vincent Darr\\u00e9, he spoke about how he fuelled his career through a notorious circle of famous friends in French society, and the many nights out on the town he spends with them. While guest, John Pawson<\\/a>, isn\\u2019t someone you\\u2019d find out clubbing late at night, his curiosity about food led him to recently release a cookbook with his wife.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1328,\"id\":1328,\"title\":\"JP_03\",\"filename\":\"JP_03.jpeg\",\"filesize\":166466,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/jp_03\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jp_03\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-02 03:24:40\",\"modified\":\"2023-02-02 03:24:40\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":950,\"height\":1425,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03.jpeg\",\"1536x1536-width\":950,\"1536x1536-height\":1425,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03.jpeg\",\"2048x2048-width\":950,\"2048x2048-height\":1425,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03.jpeg\",\"full_width-width\":950,\"full_width-height\":1425,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_03.jpeg\",\"medium2-width\":950,\"medium2-height\":1425}},\"use_caption\":true,\"caption\":\"

Excerpts from Home Farm Cooking by John Pawson.
\\nPhotography courtesy of The Modern House.<\\/p>\\n\"},{\"image\":{\"ID\":1329,\"id\":1329,\"title\":\"JP_04\",\"filename\":\"JP_04.jpg\",\"filesize\":266185,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dan-rubinstein-on-the-value-of-design\\/jp_04\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jp_04\",\"status\":\"inherit\",\"uploaded_to\":1323,\"date\":\"2023-02-02 03:26:42\",\"modified\":\"2023-02-02 03:26:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":950,\"height\":1425,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04.jpg\",\"1536x1536-width\":950,\"1536x1536-height\":1425,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04.jpg\",\"2048x2048-width\":950,\"2048x2048-height\":1425,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04.jpg\",\"full_width-width\":950,\"full_width-height\":1425,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/JP_04.jpg\",\"medium2-width\":950,\"medium2-height\":1425}},\"use_caption\":true,\"caption\":\"

Excerpts from Home Farm Cooking by John Pawson.
\\nPhotography courtesy of The Modern House.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

The last value I\\u2019ve discovered from my guests is a little counterintuitive. <\\/p>\\n

If you\\u2019re a fan of design, you\\u2019re probably familiar with the great modernists of the 20th century and their visions of utopia. They created new theories about architecture and urbanism that they believed were evolved and correct. Today, I think many people view design as the belief that one style or method of creation is simply better than others. But what I\\u2019ve learned is that great designers or artists rarely believe their work is superior to anyone else\\u2019s. They don\\u2019t like to give advice or make predictions. They might not love everyone else\\u2019s work or products, but they understand that their own work isn\\u2019t necessarily for everyone.<\\/p>\\n

So, I\\u2019ll call this last value humility. By freeing themselves of the need to create something universal or definitive, the best designers create something highly personal, and therefore utterly unique. Many people I interview have a hard time explaining the design decisions they make. Sometimes it can be a bit frustrating, but I\\u2019ve come to understand it’s a mark of creating something so intuitive it can\\u2019t be externalized. Instead, it must be experienced.<\\/p>\\n

My hope is that in the next 20 years of my career I\\u2019ll discover more shared values of design. But it might take 23.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“By freeing themselves of the need to create something universal or definitive, the best designers create something highly personal, and therefore utterly unique.” – Dan Rubinstein<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\nWriter & Producer at NHO
\\r\\n09.02.23\",\"listing_description\":\"

Here, Hayley Curnow, Writer & Producer at NHO, reflects on the influence of her design background in crafting strategic, compelling copy. With a Bachelor of Arts in Interior Architecture and over 10 years’ experience in design media copywriting, Hayley offers valuable insight into the inner workings of the profession, while her active contribution to architecture and design publications continue to sharpen her observations of design. <\\/p>\\n\",\"hero_image\":{\"ID\":1341,\"id\":1341,\"title\":\"HC\",\"filename\":\"HC.jpg\",\"filesize\":4406594,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-hayley-curnow-content-producer-copywriter-at-nho\\/hc\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hc\",\"status\":\"inherit\",\"uploaded_to\":1340,\"date\":\"2023-02-06 05:16:59\",\"modified\":\"2023-02-06 05:16:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/HC-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#1E68A6\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Here, Hayley Curnow, Writer & Producer at NHO, reflects on the influence of her design background in crafting strategic, compelling copy. With a Bachelor of Arts in Interior Architecture and over 10 years’ experience in design media copywriting, Hayley offers valuable insight into the inner workings of the profession, while her active contribution to architecture and design publications continue to sharpen her observations of design. <\\/p>\\n

–<\\/p>\\n

Q: Describe a day in your role as Writer & Producer at NHO?<\\/p>\\n

A: I\\u2019m responsible for penning the design narratives and media releases for our clients, and crafting ad-hoc written content for their award submissions, websites, blogs, and social channels. I also manage NHO\\u2019s internal content, including our Essays, Book Club and Perspective series, social media and NHO Mail \\u2014 a quarterly newsletter mail-out. <\\/p>\\n

Given my varied task list, I begin each day by checking a priorities document, where I track deliverables and upcoming tasks. This allows me to set a rough agenda for the day and week, and manage deadlines to keep all content items humming along \\u2014 particularly for our internal content, which we produce to a particular cadence. I relish the diversity of my role and feel incredibly grateful to reflect on our clients\\u2019 considered work across interior design, architecture and property, retail, hospitality, and culture. <\\/p>\\n

After hours, I attend design events and exhibitions with the team as often as possible, which always leaves me feeling inspired and connected. Some highlights include a walking tour of Collingwood Yards<\\/a> with Quino Holland, Director of Fieldwork<\\/a>, during Open House Melbourne<\\/a>, and our yearly exploration of Melbourne Design Week<\\/a>‘s extensive satellite program.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1345,\"id\":1345,\"title\":\"Collingwood Yards\",\"filename\":\"Collingwood-Yards.jpg\",\"filesize\":6890570,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-hayley-curnow-content-producer-copywriter-at-nho\\/collingwood-yards\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"collingwood-yards\",\"status\":\"inherit\",\"uploaded_to\":1340,\"date\":\"2023-02-06 05:48:08\",\"modified\":\"2023-02-06 05:48:08\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/Collingwood-Yards-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Collingwood Yards by Fieldwork, included in the 2022 Open House program.
\\nPhotography by Tom Ross.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1347,\"id\":1347,\"title\":\"20220315_NGV_MDW_ 1038\",\"filename\":\"20220315_NGV_MDW_-1038.jpg\",\"filesize\":5258523,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-hayley-curnow-content-producer-copywriter-at-nho\\/20220315_ngv_mdw_-1038\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"20220315_ngv_mdw_-1038\",\"status\":\"inherit\",\"uploaded_to\":1340,\"date\":\"2023-02-06 05:57:16\",\"modified\":\"2023-02-06 05:57:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038-2500x3750.jpg\",\"full_width-width\":2500,\"full_width-height\":3750,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-1038-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Idyll by Kennedy Nolan in collaboration with Amanda Oliver.
\\nAfter Hours, presented by Volker Haug for Melbourne Design Week.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"},{\"image\":{\"ID\":1346,\"id\":1346,\"title\":\"20220315_NGV_MDW_ 765\",\"filename\":\"20220315_NGV_MDW_-765.jpg\",\"filesize\":2426552,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-hayley-curnow-content-producer-copywriter-at-nho\\/20220315_ngv_mdw_-765\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"20220315_ngv_mdw_-765\",\"status\":\"inherit\",\"uploaded_to\":1340,\"date\":\"2023-02-06 05:57:08\",\"modified\":\"2023-02-06 05:57:08\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765-2500x3750.jpg\",\"full_width-width\":2500,\"full_width-height\":3750,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/02\\/20220315_NGV_MDW_-765-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Showcase, presented by New Assemblage for Melbourne Design Week.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How does your interior design background help you in your role?<\\/p>\\n

A: Having practised as a designer for over 10 years, I\\u2019m able to recognise influences, design concepts and decisions that enrich the storytelling of a project. My design knowledge allows me to identify key points of differentiation, and shape design narratives to strategically position our clients in the market. <\\/p>\\n

I\\u2019m familiar with the complexity of design \\u2014 the constraints and opportunities of a design brief, the often-meandering design process, and the skill and collaboration required to achieve a well-resolved outcome. On a practical level, I can confidently derive meaning from photography, plans, and concept presentations and can traverse visual, verbal and written communication modes with ease. <\\/p>\\n

Strong collaborative relationships are critical to the success of a design project, and while writing is a more introspective endeavour, I strongly believe that the best outcomes are born from a deep and empathic engagement with the subject. I hope these insights and attitudes yield thoughtful written reflections of the projects I encounter, echoing the thought and rigour of their creators. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Strong collaborative relationships are critical to the success of a design project, and while writing is a more introspective endeavour, I strongly believe that the best outcomes are born from a deep and empathic engagement with the subject.” – Hayley Curnow<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: How can written content add value for clients?<\\/p>\\n

A: Written content allows clients to \\u2018speak\\u2019 coherently and succinctly to their audience about their ethos, personality, design approach and objectives. While project photography engages viewers, written content unearths the thinking behind the work \\u2014 a critical element in attracting like-minded clients and talent, gaining industry recognition, and securing insightful media coverage that delves beyond the aesthetic. <\\/p>\\n

Consistent messaging and tone of voice are critical components in maintaining a strong brand identity for clients. Using these tools, we strive to produce copy that resonates with our clients\\u2019 target audiences and supports their business objectives \\u2014 from breaking into new markets, to bolstering their presence as industry leaders. Ultimately, compelling copy has the capacity to support clients in reaching new heights, particularly when developed in concert with a greater brand strategy.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“While project photography engages viewers, written content unearths the thinking behind the work \\u2014 a critical element in attracting like-minded clients and talent, gaining industry recognition, and securing insightful media coverage that delves beyond the aesthetic.” – Hayley Curnow<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What book are you currently reading?<\\/p>\\n

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‘Life After Birth’ by Jessica Prescott & Vaughne Geary.
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Naturopath and Doula, Vaughne Geary.
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Late last year, Design Anthology invited NHO Founder and Director, Neil Hugh Kenna, to contribute to The Design Dialogues; a podcast series traversing interiors, architecture, furniture, product and industrial design. \\u2060<\\/p>\\n\",\"hero_image\":{\"ID\":1322,\"id\":1322,\"title\":\"The DD\",\"filename\":\"The-DD.jpg\",\"filesize\":7540124,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-design-dialogues-with-suzy-annetta\\/the-dd\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"the-dd\",\"status\":\"inherit\",\"uploaded_to\":1320,\"date\":\"2023-01-30 03:52:15\",\"modified\":\"2023-01-30 03:52:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":7500,\"height\":8750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD-257x300.jpg\",\"medium-width\":257,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD.jpg\",\"medium_large-width\":768,\"medium_large-height\":896,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD-1029x1200.jpg\",\"large-width\":1029,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD.jpg\",\"1536x1536-width\":1317,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD.jpg\",\"2048x2048-width\":1755,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD-2500x2917.jpg\",\"full_width-width\":2500,\"full_width-height\":2917,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2023\\/01\\/The-DD-1600x1867.jpg\",\"medium2-width\":1600,\"medium2-height\":1867}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Late last year, Design Anthology<\\/a> invited NHO Founder and Director, Neil Hugh Kenna, to contribute to The Design Dialogues<\\/a>; a podcast series traversing interiors, architecture, furniture, product and industrial design. In conversation with Editor-in-Chief Suzy Annetta, Neil reflects on his career in brand strategy and marketing, his passion for and value of design, and how designers can better communicate their work. <\\/p>\\n

Thanks to Design Anthology<\\/a> and Suzy Annetta for the thoughtful conversation. <\\/p>\\n

\\u2014<\\/p>\\n

Listen to Series 5, Episode 8 of The Design Dialogues here<\\/a>. \\u2060<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\nIn Conversation with Alison Page and Paul Memmott
\\r\\n06.12.22\",\"listing_description\":\"

Alison Page is a Walbanga and Wadi Wadi woman, whose career in design and film production links Indigenous stories and traditional knowledge with contemporary design. She is the Chair of the National Centre of Indigenous Excellence and a director of the National Australia Day Council. Paul Memmott AO is a descendent of Scottish potters and painters. Paul has worked as an architect, anthropologist and agent for change with Aboriginal and Torres Strait Islander peoples across Australia for more than 50 years. Together, they have authored Design: Building on Country \\u2013 the second title in the First Knowledges six-book series. <\\/p>\\n\",\"hero_image\":{\"ID\":1309,\"id\":1309,\"title\":\"Breville\",\"filename\":\"Breville-1.jpg\",\"filesize\":211313,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/breville-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breville-2\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 03:21:05\",\"modified\":\"2022-12-05 03:21:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":545,\"height\":363,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1.jpg\",\"medium_large-width\":545,\"medium_large-height\":363,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1.jpg\",\"large-width\":545,\"large-height\":363,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1.jpg\",\"1536x1536-width\":545,\"1536x1536-height\":363,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1.jpg\",\"2048x2048-width\":545,\"2048x2048-height\":363,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1.jpg\",\"full_width-width\":545,\"full_width-height\":363,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1.jpg\",\"medium2-width\":545,\"medium2-height\":363}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

Alison Page is a Walbanga and Wadi Wadi woman, whose career in design and film production links Indigenous stories and traditional knowledge with contemporary design. She is the Chair of the National Centre of Indigenous Excellence and a director of the National Australia Day Council. <\\/p>\\n

Paul Memmott AO is a descendent of Scottish potters and painters. Paul has worked as an architect, anthropologist and agent for change with Aboriginal and Torres Strait Islander peoples across Australia for more than 50 years. <\\/p>\\n

Alison and Paul are members of the Australian Institute of Architects<\\/a>\\u2019 First Nations Advisory Working Group and Cultural Reference Panel. They are also the authors of Design: Building on Country<\\/a>, the second title in the First Knowledges six-book series. Design: Building on Country<\\/a> reflects on the cultural nature of Aboriginal design, based in the Dreaming and in ancient practices grounded in Country. It analyses how Aboriginal design principles are now being applied to contemporary practices, and advocates for a new Australian design ethos that responds to the essence of Country and its people. <\\/p>\\n

NHO Founder and Director, Neil Hugh Kenna, recently sat down with Alison and Paul to discuss Design: Building on Country.<\\/a> This is their conversation. <\\/p>\\n

–<\\/p>\\n

NHK: Hi Alison and Paul. Thanks for discussing Design: Building on Country<\\/a> \\u2013 a book that reinforces the significance of Country and our ecological responsibility to care for it. Given your areas of expertise in Aboriginal and Western disciplines, what were your motivations for writing the book and how did the process transpire? <\\/p>\\n

PM: We were both invited to write and co-author this book as the second in The First Knowledges series produced by Thames and Hudson<\\/a>. Their publishing agent, Sally Heath, contacted each of us separately and asked if we would feel comfortable working with one another. We both expressed an enthusiasm to collaborate, drawing on a long-established deep mutual respect that we held for one another, despite not ever having worked on any specific project together in the past.<\\/p>\\n

Design: Building on Country<\\/a> is the second contribution to the First Knowledges series, the first being Songlines<\\/a> by Margo Neale and Lynne Kelly, and another three having followed ours so far, with each involving an Indigenous and a non-Indigenous co-author. This mix worked well in our case as we creatively bounced our writing ideas off one another, mutually stimulating and binding us into a creative team. Sally had imposed a very short timeline of about 3 or 4 months and our writing rate accelerated towards the finishing line driven by our commitment to one another.<\\/p>\\n

But we were equally driven by our commitment to and passion for our defined subject matter which encompassed the key topics of the spiritual nature of Country, Aboriginal place-making and geography, the properties of materials, architectural, engineering and artefact design, and the contemporary application of the old traditions to design.<\\/p>\\n

In hindsight, we are proud of what we achieved. Feedback from readers has affirmed it is an easily accessible and motivating read for the thinking person, regardless of their training, vocation, or knowledge of First Nations cultures.<\\/p>\\n

AP: At the same time our publisher, Sally, was looking to kick off the book series, I had been making films about traditional knowledges and how this brand of science could inform the future of Australia. I had invited a group of knowledge keepers including Paul to the National Museum of Australia<\\/a> for a yarn and most of those people in that room are now authors in the First Knowledges book series. For me, writing this book with Paul was satisfying in that it came at a time when the architecture and planning industry was grappling with new regulations to integrate \\u2018Country-centred\\u2019 design into projects. We were able to address this question by synthesising our collective philosophies about Aboriginal design thinking from decades of work. But it is an ongoing conversation really. My ultimate aim is to bring the films, the books, podcasts and exhibitions together so that we have a platform for a continual dialogue about traditional knowledges in Australia. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“For me, writing this book with Paul was satisfying in that it came at a time when the architecture and planning industry was grappling with new regulations to integrate \\u2018Country-centred\\u2019 design into projects. We were able to address this question by synthesising our collective philosophies about Aboriginal design thinking from decades of work.” – Alison Page<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1300,\"id\":1300,\"title\":\"AP\",\"filename\":\"AP.jpg\",\"filesize\":1465468,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/ap\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ap\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 00:09:33\",\"modified\":\"2022-12-05 00:09:33\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1536,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP.jpg\",\"full_width-width\":1536,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/AP.jpg\",\"medium2-width\":1536,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Alison Page, Author.
\\nPortrait courtesy of Thames & Hudson. <\\/p>\\n\"},{\"image\":{\"ID\":1301,\"id\":1301,\"title\":\"PM\",\"filename\":\"PM.jpg\",\"filesize\":963344,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/pm\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"pm\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 00:09:43\",\"modified\":\"2022-12-05 00:09:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1536,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM.jpg\",\"full_width-width\":1536,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/PM.jpg\",\"medium2-width\":1536,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Paul Memmott, Author.
\\nPortrait courtesy of Thames & Hudson. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In the book\\u2019s introduction, the Series Editor, Margo Neile, suggests: \\u2018In the Aboriginal worldview, everything starts and ends with Country. Yet there are no beginnings in this worldview, nor are there any endings. Everything is part of a continuum, an endless flow of life and ideas emanating from Country, which is often referred to as the Dreaming.\\u201d The Dreaming ancestors are said to have left traces of their energies and presence in the landscape, when Country was \\u2018soft\\u2019. How can an understanding of the Dreaming heighten designers\\u2019 connection with nature?<\\/p>\\n

PM: A critical aspect of the nature of the Dreaming is that according to the ancient belief system, the entire continent contained these creation sites, now commonly referred to as sacred sites, and most importantly the energies that were left in them were believed to be perpetual energies. One of my old teachers referred to them as \\u2018generators\\u2019, meaning they are always quietly humming with creative potential. The energy in each site is that of the Ancestral Being who created it. So the Kangaroo Man left behind kangaroo creative energy or life cells as some people refer to it. The Yam Woman left behind yam reproductive energies. The Rain People left behind rainmaking energies. They also left rituals or ceremonies in various regions as to how humans could influence the reproduction of the particular species from its site. Humans were thus left with the ritual means to maintain the fertility of species and thereby maintain the ecological balance of the environment. An understanding of this belief system should therefore encourage a designer to get advice on whether local traditional custodians have knowledge of such sites in the vicinity of an urban or building development, and even if they don\\u2019t, gauging a likelihood they exist through a reading of the Country. Designers should at least avoid building over and protect such sites, and at best celebrate their presence through referencing their design process and outcomes with the guidance and approval of the local custodians.<\\/p>\\n

AP: Yes, that engagement piece is critical; to understand Country \\u2013 a city or a town \\u2013 as part of a cultural landscape that has residual energies that are part of a bigger system, informing how we live, our social mores, and how to care for Country. Only the traditional owners can speak for that Country. But in philosophical terms, it is important to understand this holistic order and its coherence with nature when you are sitting at a table to discuss the redevelopment of a site in the centre of Sydney, for example. It is critical to understand how you can amplify and protect ancient dreaming tracks, also referred to as songlines, that are as much a part of the fabric of Australia as a mountain or a building. The added dimensions in modern Australia is that you are dealing with high levels of ecological damage, retrofitting these ancient songlines in urban developments and finding innovative ways to increase and protect species of animals and plants. <\\/p>\\n

I am currently working on the redevelopment of a coal power station at White Bay near Balmain in Sydney and we are creating a public domain that will work daily to create a new songline for the site and care for Country. We are flooding the parkland with the high tide and cleaning it with saltmarsh so that the water of this working port can be cleaned twice a day. Further to that, we are creating motels for endangered seahorses and looking at creating a water songline so that people on their morning walk along the bay can engage in this place being an \\u2018increase site\\u2019 for white\\u2019s seahorse, or hippocampus whitei – a place where the species can proliferate. Once we create an annual festival of the seahorse, which will activate the site through ceremony, we can feel as though we have at least tried to reconcile the deeply spiritual philosophy behind the Dreaming with the challenges of urban developments. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1307,\"id\":1307,\"title\":\"White-Bay-800x600\",\"filename\":\"White-Bay-800x600-1.png\",\"filesize\":908275,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/white-bay-800x600\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"white-bay-800x600\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 02:36:54\",\"modified\":\"2022-12-05 02:36:54\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":800,\"height\":600,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1-300x225.png\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1.png\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1.png\",\"large-width\":800,\"large-height\":600,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1.png\",\"1536x1536-width\":800,\"1536x1536-height\":600,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1.png\",\"2048x2048-width\":800,\"2048x2048-height\":600,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1.png\",\"full_width-width\":800,\"full_width-height\":600,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/White-Bay-800x600-1.png\",\"medium2-width\":800,\"medium2-height\":600}},\"use_caption\":true,\"caption\":\"

White Bay, New South Wales.
\\nPhotography courtesy of City Hub Sydney.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Designers should at least avoid building over and protect such sites, and at best celebrate their presence through referencing their design process and outcomes with the guidance and approval of the local custodians.” – Paul Memmott<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In \\u2018Placemaking in Country,\\u2019 Paul, you define Australian Aboriginal Architecture as \\u201ca selected, arranged and constructed configuration of environmental properties, both natural and artificial, in and around one or more activity spaces, combined with patterns of behavioural rules and meanings, to result in human comfort and quality of lifestyle.\\u201d What can these design principles teach contemporary architects and designers, particularly in responding sensitively to place?<\\/p>\\n

PM: What these design principles can teach is that in the design of places, sensitivities to the local Country and ecology should be paramount, and making safe and comfortable places should also be a goal. This requires close attention to behavioural patterns and creating environmental infrastructure that supports such patterns. Or alternatively, environmental design that can accommodate a range of human behaviours if diverse behaviours are anticipated – this is called affordance in design by some analysts. Technology and infrastructure shouldn\\u2019t be elevated to be an end in itself. Simple solutions, if well chosen, can often be superior to high tech ones. Another component implied is the embedding of interpretive materials in the environment, which speak to the meanings of the Country in which one is located.<\\/p>\\n

AP: It is an invitation to look at \\u2018place\\u2019 in a multi-faceted way so that when you are doing your site analysis you can zoom out on the map and see where this place sits in a broader landscape, looking at the geology of the land, the endemic species, the prevailing winds, what this place was like before and during the last ice age and what it will be like in the next 100 years. Then you locate the site in terms of the cultural landscape, its adjacency to other sites of significance and the stories that relate to it and then bring all of this together with the social and economic layering to make a place that can be activated by plants, people, animals and the built environment in new and invigorating ways.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1295,\"id\":1295,\"title\":\"Shelters\",\"filename\":\"Shelters.jpg\",\"filesize\":441607,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/shelters\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"shelters\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-11-24 06:37:24\",\"modified\":\"2022-11-24 06:37:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1280,\"height\":853,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters.jpg\",\"1536x1536-width\":1280,\"1536x1536-height\":853,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters.jpg\",\"2048x2048-width\":1280,\"2048x2048-height\":853,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters.jpg\",\"full_width-width\":1280,\"full_width-height\":853,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Shelters.jpg\",\"medium2-width\":1280,\"medium2-height\":853}},\"use_caption\":true,\"caption\":\"

Examples of Yol\\u014bu Aboriginal shelters and dwellings, including vaulted roof types, in Arnhem Land, northern Australia.<\\/p>\\n

Illustration by Tim O\\u2019Rourke, rights held by Paul Memmott.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: How does \\u2018deep listening\\u2019 foster inclusivity in the design process and engrain aspects of traditional knowledge and culture in design practice? And what was the impact of \\u2018deep listening\\u2019 for the Wilcannia Hospital extension?<\\/p>\\n

AP: Deep listening is about slowing down and taking time to learn from Country. At the heart of that, it is about learning from the Traditional Owners of a place who will open a door to layers and layers of knowledges, memories and stories that relate to a place. But it is also about immersion in place; walking on Country with First Nations people and feeling the place. My colleague Kevin O\\u2019Brien<\\/a> calls this \\u2018Finding Country\\u2019 and thinks we should all be camping at the sites we are designing for to \\u2018feel\\u2019 Country. But it is also about understanding place across the day, the seasons and throughout deep time. A lot of the challenge in contemporary design is that these sites have been destroyed, so we go to places that are reminiscent of what we want to achieve and think of ways in which these traditional owners can have ongoing custodianship and a dialogue with the users of the place through activations. <\\/p>\\n

The process at Wilcannia<\\/a> was totally inclusive as the Barkindji Elders essentially co-governed the development process alongside the Department of Health. This took time as the project was seven years from the start to finish. But that was in the late nineties when Aboriginal design processes in major construction projects were relatively new. Now that we have honed this inclusive process, it is much more streamlined – but essentially it is about co-design from project governance through to construction. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Deep listening is about slowing down and taking time to learn from Country. At the heart of that, it is about learning from the Traditional Owners of a place who will open a door to layers and layers of knowledges, memories and stories that relate to a place. But it is also about immersion in place; walking on Country with First Nations people and feeling the place.” – Alison Page <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1308,\"id\":1308,\"title\":\"wil031-verandah-1-1024x788\",\"filename\":\"wil031-verandah-1-1024x788-1.jpeg\",\"filesize\":2404865,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/wil031-verandah-1-1024x788\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wil031-verandah-1-1024x788\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 03:08:25\",\"modified\":\"2022-12-05 03:08:25\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2309,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1-300x231.jpeg\",\"medium-width\":300,\"medium-height\":231,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":591,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1-1200x924.jpeg\",\"large-width\":1200,\"large-height\":924,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1182,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1576,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1-2500x1924.jpeg\",\"full_width-width\":2500,\"full_width-height\":1924,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/wil031-verandah-1-1024x788-1-1600x1231.jpeg\",\"medium2-width\":1600,\"medium2-height\":1231}},\"use_caption\":true,\"caption\":\"

Wilcannia Hospital Extension, built on the lands of the Barkindji people.
\\nPhotography by Brett Boardman. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In \\u2018Materials\\u2019, Alison, you question: \\u201cNow that we are coming to terms with the finality of the earth\\u2019s resources, perhaps we should be reassessing what is \\u2018primitive\\u2019 and what is \\u2018advanced.\\u2019\\u201d Given the uncertain times in our recent history, what can designers learn from the ingenuity, adaptability and expertise of Indigenous Australians? What can we look back on to move forward? <\\/p>\\n

AP: At the heart of Aboriginal cultural values is the love and care of Country, which is manifested through the management of the land, waters and sky and reinforced through culture. Our whole society is centred around this concept and all of our science and technological practices are driven by this core objective. Now, while that looked primitive to the early colonists who couldn\\u2019t see that we had sophisticated systems of agriculture, architecture, meteorology, astronomy and ecology, these ideas were totally in tune with nature and were innovative and adaptive. If we look at the current global challenges we are facing, particularly in relation to climate change, materiality, food security, land and sea management, traditional Aboriginal design offers sustainable systems that may inform some of the most enduring solutions. But this isn\\u2019t about a return to the past. Because of the accelerated destruction to the environment, we must bring the best of this traditional knowledge with clever and innovative western scientific methodologies to create a new and more sustainable future. <\\/p>\\n

NHK: The National Aboriginal Design Agency (NADA)<\\/a> brokers partnerships between Aboriginal artists and architects to create social justice. How can such collaborations evolve contemporary creative practice?<\\/p>\\n

AP: I created NADA<\\/a> to give Aboriginal artists more opportunity to take their art to the built environment and create economic opportunities for them to live on Country and support their families by making culture strong. It is because I believe that economic independence and cultural authority within our respective nations is social justice, and those economic opportunities have global potential. <\\/p>\\n

I have recently completed a project with Australian design company Breville<\\/a> which invited artists to apply stories and artworks onto a range of appliance in the same way that we etched and carved our traditional tools for living. The whole process took three years, from the selection of the artists, to the creation of cultural Intellectual Property protections, to the innovations in recreating the individual brush strokes to multiple appliances. We took care in the creation of the Aboriginal Culinary Journey and that took so much will and generosity from both us as artists but also from Breville<\\/a> who ultimately donated 100% of the profits to support more Aboriginal Designers and Chefs. <\\/p>\\n

They handed me their global platform to be able to tell our stories about Country. To take these important stories right into the homes of people all over the world. And by creating a best practice model for the care and respect they showed to the artists and their Intellectual Property, Breville<\\/a> are essentially inviting every other company in the world to do the same. That is social justice on a large scale. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1310,\"id\":1310,\"title\":\"Breville 1\",\"filename\":\"Breville-1-1.jpg\",\"filesize\":1349931,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/breville-1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breville-1\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 03:24:11\",\"modified\":\"2022-12-05 03:24:11\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1536,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1.jpg\",\"full_width-width\":1536,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-1-1.jpg\",\"medium2-width\":1536,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Alison Page with Yalti Napangati and her work,\\u2018Piruwa\\u2019 on the Soft Top Luxe Kettle, part of Breville’s ‘Aboriginal Australian Culinary Journey’ collection.
\\nPhotography courtesy of The Design Files. <\\/p>\\n\"},{\"image\":{\"ID\":1311,\"id\":1311,\"title\":\"Breville 2\",\"filename\":\"Breville-2.jpg\",\"filesize\":1555286,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/breville-2-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breville-2-2\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 03:24:16\",\"modified\":\"2022-12-05 03:24:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1536,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2.jpg\",\"full_width-width\":1536,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Breville-2.jpg\",\"medium2-width\":1536,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Yukultji (Nolia) Napangati, a Western Desert style painter, created \\u2018Marrapinti\\u2019 on the Barista Pro as part Breville’s ‘Aboriginal Australian Culinary Journey’ collection.
\\nPhotography courtesy of The Design Files.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“If we look at the current global challenges we are facing, particularly in relation to climate change, materiality, food security, land and sea management, traditional Aboriginal design offers sustainable systems that may inform some of the most enduring solutions. But this isn\\u2019t about a return to the past. Because of the accelerated destruction to the environment, we must bring the best of this traditional knowledge with clever and innovative western scientific methodologies to create a new and more sustainable future.” – Alison Page <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: What are some practical recommendations for non-Indigenous to engage with place and design new built environments as purposeful extensions of Country? Places that integrate mnemonics of stories, Songlines, locational principles, ancestral connections, and sustainability. <\\/p>\\n

PM: To integrate these aspects, a designer should seek guidance and authorisation from local First Nations peoples. This does not preclude doing research from available historical and ethnographic sources, and generating ideas for proposals. But it is best that local people can co-design the outcomes and thereby be empowered as partners and recognised custodians of Country. Any research findings should be shared and discussed with them so as to qualify their value. However, there can be practical difficulties in establishing a co-design group that is representative of local First Nations groups and within a project budget. A consultant may need to be engaged to facilitate this process, either an Indigenous creative facilitator or locally trusted anthropologist. I\\u2019ve written a paper called \\u201cDesigning places with First Nations Peoples\\u201d, which outlines more practical advice on such matters of consultation and co-design. <\\/p>\\n

AP: Paul is spot on. The engagement with First Nations people and culture is paramount. It is our collective cultural inheritance as Australians. But designers, planners, developers, architects, and passionate advocates for design can immerse themselves in education about Country, songlines, traditional knowledges because we don\\u2019t want borrowed landscapes and architecture from foreign places that are making our cities and towns a pastiche of global styles that don\\u2019t speak to who we are. We are not second-hand American or second-hand England. We are the proud home to the world’s oldest living culture and we weave our stories of colonisation and immigration into our unique identity to create the most beautiful, sustainable and meaningful places in the world. My advice: get on board!<\\/p>\\n

NHK: Alison, Paul, thank you for joining us. It\\u2019s been a pleasure.<\\/p>\\n

\\u2013<\\/p>\\n

Design: Building on Country is published by Thames & Hudson Australia<\\/a> and The National Museum of Australia<\\/a>, available for purchase at Thames & Hudson Australia<\\/a> or NGV Design Store<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“…it is best that local people can co-design the outcomes and thereby be empowered as partners and recognised custodians of Country.” – Paul Memmott<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1319,\"id\":1319,\"title\":\"Book Cover\",\"filename\":\"Book-Cover.jpg\",\"filesize\":300835,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/12\\/Book-Cover.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-building-on-country-with-alison-page-and-paul-memmott\\/book-cover\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"book-cover\",\"status\":\"inherit\",\"uploaded_to\":1294,\"date\":\"2022-12-05 23:01:54\",\"modified\":\"2022-12-05 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\\r\\nDigital Marketing Strategist at NHO
\\r\\n29.11.22\",\"listing_description\":\"

Here, James Pendleton reflects on the inherent potential of digital marketing in contemporary design and architecture, and the varied influences he brings to his role as Digital Marketing Strategist at NHO. With ten years\\u2019 experience across design, education, tourism and online retail sectors in Australia and the UK, James harnesses a data-driven approach to marketing, working collaboratively to align brand tone and design with digital context.<\\/p>\\n\",\"hero_image\":{\"ID\":1285,\"id\":1285,\"title\":\"JP_\",\"filename\":\"JP_.jpg\",\"filesize\":5906905,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-james-pendleton-digital-marketing-strategist-at-nho\\/jp_\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jp_\",\"status\":\"inherit\",\"uploaded_to\":1283,\"date\":\"2022-11-12 08:31:10\",\"modified\":\"2022-11-12 08:31:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/JP_-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Here, James Pendleton reflects on the inherent potential of digital marketing in contemporary design and architecture, and the varied influences he brings to his role as Digital Marketing Strategist at NHO. With ten years\\u2019 experience across design, education, tourism and online retail sectors in Australia and the UK, James harnesses a data-driven approach to marketing, working collaboratively to align brand tone and design with digital context.<\\/p>\\n

–<\\/p>\\n

Q: Describe a day in your role as Digital Strategist at NHO.<\\/p>\\n

A: As a digital marketing strategist, I apply technical expertise in digital analytics to observe, benchmark and strategise digital marketing solutions for our clients. After every adjustment I make on a campaign, I set a prompt for a few days later to check its impact meets our expectations – so a typical day often starts with a long list of reminders. I find this is a structured, proactive and productive way to start my day \\u2013 usually completed with a coffee in hand.<\\/p>\\n

After these checks, I spend my day liaising with clients and the team to understand key motivations and the desired effect of non-digital activity, such as an event, print article or product launch. Coming from a more technical background, I relish working with the broader NHO team who are all extremely passionate about design, and only too happy to share their knowledge. At NHO, our approach to digital marketing is particularly nuanced, as we combine best practice digital marketing strategy with our strong knowledge of the design industry and careful brand management.<\\/p>\\n

On a good day, there is an event or exhibition to attend, which is always a great opportunity to connect with the people and work we promote. NHO\\u2019s position in the market means that it\\u2019s key for a digital strategist like myself to understand and appreciate the world class design community we operate within. I find these tangible experiences are crucial in making the campaigns I work on speak to their audience. Of course, a chat and a beverage with the team is also a big plus!<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“At NHO, our approach to digital marketing is particularly nuanced, as we combine best practice digital marketing strategy with our strong knowledge of the design industry and careful brand management.” – James Pendleton<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1090,\"id\":1090,\"title\":\"Design Fair_Present\",\"filename\":\"Design-Fair_Present.jpg\",\"filesize\":1007992,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/design-fair_present\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"design-fair_present\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 01:49:06\",\"modified\":\"2022-05-15 01:49:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Melbourne Design Fair \\u2013 Present, presented by NGV in collaboration with Melbourne Art Foundation.
\\nPhotography by Sean Fennessy.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1290,\"id\":1290,\"title\":\"CultDesign_MDW Exhibition_3830-CathyMarshall copy\",\"filename\":\"CultDesign_MDW-Exhibition_3830-CathyMarshall-copy.jpg\",\"filesize\":8491206,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-james-pendleton-digital-marketing-strategist-at-nho\\/cultdesign_mdw-exhibition_3830-cathymarshall-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cultdesign_mdw-exhibition_3830-cathymarshall-copy\",\"status\":\"inherit\",\"uploaded_to\":1283,\"date\":\"2022-11-22 00:00:52\",\"modified\":\"2022-11-22 00:00:52\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy-2500x3750.jpg\",\"full_width-width\":2500,\"full_width-height\":3750,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3830-CathyMarshall-copy-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Chairity at Melbourne Design Week, presented by Cult Design.
\\nPhotography by Cathy Marshall.<\\/p>\\n\"},{\"image\":{\"ID\":1291,\"id\":1291,\"title\":\"CultDesign_MDW Exhibition_3841-CathyMarshall copy\",\"filename\":\"CultDesign_MDW-Exhibition_3841-CathyMarshall-copy.jpg\",\"filesize\":10019008,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-james-pendleton-digital-marketing-strategist-at-nho\\/cultdesign_mdw-exhibition_3841-cathymarshall-copy\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cultdesign_mdw-exhibition_3841-cathymarshall-copy\",\"status\":\"inherit\",\"uploaded_to\":1283,\"date\":\"2022-11-22 00:01:02\",\"modified\":\"2022-11-22 00:01:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy-2500x3750.jpg\",\"full_width-width\":2500,\"full_width-height\":3750,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/CultDesign_MDW-Exhibition_3841-CathyMarshall-copy-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Chairity at Melbourne Design Week, presented by Cult Design.
\\nPhotography by Cathy Marshall.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What is the impact and importance of digital marketing in design?<\\/p>\\n

A: Digital marketing is in its infancy in the architecture and design industry, despite being a huge component in many other industries. In the design world, most business historically has been achieved in person, particularly at events and exhibitions. For this reason, I believe many businesses approach investment in digital very cautiously, creating a lack of competition.<\\/p>\\n

This means there is an opportunity to stand out if your digital marketing is well considered and strategically executed. This is all the more relevant when considering the growth of digital media and the increased reliance on digital platforms for the discovery, research and purchasing of products and services. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Digital marketing is in its infancy in the architecture and design industry. This means there is an opportunity to stand out if your digital marketing is well considered and strategically executed.” – James Pendleton<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What inspires you? <\\/p>\\n

A: On a professional level, I admire anyone who is willing to takes risks and try something new. Of course, risks need to be calculated and formed from a clear set of objectives and directions. I find the best marketing campaigns are creative in nature and by thinking outside of the box, brands can attract the exposure they deserve. <\\/p>\\n

On a personal note, I find excellence in sports like snowboarding, surfing and other extreme sports truly inspiring. More often than not, these athletes are passion led and not money driven. Their path to success is purely driven by the love of that sport and their pursuit of perfection in that skill. If I can adopt 10% of their dedication and consistency, I hope to be a successful man. <\\/p>\\n

I also find travel inspiring. After living and working in 3 different countries, one gets to understand both the similarities and differences in people around the world. It can be hugely fascinating to understand the motivations and drivers of people in different cultures, yet also comforting to find universal touch-points in countries across the globe.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I find the best marketing campaigns are creative in nature and by thinking outside of the box, brands can attract the exposure they deserve.” – James Pendleton<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What are you looking forward to most this year?<\\/p>\\n

A: My partner and I are currently building our first house near Torquay, south-west of Melbourne. This has been a long process with many conversations and long nights of planning and decision-making so I can\\u2019t wait to see it come to life. At the time of writing, we\\u2019ve just had the ground floor waterproofed. I\\u2019ve never been so excited to see bricks!<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1284,\"id\":1284,\"title\":\"Torquay\",\"filename\":\"Torquay.jpg\",\"filesize\":3204949,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-james-pendleton-digital-marketing-strategist-at-nho\\/torquay\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"torquay\",\"status\":\"inherit\",\"uploaded_to\":1283,\"date\":\"2022-11-12 08:27:24\",\"modified\":\"2022-11-12 08:27:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Torquay-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Torquay, Victoria.
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NHO directors, Neil and Lillian, were thrilled to sit down with Office Dave Sharp and record a podcast episode of Office Talk, discussing all things brand strategy.<\\/p>\\n\",\"hero_image\":{\"ID\":1293,\"id\":1293,\"title\":\"Office Talk\",\"filename\":\"Office-Talk.jpg\",\"filesize\":625063,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/office-talk-with-dave-sharp\\/office-talk\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"office-talk\",\"status\":\"inherit\",\"uploaded_to\":1292,\"date\":\"2022-11-22 00:25:36\",\"modified\":\"2022-11-22 00:25:36\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk-2500x3750.jpg\",\"full_width-width\":2500,\"full_width-height\":3750,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/11\\/Office-Talk-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

NHO directors, Neil and Lillian, were thrilled to sit down with Office Dave Sharp<\\/a> and record a podcast episode of Office Talk<\\/a>, discussing all things brand strategy.<\\/p>\\n

The podcast<\\/a> covers: \\u2060
\\n\\u2060
\\n– A high-level introduction to brand strategy, from the benefits of investing the time to explore what your brand is about, to the types of questions NHO ask their clients to help them unearth unique insights.\\u2060
\\n\\u2060
\\n– Why it\\u2019s essential to figure out your brand strategy before making tactical decisions about your marketing, social media and digital presence.\\u2060
\\n\\u2060
\\n– How a brand strategy document can be used to help you make a variety of important decisions in your practice, from hiring to your annual reviews.\\u2060
\\n\\u2060
\\n– The importance of consistency and a curated quality to your marketing, website and social media \\u2013 and why practices should think carefully about the projects they show on their website.\\u2060
\\n\\u2060
\\n– An in-depth look at how NHO approach the PR process, from setting clear objectives, deciding on focus projects, managing stakeholders such as consultants, builders and clients, and finally their thoughts on how to select the right mix of publications to align with your goals.\\u2060
\\n\\u2060
\\nThanks to Office Dave Sharp<\\/a> for the robust conversation. <\\/p>\\n

–<\\/p>\\n

Listen to Episode 57 of Office Talk here<\\/a>. <\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post %%POSTLINK%% 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Here, Caitlin Quinlan, Communications Consultant at NHO, reflects on the design media landscape, her career highlights and current curiosities. Holding a Bachelor of Arts in Public Relations, Caitlin has gained nearly 10 years\\u2019 experience across marketing, events, media and communications within agency environments in Melbourne and London, where she has facilitated unique client positioning among peers and aligned media.<\\/p>\\n\",\"hero_image\":{\"ID\":1259,\"id\":1259,\"title\":\"CQ\",\"filename\":\"CQ.jpg\",\"filesize\":3369724,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-caitlin-quinlan-communications-consultant\\/cq\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cq\",\"status\":\"inherit\",\"uploaded_to\":1258,\"date\":\"2022-09-10 20:48:34\",\"modified\":\"2022-09-10 20:48:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ-2500x3125.jpg\",\"full_width-width\":2500,\"full_width-height\":3125,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CQ-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Here, Caitlin Quinlan, Communications Consultant at NHO, reflects on the design media landscape, her career highlights and current curiosities. Holding a Bachelor of Arts in Public Relations, Caitlin has gained nearly 10 years\\u2019 experience across marketing, events, media and communications within agency environments in Melbourne and London, where she has facilitated unique client positioning among peers and aligned media. <\\/p>\\n

–<\\/p>\\n

Q: Describe a day in your role as Communications Consultant at NHO.<\\/p>\\n

A: A typical day for me always begins with an early rise \\u2013 I find I\\u2019m most productive in the morning. My workdays vary from attending photoshoots, interviewing clients, liaising with media about a new project or collection, to working on the strategic direction for client profiling, forthcoming projects and\\/or social campaigns. <\\/p>\\n

My client portfolio spans architecture, interior, furniture and lighting design, so, as you can imagine, my day-to-day tasks are always different. We work with some of the most interesting and inspiring people within the design community and I\\u2019m continuously wowed by their passion, knowledge and creativity. <\\/p>\\n

There are also many industry events to attend: local exhibitions, talks, tours and showroom openings. During the warmer months, I like to end the day with a beach walk. I find it\\u2019s a great way to take a step back, breathe and reset before heading into the evening. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We work with some of the most interesting and inspiring people within the design community and I\\u2019m continuously wowed by their passion, knowledge and creativity.” – Caitlin Quinlan<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What are some of your career highlights?<\\/p>\\n

A: I’ve been fortunate to enjoy many career highlights, however one formative experience that comes to mind is working on the London Festival of Architecture<\\/a> during my time in London, and more specifically, on the launch of the first Dulwich Picture Gallery<\\/a> Pavilion. London design firm IF_DO<\\/a> won much acclaim for its \\u2018After Image\\u2019<\\/a> which opened the summer season and marked the gallery’s 200th anniversary.<\\/p>\\n

The reflective panel design mirrored the building’s brick facades and was such a beautiful juxtaposition, described as a \\u201clively marriage of moving mirrored screens”. At the opening event, a surprise guest performed \\u2014 Florence and the Machine. It was truly special to be part of this pivotal opening event. <\\/p>\\n

Having worked for NHO for a number of years, it\\u2019s been incredibly rewarding to help facilitate the growth and evolution of our clients, sharing their challenges and successes along the way. Working with the National Gallery of Victoria on Melbourne Design Week has been a particularly unique experience – working closely with an array of designers, artists, gallerists, institutions, and retailers representing the full design ecosystem.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1263,\"id\":1263,\"title\":\"London_3\",\"filename\":\"London_3.jpg\",\"filesize\":3294059,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-caitlin-quinlan-communications-consultant\\/london_3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"london_3\",\"status\":\"inherit\",\"uploaded_to\":1258,\"date\":\"2022-09-10 21:29:14\",\"modified\":\"2022-09-10 21:29:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/London_3-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

John Soane’s Dulwich Picture Gallery summer pavilion for London Festival of Architecture, by IF_DO.
\\nPhotography courtesy of Dezeen.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1281,\"id\":1281,\"title\":\"london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136\",\"filename\":\"london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1.jpg\",\"filesize\":369838,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-caitlin-quinlan-communications-consultant\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136\",\"status\":\"inherit\",\"uploaded_to\":1258,\"date\":\"2022-09-26 00:58:05\",\"modified\":\"2022-09-26 00:58:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1704,\"height\":1136,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1.jpg\",\"2048x2048-width\":1704,\"2048x2048-height\":1136,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1.jpg\",\"full_width-width\":1704,\"full_width-height\":1136,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/london-festival-of-architecture-dulwich-pavilion-if_do_dezeen_2364_col_9-1704x1136-1-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

John Soane’s Dulwich Picture Gallery summer pavilion for London Festival of Architecture, by IF_DO.
\\nPhotography courtesy of Dezeen.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What advice would you give to an architect or designer who wants to secure media coverage for a project or product collection?<\\/p>\\n

A: First and foremost, familiarise yourself with the publication. Read the content and look at the type of projects featured. Is there a particular style or sector that the publication focuses on? Who is photographing the features and how are the projects presented? Understanding what the publication is looking for will set you up for success.<\\/p>\\n

Secondly, we always encourage our clients to invest in quality photography. Built outcomes are often the culmination of many years of design and planning, rigorous collaboration and strong working relationships – so it\\u2019s imperative the final spaces are captured thoughtfully.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We always encourage our clients to invest in quality photography. Built outcomes are often the culmination of many years of design and planning, rigorous collaboration and strong working relationships – so it\\u2019s imperative the final spaces are captured thoughtfully.” – Caitlin Quinlan<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What are you looking forward to most this year?<\\/p>\\n

A: I\\u2019m looking forward to a few things this year, including the arrival of our first child towards the end of this year. It’s a whirlwind of emotions launching into this exciting new chapter with my partner \\u2013 we can’t wait to meet our little darling. We\\u2019re also in the process of building our first home on the Bellarine Peninsula and are hoping to move in early next year. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1260,\"id\":1260,\"title\":\"Bellarine\",\"filename\":\"Bellarine.jpeg\",\"filesize\":1502731,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-caitlin-quinlan-communications-consultant\\/bellarine\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bellarine\",\"status\":\"inherit\",\"uploaded_to\":1258,\"date\":\"2022-09-10 21:15:54\",\"modified\":\"2022-09-10 21:15:54\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine-300x225.jpeg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine.jpeg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine-1200x900.jpeg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine-2500x1875.jpeg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/Bellarine-1600x1200.jpeg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Bellarine Peninsula, Victoria.
\\nPhotography courtesy of Visit Melbourne. <\\/p>\\n\",\"display_reduced\":false}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\n28.09.22\",\"listing_description\":\"

On a recent extended stint in Stockholm I visited the studios of Swedish sculptor, Carl Eldh (1873 \\u2013 1954) – considered one of the most important Swedish artists of the 20th century.<\\/p>\\n\",\"hero_image\":{\"ID\":1282,\"id\":1282,\"title\":\"CEM\",\"filename\":\"CEM.jpg\",\"filesize\":1566032,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/carl-eldhs-ateljemuseum\\/cem\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"cem\",\"status\":\"inherit\",\"uploaded_to\":1270,\"date\":\"2022-10-17 01:12:34\",\"modified\":\"2022-10-17 01:12:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/09\\/CEM-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

On a recent extended stint in Stockholm I visited the studios of Swedish sculptor, Carl Eldh (1873 \\u2013 1954) – considered one of the most important Swedish artists of the 20th century. Set in the picturesque Bellevueparken, adjacent to Hagaparken, Carl Eldhs Atelj\\u00e9museum<\\/a> comprises Eldh\\u2019s home and studios, designed by architect Ragnar \\u00d6stberg and built in 1919. <\\/p>\\n

Eldh was a recognised portrait sculptor due to his unique talent for \\u201cthe individual\\u201d, striving to capture a person\\u2019s entire being with depth and sincerity. Unchanged from the days when Eldh called it home, I felt incredibly privileged to visit on a rainy mid-summers day. 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\\r\\n29.08.22\",\"listing_description\":\"

Discover the perspective of our Director, Lillian Lim, who cements the correlation between strategy and design with a creative yet commercial sensibility. With over 15 years of diversified marketing experience across design, the built environment, retail and consumer goods, Lillian is highly skilled at making ideas scalable, translating big-picture thinking into achievable outcomes.<\\/p>\\n\",\"hero_image\":{\"ID\":1206,\"id\":1206,\"title\":\"GG_HIH018_NHOPortraits_Lilian_LR\",\"filename\":\"GG_HIH018_NHOPortraits_Lilian_LR.jpg\",\"filesize\":3026981,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lillian-lim-director-nho\\/gg_hih018_nhoportraits_lilian_lr\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"gg_hih018_nhoportraits_lilian_lr\",\"status\":\"inherit\",\"uploaded_to\":1197,\"date\":\"2022-08-22 07:16:23\",\"modified\":\"2022-08-22 07:16:23\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2400,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR.jpg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR.jpg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR.jpg\",\"full_width-width\":2400,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/GG_HIH018_NHOPortraits_Lilian_LR-1600x2000.jpg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Discover the perspective of our Director, Lillian Lim, who cements the correlation between strategy and design with a creative yet commercial sensibility. With over 15 years of diversified marketing experience across design, the built environment, retail and consumer goods, Lillian is highly skilled at making ideas scalable, translating big-picture thinking into achievable outcomes.<\\/p>\\n

–<\\/p>\\n

Q: Describe a day in your role as Director at NHO.<\\/p>\\n

A: My role as Director is to provide guidance and oversight across all facets of the business \\u2013 as such my role is pretty varied. A typical day might involve working on new business proposals, facilitating a brand strategy workshop, developing a strategic marketing plan for a client or having a work-in-progress check in with our Digital Marketing Strategists James and Lawrence. A central part of my role is also identifying growth opportunities and improvements across the agency and working with Neil our Founder on developing and implementing strategies that deliver on our company vision and help achieve our business objectives.<\\/p>\\n

Q: What is one of your key mantras that you encourage the team to subscribe to?<\\/p>\\n

A: I\\u2019m a big advocate of systems and processes as a way to improve efficiencies and ensure a consistent standard of service across the business. I regularly encourage the team to challenge our ways of doing things, identifying opportunities to improve and streamline tasks. When a new team member joins NHO this really helps to expediate the onboarding and induction process. Although our team is relatively small, I\\u2019m a firm believer in setting things up properly from the beginning as this will act as a great foundation as we grow.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019m a big advocate of systems and processes as a way to improve efficiencies and ensure a consistent standard of service across the business. I regularly encourage the team to challenge our ways of doing things, identifying opportunities to improve and streamline tasks.” – Lillian Lim<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: What inspires you?<\\/p>\\n

A: Travel has always been a great source of inspiration for me. Some of my most memorable travel experiences would have to be visiting different design galleries and museums. A few of my favourites include 21_21 Design Sight<\\/a> in Tokyo created by Tadao Ando<\\/a> and the late Issey Miyake<\\/a>, Dia Beacon<\\/a> a converted industrial building located on the banks of the Hudson River in Beacon New York, Zaha Hadid<\\/a>\\u2019s iconic Dongdaemum Design Plaza<\\/a> in Seoul, Villa Aalto<\\/a> (former home of Alvar and Aino Aalto) in Helsinki and Louisiana Museum of Modern Art<\\/a> in Copenhagen that is set inside a beautiful 1870s modernist building which is seamlessly integrated with its sea surrounds.<\\/p>\\n

I was lucky enough to attend Milan Design Week<\\/a> this year, followed by a two-week holiday with my husband \\u2013 we drove from Milan to Lake Como, to Rome and Puglia, all the way down to the Amalfi Coast. Coming out of the pandemic, has made me appreciate travel even more. I\\u2019ve really come back to Melbourne with a renewed sense of energy and excitement. We have actually just formalised a new company benefit where all employees will have the opportunity to attend Milan Design Week<\\/a>. As a business we recognise its importance from a design indoctrination, knowledge building and professional development perspective \\u2013 it\\u2019s also a lot of fun!<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1209,\"id\":1209,\"title\":\"21 21 Design Sight\",\"filename\":\"21-21-Design-Sight.jpg\",\"filesize\":2340777,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lillian-lim-director-nho\\/21-21-design-sight\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"21-21-design-sight\",\"status\":\"inherit\",\"uploaded_to\":1197,\"date\":\"2022-08-29 01:15:14\",\"modified\":\"2022-08-29 01:15:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/21-21-Design-Sight-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

21_21 Design Sight, Tokyo.
\\nPhotography courtesy of Rikumo.<\\/p>\\n\"},{\"image\":{\"ID\":1210,\"id\":1210,\"title\":\"Louisiana\",\"filename\":\"Louisiana.jpg\",\"filesize\":4978319,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lillian-lim-director-nho\\/louisiana\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"louisiana\",\"status\":\"inherit\",\"uploaded_to\":1197,\"date\":\"2022-08-29 01:15:30\",\"modified\":\"2022-08-29 01:15:30\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Louisiana-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Louisiana Museum of Modern Art, Copenhagen.
\\nPhotography courtesy of Kinfolk.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Q: Can you share any marketing advice or words of wisdom?<\\/p>\\n

A: As company directors and business owners it is easy to purely focus on short term immediate priorities. Because of this, being reactive rather than proactively spending time on longer term strategic planning is something we are all too familiar with. It is important to remember however, that a brand is often a business\\u2019s most valuable commercial asset and needs to continuously be invested in through brand building strategies and initiatives.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“A brand is often a business\\u2019s most valuable commercial asset and needs to continuously be invested in through brand building strategies and initiatives.” – Lillian Lim<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1202,\"id\":1202,\"title\":\"Lil Travel 1_Web\",\"filename\":\"Lil-Travel-1_Web.jpg\",\"filesize\":4370679,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/5-minutes-with-lillian-lim-director-nho\\/lil-travel-1_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"lil-travel-1_web\",\"status\":\"inherit\",\"uploaded_to\":1197,\"date\":\"2022-08-22 06:57:54\",\"modified\":\"2022-08-22 06:57:54\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Lil-Travel-1_Web-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

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Lillian descending the sculpted stairs at Teatro dei Filodrammatici, Milan, where Moroso, Kvadrat & Febric hosted event, ‘Forest Wandering.’<\\/p>\\n\"}]}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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The podcast format has been around for nearly twenty years, however there\\u2019s no doubting the proliferation of the medium in recent times. These days it seems everyone has a podcast, which is why recommendations are always welcome. <\\/p>\\n\",\"hero_image\":{\"ID\":938,\"id\":938,\"title\":\"WEB_Podcasts\",\"filename\":\"WEB_Podcasts.jpg\",\"filesize\":1950233,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/podcast-selects\\/web_podcasts\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"web_podcasts\",\"status\":\"inherit\",\"uploaded_to\":937,\"date\":\"2021-08-16 08:38:08\",\"modified\":\"2021-08-16 08:38:08\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":1582,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts-300x158.jpg\",\"medium-width\":300,\"medium-height\":158,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts.jpg\",\"medium_large-width\":768,\"medium_large-height\":405,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts-1200x633.jpg\",\"large-width\":1200,\"large-height\":633,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":810,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1080,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts-2500x1318.jpg\",\"full_width-width\":2500,\"full_width-height\":1318,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/WEB_Podcasts-1600x844.jpg\",\"medium2-width\":1600,\"medium2-height\":844}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The podcast format has been around for nearly twenty years, however there\\u2019s no doubting the proliferation of the medium in recent times. These days it seems everyone has a podcast, which is why recommendations are always welcome. Visitors to NHO may notice a podcast playing in the background, a subtle and sometimes subconscious tool for keeping us connected with the world whilst learning from others. \\u2060
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\\nSome of our favourites include Design Anthology\\u2019s The Design Dialogues<\\/a> hosted by Suzy Annetta, The Business of Fashion Podcast<\\/a> with Imran Amed, M24\\u2019s Monocle on Design<\\/a> hosted by Nolan Giles, Time Sensitive<\\/a> by Spencer Bailey and Andrew Zuckerman, Debbie Millman’s Design Matters<\\/a>, The Urbanist<\\/a> hosted by Andrew Tuck, Bow Down<\\/a> hosted by Jennifer Higgie, Vince Frost\\u2019s Design Your Life<\\/a>, and most recently, The Grand Tourist<\\/a> with Dan Rubinstein. Oh how the list goes on.<\\/p>\\n

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The clock is inching towards 12 on a balmy night and Bar Basso is thick with design. It\\u2019s not April though. Nor is it September as was the case last year. It\\u2019s June, and the heady onset of summer heralds Salone\\u2019s current place in the calendar and a thirst for connection that cannot be quenched by sbagliato alone.<\\/p>\\n\",\"hero_image\":{\"ID\":1207,\"id\":1207,\"title\":\"IMG_9487\",\"filename\":\"IMG_9487-rotated.jpg\",\"filesize\":2274284,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-rotated.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-anthology-dispatch-making-connections\\/img_9487\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"img_9487\",\"status\":\"inherit\",\"uploaded_to\":1113,\"date\":\"2022-08-28 11:49:31\",\"modified\":\"2022-08-28 11:49:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3024,\"height\":4032,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-rotated.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-rotated.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-rotated.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/IMG_9487-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Leading design authority, Design Anthology<\\/a>, invited NHO Founder & Director, Neil Hugh Kenna, to file a dispatch from Milan Design Week. Here are his thoughts:<\\/p>\\n

–<\\/p>\\n

The clock is inching towards 12 on a balmy night and Bar Basso is thick with design. It\\u2019s not April though. Nor is it September as was the case last year. It\\u2019s June, and the heady onset of summer heralds Salone\\u2019s current place in the calendar and a thirst for connection that cannot be quenched by sbagliato alone.<\\/p>\\n

If you\\u2019re following along at home through the long lens of Instagram, you\\u2019d be forgiven for thinking Milan Design Week is, simply put, a platform for design. But what if I told you its purpose is even simpler: that it\\u2019s actually a platform for connection.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1226,\"id\":1226,\"title\":\"converted-IMG_0686\",\"filename\":\"converted-IMG_0686.jpg\",\"filesize\":1120307,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/converted-IMG_0686.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-anthology-dispatch-making-connections\\/converted-img_0686\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"converted-img_0686\",\"status\":\"inherit\",\"uploaded_to\":1113,\"date\":\"2022-08-29 05:20:55\",\"modified\":\"2022-08-29 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Like all sectors, the global design community has struggled to come together in recent years for obvious reasons. And while virtual events and social media were a temporary solution (that we were grateful for), the hum of conversation at Bar Basso signals a fervour that will no longer lay dormant.<\\/p>\\n

It\\u2019s easy to dismiss \\u2018Basso\\u2019 as a folly \\u2014 a booze-soaked saloon of late-night revelry. And in many ways, that\\u2019s exactly what it is. However, amid a week of velvet ropes and increasing corporatisation, Basso is also the great equaliser. Whether you\\u2019re a student visiting from Paris, the head of an Italian furniture house, or this correspondent just landed from Melbourne, we\\u2019re all drinking our negronis from plastic cups, jostling for space on the overcrowded pavement.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1249,\"id\":1249,\"title\":\"converted-IMG_0823\",\"filename\":\"converted-IMG_0823.jpg\",\"filesize\":1546549,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/converted-IMG_0823.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-anthology-dispatch-making-connections\\/converted-img_0823\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"converted-img_0823\",\"status\":\"inherit\",\"uploaded_to\":1113,\"date\":\"2022-08-29 05:43:19\",\"modified\":\"2022-08-29 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As the drinks flow, conversations are had, ideas are shared and new connections are made, each representing a seed of possibility and the potential for what\\u2019s to come. Less about handing out business cards and more about connecting over shared values, it\\u2019s from these conversations that ideas are born, challenged and debated. If design is about problem solving, then this crowd is up to the task.<\\/p>\\n

So, after a week of connection and conversation, and as we return to our respective corners of the globe, I have great optimism for the future of design and our industry as a whole. But for now, it\\u2019s back to the bar.<\\/p>\\n

–<\\/p>\\n

This article was originally published in \\u2018Design Anthology<\\/a> \\u2013 The Dispatch N\\u00ba97, Milan Design Week Special\\u2019 on Friday 10 June 2022.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1235,\"id\":1235,\"title\":\"converted-IMG_0741\",\"filename\":\"converted-IMG_0741.jpg\",\"filesize\":1042358,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/converted-IMG_0741.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-anthology-dispatch-making-connections\\/converted-img_0741\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"converted-img_0741\",\"status\":\"inherit\",\"uploaded_to\":1113,\"date\":\"2022-08-29 05:41:43\",\"modified\":\"2022-08-29 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What happens when architectural photographers consider their medium as subject rather than object? Site Unseen, presented by our friends Centre for Contemporary Photography (CCP) as part of Open House Melbourne (30-31 July), sees sixteen photographers explore emotional experiences of place and the diversity that exists in architectural and built form photography \\u2013 in medium, typology and the photographic community itself. \\u2060<\\/p>\\n\",\"hero_image\":{\"ID\":1182,\"id\":1182,\"title\":\"CCP_SITEUNSEEN_095_web\",\"filename\":\"CCP_SITEUNSEEN_095_web.jpg\",\"filesize\":1006416,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_095_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_095_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:42:22\",\"modified\":\"2022-07-18 04:42:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_095_web-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

What happens when architectural photographers consider their medium as subject rather than object? Site Unseen<\\/a>, presented by our friends Centre for Contemporary Photography (CCP)<\\/a> as part of Open House Melbourne <\\/a> (30-31 July), sees sixteen photographers explore emotional experiences of place and the diversity that exists in architectural and built form photography \\u2013 in medium, typology and the photographic community itself. \\u2060
\\n\\u2060
\\nCurated by participating photographer Tom Ross<\\/a>, Site Unseen<\\/a> includes works by Rory Gardiner<\\/a>, Ying Ang<\\/a>, Pier Carthew<\\/a>, Coco and Maximilian<\\/a>, John Gollings<\\/a>, Gavin Green<\\/a>, Morgan Hickinbotham<\\/a>, Brooke Holm<\\/a>, Rohan Hutchinson<\\/a>, Annika Kafcaloudis<\\/a>, Mengzhu Jiang, Shannon McGrath<\\/a>, Veeral Patel<\\/a>, Erieta Attali<\\/a> and Ben Hosking<\\/a>, with editioned works available for purchase.\\u2060<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1183,\"id\":1183,\"title\":\"CCP_SITEUNSEEN_096_web\",\"filename\":\"CCP_SITEUNSEEN_096_web.jpg\",\"filesize\":1202061,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_096_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_096_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:42:27\",\"modified\":\"2022-07-18 04:42:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_096_web-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Tom Ross, The Light Fell Into The Water series 2021.
\\nPhotograph by Tom Ross. <\\/p>\\n\"},{\"image\":{\"ID\":1184,\"id\":1184,\"title\":\"CCP_SITEUNSEEN_097_web\",\"filename\":\"CCP_SITEUNSEEN_097_web.jpg\",\"filesize\":1346113,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_097_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_097_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:42:31\",\"modified\":\"2022-07-18 04:42:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_097_web-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Tom Ross, The Light Fell Into The Water series 2021.
\\nPhotograph by Tom Ross. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1181,\"id\":1181,\"title\":\"CCP_SITEUNSEEN_093_web\",\"filename\":\"CCP_SITEUNSEEN_093_web.jpg\",\"filesize\":565344,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_093_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_093_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:42:18\",\"modified\":\"2022-07-18 04:42:18\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_093_web-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Annika Kafcaloudis, Building Site series 2022.
\\nPhotograph by Tom Ross. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1178,\"id\":1178,\"title\":\"CCP_SITEUNSEEN_086_web\",\"filename\":\"CCP_SITEUNSEEN_086_web.jpg\",\"filesize\":514891,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_086_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_086_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:42:06\",\"modified\":\"2022-07-18 04:42:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2250,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web-300x225.jpg\",\"medium-width\":300,\"medium-height\":225,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":576,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web-1200x900.jpg\",\"large-width\":1200,\"large-height\":900,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1152,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web-2500x1875.jpg\",\"full_width-width\":2500,\"full_width-height\":1875,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_086_web-1600x1200.jpg\",\"medium2-width\":1600,\"medium2-height\":1200}},\"use_caption\":true,\"caption\":\"

Rohan Hutchinson, Untitled works 2019-2022.
\\nPhotograph by Tom Ross. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1177,\"id\":1177,\"title\":\"CCP_SITEUNSEEN_085_web\",\"filename\":\"CCP_SITEUNSEEN_085_web.jpg\",\"filesize\":776688,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_085_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_085_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:42:02\",\"modified\":\"2022-07-18 04:42:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_085_web-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Rohan Hutchinson, Untitled #2 2019-2022.
\\nPhotograph by Tom Ross. <\\/p>\\n\"},{\"image\":{\"ID\":1175,\"id\":1175,\"title\":\"CCP_SITEUNSEEN_081_web\",\"filename\":\"CCP_SITEUNSEEN_081_web.jpg\",\"filesize\":801409,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_081_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_081_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:41:55\",\"modified\":\"2022-07-18 04:41:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_081_web-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Morgan Hickinbotham, Practicalities in Architecture III 2022.
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Morgan Hickinbotham, Practicalities in Architecture series 2022.
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Pier Carthew, Melbourne Uni series 2021.
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Pier Carthew, Melbourne Uni series 2021.
\\nPhotograph by Tom Ross.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Pop-up stores by two of Melbourne\\u2019s leading photography and architecture bookstores, Perimeter Books<\\/a> and Bookshop by Uro<\\/a>, accompany the display of architectural works, providing further insights into the emotionally-charged nature of capturing place. <\\/p>\\n

“In a time when architecture representation is being narrowed to imagery of persuasion, perhaps this work can serve as a reminder of the sincere exchange between people and the built environment,” (Centre for Contemporary Photography<\\/a>). <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1172,\"id\":1172,\"title\":\"CCP_SITEUNSEEN_073_web\",\"filename\":\"CCP_SITEUNSEEN_073_web.jpg\",\"filesize\":1180669,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/site-unseen-ccp\\/ccp_siteunseen_073_web\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp_siteunseen_073_web\",\"status\":\"inherit\",\"uploaded_to\":1156,\"date\":\"2022-07-18 04:41:44\",\"modified\":\"2022-07-18 04:41:44\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2250,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web.jpg\",\"full_width-width\":2250,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/07\\/CCP_SITEUNSEEN_073_web-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"use_caption\":true,\"caption\":\"

Ben Hosking, When Skin Has Eyes series 2018-2020.
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Ben Hosking, When Skin Has Eyes series 2018-2020.
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Shannon McGrath, View series 2022.
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Shannon McGrath, View series 2022.
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Brooke Holm, JUDD series 2020.
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Gavin Green, Untitled series 2011-2020.
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Gavin Green, Untitled series 2011-2020.
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Rory Gardiner, Al Jaddaf series 2019.
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Mengzhu Jiang, Osaka University of Arts 2019.
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Ying Ang, Gold Coast installation 2022.
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\\r\\n18.06.21\",\"listing_description\":\"

We are fascinated by the work of Charlotte Perriand, so we were more than a little jealous to discover Londoners will enjoy a retrospective exhibition of her work. <\\/p>\\n\",\"hero_image\":{\"ID\":892,\"id\":892,\"title\":\"Charlotte\",\"filename\":\"Charlotte.jpg\",\"filesize\":1958332,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/charlotte-perriand-the-modern-life\\/charlotte\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"charlotte\",\"status\":\"inherit\",\"uploaded_to\":891,\"date\":\"2021-06-17 21:25:07\",\"modified\":\"2021-06-17 21:25:07\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2347,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte-300x235.jpg\",\"medium-width\":300,\"medium-height\":235,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte.jpg\",\"medium_large-width\":768,\"medium_large-height\":601,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte-1200x939.jpg\",\"large-width\":1200,\"large-height\":939,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1202,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1602,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte-2500x1956.jpg\",\"full_width-width\":2500,\"full_width-height\":1956,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte-1600x1252.jpg\",\"medium2-width\":1600,\"medium2-height\":1252}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We are fascinated by the work of Charlotte Perriand, so we were more than a little jealous to discover Londoners will enjoy a retrospective exhibition of her work at the Design Museum<\\/a> this summer. Oh to travel once more! \\u2060
\\n\\u2060
\\nCharlotte Perriand: The Modern Life celebrates the style and spirit of the designer, whose pioneering interiors and furniture designs shaped the 20th century. The exhibition invites visitors to step inside recreations of Perriand\\u2019s most famous interiors, enjoy furniture pieces up close – such as the iconic Chaise Longue Basculante (pictured), and take a glimpse of Perriand\\u2019s sketches, photographs, scrapbooks and prototypes, offering new insight into her unique creative process. \\u2060 \\u2060
\\n\\u2060
\\nCharlotte Perriand: The Modern Life opens Saturday 19 June 2021 – 05 September 2021. \\u2060<\\/p>\\n

Photography courtesy of The New York Times.<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post %%POSTLINK%% 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\\r\\nIn Conversation with Rory Hyde
\\r\\n27.07.21\",\"listing_description\":\"

Rory Hyde is associate professor of architecture at the University of Melbourne and a design advocate for the Mayor of London. He is also co-editor of Architects After Architecture; a collection of essays that asks what can be achieved with a degree in architecture beyond the design of buildings. The short answer? Plenty.<\\/p>\\n\",\"hero_image\":{\"ID\":915,\"id\":915,\"title\":\"TFSH curator Rory Hyde 2018\",\"filename\":\"Rory_BW-1.jpg\",\"filesize\":7005448,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/architects-after-architecture-with-rory-hyde\\/tfsh-curator-rory-hyde-2018-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"TFSH curator Rory Hyde 2018\",\"name\":\"tfsh-curator-rory-hyde-2018-3\",\"status\":\"inherit\",\"uploaded_to\":911,\"date\":\"2021-07-08 07:02:54\",\"modified\":\"2021-07-08 07:02:54\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4499,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1-2500x3749.jpg\",\"full_width-width\":2500,\"full_width-height\":3749,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/Rory_BW-1-1600x2399.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

Rory Hyde is associate professor of architecture at the University of Melbourne and a design advocate for the Mayor of London. He is also co-editor of Architects After Architecture; a collection of essays that asks what can be achieved with a degree in architecture beyond the design of buildings. The short answer? Plenty.<\\/p>\\n

It\\u2019s a genuinely intriguing read that provokes, challenges and subverts common understandings of the profession with confidence and wit. In the book Rory and co-editors Harriet Harriss and Roberta Marcaccio invite forty practitioners to share their experience through profiles, case studies and interviews. In doing so the potential for architectural training to tackle the climate crisis, work with refugees, advocate for diversity, alleviate homelessness, draft public policy, and shape public discourse is illuminated. A must read for anyone with an interest in architecture and the value of design.<\\/p>\\n

Founder and Director, Neil Hugh Kenna sat down with Rory to learn more about Architects After Architecture. This is their conversation.<\\/p>\\n

Portrait courtesy of V&A.<\\/p>\\n

–<\\/p>\\n

NHK: Hi Rory. Welcome to Book Club. We\\u2019re delighted you could join us to discuss Architects After Architecture, a book we\\u2019ve been devouring here at NHO. Before we dive into the book, can you tell us a little bit about yourself and your relationship with architecture and design?<\\/p>\\n

RH: I studied architecture at RMIT here in Melbourne, and worked in practice here for a while too. I then went to the Netherlands chasing the tail end of the \\u2018Super Dutch\\u2019, a brief movement that combined the absurd with the rigorous to arrive at extreme ideas for projects. Like MVRDV\\u2019s \\u2018Pig City\\u2019, where all Holland\\u2019s pigs are rehoused in these giant towers to free up farmland. I worked on a number of books with practices which really opened up the possibility that architecture could be ideas, not just buildings. And also opened a door into the curatorial world, which led to me working as a curator the V&A some time later.<\\/p>\\n

NHK: What a wonderfully diverse journey. The book is surprisingly provocative \\u2013 chastising many elements of the architectural profession from education, to ego, to sustainability, with particular derision for the \\u2018starchitect\\u2019 who creates \\u201clunging forms for the covers of magazines\\u2026perpetuating the idea that architecture is about form rather than use, about the individual rather than a collective, about perfection rather than social purpose.\\u201d We\\u2019re curious to know if this criticism was something that drove the creation of the book, and what you hope to achieve by holding up a mirror to the profession? As Roger Zogolovitch observes, \\u201cBeing right requires disruption of the status quo, [but] it doesn\\u2019t necessarily bring you friends.\\u201d<\\/p>\\n

RH: There\\u2019s definitely a critique of starchitecture practice in there. But we\\u2019re not out to tear it down, instead we want to say \\u2018Look! Here\\u2019s 40 other ways of being an architect that are useful and generous and addressing big questions and working for people who need your help!\\u2019 So our answer is simply to expand the horizon of what it means to be an architect by highlighting all these other possibilities. And a big part of the book is to look outside of architecture too, to recognise the pathways of people who \\u2018leave\\u2019, and fold these practices back into a bigger, broader definition of what it can mean to be an architect. As to Roger\\u2019s point, we don\\u2019t expect to make friends with the big end of town, but we have made plenty of friends.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“A big part of the book is to look outside of architecture too, to recognise the pathways of people who \\u2018leave\\u2019, and fold these practices back into a bigger, broader definition of what it can mean to be an architect.” – Rory Hyde<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: You certainly have. Speaking of Zogolovitch, the business of design is an area of particular interest at NHO, so we were intrigued by his reflection on where \\u201cthe real agency lies in shaping the city\\u201d \\u2013 a new model of practice he terms the \\u2018architect-developer\\u2019. Zogolovitch writes in depth about the tension between business and design, or more specifically developer and architect. Do you feel architects and designers are embracing a more entrepreneurial spirit, and if so, is this something to celebrate?<\\/p>\\n

RH: Roger is a brilliant thinker and has been extremely successful in working in this entrepreneurial mode. He has decades of experience of evaluating the potential of difficult sites, and backs himself to create something new and of value to the city. But it\\u2019s not for everyone. We are witnessing in Melbourne with the apparent implosion of Nightingale how hard it can be for architects to adopt this role. It\\u2019s extremely complex and large sums of money are involved. I definitely think that as architects we ought to know more about feasibility modelling, about debt, about development in general, but it\\u2019s a whole other world of expertise, and I expect many of us would rather just do the drawings.<\\/p>\\n

NHK: There is demand for such a specialised cross-over and a rising awareness of its value. It would be remiss to talk about contemporary architecture without examining its impact on our planet. Jeremy Till\\u2019s contribution calls out \\u201cvirtue-signalling architects who trumpet their environmental credentials while continuing to build airports.\\u201d Most architects would agree that it\\u2019s a work in progress \\u2013 new technologies, policies and building practices \\u2013 however, as Till admits, he doesn\\u2019t have the answers. Ultimately, can a profession that uses vast resources ever be truly sustainable, and should the focus be on building less, not just building better?<\\/p>\\n

RH: Buildings contribute something like 40% of greenhouse gas emissions, if you add up embodied energy, transport, construction and heating and cooling. It\\u2019s unbelievable. And Jeremy\\u2019s point is that we sign these declarations, but then continue with business as usual. It\\u2019s extreme greenwashing, shameful stuff. To make the profession truly sustainable would require a complete 180 from where we are today. Yes, start by building less \\u2013 the \\u2018retro-first\\u2019 campaign in the UK is a good example \\u2013 by retaining buildings as much as possible, and making what we do build carbon neutral. Mass timber construction can do all of these things, as it locks carbon into its structure. So we have the means. But the real problem is that the entire narrative and purpose of architecture is geared toward novelty and invention, and until we can remake this culture to be one that is slower and more responsible, we will only be fighting ourselves.<\\/p>\\n

NHK: It\\u2019s a responsibility for us all to pivot and expand the focus on building for purpose and longevity. There are references throughout the book to the education system, the standard of which differs between countries and cities. What role has education played in the way the world views the architecture profession, and do you think it\\u2019s the responsibility of educators to broaden architecture\\u2019s definition and therefore the potential of students?<\\/p>\\n

RH: As editors we are all heavily engaged in architectural education. Harriet is dean of architecture at Pratt in New York, Roberta teaches at the Architectural Association in London, and I\\u2019ve recently started at the University of Melbourne. One of the things we are each exploring in our own ways is questioning the assumptions of what an architect does, what skills you need, and your pathway upon graduation. In the book we argue that architecture is not just about designing buildings, but is a versatile way of thinking and acting on the world. This redefines our potential field of action, and allows us to apply these skills and processes to questions that we wouldn\\u2019t otherwise be asked as architects. But architecture degrees are constrained in their own ways, particularly by the professional accreditation system, which typically prefers to have a fairly conventional definition of what architecture is. So there\\u2019s still a lot to do. What would a \\u2018real-world\\u2019 architecture degree look like? One that started in first year with questions like the housing crisis, climate change, social justice, or health and well-being? I would argue that these ought to be considered our real professional competencies.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The real problem is that the entire narrative and purpose of architecture is geared toward novelty and invention, and until we can remake this culture to be one that is slower and more responsible, we will only be fighting ourselves.” – Rory Hyde<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: Indeed \\u2013 underpinning an architecture degree with these fundamentals may change the focus or trajectory of graduates. We were intrigued to read about Sweden\\u2019s approach to architectural organisation in Peggy Deamer\\u2019s essay on \\u2018deprofessionalisation\\u2019. Unlike most jurisdictions, in Sweden architects are not licensed and as a result the profession is unionised. Deamer argues that this leads to better cooperation, and in the Swedish example, a voice within the political system. What are your thoughts on the merits of such an approach? Do you think it could work in countries such as the UK, USA or Australia?<\\/p>\\n

RH: Yes, Deamer\\u2019s piece is brilliant as in the Swedish example, she presents a viable alternative to one of the big unchallenged structures that govern what we do. Underneath it is the bigger question: \\u2018Who do we work for?\\u2019 She shows how architects have for centuries been complicit with the ruling classes and with empire. It\\u2019s hardwired into our professional status, our institutional charters, our contracts, everything. Solving this isn\\u2019t going to be as simple as swapping one system for another \\u2013 Swedish or otherwise. I think we need to completely rebuild what we do around the principle of public service, in the same way that medicine did in the 1940s with the creation of public health and the National Health Service. I imagine a new kind of architect modelled on the GP, working for those who need it, not just those who can pay.<\\/p>\\n

NHK: It would be revelatory to put some of these principles in motion. Finally, in the preface of the book you and your fellow editors wrote at the time (April 2020), \\u201cIt is not the time for optimism. And yet, we believe we must find hope in what is to come. We must work together to rebuild the way we live, to strike a new social and ecological contract, to support those who are most vulnerable, and to defend against other crises.\\u201d So, a little more than 12 months on, tell us, has anything changed? Do we yet have reason for optimism?<\\/p>\\n

RH: Well, no and yes. We are still in the middle of a pandemic, with tens of thousands dying every day, so it\\u2019s hard to be optimistic. But I do feel like the window of possibility is shifting. My students are incredible. They\\u2019re principled, ambitious, and they don\\u2019t take any bullshit. I\\u2019m hopeful for what comes next.<\\/p>\\n

NHK: Thank you for joining us, Rory. It\\u2019s been a delight.<\\/p>\\n

–<\\/p>\\n

Architects After Architecture is published by Routledge Publications and available for purchase here<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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Value of Design
\\r\\n07.03.22\",\"listing_description\":\"

Beyond Swiss borders, the idea of its citizens enjoying a well-designed life is unlikely to be the first association one has with the Alpine nation. Yet, it\\u2019s good design that enhances more common cultural tropes linked with the Swiss – punctuality, preparedness, secrecy and conscientiousness. <\\/p>\\n\",\"hero_image\":{\"ID\":1036,\"id\":1036,\"title\":\"Nolan Giles\",\"filename\":\"Nolan-Giles.jpg\",\"filesize\":7326416,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/nolan-giles\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nolan-giles\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-02-26 20:43:52\",\"modified\":\"2022-02-26 20:43:52\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/02\\/Nolan-Giles-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

\\u2013<\\/p>\\n

This month we welcome the reflections of Nolan Giles – Executive Editor of much-loved Monocle<\\/a> magazine. Driven by the ambition to keep an eye and an ear on the world, Monocle curates the global experiences and observations of its wide contributor base across global affairs, business, culture, design and everything in between. Nolan is well versed in reflecting on design in everyday life, where he analyses the shifting landscape of our urban and cultural centres and observes the nuances that make cities great. <\\/p>\\n

Portrait courtesy of Monocle.<\\/p>\\n

\\u2013<\\/p>\\n

The Value of Design by Nolan Giles<\\/p>\\n

Beyond Swiss borders, the idea of its citizens enjoying a well-designed life is unlikely to be the first association one has with the Alpine nation. Yet, it\\u2019s good design that enhances more common cultural tropes linked with the Swiss – punctuality, preparedness, secrecy and conscientiousness. Maybe it\\u2019s because the Swiss are good at keeping secrets that those who\\u2019ve not spent serious time in this country are in the dark about the role smart design plays in everyday life here. But when it comes to punctuality, preparedness and conscientiousness, Swiss cities, homes, offices and public spaces are all carefully constructed to amplify these admirable values.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1063,\"id\":1063,\"title\":\"SA\",\"filename\":\"SA.jpg\",\"filesize\":2096840,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/sa\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"sa\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:43:49\",\"modified\":\"2022-03-05 22:43:49\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2048,\"height\":1366,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA.jpg\",\"full_width-width\":2048,\"full_width-height\":1366,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/SA-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Oberhornsee, one of the Lauterbrunnen Valley\\u2019s most picturesque lakes. Photography courtesy of Stephen Hiltner.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Let\\u2019s start in the home, at the breakfast table, which on good weather days, will likely be on a generously proportioned balcony. With cities planned to perfect density in Switzerland and apartment blocks (typically five to seven storeys in height) dotting residential areas – most people live in flats. And most of these flats are blessed with a balcony – of a decent size – which, in my view, is the most underrated room in the home. Pandemic lock-downs put this into perspective in Europe. While many people in cities like London (where developers skimp on balconies in engineering profits for themselves) spent summers baking inside boxed-in abodes, the Swiss comfortably adapted to al-fresco style home-offices on shady balconies. <\\/p>\\n

Of course, it\\u2019s doubtful that city planners and property developers in places like Z\\u00fcrich and Bern, 50 or 100 years ago, adopted this housing style to prepare for pandemic-motivated home-working. However, what is true – from then until now – is that there has always been an understanding in Switzerland of the benefit of appreciating the outdoors from your place of residence.<\\/p>\\n

This attitude filters out well beyond the home. Architecture and urban developments are formed here to make the most of the outdoors. This is quickly apparent when boarding an always-on-time tram in a Swiss city and surveying public spaces and how they\\u2019re programmed on your journey. Just don\\u2019t forget your bathers.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1060,\"id\":1060,\"title\":\"Alps\",\"filename\":\"Alps.jpg\",\"filesize\":2111815,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/alps\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"alps\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:24:46\",\"modified\":\"2022-03-05 22:24:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1536,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps.jpg\",\"full_width-width\":1536,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Alps.jpg\",\"medium2-width\":1536,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Snow-capped Swiss Alps. Photography courtesy of On \\/ Anne Lutz and Thomas St\\u00f6ckli.<\\/p>\\n\"},{\"image\":{\"ID\":1051,\"id\":1051,\"title\":\"Tram\",\"filename\":\"Tram.jpeg\",\"filesize\":609847,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/tram\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"tram\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 21:53:26\",\"modified\":\"2022-03-05 21:53:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1536,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram-225x300.jpeg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram-900x1200.jpeg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram.jpeg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram.jpeg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram.jpeg\",\"full_width-width\":1536,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Tram.jpeg\",\"medium2-width\":1536,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

The tramways of Bern, Switzerland. Photography courtesy of Ian Boyle.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

It\\u2019s definitely easier to create more enjoyable public spaces when your city is endowed with natural bounties – and Swiss cities sit on some incredible lakes, mountains and rivers. However, the fact that urban design exemplifies the virtues these wonders provide so beautifully, and most importantly, so democratically, points to a national culture of city planning to improve the quality of life for all. <\\/p>\\n

Take a dive from the sunny boardwalk surrounding Z\\u00fcrich\\u2019s oldest river bathing club Unterer Letten (a 1909 marvel by architects Fissler and Friedrich) or swim out from Geneva\\u2019s modernist man-made peninsular, Bains des P\\u00e2quis<\\/a>, by architect Henry Roche and you\\u2019ll catch my drift. These places are run for the public\\u2019s free enjoyment by the city municipality – and while both examples are old – they show significant investments in architecture and infrastructure for the public good is longstanding here. Well-designed developments for the public continue to pop up in Swiss cities, just look at the renders of the massive tree-laden public forum of the University of Zurich campus, by excellent Basel-headquartered architects Herzog & de Meuron<\\/a>, as proof.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“It\\u2019s definitely easier to create more enjoyable public spaces when your city is endowed with natural bounties – and Swiss cities sit on some incredible lakes, mountains and rivers. However, the fact that urban design exemplifies the virtues these wonders provide so beautifully, and most importantly, so democratically, points to a national culture of city planning to improve the quality of life for all.” – Nolan Giles<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1053,\"id\":1053,\"title\":\"Bains des Pa\\u0302quis beach\",\"filename\":\"Bains-des-Pa\\u0302quis-beach.jpeg\",\"filesize\":1797640,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/bains-des-pa%cc%82quis-beach\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bains-des-pa%cc%82quis-beach\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:02:31\",\"modified\":\"2022-03-05 22:02:31\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2048,\"height\":1366,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-1200x800.jpeg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1366,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach.jpeg\",\"full_width-width\":2048,\"full_width-height\":1366,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-1600x1067.jpeg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Bains des P\\u00e2quis beach, Geneva. Photography courtesy of Annette Monheim.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1054,\"id\":1054,\"title\":\"Bains des Pa\\u0302quis beach 3\",\"filename\":\"Bains-des-Pa\\u0302quis-beach-3.jpeg\",\"filesize\":1617855,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/bains-des-pa%cc%82quis-beach-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bains-des-pa%cc%82quis-beach-3\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:03:56\",\"modified\":\"2022-03-05 22:03:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1365,\"height\":2048,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3.jpeg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3.jpeg\",\"full_width-width\":1365,\"full_width-height\":2048,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-3.jpeg\",\"medium2-width\":1365,\"medium2-height\":2048}},\"use_caption\":true,\"caption\":\"

Private changing rooms at Bains des P\\u00e2quis, Geneva – a rarity for public baths built in the 1930s. Photography courtesy of Annette Monheim.<\\/p>\\n\"},{\"image\":{\"ID\":1055,\"id\":1055,\"title\":\"Bains des Pa\\u0302quis beach 2\",\"filename\":\"Bains-des-Pa\\u0302quis-beach-2.jpeg\",\"filesize\":587401,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/bains-des-pa%cc%82quis-beach-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bains-des-pa%cc%82quis-beach-2\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:04:21\",\"modified\":\"2022-03-05 22:04:21\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":910,\"height\":1365,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2.jpeg\",\"1536x1536-width\":910,\"1536x1536-height\":1365,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2.jpeg\",\"2048x2048-width\":910,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2.jpeg\",\"full_width-width\":910,\"full_width-height\":1365,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Bains-des-Pa\\u0302quis-beach-2.jpeg\",\"medium2-width\":910,\"medium2-height\":1365}},\"use_caption\":true,\"caption\":\"

The much-loved public diving platforms at Bains des P\\u00e2quis, Geneva, overlooking the the Jet d\\u2019Eau. Photography courtesy of Annette Monheim.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

So living in Switzerland is all about being surrounded by good design, but it\\u2019s not all about recreation. It\\u2019s no surprise that some of the world\\u2019s best-designed offices and some of the world\\u2019s top office furniture companies (specifically internationally-respected giants Vitra and USM) have arisen here. In the city of Lausanne, staff at the International Olympic Committee<\\/a>\\u2019s new headquarters enjoy a timber-laden office, with floors cooled (and heated in winter) from waters being pumped into the building from Lake Geneva. Designed by Danish architects 3XN<\\/a>, it\\u2019s a world-beater for setting sustainability standards. It\\u2019s proof that brands here bank on good design to draw international talent, let\\u2019s not forget this is a nation of only 8.6 million people, with a quarter being foreigners recruited to bolster the economy. In Basel Pharma giant Novartis<\\/a> commissioned a dream team of architects including David Chipperfield, Frank Gehry and Kazuyo Sejima to form its university-campus-like offices on a formerly derelict part of the city. The result is a truly enjoyable and extremely well-equipped environment for scientific innovation.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1061,\"id\":1061,\"title\":\"Olympic House\",\"filename\":\"Olympic-House.jpeg\",\"filesize\":338299,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/olympic-house\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"olympic-house\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:29:28\",\"modified\":\"2022-03-05 22:29:28\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1704,\"height\":1136,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House-1200x800.jpeg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House.jpeg\",\"2048x2048-width\":1704,\"2048x2048-height\":1136,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House.jpeg\",\"full_width-width\":1704,\"full_width-height\":1136,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Olympic-House-1600x1067.jpeg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

The International Olympic Committee HQ, Lausanne. Rising rings define a central stair to bring light and connection to each level. Photography courtesy of Adam M\\u00f8rk.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

It\\u2019s important to note that everything argued in this essay is bolstered by the fact that Switzerland is a wealthy country. Its economy is propped up by some of the world\\u2019s biggest banks, pharmaceuticals companies and luxury good suppliers. However, there\\u2019s no doubt that the private sector\\u2019s prosperity is helped by good public planning legislation and incredible housing and infrastructure design, all supported by sharp governments. While we don\\u2019t need to delve into the politics of it all right now – Switzerland\\u2019s \\u2018direct democracy’ is a key factor here. The model means citizens have a strong say in how their surroundings are shaped (a lot of votes and referendums take place here) which is why the environments they live and work in are so closely tailored to their needs. It\\u2019s also why there\\u2019s an immense amount of trust in urban design and architecture proposals – as those creating them have to be savvy about what people actually want and need.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1058,\"id\":1058,\"title\":\"ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080\",\"filename\":\"ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"filesize\":121189,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:15:43\",\"modified\":\"2022-03-05 22:15:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":720,\"height\":1080,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"medium_large-width\":720,\"medium_large-height\":1080,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"large-width\":720,\"large-height\":1080,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"1536x1536-width\":720,\"1536x1536-height\":1080,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"2048x2048-width\":720,\"2048x2048-height\":1080,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"full_width-width\":720,\"full_width-height\":1080,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/ignant-zurich-swizerland-pavillon-corbusier-franz-gruenewald-12-720x1080-1.jpg\",\"medium2-width\":720,\"medium2-height\":1080}},\"use_caption\":true,\"caption\":\"

Pavillon Le Corbusier, Zurich. Photography courtesy of Franz Gr\\u00fcnewald.<\\/p>\\n\"},{\"image\":{\"ID\":1062,\"id\":1062,\"title\":\"Pavillon\",\"filename\":\"Pavillon.jpeg\",\"filesize\":107024,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/nolan-giles-on-the-value-of-design\\/pavillon\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"pavillon\",\"status\":\"inherit\",\"uploaded_to\":1035,\"date\":\"2022-03-05 22:31:19\",\"modified\":\"2022-03-05 22:31:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1024,\"height\":1536,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon.jpeg\",\"2048x2048-width\":1024,\"2048x2048-height\":1536,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon.jpeg\",\"full_width-width\":1024,\"full_width-height\":1536,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/03\\/Pavillon.jpeg\",\"medium2-width\":1024,\"medium2-height\":1536}},\"use_caption\":true,\"caption\":\"

Facade of Pavillon Le Corbusier, Zurich. Photography courtesy of Franz Gr\\u00fcnewald.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Switzerland’s economy is propped up by some of the world\\u2019s biggest banks, pharmaceuticals companies and luxury good suppliers. However, there\\u2019s no doubt that the private sector\\u2019s prosperity is helped by good public planning legislation and incredible housing and infrastructure design, all supported by sharp governments.” – Nolan Giles<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Finally, it’s worth adding those administering a culture of good design here by actually practising it. Architects, industrial designers and creative talent are educated at top schools such as Lausanne\\u2019s ECAL and Z\\u00fcrich\\u2019s ETH university, which has an impressive engineering department. Those graduating are using good design ideas to enhance life for those on home soil and far beyond the nation\\u2019s borders. Herzog & de Meuron might be the nation\\u2019s best known international architecture firm, but there\\u2019s a high standard of work being done from firms large and small in Switzerland. Of course, the only way this all can actually be proven is by you – dear reader – making a sojourn to (or a more permanent stay in) Switzerland. It\\u2019s a trip I would advise anyone plying their craft in making the places we live more enjoyable, resilient and respectful to the broader public, to take.<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\nIn Conversation with Fleur Watson
\\r\\n11.04.22\",\"listing_description\":\"

Fleur Watson is Executive Director and Chief Curator for the Centre for Architecture Victoria, Open House Melbourne. From 2013-2020, Fleur was Curator at Design Hub Gallery, an exhibition space dedicated to cross-disciplinary design exchange and practice-led research at RMIT University in Melbourne, where she is Honorary University Fellow. She is also the author of The New Curator: Exhibiting Architecture & Design; a text that examines the inherent challenges in exhibiting design ideas.<\\/p>\\n\",\"hero_image\":{\"ID\":1065,\"id\":1065,\"title\":\"FW\",\"filename\":\"FW.jpg\",\"filesize\":4901617,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/fw\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fw\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-04 20:45:18\",\"modified\":\"2022-04-04 20:45:18\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4325,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW-208x300.jpg\",\"medium-width\":208,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW.jpg\",\"medium_large-width\":768,\"medium_large-height\":1107,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW-832x1200.jpg\",\"large-width\":832,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW.jpg\",\"1536x1536-width\":1065,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW.jpg\",\"2048x2048-width\":1421,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW-2500x3604.jpg\",\"full_width-width\":2500,\"full_width-height\":3604,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/FW-1600x2307.jpg\",\"medium2-width\":1600,\"medium2-height\":2307}},\"bg_colour\":\"#d2cf81\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

Fleur Watson is Executive Director and Chief Curator for the Centre for Architecture Victoria, Open House Melbourne<\\/a>. From 2013-2020, Fleur was Curator at Design Hub Gallery<\\/a>, an exhibition space dedicated to cross-disciplinary design exchange and practice-led research at RMIT University<\\/a> in Melbourne, where she is Honorary University Fellow. She is also the author of The New Curator: Exhibiting Architecture & Design<\\/a>; a text that examines the inherent challenges in exhibiting design ideas.<\\/p>\\n

Reframing the act of curation as a creative and experimental act, Fleur advocates for unconventional modes of curating design and architecture to create shared spaces of encounter. The book is divided into six thematic pillars, each chronicling projects and conversations with influential curators and cultural producers, lending a personal tone to the narrative. Fleur\\u2019s sharp observations, supported by rich visual content, unveil the emergence of a \\u2018new curator\\u2019 \\u2013 an illuminating study that reveals the specialised and performative capacity of curation. <\\/p>\\n

Founder and Director, Neil Hugh Kenna, recently sat down with Fleur to discuss The New Curator: Exhibiting Architecture & Design<\\/a>. This is their conversation. <\\/p>\\n

Portrait by Tobias Titz.<\\/p>\\n

–<\\/p>\\n

NHK: Hi Fleur. We\\u2019re delighted you could join us to discuss your book, The New Curator, which our team keenly read earlier this year. With your background in research and curation, I imagine the book evolved over many years in practice. Can you tell us a bit about your journey?<\\/p>\\n

FW: The New Curator is, at its heart, a deeply collaborative project \\u2013 it brings together a significant international community of curatorial practice and body of work and projects produced here in Australia and globally. Much of the research for the book was produced during the completion of a practice-based PhD at RMIT University<\\/a> and within my tenure as curator at Design Hub Gallery<\\/a> which provided an important space in which to test this project-based research together with my curatorial colleagues and collaborators in the creative community both within Melbourne but, also, more broadly across Australia and internationally. <\\/p>\\n

Most importantly, Design Hub<\\/a> was a public space \\u2013 open and free to experience and actively take part in the exhibitions and programs so in that respect it was a civic space and a cultural contribution to the city. It brought the academy \\u2013 researchers, creative practitioners and the public together in one place and, as a result, engaged many different people from many different perspectives to grapple with the messy, iterative, process-driven realities of design. We experimented with different forms of mediation formats and methods that could explore design from a diverse set of experiences and considered how we could develop a program beyond the traditional exhibition \\u2013 as an installation, a scenography, a performance, a series of workshops, or a debate and so on.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The New Curator is, at its heart, a deeply collaborative project \\u2013 it brings together a significant international community of curatorial practice and body of work and projects produced here in Australia and globally.” – Fleur Watson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In the foreword, curator, editor and writer Deyan Sudjic<\\/a> observes that many curators started their careers as journalists. Parallels are drawn between both disciplines \\u2013 specifically regarding the role of storytelling and the value of empathy. How do you feel journalistic experience enables new curators to connect with their audience?<\\/p>\\n

FW: In my view, a research or \\u2018process-driven\\u2019 approach to curating can encompass a certain journalistic or investigative quality. In this approach, there is an ability to unearth and reveal new stories or shed new light on previously unseen or untold connections while asking questions of the world around us and opening up new ways to create a meaningful exchange with audiences. <\\/p>\\n

My own background includes a degree in design, a post-graduate degree in journalism, a masters degree in curatorial practice and a PhD in architecture and urban design so I have what you might call a very \\u2018hybrid\\u2019 education, background and diverse range of experience. I\\u2019ve always viewed the overlapping nature of this work as contributing to an \\u2018expanded field\\u2019 of design practice that includes curating, writing, exhibiting, research and teaching as part of that matrix.<\\/p>\\n

I think this connectivity and dexterity across modes of practice resonates with many of the curatorial conversations in the book and, this complexity \\u2013 asking questions of the world around us to understand the changing role and agency of design \\u2013 is more nuanced in this respect. <\\/p>\\n

In fact, in his foreword, Deyan<\\/a>, also writes that the new curator is \\u201cworking on ways to debate and redefine the subject of design. In this sense, the book is as much about [the changing nature of] design practice as it is about curating.\\u201d<\\/p>\\n

Certainly, design and spatial practice continues to evolve and, arguably, must change rapidly to increase its relevance, agency and contribution in addressing significant contemporary challenges \\u2013 recognising Indigenous sovereignty, responding to the climate crisis, advocating for safe, affordable and long-term housing and social justice, inclusion and access for all.<\\/p>\\n

And, much like design practice itself, contemporary curators are also responding to these urgent and shifting conditions and asking questions of the role of cultural production in this context. What can curators offer in the face of the enormity of these challenges that makes an active contribution to envisaging how we can collectively work towards a better future together? <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1079,\"id\":1079,\"title\":\"Deyan Sudjic\",\"filename\":\"Deyan-Sudjic.jpeg\",\"filesize\":72841,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/deyan-sudjic\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"deyan-sudjic\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:57:29\",\"modified\":\"2022-04-06 09:57:29\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1024,\"height\":682,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic.jpeg\",\"large-width\":1024,\"large-height\":682,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":682,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic.jpeg\",\"2048x2048-width\":1024,\"2048x2048-height\":682,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic.jpeg\",\"full_width-width\":1024,\"full_width-height\":682,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Deyan-Sudjic.jpeg\",\"medium2-width\":1024,\"medium2-height\":682}},\"use_caption\":true,\"caption\":\"

Deyan Sudjic. Photography courtesy of Design at Large.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Certainly, design and spatial practice continues to evolve and, arguably, must change rapidly to increase its relevance, agency and contribution in addressing significant contemporary challenges \\u2013 recognising Indigenous sovereignty, responding to the climate crisis, advocating for safe, affordable and long-term housing and social justice, inclusion and access for all.” – Fleur Watson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: You define the \\u2018new curator\\u2019 as a globally connected auteur \\u2013 a hybrid and dexterous cultural producer articulating progressive and experimental ideas. Yet exhibiting architecture and design is still a relatively new practice, often falling into the trope of presenting finished outcomes via models, plans and photographs. How do the curatorial \\u2018moves\\u2019 you present in the book liberate curators to broaden understandings of exhibiting design and architecture? <\\/p>\\n

FW: The book is somewhat provocatively titled The New Curator in full acknowledgement that curatorship \\u2013 for spatial practice and design \\u2013 is certainly not \\u2018new\\u2019. I\\u2019m not seeking to construct a binary between \\u2018new and \\u2018old\\u2019 forms of curatorship; nor is it my intention to reject the scholarship and custodianship on established modes of cultural production. Instead, the book seeks to explore, discuss and investigate emerging curatorial methodologies and \\u2018moves\\u2019 to understand the shifting nature of contemporary curatorial practice today. <\\/p>\\n

The book examines the challenges inherent in exhibiting design ideas and research in expanded spatial practice and explores a range of emergent curatorial methods and strategies across a diverse range of exhibitions, projects and contexts \\u2013 both within and outside the museum and\\/or gallery setting.<\\/p>\\n

Many of these projects and case studies share a deliberate shift away from exhibiting finished works or artefacts towards a form of process-driven or \\u2018performative curation\\u2019 which, in turn, provides a space to test experimental methods for encountering design ideas. Here, the role of the curator is not that of \\u2018custodian\\u2019 or \\u2018expert\\u2019 but with the intent to create a shared space of encounter with audiences \\u2013 a space that is porous and welcoming yet, simultaneously, \\u2018socially tuned\\u2019. <\\/p>\\n

The book interrogates \\u2013 through a series of case studies and conversations \\u2013 emerging forms of curatorial practice that embrace social responsiveness, advocacy and, even activism while, simultaneously, generating welcoming spaces for exchange that are porous and generous to audiences \\u2013 encouraging them to take an active part in this process. <\\/p>\\n

To understand this shifting landscape, I map and considers what I call six curatorial moves: Design as Exhibit (Curator as Space-Maker), The Prosthetic (Curator as Interloper) The Hybrid to the Digital (Curator as Speculator); The Mediator (Curator as Translator of Process, The Advocate\\/Activist (Curator as Agent), and Event as Performance (Curator as Dramaturge).<\\/p>\\n

The term \\u2018moves\\u2019 is a deliberate one \\u2013 rather than strategies or frameworks \\u2013 and intended as an exploration of this emergence of a more responsive, porous and intuitive and, even at times, invisible \\u2013 curatorial hand rather than preconceived, rigid or highly authored methodology.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The book interrogates \\u2013 through a series of case studies and conversations \\u2013 emerging forms of curatorial practice that embrace social responsiveness, advocacy and, even activism while, simultaneously, generating welcoming spaces for exchange that are porous and generous to audiences \\u2013 encouraging them to take an active part in this process.” – Fleur Watson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In \\u2018Design as Exhibit,\\u2019 you explore the criticism of 1:1 exhibits yet advocate for the capacity of temporal spaces to distil design ideas and provide moments of intensity for design thinking, exchange and debate. How do these types of exhibitions scaffold performance and how can they persist in a digital context?<\\/p>\\n

FW: The contemporary \\u2018live extract\\u2019 resists the idea of simply replicating a piece of architecture at 1:1 scale (isolated from program, context and site) to create a spatial experience for performance and active exchange. In this context, it sits somewhere between theatre scenography and an \\u2018encounter\\u2019 that mediates architectural qualities such as compression, release, materiality, diffusion of light, and so on.<\\/p>\\n

In this case, the design acts as a live test, an experiment or a 1:1 set to create space for exchange and debate. At their most compelling, these new forms of temporal, full-scale exhibits can provide a forum for design experimentation and provocations in contemporary culture amplified by a global reach via digital connectivity and platforms. <\\/p>\\n

Hybrid exhibition environments are also providing rich territory for active audience engagement and performative experiences. For their exhibition Value in the Virtual<\\/a>, at ArkDes<\\/a> in Sweden, architects Lara Lesmes and Fredrik Hellberg of Space Popular<\\/a> invite audiences to explore the idea of what will happen to cities and architecture in the near future as more of our experiences merge the real and the virtual. <\\/p>\\n

Curated by James Taylor-Foster<\\/a>, Lesmes and Hellberg developed a series of propositions on what the city of Stockholm might look like and be experienced when physical architecture is blended with virtual augmentation providing an important opportunity to interrogate the implications of physical and virtual architecture and the role of the designer and the value of aesthetics alongside the ethical implications of the role of the designer in this matrix. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1075,\"id\":1075,\"title\":\"space-popular-1--foto_jeanette-hgglund-1280x1920\",\"filename\":\"space-popular-1-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"filesize\":713053,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/space-popular-1-foto_jeanette-hgglund-1280x1920\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"space-popular-1-foto_jeanette-hgglund-1280x1920\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:38:42\",\"modified\":\"2022-04-06 09:38:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1280,\"height\":1920,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"2048x2048-width\":1280,\"2048x2048-height\":1920,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"full_width-width\":1280,\"full_width-height\":1920,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-1-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"medium2-width\":1280,\"medium2-height\":1920}},\"use_caption\":true,\"caption\":\"

Value in the Virtual by Space Popular at ArkDes. Photo by Jeanette H\\u00e4gglund.<\\/p>\\n\"},{\"image\":{\"ID\":1070,\"id\":1070,\"title\":\"space-popular-2--foto_jeanette-hgglund-1280x1920\",\"filename\":\"space-popular-2-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"filesize\":614741,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/space-popular-2-foto_jeanette-hgglund-1280x1920\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"space-popular-2-foto_jeanette-hgglund-1280x1920\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:23:52\",\"modified\":\"2022-04-06 09:23:52\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1280,\"height\":1920,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"2048x2048-width\":1280,\"2048x2048-height\":1920,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"full_width-width\":1280,\"full_width-height\":1920,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-2-foto_jeanette-hgglund-1280x1920-1.jpeg\",\"medium2-width\":1280,\"medium2-height\":1920}},\"use_caption\":true,\"caption\":\"

Value in the Virtual by Space Popular at ArkDes. Photo by Jeanette H\\u00e4gglund.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1071,\"id\":1071,\"title\":\"space-popular-3--foto_jeanette-hgglund-1280x853\",\"filename\":\"space-popular-3-foto_jeanette-hgglund-1280x853-1.jpeg\",\"filesize\":367388,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/space-popular-3-foto_jeanette-hgglund-1280x853\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"space-popular-3-foto_jeanette-hgglund-1280x853\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:25:52\",\"modified\":\"2022-04-06 09:25:52\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1280,\"height\":853,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1-1200x800.jpeg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1.jpeg\",\"1536x1536-width\":1280,\"1536x1536-height\":853,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1.jpeg\",\"2048x2048-width\":1280,\"2048x2048-height\":853,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1.jpeg\",\"full_width-width\":1280,\"full_width-height\":853,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/space-popular-3-foto_jeanette-hgglund-1280x853-1.jpeg\",\"medium2-width\":1280,\"medium2-height\":853}},\"use_caption\":true,\"caption\":\"

Value in the Virtual by Space Popular at ArkDes. Photo by Jeanette H\\u00e4gglund.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“At their most compelling, these new forms of temporal, full-scale exhibits can provide a forum for design experimentation and provocations in contemporary culture amplified by a global reach via digital connectivity and platforms.” – Fleur Watson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In the conversation with curators Catherine Ince<\\/a> and Prem Krishnamurthy<\\/a>, Prem highlights the value of a simple curatorial idea: \\u2018insist that everyone is at the table from the beginning.\\u2019 What can be gained by engaging with a multidisciplinary, collaborative team from the outset?<\\/p>\\n

FW: Embracing a highly collaborative and multi-authored approach at the \\u2018get-go\\u2019 of the conceptual, curatorial and design process is a very natural move for many of the curators and projects profile in the book and yet, today, it still represents a stark departure from the usual \\u2018silo\\u2019 of the institution. In many museum and gallery contexts, the exhibition design is generally developed in isolation from the early stages of the curatorial process and then responds to a fixed object list or the collection of works, developing an aesthetic form or \\u2018wrapping\\u2019 for the exhibition. <\\/p>\\n

As Prem<\\/a> so succinctly describes in his conversation, this idea of \\u2018everyone being at the table\\u2019 is vital so that the framework can be shaped from multiple points of view and that there is a fluidity of roles and a porosity that allows question, shift and challenge established power structures that might otherwise go unquestioned or unseen. Only then is there a chance to expand or challenge the singular voice of the institution. <\\/p>\\n

Prem<\\/a>\\u2019s concept of meta-curation where collaborative units are formed to consider and construct future scenarios in which to explore concepts for an exhibition is also really, really interesting. From my perspective at least, this feels aligned with the notion of the curatorial dramaturgy. How can you set the conditions or framework for a multiplicity of voices, approaches, positions and perspectives and, as Prem<\\/a> describes \\u2018rewrite the rules in a playful way?\\u2019<\\/p>\\n

Finally, I\\u2019ll circle back to Prem<\\/a> and Catherine<\\/a>\\u2019s comments that the \\u2018exhibition is still a fantastic demonstration room for ideas\\u2019 and that the exhibition\\u2019s role is not as an end to something but rather as a starting point, a catalyst. This position clearly connects with many of the other curatorial conversations and case studies in the book. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“As Prem<\\/a> so succinctly describes in his conversation, this idea of \\u2018everyone being at the table\\u2019 is vital so that the framework can be shaped from multiple points of view and that there is a fluidity of roles and a porosity that allows question, shift and challenge established power structures that might otherwise go unquestioned or unseen. Only then is there a chance to expand or challenge the singular voice of the institution.” – Fleur Watson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In the face of current global crises, many design exhibitions are turning their attention to themes of creating better futures \\u2013 a provocative undertaking to uncover new knowledge. Can you share some examples of how new curators are tackling significant societal, environmental and economic issues and how this elevates the value of design?<\\/p>\\n

FW: Design exhibitions exploring how we can collectively work towards \\u2018better futures\\u2019 can be problematic. On one hand, it\\u2019s critical that cultural production responds to the conditions and challenges that we collectively face, yet, within an exhibition environment, the result can often feel overwhelming or, worse, disempowering when faced with an overload of didactic information and data. <\\/p>\\n

In contrast to this approach, Occupied<\\/a> at RMIT Design Hub<\\/a> (2016) was an exhibition, series of performances, residencies and research-driven workshops created in collaboration with David Neustein and Grace Morlock of Other Architects<\\/a> who instigated, co-curated and designed the project from the initial stages of the curatorial process. <\\/p>\\n

Occupied<\\/a> responded directly to a widely reported yet startling statistic that was receiving much media attention at the time: By 2050, the city of Melbourne is projected to overtake Sydney as Australia\\u2019s most populous city, with 8 million inhabitants to Sydney\\u2019s 7.5 million. The exhibition was an important opportunity to discuss and exchange a diversity of approaches, research and projects from other cities around the world that were grappling with similar pressures of rapid growth within their own context. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1077,\"id\":1077,\"title\":\"Occupied 4\",\"filename\":\"Occupied-4.jpeg\",\"filesize\":149569,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/occupied-4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"occupied-4\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:41:30\",\"modified\":\"2022-04-06 09:41:30\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4.jpeg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4.jpeg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4.jpeg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-4.jpeg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Occupied at RMIT Design Hub. Photography by Tobias Titz.<\\/p>\\n\"},{\"image\":{\"ID\":1076,\"id\":1076,\"title\":\"Occupied 3\",\"filename\":\"Occupied-3.jpeg\",\"filesize\":170946,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/occupied-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"occupied-3\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:41:28\",\"modified\":\"2022-04-06 09:41:28\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":1500,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3-800x1200.jpeg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3.jpeg\",\"1536x1536-width\":1000,\"1536x1536-height\":1500,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3.jpeg\",\"2048x2048-width\":1000,\"2048x2048-height\":1500,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3.jpeg\",\"full_width-width\":1000,\"full_width-height\":1500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied-3.jpeg\",\"medium2-width\":1000,\"medium2-height\":1500}},\"use_caption\":true,\"caption\":\"

Occupied at RMIT Design Hub. Photography by Tobias Titz.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1072,\"id\":1072,\"title\":\"Occupied_1\",\"filename\":\"Occupied_1.jpeg\",\"filesize\":39151,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/occupied_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"occupied_1\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:29:11\",\"modified\":\"2022-04-06 09:29:11\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1000,\"height\":667,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1.jpeg\",\"large-width\":1000,\"large-height\":667,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1.jpeg\",\"1536x1536-width\":1000,\"1536x1536-height\":667,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1.jpeg\",\"2048x2048-width\":1000,\"2048x2048-height\":667,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1.jpeg\",\"full_width-width\":1000,\"full_width-height\":667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Occupied_1.jpeg\",\"medium2-width\":1000,\"medium2-height\":667}},\"use_caption\":true,\"caption\":\"

Occupied at RMIT Design Hub. Photography by Tobias Titz.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

FW: The exhibition took direct inspiration from Offset House<\\/a> \\u2013 a speculative project by Other Architects<\\/a> for the Chicago Architecture Biennial<\\/a> 2015. Offset House<\\/a>\\u2019s proposal to \\u2018un-supersize suburban McMansions\\u2019 by retrofitting existing homes and adapting the typical brick veneer project home into a more flexible, environmentally efficient and economical form provided a point of provocation for the exhibition. <\\/p>\\n

As co-curators we posed the question: \\u201chow can architecture respond to this rapid growth by doing more with less, retrofitting, adapting and repurposing existing structures and environments in a way that is both transformative and optimistic? <\\/p>\\n

In response to this provocation, we invited 23 local and international practitioners (from Melbourne, Sydney, Perth, Brisbane, Bangkok, Santiago, New York, London, Paris, Milan, Barcelona and Madrid) to exhibit their small-scale, contingent and design ideas and projects that operated at the margins or the in-between, within bureaucratic grey-zones or emerging economies. <\\/p>\\n

Taking the form of built and ongoing projects, installations and models, residencies, processes and performances, smartphone apps and collaborative platforms \\u2013 including an in-situ residency and Airbnb-like space within the exhibition itself \\u2013 the works created for the exhibition ranged from pragmatism to installation to speculation. We were interested in bringing a diverse mix of people and ideas together to really thrash out these quite complex issues, with the different modes of mediation and translation performing the issues of the time and inviting direct exchange with the audience. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1078,\"id\":1078,\"title\":\"Offset House 3\",\"filename\":\"Offset-House-3.jpeg\",\"filesize\":366898,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/offset-house-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"offset-house-3\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:47:03\",\"modified\":\"2022-04-06 09:47:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3-1200x800.jpeg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3.jpeg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3.jpeg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3.jpeg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/Offset-House-3.jpeg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Offset House by Other Architects. Photography by Tobias Titz.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Design exhibitions exploring how we can collectively work towards \\u2018better futures\\u2019 can be problematic. On one hand, it\\u2019s critical that cultural production responds to the conditions and challenges that we collectively face, yet, within an exhibition environment, the result can often feel overwhelming or, worse, disempowering when faced with an overload of didactic information and data.” – Fleur Watson<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: In Chapter 6: \\u2018Event as Performance,\\u2019 Paola Antonelli <\\/a> summarises aptly: \\u201cit\\u2019s not relevant anymore to tell people that \\u2018this is the way it is\\u2019. Instead, the position might be: \\u2018I have an idea and I think it\\u2019s interesting now and I\\u2019d like to share it and talk about what it might mean\\u2026\\u2019\\u201d Moving towards a more discursive and performative approach to curation, how do you believe the role of the curator will continue to evolve? <\\/p>\\n

FW: This quote from Paola<\\/a> resonates deeply with me and, in many ways, sums up the entire project of this book. One element, however, is certain. Curating is not an activity that can take place in isolation \\u2013 either from the wider landscape of design practice or from the specifics of institutional or social politics. The audience is an integral and active part of the equation.<\\/p>\\n

I think we\\u2019ll continue to see an evolution in the moves that contemporary curators continue to make as they experiment with ways of creating \\u2018radically welcoming\\u2019 spaces that embrace diversity, access and inclusion and pursue new forms that support ethical and sustainable modes of exhibition-making. <\\/p>\\n

This also resonates with a new project that I\\u2019m working on with co-curator Associate Professor Tara McDowell<\\/a> from Monash University that considers a distributed and \\u2018light footprint\\u2019 approach to a curatorial project using the city \\u2013 \\u2018as found\\u2019 public, private and social spaces \\u2013 as exhibition environments. <\\/p>\\n

Take Hold of the Clouds<\\/a> is a new curated project that intervenes into the annual Open House Melbourne<\\/a> and is distributed across the city of Naarm (Melbourne) for one weekend at the end of July, 2022. The project invites artists, architects, and designers to choose a building or public space included in the Open House<\\/a> Weekend program. Rather than simply placing artworks in buildings, Take Hold of the Clouds<\\/a> stages a series of thoughtful encounters between artist and architecture, in which each project responds to the form, context, and issues endemic to its site, adding a new layer to how we understand these buildings in the world. <\\/p>\\n

The exhibition draws our attention to the unbuilt as well as the built aspects of our architecture: the built environment as porous and leaky as much as solid and physical; the bodies rendered invisible or obsolete by buildings, and the use and misuse of space by bodies in turn; utopian architecture as linked to utopian community building; the natural world that the built environment has eclipsed; and lastly, the atmospheric effects of the manmade. <\\/p>\\n

In this respect, Take Hold of the Clouds<\\/a> is a curatorial experiment that sets up the conditions for a series of critical interventions into the format of the large-scale festival. <\\/p>\\n

NHK: Fleur, thank you kindly for joining us.<\\/p>\\n

FW: Thank you for a generous conversation!<\\/p>\\n

\\u2013<\\/p>\\n

The New Curator: Exhibiting Architecture & Design<\\/a> is published by Routledge Publications and available for purchase at Bookshop by Uro<\\/a>. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Curating is not an activity that can take place in isolation \\u2013 either from the wider landscape of design practice or from the specifics of institutional or social politics. The audience is an integral and active part of the equation.” – Fleur Watson<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1068,\"id\":1068,\"title\":\"The New Curator_cover\",\"filename\":\"The-New-Curator_cover-2.jpeg\",\"filesize\":1250589,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-new-curator-with-fleur-watson\\/the-new-curator_cover-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"the-new-curator_cover-3\",\"status\":\"inherit\",\"uploaded_to\":1064,\"date\":\"2022-04-06 09:18:43\",\"modified\":\"2022-04-06 09:18:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":2865,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2-209x300.jpeg\",\"medium-width\":209,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2.jpeg\",\"medium_large-width\":768,\"medium_large-height\":1100,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2-838x1200.jpeg\",\"large-width\":838,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2.jpeg\",\"1536x1536-width\":1072,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2.jpeg\",\"2048x2048-width\":1430,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2.jpeg\",\"full_width-width\":2000,\"full_width-height\":2865,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/04\\/The-New-Curator_cover-2-1600x2292.jpeg\",\"medium2-width\":1600,\"medium2-height\":2292}},\"use_caption\":false,\"caption\":\"

Deyan Sudjic. 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\\r\\n31.03.22\",\"listing_description\":\"

The week that was. In 2022, Melbourne Design Week reached new heights in engagement and visibility. We are always thrilled to play a role, working alongside NGV and scores of designers, studios, curators, academics and thinkers from around Australia, as well as an incredibly supportive media, sharing in our vision to elevate the value of design for the broader community.<\\/p>\\n\",\"hero_image\":{\"ID\":1090,\"id\":1090,\"title\":\"Design Fair_Present\",\"filename\":\"Design-Fair_Present.jpg\",\"filesize\":1007992,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/design-fair_present\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"design-fair_present\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 01:49:06\",\"modified\":\"2022-05-15 01:49:06\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Design-Fair_Present-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The week that was. In 2022, Melbourne Design Week reached new heights in engagement and visibility. Running from 17 – 27 March, the program of more than 300 talks, tours, exhibitions and workshops celebrated the diverse ways design can help create a better future, and included the inaugural collectible design fair. <\\/p>\\n

We are always thrilled to play a role, working alongside NGV and scores of designers, studios, curators, academics and thinkers from around Australia, as well as an incredibly supportive media, sharing in our vision to elevate the value of design for the broader community. <\\/p>\\n

We encourage our global design peers to join us in Melbourne next year. The invitation is open. You are most welcome, and NHO will gladly play host.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1083,\"id\":1083,\"title\":\"After_Hours_2022 6\",\"filename\":\"After_Hours_2022-6.jpg\",\"filesize\":981483,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/after_hours_2022-6\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"after_hours_2022-6\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-02 20:34:53\",\"modified\":\"2022-05-02 20:34:53\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-6-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Two Faces in the Dark by Michael Gittings.
\\nAfter Hours, presented by Volker Haug.
\\nPhotography by Pier Carthew.<\\/p>\\n\"},{\"image\":{\"ID\":1084,\"id\":1084,\"title\":\"After_Hours_2022 20\",\"filename\":\"After_Hours_2022-20.jpg\",\"filesize\":891391,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/after_hours_2022-20\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"after_hours_2022-20\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-02 20:38:09\",\"modified\":\"2022-05-02 20:38:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/After_Hours_2022-20-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Love Chair by Anna Varendorff for ACV.
\\nAfter Hours, presented by Volker Haug.
\\nPhotography by Pier Carthew.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1081,\"id\":1081,\"title\":\"20220315_NGV_MDW_ 1035\",\"filename\":\"20220315_NGV_MDW_-1035.jpg\",\"filesize\":1707982,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/20220315_ngv_mdw_-1035\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"20220315_ngv_mdw_-1035\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-02 20:34:34\",\"modified\":\"2022-05-02 20:34:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220315_NGV_MDW_-1035-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Idyll by Kennedy Nolan in collaboration with Amanda Oliver.
\\nAfter Hours, presented by Volker Haug.
\\nPhotography by Sean Fennessy.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1085,\"id\":1085,\"title\":\"Ella Saddington\",\"filename\":\"Ella-Saddington.jpg\",\"filesize\":1800782,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/ella-saddington\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ella-saddington\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-02 20:56:50\",\"modified\":\"2022-05-02 20:56:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Ella-Saddington-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Remnant Explorations by Ella Saddington.
\\nAlternative Provisions, presented by Craft Victoria.
\\nPhotography by Henry Trumble.<\\/p>\\n\"},{\"image\":{\"ID\":1086,\"id\":1086,\"title\":\"Jessie French\",\"filename\":\"Jessie-French.jpg\",\"filesize\":1741485,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/jessie-french\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jessie-french\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-02 20:56:53\",\"modified\":\"2022-05-02 20:56:53\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Jessie-French-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Algae Bioplastic and Sawdust series by Jessie French.
\\nAlternative Provisions, presented by Craft Victoria.
\\nPhotography by Henry Trumble.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1088,\"id\":1088,\"title\":\"20220317_NGV_MDW_ 174\",\"filename\":\"20220317_NGV_MDW_-174.jpg\",\"filesize\":1044061,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/20220317_ngv_mdw_-174\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"20220317_ngv_mdw_-174\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-02 21:04:57\",\"modified\":\"2022-05-02 21:04:57\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/20220317_NGV_MDW_-174-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Barbera Studio 2022 BCE \\u2013 2022 CE, presented by Barbera Design.
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Barbera Studio 2022 BCE \\u2013 2022 CE, presented by Barbera Design.
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Chairity, presented by Cult Design.
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Melbourne Design Fair – Present, presented by NGV in collaboration with Melbourne Art Foundation.
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Melbourne Design Fair – Select, presented by NGV in collaboration with Melbourne Art Foundation.
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Melbourne Design Fair – Select, presented by NGV in collaboration with Melbourne Art Foundation.
\\nPhotography by Sean Fennessy. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1093,\"id\":1093,\"title\":\"Designwork 06_Sophie Gannon Gallery\",\"filename\":\"Designwork-06_Sophie-Gannon-Gallery.jpg\",\"filesize\":959170,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/designwork-06_sophie-gannon-gallery\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"designwork-06_sophie-gannon-gallery\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:00:15\",\"modified\":\"2022-05-15 02:00:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Designwork-06_Sophie-Gannon-Gallery-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Shrine Time by Daniel To and Emma Aiston.
\\nDesignwork 06, presented by Sophie Gannon Gallery.
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Futures Collective, presented by Spence & Lyda.
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Futures Collective, presented by Spence & Lyda.
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HARD, presented by Calum Hurley.
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Eros Collection by Michael Gittings.
\\nImproper Structures, presented by Eliza Tiernan and Josephine Briginshaw.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"},{\"image\":{\"ID\":1098,\"id\":1098,\"title\":\"Improper Structures_2\",\"filename\":\"Improper-Structures_2.jpg\",\"filesize\":1640442,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/improper-structures_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"improper-structures_2\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:16:57\",\"modified\":\"2022-05-15 02:16:57\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Improper-Structures_2-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Composition series by Liam Fleming.
\\nImproper Structures, presented by Eliza Tiernan and Josephine Briginshaw.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1099,\"id\":1099,\"title\":\"Material Culture_1\",\"filename\":\"Material-Culture_1.jpg\",\"filesize\":819372,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/material-culture_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"material-culture_1\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:22:53\",\"modified\":\"2022-05-15 02:22:53\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3001,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1.jpg\",\"full_width-width\":2000,\"full_width-height\":3001,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_1-1600x2401.jpg\",\"medium2-width\":1600,\"medium2-height\":2401}},\"use_caption\":true,\"caption\":\"

Wasson Shag by Thomas Coward.
\\nMaterial Culture, presented by Marsha Golemac.
\\nPhotography by Annika Kafcaloudis.<\\/p>\\n\"},{\"image\":{\"ID\":1100,\"id\":1100,\"title\":\"Material Culture_2\",\"filename\":\"Material-Culture_2.jpg\",\"filesize\":1040106,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/material-culture_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"material-culture_2\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:22:56\",\"modified\":\"2022-05-15 02:22:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3001,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2.jpg\",\"full_width-width\":2000,\"full_width-height\":3001,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Material-Culture_2-1600x2401.jpg\",\"medium2-width\":1600,\"medium2-height\":2401}},\"use_caption\":true,\"caption\":\"

My limbs my veins dilate by Jeremy Blincoe. Material Culture, presented by Marsha Golemac.
\\nPhotography by Annika Kafcaloudis.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1101,\"id\":1101,\"title\":\"Oigall\",\"filename\":\"Oigall.jpg\",\"filesize\":732071,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/oigall\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"oigall\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:28:42\",\"modified\":\"2022-05-15 02:28:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Oigall-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Showcase, presented by New Assemblage.
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Folk Costumes, Indo Pacific Air, presented by Guillermo Fern\\u00e1ndez-Abascal, Urtzi Grau, copy nature office (Ed Cook), Umi Graham, Ellie Skinner and Harrison Stockdale.
\\nPhotography by Sean Fennessy.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1103,\"id\":1103,\"title\":\"Heide\",\"filename\":\"Heide.jpg\",\"filesize\":806898,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/heide\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"heide\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:55:07\",\"modified\":\"2022-05-15 02:55:07\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Heide-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Relatively Useful by John Wardle & Simon Lloyd, presented by Heide, Museum of Modern Art.
\\nPhotography by Pier Carthew.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1104,\"id\":1104,\"title\":\"Self Portrait_1\",\"filename\":\"Self-Portrait_1.jpg\",\"filesize\":808347,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/self-portrait_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"self-portrait_1\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:58:22\",\"modified\":\"2022-05-15 02:58:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_1-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Work by Kristin Burgham.
\\nSelf Portrait, presented by Friends and Associates.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"},{\"image\":{\"ID\":1105,\"id\":1105,\"title\":\"Self Portrait_2\",\"filename\":\"Self-Portrait_2.jpg\",\"filesize\":877648,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/self-portrait_2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"self-portrait_2\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 02:58:26\",\"modified\":\"2022-05-15 02:58:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Self-Portrait_2-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Work by Steve John Clark.
\\nSelf Portrait, presented by Friends and Associates.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1106,\"id\":1106,\"title\":\"Claire Ellis_Solace\",\"filename\":\"Claire-Ellis_Solace.jpg\",\"filesize\":1386955,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/claire-ellis_solace\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"claire-ellis_solace\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 03:02:21\",\"modified\":\"2022-05-15 03:02:21\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace-2500x1667.jpg\",\"full_width-width\":2500,\"full_width-height\":1667,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Claire-Ellis_Solace-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"use_caption\":true,\"caption\":\"

Solace presented by Claire Ellis.
\\nPhotography by Annika Kafcaloudis.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1107,\"id\":1107,\"title\":\"Tessellate_1\",\"filename\":\"Tessellate_1.jpg\",\"filesize\":1238164,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/tessellate_1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"tessellate_1\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 03:12:46\",\"modified\":\"2022-05-15 03:12:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_1-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Tessellate, presented by Zachary Frankel and Mikaela Stafford.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"},{\"image\":{\"ID\":1108,\"id\":1108,\"title\":\"Tessellate_3\",\"filename\":\"Tessellate_3.jpg\",\"filesize\":1634709,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/tessellate_3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"tessellate_3\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 03:12:50\",\"modified\":\"2022-05-15 03:12:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3.jpg\",\"full_width-width\":2000,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/Tessellate_3-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Tessellate, presented by Zachary Frankel and Mikaela Stafford.
\\nPhotography by Sean Fennessy.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1109,\"id\":1109,\"title\":\"AA_Mother_and_Child2022_closed\",\"filename\":\"AA_Mother_and_Child2022_closed.jpg\",\"filesize\":1866293,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/aa_mother_and_child2022_closed\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"aa_mother_and_child2022_closed\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 03:17:02\",\"modified\":\"2022-05-15 03:17:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2001,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed.jpg\",\"full_width-width\":2001,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_closed-1600x2399.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Mother and Child cabinet by Tim Noone and Forest Furniture.
\\nMother and Child, presented by Tolarno Galleries.
\\nPhotography by Andrew Curtis. <\\/p>\\n\"},{\"image\":{\"ID\":1110,\"id\":1110,\"title\":\"AA_Mother_and_Child2022_open\",\"filename\":\"AA_Mother_and_Child2022_open.jpg\",\"filesize\":1839100,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2022\\/aa_mother_and_child2022_open\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"aa_mother_and_child2022_open\",\"status\":\"inherit\",\"uploaded_to\":1080,\"date\":\"2022-05-15 03:17:09\",\"modified\":\"2022-05-15 03:17:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2001,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open.jpg\",\"medium_large-width\":768,\"medium_large-height\":1151,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open.jpg\",\"1536x1536-width\":1025,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open.jpg\",\"2048x2048-width\":1366,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open.jpg\",\"full_width-width\":2001,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/05\\/AA_Mother_and_Child2022_open-1600x2399.jpg\",\"medium2-width\":1600,\"medium2-height\":2399}},\"use_caption\":true,\"caption\":\"

Mother and Child cabinet by Tim Noone and Forest Furniture.
\\nMother and Child, presented by Tolarno Galleries.
\\nPhotography by Andrew Curtis. <\\/p>\\n\"}]}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post %%POSTLINK%% appeared first 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\\r\\n30.08.22\",\"listing_description\":\"

What is design, if not a process of creating things that make life better? What exactly this means though has led to debates that have occupied the minds of those in the world of architecture and design for years. Should a designer\\u2019s work follow certain aesthetics or only tackle function or principle? Should design shout about its presence, or not? Should it focus on the mundane and humble, or prioritise conceptual, universal statements of the highest-level, blue-sky thinking?<\\/p>\\n\",\"hero_image\":{\"ID\":1186,\"id\":1186,\"title\":\"Ellie Stathaki\",\"filename\":\"Ellie-Stathaki.jpg\",\"filesize\":2185299,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ellie-stathaki-on-the-value-of-design\\/ellie-stathaki\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ellie-stathaki\",\"status\":\"inherit\",\"uploaded_to\":1185,\"date\":\"2022-08-21 23:16:45\",\"modified\":\"2022-08-21 23:16:45\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":4000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki-2500x3333.jpg\",\"full_width-width\":2500,\"full_width-height\":3333,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

\\u2013<\\/p>\\n

Here, Ellie Stathaki, Architecture Editor of Wallpaper*<\\/a> magazine, reflects on the value of design in the context of her professional and personal life. Having trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London, Ellie\\u2019s skill in journalism is underpinned by a deep understanding of the architecture discipline. Driven by this nuanced appreciation of architecture, interiors, fashion, art and contemporary lifestyle, Ellie offers an inherent curiosity in design\\u2019s evolving role. <\\/p>\\n

Portrait by Anna Stathaki. <\\/p>\\n

\\u2013<\\/p>\\n

The Value of Design by Ellie Stathaki<\\/p>\\n

What is design, if not a process of creating things that make life better? What exactly this means though has led to debates that have occupied the minds of those in the world of architecture and design for years. Should a designer\\u2019s work follow certain aesthetics or only tackle function or principle? Should design shout about its presence, or not? Should it focus on the mundane and humble, or prioritise conceptual, universal statements of the highest-level, blue-sky thinking?<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1196,\"id\":1196,\"title\":\"Wallpaper\",\"filename\":\"Wallpaper.jpg\",\"filesize\":1599535,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ellie-stathaki-on-the-value-of-design\\/wallpaper\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wallpaper\",\"status\":\"inherit\",\"uploaded_to\":1185,\"date\":\"2022-08-22 02:03:18\",\"modified\":\"2022-08-22 02:03:18\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":1839,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper-300x184.jpg\",\"medium-width\":300,\"medium-height\":184,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper.jpg\",\"medium_large-width\":768,\"medium_large-height\":471,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper-1200x736.jpg\",\"large-width\":1200,\"large-height\":736,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":942,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1255,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper-2500x1533.jpg\",\"full_width-width\":2500,\"full_width-height\":1533,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Wallpaper-1600x981.jpg\",\"medium2-width\":1600,\"medium2-height\":981}},\"use_caption\":true,\"caption\":\"

Wallpaper* August Issue.
\\nImage courtesy of Wallpaper*<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Creating a solution that seamlessly and effortlessly does what it is meant to do is no mean feat. This is the ultimate challenge for designers and architects around the world. Working out an object\\u2019s (or building\\u2019s) mechanics, function and purpose, while adding further flair and flavour by giving it a powerful presence (or deciding to actively avoid doing so) is certainly part of the process, and therefore part of design; but does the way that something operates and fits with its surroundings, and your life, eventually cast the deciding vote on whether something is well designed? This is where the value of design emerges as a central concept in our lives; its power and ability to inspire better ways of living. <\\/p>\\n

In my role as Architecture Editor of Wallpaper*<\\/a>, I am fortunate to explore these questions every day \\u2013 but none more so than in our recent issue, the August 2022 edition, themed around \\u2018design for a better world.\\u2019 This issue encourages innovation and exploration across design disciplines, showcasing what sits at the forefront of their collective mind and what will, ultimately, push the envelope. Design has the power to challenge the norm and blur boundaries on the macro scale, part of its value lying in its strong ability to influence and inspire \\u2013 and often give a physical form to what change looks like.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Design has the power to challenge the norm and blur boundaries on the macro scale, part of its value lying in its strong ability to influence and inspire \\u2013 and often give a physical form to what change looks like.” – Ellie Stathaki<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1191,\"id\":1191,\"title\":\"WAL280.adamnathaniel_furman.indd\",\"filename\":\"Eyal-Weizman.jpg\",\"filesize\":4998358,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ellie-stathaki-on-the-value-of-design\\/wal280-adamnathaniel_furman-indd-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wal280-adamnathaniel_furman-indd-2\",\"status\":\"inherit\",\"uploaded_to\":1185,\"date\":\"2022-08-22 00:29:37\",\"modified\":\"2022-08-22 00:29:37\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2055,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman-300x206.jpg\",\"medium-width\":300,\"medium-height\":206,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman.jpg\",\"medium_large-width\":768,\"medium_large-height\":526,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman-1200x822.jpg\",\"large-width\":1200,\"large-height\":822,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1052,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1403,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman-2500x1713.jpg\",\"full_width-width\":2500,\"full_width-height\":1713,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Eyal-Weizman-1600x1096.jpg\",\"medium2-width\":1600,\"medium2-height\":1096}},\"use_caption\":true,\"caption\":\"

Eyal Weizman Forensic of Forensic Architecture, featured in Wallpaper* August issue.
\\nImage courtesy of Wallpaper*<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1190,\"id\":1190,\"title\":\"WAL280.adamnathaniel_furman.indd\",\"filename\":\"Adam-Nathaniel-Furman.jpg\",\"filesize\":2993294,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ellie-stathaki-on-the-value-of-design\\/wal280-adamnathaniel_furman-indd\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"wal280-adamnathaniel_furman-indd\",\"status\":\"inherit\",\"uploaded_to\":1185,\"date\":\"2022-08-22 00:14:42\",\"modified\":\"2022-08-22 00:14:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2055,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman-300x206.jpg\",\"medium-width\":300,\"medium-height\":206,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman.jpg\",\"medium_large-width\":768,\"medium_large-height\":526,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman-1200x822.jpg\",\"large-width\":1200,\"large-height\":822,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1052,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1403,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman-2500x1713.jpg\",\"full_width-width\":2500,\"full_width-height\":1713,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Adam-Nathaniel-Furman-1600x1096.jpg\",\"medium2-width\":1600,\"medium2-height\":1096}},\"use_caption\":true,\"caption\":\"

Adam Nathaniel Furman, featured in Wallpaper* August issue.
\\nImage courtesy of Wallpaper*<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Giving a platform to established and emerging design and architecture leaders of all kinds is a challenge, pleasure and opportunity. Pioneering thinking on a higher level is a necessity in moving things forward. This, along with its escapism, refinement and endless, dreamy inspiration, is what makes up the Wallpaper*<\\/a> DNA \\u2013 a magazine, appropriately accompanied from its inception in 1996, by the tagline \\u2018the stuff that surrounds you\\u2019 \\u2013 that is, design.<\\/p>\\n

In a parallel project, I recently worked on a new book with Anna Stathaki (my sister, a photographer) which shines the spotlight on the expression of design in everyday spaces. Homes are a passion of mine, as well as arguably one of the most influential forms of design within our daily lives. The book, House London<\\/a>, presents fifty London homes, celebrating the range and variety of the \\u2018typical\\u2019 period brick house. <\\/p>\\n

From minimalism to maximalism, restraint and exuberance, old and new styles, and anything in between, it\\u2019s a book conceived to underline how different one house interior can be from the next, and how, given relatively similar conditions \\u2013 in our case, a historical, brick shell \\u2013 we shape our domestic environments in personal ways. These are not necessarily expensive projects or architectural flights of fancy. They are real homes, each approached in a different way, according to circumstances, their owners\\u2019 needs and creators\\u2019 imaginations. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1187,\"id\":1187,\"title\":\"ohst_by_6a_architects\",\"filename\":\"ohst_by_6a_architects.jpg\",\"filesize\":2429584,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ellie-stathaki-on-the-value-of-design\\/ohst_by_6a_architects\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ohst_by_6a_architects\",\"status\":\"inherit\",\"uploaded_to\":1185,\"date\":\"2022-08-21 23:57:39\",\"modified\":\"2022-08-21 23:57:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":1952,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects-300x195.jpg\",\"medium-width\":300,\"medium-height\":195,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects.jpg\",\"medium_large-width\":768,\"medium_large-height\":500,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects-1200x781.jpg\",\"large-width\":1200,\"large-height\":781,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":999,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1333,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects-2500x1627.jpg\",\"full_width-width\":2500,\"full_width-height\":1627,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/ohst_by_6a_architects-1600x1041.jpg\",\"medium2-width\":1600,\"medium2-height\":1041}},\"use_caption\":true,\"caption\":\"

OHSt by 6a Architects, featured in House London.
\\nPhotography by Anna Stathaki.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1193,\"id\":1193,\"title\":\"hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless\",\"filename\":\"hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless.jpg\",\"filesize\":2967557,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ellie-stathaki-on-the-value-of-design\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless\",\"status\":\"inherit\",\"uploaded_to\":1185,\"date\":\"2022-08-22 00:36:46\",\"modified\":\"2022-08-22 00:36:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3371,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless.jpg\",\"full_width-width\":2247,\"full_width-height\":3371,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/hampstead_house_by_dominic_mckenzie_architects_and_suzie_hoodless-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Hampstead House by Dominic McKenzie Architects and Suzy Hoodless, featured in House London.
\\nPhotography by Anna Stathaki.<\\/p>\\n\"},{\"image\":{\"ID\":1195,\"id\":1195,\"title\":\"up-side-down_house_by_collective_works\",\"filename\":\"up-side-down_house_by_collective_works.jpg\",\"filesize\":2196539,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ellie-stathaki-on-the-value-of-design\\/up-side-down_house_by_collective_works\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"up-side-down_house_by_collective_works\",\"status\":\"inherit\",\"uploaded_to\":1185,\"date\":\"2022-08-22 01:34:12\",\"modified\":\"2022-08-22 01:34:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3371,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works.jpg\",\"full_width-width\":2247,\"full_width-height\":3371,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/up-side-down_house_by_collective_works-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"use_caption\":true,\"caption\":\"

Up-Side-Down House by Collective Works, featured in House London.
\\nPhotography by Anna Stathaki. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Homes, omnipresent and ordinary places, but also spaces and objects to be designed and which represent their residents, become a fundamental stage for those big questions to play out, those burning issues that occupy the designers\\u2019 and architects\\u2019 mind \\u2013 about ornament and colour, boldness and subtlety, function and aesthetics. They are excellent examples of how we are all different, and how design can be a powerful form of expression, while elevating lives and transforming them; a critical value design brings on a more micro, every day, but no less important, level. Rarely there is a one-size-fits-all approach; but design has the response for every question, making our lives better.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Homes, omnipresent and ordinary places, but also spaces and objects to be designed and which represent their residents, become a fundamental stage for those big questions to play out, those burning issues that occupy the designers\\u2019 and architects\\u2019 mind \\u2013 about ornament and colour, boldness and subtlety, function and aesthetics.” – Ellie Stathaki<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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%%sitename%%\",\"metadesc-tax-disciplines\":\"\",\"noindex-tax-disciplines\":false,\"taxonomy-disciplines-ptparent\":0},\"social\":{\"facebook_site\":\"\",\"instagram_url\":\"\",\"linkedin_url\":\"\",\"myspace_url\":\"\",\"og_default_image\":\"\",\"og_default_image_id\":\"\",\"og_frontpage_title\":\"\",\"og_frontpage_desc\":\"\",\"og_frontpage_image\":\"\",\"og_frontpage_image_id\":\"\",\"opengraph\":true,\"pinterest_url\":\"\",\"pinterestverify\":\"\",\"twitter\":true,\"twitter_site\":\"\",\"twitter_card_type\":\"summary_large_image\",\"youtube_url\":\"\",\"wikipedia_url\":\"\"}},\"title\":\"Ellie Stathaki on The Value of Design - Neil Hugh Office\",\"description\":\"\",\"opengraph_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki-900x1200.jpg\",\"opengraph_title\":\"Ellie Stathaki on The Value of Design - Neil Hugh Office\",\"opengraph_description\":\"\",\"twitter_image\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/08\\/Ellie-Stathaki-900x1200.jpg\",\"twitter_title\":\"Ellie Stathaki on The Value of Design - Neil Hugh Office\",\"twitter_description\":\"\"}}","title":"Ellie Stathaki on The Value of Design","slug":"ellie-stathaki-on-the-value-of-design","publishedDateUnix":1661777879},{"acf_json":"{\"type\":{\"term_id\":15,\"name\":\"Essays\",\"slug\":\"essays\",\"term_group\":0,\"term_taxonomy_id\":14,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":8,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":false,\"sub_title\":\"Essays \",\"title_override\":\"Stephen Todd on The Value of Design
\\r\\n05.07.21\",\"listing_description\":\"

I\\u2019ve spent the better part of three decades thinking and writing about design. Not just the aesthetic of things, although there is that. But mostly I\\u2019m intrigued by the way inanimate objects incarnate certain moments in time. <\\/p>\\n\",\"hero_image\":{\"ID\":903,\"id\":903,\"title\":\"ST\",\"filename\":\"ST.jpg\",\"filesize\":2447527,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/st\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"st\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:31:51\",\"modified\":\"2021-06-26 22:31:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

We\\u2019re thrilled to share the introspections of our first contributor, Stephen Todd – Design Editor of the Australian Financial Review and Creative Director of Sydney Design Week. <\\/p>\\n

Portrait by Anthony Amos.<\\/p>\\n

–<\\/p>\\n

The Value of Design by Stephen Todd<\\/p>\\n

I\\u2019ve spent the better part of three decades thinking and writing about design. Not just the aesthetic of things, although there is that. But mostly I\\u2019m intrigued by the way inanimate objects incarnate certain moments in time. The way Viennese cabinet-maker Michael Thonet<\\/a>\\u2019s sinuous, steamed and bent wood \\u2018N\\u00ba 14\\u2019 chair of 1859 \\u2013 the first example of assembly line furniture production \\u2013 still epitomises European caf\\u00e9 culture some 160 years on. <\\/p>\\n

How Charlotte Perriand<\\/a>, having been initially dismissed by Le Corbusier with \\u201cWe don\\u2019t embroider cushions here, mademoiselle,\\u201d went on to design some of the 20th century\\u2019s most iconic tubular steel furniture \\u2013\\u00a0including the nickel and black LC2 Chaise \\u00e0 Grand Confort \\u2013\\u00a0initially for Corbu\\u2019s interiors. In her own apartment on the Rue Montalembert, Charlotte had the same chair but with pistachio tubing and fleshy pink upholstery; it always seemed to me a sensuous bird-flip to the cranky Swiss architect\\u2019s machismo.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":902,\"id\":902,\"title\":\"Charlotte_NY Times\",\"filename\":\"Charlotte_NY-Times.jpeg\",\"filesize\":1502575,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/charlotte_ny-times\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"charlotte_ny-times\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:26:39\",\"modified\":\"2021-06-26 22:26:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2110,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-300x211.jpeg\",\"medium-width\":300,\"medium-height\":211,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"medium_large-width\":768,\"medium_large-height\":540,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-1200x844.jpeg\",\"large-width\":1200,\"large-height\":844,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1080,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1440,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-2500x1758.jpeg\",\"full_width-width\":2500,\"full_width-height\":1758,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-1600x1125.jpeg\",\"medium2-width\":1600,\"medium2-height\":1125}},\"use_caption\":true,\"caption\":\"

Perriand’s iconic tubular steel furniture in ‘Dining Room 28’ exhibited at the Salon des Artistes D\\u00e8corateurs in Paris, 1928. Photo courtesy of The New York Times. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Joe Colombo developed his Spider lamp<\\/a> of 1967 in direct response to innovations in incandescent lightbulbs, in particular the \\u2018hammerhead\\u2019 style which he accommodated in an incised section of the Spider\\u2019s metal shade. A problem, as it turns out, since the advent of LEDs have made this bulb particularly scarce. (I currently have a novelty \\u2018flame\\u2019 bulb in mine. Sorry, Joe.)<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":896,\"id\":896,\"title\":\"Joe Colombo\",\"filename\":\"Joe-Colombo.jpg\",\"filesize\":828719,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/joe-colombo\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"joe-colombo\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:06:26\",\"modified\":\"2021-06-26 22:06:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Spider Table Lamp, Joe Colombo for Oluce.
\\nPhotography courtesy of Design Market.<\\/p>\\n\"},{\"image\":{\"ID\":897,\"id\":897,\"title\":\"JC\",\"filename\":\"JC.jpg\",\"filesize\":1125555,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/jc\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jc\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:07:03\",\"modified\":\"2021-06-26 22:07:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Designer Joe Colombo pictured in his Elda fibreglass armchair.
\\nPhotography courtesy of Sodezign. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019ve spent the better part of three decades thinking and writing about design. Not just the aesthetic of things, although there is that. But mostly I\\u2019m intrigued by the way inanimate objects incarnate certain moments in time.” – Stephen Todd <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I especially love the work of Gaetano Pesce<\\/a> which I have been collecting since the mid-1990s when his multi-coloured, melted poly-resin furniture and lighting was categorically d\\u00e9class\\u00e9. I admire the Italian designer\\u2019s robust critique of the apparent perfection of modernist mass production; the way he encouraged his fabricators to make haphazard alterations throughout the process \\u2013 to introduce rogue pigments, allow spontaneous drips, bubbles and oozes, to never repeat a gesture. He termed the process \\u2018diversified series production\\u2019; what we might now call \\u2018disruption\\u2019. I am particularly heartened by the revival of interest in Pesce, especially among a new breed of New York creatives \\u2013 Katie Stout<\\/a>, Brecht Wright Gander<\\/a>, Rich Aybar \\u2013 who, too, are intent on tackling the problematic domination of the modernist credo of standardisation.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":898,\"id\":898,\"title\":\"Gaetano\",\"filename\":\"Gaetano.jpg\",\"filesize\":1640074,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/gaetano\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"gaetano\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:14:56\",\"modified\":\"2021-06-26 22:14:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Pesce Pratt Chair (no. 3) by Gaetano Pesce.
\\nPhotography courtesy of MoMA.<\\/p>\\n\"},{\"image\":{\"ID\":899,\"id\":899,\"title\":\"KS\",\"filename\":\"KS.jpg\",\"filesize\":2256316,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/ks\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ks\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:15:14\",\"modified\":\"2021-06-26 22:15:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Vanity by Katie Stout.
\\nPhotography courtesy of Katie Stout.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

When I posted a picture of inside my house to Instagram a while back, one of Australia\\u2019s finest interior designers quipped \\u201cnice pieces\\u201d. The dripping innuendo: but what the hell are they doing together? <\\/p>\\n

And he was right; there is ostensibly nothing that bonds a Philippe Starck<\\/a> dimpled stainless steel and rosewood gueridon for Paris\\u2019 Caf\\u00e9 Costes (1982) to a pair of white leather and pony hide Dezza<\\/a> armchairs designed by Gio Ponti in 1965 to a set of hand-hammered copper candlesticks from an atelier of the Weiner Werkst\\u00e4te (c.1910). Except that, perhaps, in the first I recognize the renewed exuberance of a decidedly French take on postmodernism; in the second, the glamour of the mid-century Mediterranean seaside (the Dezze was originally designed for Hotel del Principe on the clifftops of Sorrento); the third, the humility of the artisan\\u2019s studio infusing British Arts & Crafts technique with a distinctly Mitteleuropa allure. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":904,\"id\":904,\"title\":\"Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2\",\"filename\":\"Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"filesize\":688859,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/mobilia-poltrona-frau-dezza-settee-residential-slider-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mobilia-poltrona-frau-dezza-settee-residential-slider-2\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:47:10\",\"modified\":\"2021-06-26 22:47:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2039,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-300x204.jpeg\",\"medium-width\":300,\"medium-height\":204,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"medium_large-width\":768,\"medium_large-height\":522,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-1200x816.jpeg\",\"large-width\":1200,\"large-height\":816,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1044,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1392,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-2500x1699.jpeg\",\"full_width-width\":2500,\"full_width-height\":1699,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-1600x1087.jpeg\",\"medium2-width\":1600,\"medium2-height\":1087}},\"use_caption\":true,\"caption\":\"

Gio Ponti Dezza Armchair and Setee for Poltrona Frau.
\\nPhotography courtesy of Mobilia.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I\\u2019ve since added a Hairy Wild Man from Botany Bay bowl<\\/a> by Trent Jansen<\\/a> to my weird mob of objets. Conjured up from supple leather trimmed with wiry Icelandic sheep skin, it embodies a creature myth bandied about by English convicts ahead of transportation to the colony. It holds pride of place in my living room overlooking the Grose Valley in the Blue Mountains: a romantically eerie landscape that may well have struck terror into the hearts of those same \\u00e9migr\\u00e9s. (Today I recognise it as the unceded land of the Gundungurra and Darug people #alwayswasalwayswillbe.)<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":905,\"id\":905,\"title\":\"Grose-Valley-Blue-Mountains-National-Park\",\"filename\":\"Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"filesize\":2802586,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/grose-valley-blue-mountains-national-park\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"grose-valley-blue-mountains-national-park\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:50:19\",\"modified\":\"2021-06-26 22:50:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":1610,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-300x161.jpeg\",\"medium-width\":300,\"medium-height\":161,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"medium_large-width\":768,\"medium_large-height\":412,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-1200x644.jpeg\",\"large-width\":1200,\"large-height\":644,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":824,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1099,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-2500x1342.jpeg\",\"full_width-width\":2500,\"full_width-height\":1342,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-1600x859.jpeg\",\"medium2-width\":1600,\"medium2-height\":859}},\"use_caption\":true,\"caption\":\"

Grose Valley, Blue Mountains.
\\nImage courtesy of Kwame Antwi-darkwah. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I don\\u2019t know where this fascination with material culture comes from. My degree is in Sociology and Political Theory, so perhaps there\\u2019s something in the understanding of the way society works and the machinations of power that manifests in the objects with which we choose to surround ourselves. (Lou Weis, creative director of Broached Commissions<\\/a> which produces Jansen\\u2019s \\u2018Hairy Man\\u2019 bowl, reckons design is all about giving form to power, creating a \\u201cveil of desirability\\u201d to drive consumption \\u2013 and I wish I\\u2019d said that.) <\\/p>\\n

Or perhaps it\\u2019s the fact that as the fifth and last child of working-class parents who were just clambering onto the lower rung of the bourgeoisie by the time I was born, material possessions were showered upon me as a sign our family had \\u2018arrived\\u2019. In a black-and-white photo of a four-year-old me I have been made to pose in front of the Holden station wagon surrounded by carefully arrayed toys. I recall that straight after the snap was taken, I kicked the kit aside. (Brat!) Even then I didn\\u2019t enjoy the idea of accumulating objects as \\u2018stuff\\u2019, as signs of prestige or material success. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I don\\u2019t know where this fascination with material culture comes from. My degree is in Sociology and Political Theory, so perhaps there\\u2019s something in the understanding of the way society works and the machinations of power that manifests in the objects with which we choose to surround ourselves.” – Stephen Todd<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

After 20 years living in Paris where I edited magazines in which design was presented on a par with literature, art, music, fashion (which as a \\u20ac150 billion\\/year business in France is taken very seriously indeed) I returned to Australia in 2010 and took up the role of design editor of The Australian Financial Review<\\/a>. My AFR editorial remit is wide: guide the reader to appreciate design across sectors and scales, from macro urban planning to the minutiae of AI; skyscraper to toothpick. My personal mission is to encourage an understanding that design is neither hermetic nor neutral; to enable a nuanced reading of the objects with which some of the country\\u2019s wealthiest consumers might be considering to surround themselves. <\\/p>\\n

As Pesce told me in an interview a few years ago: \\u201cThe goal of designing something is to represent our own time, not just to make things that are nice or interesting to look at. Objects have to say something about the world into which they are born.\\u201d<\\/p>\\n

In that sense: me, I\\u2019m just the translator.<\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post %%POSTLINK%% 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We\\u2019ve often dreamt of taking a peek inside the homes of our muses – so we were thrilled to learn that New York Living Rooms, a photo book by Dominique Nabokov, is officially being re-issued.<\\/p>\\n\",\"hero_image\":{\"ID\":919,\"id\":919,\"title\":\"NYC-FRANCESCOCLEMENTE-FLIP-1280x988\",\"filename\":\"NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1.jpg\",\"filesize\":288179,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/new-york-living-rooms\\/nyc-francescoclemente-flip-1280x988\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nyc-francescoclemente-flip-1280x988\",\"status\":\"inherit\",\"uploaded_to\":918,\"date\":\"2021-07-25 20:32:05\",\"modified\":\"2021-07-25 20:32:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1280,\"height\":988,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1-300x232.jpg\",\"medium-width\":300,\"medium-height\":232,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":593,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1-1200x926.jpg\",\"large-width\":1200,\"large-height\":926,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1.jpg\",\"1536x1536-width\":1280,\"1536x1536-height\":988,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1.jpg\",\"2048x2048-width\":1280,\"2048x2048-height\":988,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1.jpg\",\"full_width-width\":1280,\"full_width-height\":988,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/07\\/NYC-FRANCESCOCLEMENTE-FLIP-1280x988-1.jpg\",\"medium2-width\":1280,\"medium2-height\":988}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We\\u2019ve often dreamt of taking a peek inside the homes of our muses – so we were thrilled to learn that New York Living Rooms<\\/a>, a photo book by Dominique Nabokov, is officially being re-issued.<\\/p>\\n

Originally commissioned as a photo essay for The New Yorker <\\/a> magazine in the late 90s, Nabokov captures the intimate living spaces of some of NYC\\u2019s most intriguing figures – from Louise Bourgeois to Joan Didion. Nabokov’s polaroid photography lends an honest, unfussy depiction of everyday spaces driven by the desire to capture still images that mirror reality as closely as possible. Stay tuned for the Paris and Berlin instalments, due for release later this year. \\u2060\\u2060<\\/p>\\n

Photography courtesy of Apartamento Magazine. <\\/p>\\n\"}],\"related_essays\":false,\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% %%sitename%%\",\"social-title-author-wpseo\":\"%%name%%\",\"social-title-archive-wpseo\":\"%%date%%\",\"social-description-author-wpseo\":\"\",\"social-description-archive-wpseo\":\"\",\"social-image-url-author-wpseo\":\"\",\"social-image-url-archive-wpseo\":\"\",\"social-image-id-author-wpseo\":0,\"social-image-id-archive-wpseo\":0,\"metadesc-home-wpseo\":\"\",\"metadesc-author-wpseo\":\"\",\"metadesc-archive-wpseo\":\"\",\"rssbefore\":\"\",\"rssafter\":\"The post %%POSTLINK%% 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\\r\\n24.10.21\",\"listing_description\":\"

The driving ethos underpinning great works of architecture has long been a source of fascination for our team. For iconic architect, Marcel Breuer, modern architecture was not a style, but an attitude – one that was framed by the active cultural milieu of post-war America and the progressive mindsets of his clients.\\u2060<\\/p>\\n\",\"hero_image\":{\"ID\":977,\"id\":977,\"title\":\"Breuer0\",\"filename\":\"Breuer0.jpeg\",\"filesize\":946872,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/breuers-bohemia\\/breuer0\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breuer0\",\"status\":\"inherit\",\"uploaded_to\":976,\"date\":\"2021-10-24 06:09:24\",\"modified\":\"2021-10-24 06:09:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2048,\"height\":1365,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0-1200x800.jpeg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1365,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0.jpeg\",\"full_width-width\":2048,\"full_width-height\":1365,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer0-1600x1066.jpeg\",\"medium2-width\":1600,\"medium2-height\":1066}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The driving ethos underpinning great works of architecture has long been a source of fascination for our team. For iconic architect, Marcel Breuer, modern architecture was not a style, but an attitude – one that was framed by the active cultural milieu of post-war America and the progressive mindsets of his clients.\\u2060
\\n\\u2060
\\nThe recent documentary, Breuer\\u2019s Bohemia<\\/a>, engages intimately with this context, drawing on archival footage and interviews with historians, cultural icons and former residents of Breuer\\u2019s radical residential designs in Connecticut – often overshadowed by his early renown as a Bauhaus furniture maker. \\u2060<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":989,\"id\":989,\"title\":\"Breuer\",\"filename\":\"Breuer-1.jpg\",\"filesize\":1980626,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/breuers-bohemia\\/breuer-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breuer-2\",\"status\":\"inherit\",\"uploaded_to\":976,\"date\":\"2021-10-24 06:52:57\",\"modified\":\"2021-10-24 06:52:57\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2263,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1-300x226.jpg\",\"medium-width\":300,\"medium-height\":226,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":579,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1-1200x905.jpg\",\"large-width\":1200,\"large-height\":905,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1159,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1545,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1-2500x1886.jpg\",\"full_width-width\":2500,\"full_width-height\":1886,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-1-1600x1207.jpg\",\"medium2-width\":1600,\"medium2-height\":1207}},\"use_caption\":true,\"caption\":\"

Marcel and Connie Breuer at home in Lincoln, Massachusetts, and New Canaan, Connecticut.
\\nPhotography courtesy of Pedro E. Guerrero Archive.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":983,\"id\":983,\"title\":\"Breuer2_small\",\"filename\":\"Breuer2_small.jpg\",\"filesize\":2847552,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/breuers-bohemia\\/breuer2_small\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breuer2_small\",\"status\":\"inherit\",\"uploaded_to\":976,\"date\":\"2021-10-24 06:21:23\",\"modified\":\"2021-10-24 06:21:23\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer2_small-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Breuer\\u2019s 1949 exhibition house at the Museum of Modern Art in Manhattan.
\\nPhotography courtesy of Ezra Stoller.<\\/p>\\n\"},{\"image\":{\"ID\":982,\"id\":982,\"title\":\"Breuer_small\",\"filename\":\"Breuer_small.jpg\",\"filesize\":1886431,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/breuers-bohemia\\/breuer_small\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breuer_small\",\"status\":\"inherit\",\"uploaded_to\":976,\"date\":\"2021-10-24 06:21:19\",\"modified\":\"2021-10-24 06:21:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer_small-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Marcel and Connie Breuer at home in Lincoln, Massachusetts, and New Canaan, Connecticut.
\\nPhotography courtesy of Ezra Stoller.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“The Jewish-born Hungarian architect Marcel Breuer is probably best-known for his brutalist design of New York City\\u2019s Whitney Museum of American Art completed in 1966. However, Breuer\\u2019s revolutionary experimental house designs during the McCarthy era and its Cold War politics in the early 1950s to the radical Vietnam war years and free love of the late 1960s have garnered far less attention, though they remain a potent chapter in American architecture, particularly in the Connecticut suburbs of New York,” (Breur’s Bohemia).<\\/p>\\n

The film is directed by art historian, James Crump, and produced by Ronnie Sassoon, who live in Breuer\\u2019s landmark Stillman House II in Litchfield – lending a personal tone to the narrative, also captured in a companion book published by Monacelli Press<\\/a>.
\\n\\u2060
\\nWatch the documentary at Vimeo On Demand<\\/a>. \\u2060<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":987,\"id\":987,\"title\":\"Breuer's Bohemia\",\"filename\":\"Breuers-Bohemia.jpg\",\"filesize\":1729055,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/breuers-bohemia\\/breuers-bohemia\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breuers-bohemia\",\"status\":\"inherit\",\"uploaded_to\":976,\"date\":\"2021-10-24 06:42:26\",\"modified\":\"2021-10-24 06:42:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuers-Bohemia-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Breuer’s Bohemia companion publication.
\\nPhotography by Monacelli Press.<\\/p>\\n\"},{\"image\":{\"ID\":986,\"id\":986,\"title\":\"Breuer Portrait\",\"filename\":\"Breuer-Portrait.jpg\",\"filesize\":2294163,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/breuers-bohemia\\/breuer-portrait\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"breuer-portrait\",\"status\":\"inherit\",\"uploaded_to\":976,\"date\":\"2021-10-24 06:42:22\",\"modified\":\"2021-10-24 06:42:22\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/10\\/Breuer-Portrait-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Marcel Breuer.
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\\r\\n18.11.21\",\"listing_description\":\"

If you had a blank canvas, how would you set up your daily life and routines? What would you change, and where would you live? These are some of the questions that inspired the launch of my own publication, The New Era Magazine<\\/a> \\u2013 questions and musings only amplified by the pandemic as provocations for a new future.<\\/p>\\n\",\"hero_image\":{\"ID\":991,\"id\":991,\"title\":\"HNB\",\"filename\":\"HNB.jpg\",\"filesize\":3773726,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/hnb\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hnb\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 05:38:23\",\"modified\":\"2021-11-14 05:38:23\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

\\u2013<\\/p>\\n

We\\u2019re delighted to share the musings of Hanna Nova Beatrice \\u2013 founder & editor-in-chief of Scandinavian interiors publication, The New Era Magazine<\\/a>, and Project Area Manager of Stockholm Furniture & Light Fair<\\/a> and Stockholm Design Week<\\/a>. Hanna has previously held positions as Editor-In-Chief of magazines Residence, Form and Plaza, and founding editor of My Residence. Hanna has worked as a design writer, moderator and creative director in design and publishing throughout her career.<\\/p>\\n

Portrait courtesy of Hanna Nova Beatrice.<\\/p>\\n

\\u2013<\\/p>\\n

The Value of Design by Hanna Nova Beatrice<\\/p>\\n

If you had a blank canvas, how would you set up your daily life and routines? What would you change, and where would you live? These are some of the questions that inspired the launch of my own publication, The New Era Magazine<\\/a> \\u2013 questions and musings only amplified by the pandemic as provocations for a new future. <\\/p>\\n

I founded The New Era Magazine<\\/a> on a strong belief in quality print and the need for independent media platforms. The magazine strives to celebrate Scandinavian interiors, design, art and craft to an international audience, while interrogating how we live \\u2013 particularly in this moment in time.<\\/p>\\n

The first issue of TNE<\\/a> found its way to readers in Scandinavia, Europe, US and beyond, in a distribution coloured by local COVID-19 lockdowns. United by the experience of being isolated in our homes, the need to discuss issues relating to our living spaces, communities and lifestyles felt greater than ever before \\u2013 and the first issue sold better than we could have imagined. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":992,\"id\":992,\"title\":\"New-Era-promobild-low-1140x650\",\"filename\":\"New-Era-promobild-low-1140x650-1.jpg\",\"filesize\":2175680,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/new-era-promobild-low-1140x650\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"new-era-promobild-low-1140x650\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 05:44:45\",\"modified\":\"2021-11-14 05:44:45\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":1710,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1-300x171.jpg\",\"medium-width\":300,\"medium-height\":171,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":438,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1-1200x684.jpg\",\"large-width\":1200,\"large-height\":684,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":876,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1167,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1-2500x1425.jpg\",\"full_width-width\":2500,\"full_width-height\":1425,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/New-Era-promobild-low-1140x650-1-1600x912.jpg\",\"medium2-width\":1600,\"medium2-height\":912}},\"use_caption\":true,\"caption\":\"

The New Era Magazine, Issue 01. Photography courtesy of Arvinius & Orfeus Publishing. <\\/p>\\n\",\"display_reduced\":true},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

When Issue 03 launched a year later, our lives had started to return to a post-pandemic state of \\u2018normal,\\u2019 yet our perception of the world had been deeply altered. I\\u2019ve observed a shift in how we now go about our private and professional lives. A sense of urgency is in the air, accounting for the time of stasis. Many of us are adjusting to a new pace while searching for new contexts and meaning.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019ve observed a shift in how we now go about our private and professional lives. A sense of urgency is in the air, accounting for the time of stasis. Many of us are adjusting to a new pace while searching for new contexts and meaning.” – Hanna Nova Beatrice<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

In a recent article in The New Yorker<\\/a>, journalist Cal Newport looked at the new wave of well-educated key workers leaving their jobs en masse: \\u201cNot because the pandemic created obstacles to their employment, but because it nudged them to rethink the role of work in their lives altogether.\\u201d <\\/p>\\n

Many have been prompted to scrutinise their lives to find a new template \\u2013 career downsizing, leaving the big cities in favour of smaller towns and reconfiguring living spaces to make them fit a new lifestyle. We are organising our homes in a different manner; the pandemic has made us acutely aware of how profoundly human wellness, cognition and health is connected to our living environment. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":993,\"id\":993,\"title\":\"HNB home 1\",\"filename\":\"HNB-home-1.jpg\",\"filesize\":2066777,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/hnb-home-1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hnb-home-1\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 05:58:42\",\"modified\":\"2021-11-14 05:58:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-1-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

The home of Hanna Nova Beatrice. Photography by Andy Liffner.<\\/p>\\n\"},{\"image\":{\"ID\":994,\"id\":994,\"title\":\"HNB home 2\",\"filename\":\"HNB-home-2.jpg\",\"filesize\":1778149,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/hnb-home-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hnb-home-2\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 05:58:48\",\"modified\":\"2021-11-14 05:58:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HNB-home-2-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

The home of Hanna Nova Beatrice. Photography by Andy Liffner.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

In speaking to journalist Spencer Bailey about our lifestyle choices, he reflected: \\u201cWe will see a cultural shift where people don\\u2019t want to own so many things, and where it becomes more important to contribute to the collective good, to be part of a community, as opposed to living these fractured, consumer-driven lives we\\u2019ve been sucked into.\\u201d <\\/p>\\n

Indeed, the pandemic has highlighted the importance of community and connection \\u2013 but perhaps the biggest learnings have been about vulnerability. On a global scale, we have connected the dots that our world \\u2013 and our very existence \\u2013 is under severe threat. We need to find ways to live more consciously, and in tackling this, design plays a critical role.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“On a global scale, we have connected the dots that our world \\u2013 and our very existence \\u2013 is under severe threat. We need to find ways to live more consciously, and in tackling this, design plays a critical role.” – Hanna Nova Beatrice<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

To this end, I will always remember the spring of 2020, walking down empty suburban streets listening to podcasts that reflected on the challenges of our present state. When society slowed down, many of us entered a time of personal introspection. In what became Dezeen<\\/a>\\u2019s most-read article of all time, trend forecaster Li Edelkoort<\\/a> predicted a new world order. \\u201cThe impact of the virus will be cultural and crucial to building an alternative and profoundly different world. This is not a financial crisis but a disruption crisis,\\u201d she said \\u2013 a concise summary indeed. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1005,\"id\":1005,\"title\":\"Li Edelkoort\",\"filename\":\"Li-Edelkoort.jpg\",\"filesize\":1229406,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/li-edelkoort\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"li-edelkoort\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 07:31:41\",\"modified\":\"2021-11-14 07:31:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2110,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort-300x211.jpg\",\"medium-width\":300,\"medium-height\":211,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort.jpg\",\"medium_large-width\":768,\"medium_large-height\":540,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort-1200x844.jpg\",\"large-width\":1200,\"large-height\":844,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1080,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1440,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort-2500x1758.jpg\",\"full_width-width\":2500,\"full_width-height\":1758,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Li-Edelkoort-1600x1125.jpg\",\"medium2-width\":1600,\"medium2-height\":1125}},\"use_caption\":true,\"caption\":\"

World Hope Forum curator, Li Edelkoort. Photography by Ruy Texeira.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Shortly thereafter, Edelkoort<\\/a> launched the World Hope Forum<\\/a> as a counterbalance to the World Economic Forum \\u2013 a global gathering with climate change high on its agenda. \\u201cBy the end of this pandemic, as if after a war, only our buildings will remain standing and everything else will have changed,” she wrote in her manifest. <\\/p>\\n

Around this time, design critic Alice Rawsthorn and design curator Paola Antonelli founded Design Emergency<\\/a>, a platform to explore design\\u2019s role in building a better future. It began as a series of live Instagram talks focusing on the role of design in addressing urgent problems of the pandemic, but quickly grew to tackle greater social, economic and ecological challenges. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":995,\"id\":995,\"title\":\"AR\",\"filename\":\"AR.jpg\",\"filesize\":2074142,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/ar-3\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ar-3\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 06:21:27\",\"modified\":\"2021-11-14 06:21:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/AR-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Alice Rawsthorn of The Design Emergency. Photography by Michael Leckie.<\\/p>\\n\"},{\"image\":{\"ID\":996,\"id\":996,\"title\":\"PA\",\"filename\":\"PA.jpg\",\"filesize\":2525697,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/pa\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"pa\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 06:21:32\",\"modified\":\"2021-11-14 06:21:32\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/PA-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Paola Antonelli of The Design Emergency. Photography by Marton Perlaki.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

These initiatives demonstrate the changing role of design, which I\\u2019ve been proud to witness through my career as a design writer, moderator and creative director in design and publishing. When I first studied design in London in the nineties, my first investment was a bright yellow Tom Vac chair by Ron Arad<\\/a>, which I still own \\u2013 though it\\u2019s not in use. The chair never really looked good in any of my homes but to me it has come to represent an era, and a view of design, that is profoundly different to that of today \\u2013 a reminder of the broadening of our discipline. <\\/p>\\n

Designers are now tasked with redefining systems \\u2013 finding entirely new ways for us to produce, distribute and consume. We need designers to invent new economic models, new value chains and new ways to manage waste. Good design has always pushed boundaries \\u2013 but design must now investigate new solutions and find innovative and sustainable ways to live. <\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":998,\"id\":998,\"title\":\"Ron Arad\",\"filename\":\"Ron-Arad.jpg\",\"filesize\":1393680,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/ron-arad\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ron-arad\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 06:34:48\",\"modified\":\"2021-11-14 06:34:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/Ron-Arad-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Tom Vac chair by Ron Arad, designed in 1997. Photography courtesy of Lofty.<\\/p>\\n\"},{\"image\":{\"ID\":1006,\"id\":1006,\"title\":\"FF2\",\"filename\":\"FF2.jpg\",\"filesize\":3078333,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/hanna-nova-beatrice-on-the-value-of-design\\/ff2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ff2\",\"status\":\"inherit\",\"uploaded_to\":990,\"date\":\"2021-11-14 07:38:14\",\"modified\":\"2021-11-14 07:38:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/FF2-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Formafantasma directors Andrea Trimarchi and Simone Farresin. Photography by Renee de Groot.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“We need designers to invent new economic models, new value chains and new ways to manage waste. Good design has always pushed boundaries \\u2013 but design must now investigate new solutions and find innovative and sustainable ways to live.” – Hanna Nova Beatrice<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I find comfort seeing studios such as Formafantasma<\\/a> setting a new agenda. Investigating the ecological and political responsibilities of their discipline, they place research at the core of their practice. Their exhibition Cambio<\\/a>, which is currently touring Europe, is an ongoing investigation into the global forestry industry and its implications, and demonstrates the importance of research in today\\u2019s design industry. \\u201cAs a generation we are conscious of the fact that when we create something, it will have an impact. We don\\u2019t have a solution, but we question all the time,\\u201d says the founders Andrea Trimarchi and Simone Farresin. <\\/p>\\n

Moving forward, I believe it will feel remiss to design without a similar sense of enquiry. We all need to question how to do things differently. The value of design thinking and acting outside the box has never been greater.<\\/p>\\n\"}],\"related_essays\":[{\"title\":\"Stephen Todd on The Value of Design\",\"slug\":\"stephen-todd-on-the-value-of-design\",\"acf\":{\"type\":{\"term_id\":15,\"name\":\"Essays\",\"slug\":\"essays\",\"term_group\":0,\"term_taxonomy_id\":14,\"taxonomy\":\"resources_types\",\"description\":\"\",\"parent\":0,\"count\":8,\"filter\":\"raw\",\"term_order\":\"0\"},\"grid_double_width\":false,\"sub_title\":\"Essays \",\"title_override\":\"Stephen Todd on The Value of Design
\\r\\n05.07.21\",\"listing_description\":\"

I\\u2019ve spent the better part of three decades thinking and writing about design. Not just the aesthetic of things, although there is that. But mostly I\\u2019m intrigued by the way inanimate objects incarnate certain moments in time. <\\/p>\\n\",\"hero_image\":{\"ID\":903,\"id\":903,\"title\":\"ST\",\"filename\":\"ST.jpg\",\"filesize\":2447527,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/st\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"st\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:31:51\",\"modified\":\"2021-06-26 22:31:51\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/ST-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"bg_colour\":\"#9c421f\",\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Essays is a compilation of musings that examine the broad yet impactful role design plays in contemporary life. Leading design writers, commentators and thinkers are invited to contribute an individual perspective \\u2013 accepting or challenging the notion that design does or should embody greater \\u201cvalue\\u201d by drawing on personal experience, expertise and knowledge. Contributors are encouraged to explore design\\u2019s influence and application in domestic and commercial settings, across history, culture, politics, and its power to impact all aspects of life from small gestures of the everyday, to the future and sustainability of our planet.\\u2060<\\/p>\\n

We\\u2019re thrilled to share the introspections of our first contributor, Stephen Todd – Design Editor of the Australian Financial Review and Creative Director of Sydney Design Week. <\\/p>\\n

Portrait by Anthony Amos.<\\/p>\\n

–<\\/p>\\n

The Value of Design by Stephen Todd<\\/p>\\n

I\\u2019ve spent the better part of three decades thinking and writing about design. Not just the aesthetic of things, although there is that. But mostly I\\u2019m intrigued by the way inanimate objects incarnate certain moments in time. The way Viennese cabinet-maker Michael Thonet<\\/a>\\u2019s sinuous, steamed and bent wood \\u2018N\\u00ba 14\\u2019 chair of 1859 \\u2013 the first example of assembly line furniture production \\u2013 still epitomises European caf\\u00e9 culture some 160 years on. <\\/p>\\n

How Charlotte Perriand<\\/a>, having been initially dismissed by Le Corbusier with \\u201cWe don\\u2019t embroider cushions here, mademoiselle,\\u201d went on to design some of the 20th century\\u2019s most iconic tubular steel furniture \\u2013\\u00a0including the nickel and black LC2 Chaise \\u00e0 Grand Confort \\u2013\\u00a0initially for Corbu\\u2019s interiors. In her own apartment on the Rue Montalembert, Charlotte had the same chair but with pistachio tubing and fleshy pink upholstery; it always seemed to me a sensuous bird-flip to the cranky Swiss architect\\u2019s machismo.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":902,\"id\":902,\"title\":\"Charlotte_NY Times\",\"filename\":\"Charlotte_NY-Times.jpeg\",\"filesize\":1502575,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/charlotte_ny-times\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"charlotte_ny-times\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:26:39\",\"modified\":\"2021-06-26 22:26:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2110,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-300x211.jpeg\",\"medium-width\":300,\"medium-height\":211,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"medium_large-width\":768,\"medium_large-height\":540,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-1200x844.jpeg\",\"large-width\":1200,\"large-height\":844,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1080,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1440,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-2500x1758.jpeg\",\"full_width-width\":2500,\"full_width-height\":1758,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Charlotte_NY-Times-1600x1125.jpeg\",\"medium2-width\":1600,\"medium2-height\":1125}},\"use_caption\":true,\"caption\":\"

Perriand’s iconic tubular steel furniture in ‘Dining Room 28’ exhibited at the Salon des Artistes D\\u00e8corateurs in Paris, 1928. Photo courtesy of The New York Times. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Joe Colombo developed his Spider lamp<\\/a> of 1967 in direct response to innovations in incandescent lightbulbs, in particular the \\u2018hammerhead\\u2019 style which he accommodated in an incised section of the Spider\\u2019s metal shade. A problem, as it turns out, since the advent of LEDs have made this bulb particularly scarce. (I currently have a novelty \\u2018flame\\u2019 bulb in mine. Sorry, Joe.)<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":896,\"id\":896,\"title\":\"Joe Colombo\",\"filename\":\"Joe-Colombo.jpg\",\"filesize\":828719,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/joe-colombo\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"joe-colombo\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:06:26\",\"modified\":\"2021-06-26 22:06:26\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Joe-Colombo-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Spider Table Lamp, Joe Colombo for Oluce.
\\nPhotography courtesy of Design Market.<\\/p>\\n\"},{\"image\":{\"ID\":897,\"id\":897,\"title\":\"JC\",\"filename\":\"JC.jpg\",\"filesize\":1125555,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/jc\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"jc\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:07:03\",\"modified\":\"2021-06-26 22:07:03\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/JC-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Designer Joe Colombo pictured in his Elda fibreglass armchair.
\\nPhotography courtesy of Sodezign. <\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I\\u2019ve spent the better part of three decades thinking and writing about design. Not just the aesthetic of things, although there is that. But mostly I\\u2019m intrigued by the way inanimate objects incarnate certain moments in time.” – Stephen Todd <\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I especially love the work of Gaetano Pesce<\\/a> which I have been collecting since the mid-1990s when his multi-coloured, melted poly-resin furniture and lighting was categorically d\\u00e9class\\u00e9. I admire the Italian designer\\u2019s robust critique of the apparent perfection of modernist mass production; the way he encouraged his fabricators to make haphazard alterations throughout the process \\u2013 to introduce rogue pigments, allow spontaneous drips, bubbles and oozes, to never repeat a gesture. He termed the process \\u2018diversified series production\\u2019; what we might now call \\u2018disruption\\u2019. I am particularly heartened by the revival of interest in Pesce, especially among a new breed of New York creatives \\u2013 Katie Stout<\\/a>, Brecht Wright Gander<\\/a>, Rich Aybar \\u2013 who, too, are intent on tackling the problematic domination of the modernist credo of standardisation.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":898,\"id\":898,\"title\":\"Gaetano\",\"filename\":\"Gaetano.jpg\",\"filesize\":1640074,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/gaetano\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"gaetano\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:14:56\",\"modified\":\"2021-06-26 22:14:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Gaetano-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Pesce Pratt Chair (no. 3) by Gaetano Pesce.
\\nPhotography courtesy of MoMA.<\\/p>\\n\"},{\"image\":{\"ID\":899,\"id\":899,\"title\":\"KS\",\"filename\":\"KS.jpg\",\"filesize\":2256316,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/ks\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ks\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:15:14\",\"modified\":\"2021-06-26 22:15:14\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2247,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"medium_large-width\":768,\"medium_large-height\":1025,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-899x1200.jpg\",\"large-width\":899,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"1536x1536-width\":1150,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"2048x2048-width\":1534,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS.jpg\",\"full_width-width\":2247,\"full_width-height\":3000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/KS-1600x2136.jpg\",\"medium2-width\":1600,\"medium2-height\":2136}},\"use_caption\":true,\"caption\":\"

Vanity by Katie Stout.
\\nPhotography courtesy of Katie Stout.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

When I posted a picture of inside my house to Instagram a while back, one of Australia\\u2019s finest interior designers quipped \\u201cnice pieces\\u201d. The dripping innuendo: but what the hell are they doing together? <\\/p>\\n

And he was right; there is ostensibly nothing that bonds a Philippe Starck<\\/a> dimpled stainless steel and rosewood gueridon for Paris\\u2019 Caf\\u00e9 Costes (1982) to a pair of white leather and pony hide Dezza<\\/a> armchairs designed by Gio Ponti in 1965 to a set of hand-hammered copper candlesticks from an atelier of the Weiner Werkst\\u00e4te (c.1910). Except that, perhaps, in the first I recognize the renewed exuberance of a decidedly French take on postmodernism; in the second, the glamour of the mid-century Mediterranean seaside (the Dezze was originally designed for Hotel del Principe on the clifftops of Sorrento); the third, the humility of the artisan\\u2019s studio infusing British Arts & Crafts technique with a distinctly Mitteleuropa allure. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":904,\"id\":904,\"title\":\"Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2\",\"filename\":\"Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"filesize\":688859,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/mobilia-poltrona-frau-dezza-settee-residential-slider-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mobilia-poltrona-frau-dezza-settee-residential-slider-2\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:47:10\",\"modified\":\"2021-06-26 22:47:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2039,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-300x204.jpeg\",\"medium-width\":300,\"medium-height\":204,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"medium_large-width\":768,\"medium_large-height\":522,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-1200x816.jpeg\",\"large-width\":1200,\"large-height\":816,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":1044,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1392,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-2500x1699.jpeg\",\"full_width-width\":2500,\"full_width-height\":1699,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Mobilia-Poltrona-Frau-Dezza-Settee-Residential-Slider-2-1600x1087.jpeg\",\"medium2-width\":1600,\"medium2-height\":1087}},\"use_caption\":true,\"caption\":\"

Gio Ponti Dezza Armchair and Setee for Poltrona Frau.
\\nPhotography courtesy of Mobilia.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I\\u2019ve since added a Hairy Wild Man from Botany Bay bowl<\\/a> by Trent Jansen<\\/a> to my weird mob of objets. Conjured up from supple leather trimmed with wiry Icelandic sheep skin, it embodies a creature myth bandied about by English convicts ahead of transportation to the colony. It holds pride of place in my living room overlooking the Grose Valley in the Blue Mountains: a romantically eerie landscape that may well have struck terror into the hearts of those same \\u00e9migr\\u00e9s. (Today I recognise it as the unceded land of the Gundungurra and Darug people #alwayswasalwayswillbe.)<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":905,\"id\":905,\"title\":\"Grose-Valley-Blue-Mountains-National-Park\",\"filename\":\"Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"filesize\":2802586,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stephen-todd-on-the-value-of-design\\/grose-valley-blue-mountains-national-park\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"grose-valley-blue-mountains-national-park\",\"status\":\"inherit\",\"uploaded_to\":893,\"date\":\"2021-06-26 22:50:19\",\"modified\":\"2021-06-26 22:50:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":1610,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-300x161.jpeg\",\"medium-width\":300,\"medium-height\":161,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"medium_large-width\":768,\"medium_large-height\":412,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-1200x644.jpeg\",\"large-width\":1200,\"large-height\":644,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"1536x1536-width\":1536,\"1536x1536-height\":824,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park.jpeg\",\"2048x2048-width\":2048,\"2048x2048-height\":1099,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-2500x1342.jpeg\",\"full_width-width\":2500,\"full_width-height\":1342,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/Grose-Valley-Blue-Mountains-National-Park-1600x859.jpeg\",\"medium2-width\":1600,\"medium2-height\":859}},\"use_caption\":true,\"caption\":\"

Grose Valley, Blue Mountains.
\\nImage courtesy of Kwame Antwi-darkwah. <\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

I don\\u2019t know where this fascination with material culture comes from. My degree is in Sociology and Political Theory, so perhaps there\\u2019s something in the understanding of the way society works and the machinations of power that manifests in the objects with which we choose to surround ourselves. (Lou Weis, creative director of Broached Commissions<\\/a> which produces Jansen\\u2019s \\u2018Hairy Man\\u2019 bowl, reckons design is all about giving form to power, creating a \\u201cveil of desirability\\u201d to drive consumption \\u2013 and I wish I\\u2019d said that.) <\\/p>\\n

Or perhaps it\\u2019s the fact that as the fifth and last child of working-class parents who were just clambering onto the lower rung of the bourgeoisie by the time I was born, material possessions were showered upon me as a sign our family had \\u2018arrived\\u2019. In a black-and-white photo of a four-year-old me I have been made to pose in front of the Holden station wagon surrounded by carefully arrayed toys. I recall that straight after the snap was taken, I kicked the kit aside. (Brat!) Even then I didn\\u2019t enjoy the idea of accumulating objects as \\u2018stuff\\u2019, as signs of prestige or material success. <\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“I don\\u2019t know where this fascination with material culture comes from. My degree is in Sociology and Political Theory, so perhaps there\\u2019s something in the understanding of the way society works and the machinations of power that manifests in the objects with which we choose to surround ourselves.” – Stephen Todd<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

After 20 years living in Paris where I edited magazines in which design was presented on a par with literature, art, music, fashion (which as a \\u20ac150 billion\\/year business in France is taken very seriously indeed) I returned to Australia in 2010 and took up the role of design editor of The Australian Financial Review<\\/a>. My AFR editorial remit is wide: guide the reader to appreciate design across sectors and scales, from macro urban planning to the minutiae of AI; skyscraper to toothpick. My personal mission is to encourage an understanding that design is neither hermetic nor neutral; to enable a nuanced reading of the objects with which some of the country\\u2019s wealthiest consumers might be considering to surround themselves. <\\/p>\\n

As Pesce told me in an interview a few years ago: \\u201cThe goal of designing something is to represent our own time, not just to make things that are nice or interesting to look at. Objects have to say something about the world into which they are born.\\u201d<\\/p>\\n

In that sense: me, I\\u2019m just the translator.<\\/p>\\n\"}],\"related_essays\":false}},{\"title\":null,\"slug\":null,\"acf\":false}],\"seo\":{\"defaults\":{\"titles\":{\"forcerewritetitle\":false,\"separator\":\"sc-dash\",\"title-home-wpseo\":\"%%sitename%% %%page%% %%sep%% %%sitedesc%%\",\"title-author-wpseo\":\"%%name%%, Author at %%sitename%% %%page%%\",\"title-archive-wpseo\":\"%%date%% %%page%% %%sep%% %%sitename%%\",\"title-search-wpseo\":\"You searched for %%searchphrase%% %%page%% %%sep%% %%sitename%%\",\"title-404-wpseo\":\"Page not found %%sep%% 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\\r\\n29.11.21\",\"listing_description\":\"

We often reflect on what makes design pieces endure, so when we heard NYC will enjoy a retrospective exhibition of Verner Panton\\u2019s iconic work, we were more than keen to visit.\\u2060<\\/p>\\n\",\"hero_image\":{\"ID\":1008,\"id\":1008,\"title\":\"randcompanynyc_249080076_139099791747499_5633640978977781542_n\",\"filename\":\"randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"filesize\":101503,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"randcompanynyc_249080076_139099791747499_5633640978977781542_n\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:04:12\",\"modified\":\"2021-11-27 10:04:12\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":720,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"large-width\":1080,\"large-height\":720,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":720,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":720,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"full_width-width\":1080,\"full_width-height\":720,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/randcompanynyc_249080076_139099791747499_5633640978977781542_n.jpg\",\"medium2-width\":1080,\"medium2-height\":720}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We often reflect on what makes design pieces endure, so when we heard NYC will enjoy a retrospective exhibition of Verner Panton\\u2019s iconic work, we were more than keen to visit.\\u2060
\\n\\u2060
\\n\\u2018Verner Panton<\\/a>,\\u2019 presented by R & Company<\\/a>, shows a panoply of rare and iconic objects, furniture pieces, lamps and textiles that celebrate the Danish designer\\u2019s imaginative and playful vision. \\u2060Collected over the course of three years, the display highlights R & Company<\\/a>‘s commitment to reviving the market for Panton works, which has laid dormant for many years due to the scarcity of original pieces. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1009,\"id\":1009,\"title\":\"2_panton_editorial06\",\"filename\":\"2_panton_editorial06.jpg\",\"filesize\":78721,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/2_panton_editorial06\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2_panton_editorial06\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:05:38\",\"modified\":\"2021-11-27 10:05:38\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1460,\"height\":973,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06.jpg\",\"1536x1536-width\":1460,\"1536x1536-height\":973,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06.jpg\",\"2048x2048-width\":1460,\"2048x2048-height\":973,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06.jpg\",\"full_width-width\":1460,\"full_width-height\":973,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/2_panton_editorial06.jpg\",\"medium2-width\":1460,\"medium2-height\":973}},\"use_caption\":true,\"caption\":\"

S Chairs & Spiral pendants. Photography by Joe Kramm.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1017,\"id\":1017,\"title\":\"RCo_VernerPanton_Exhibition_16HR-scaled\",\"filename\":\"RCo_VernerPanton_Exhibition_16HR-scaled-1.jpeg\",\"filesize\":388916,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/rco_vernerpanton_exhibition_16hr-scaled\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"rco_vernerpanton_exhibition_16hr-scaled\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:12:13\",\"modified\":\"2021-11-27 10:12:13\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2048,\"height\":2560,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1-240x300.jpeg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1-960x1200.jpeg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1.jpeg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1.jpeg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1.jpeg\",\"full_width-width\":2048,\"full_width-height\":2560,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_16HR-scaled-1-1600x2000.jpeg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Spiral pendant, S Chairs and Flowepot pendant. Photography by Joe Kramm.<\\/p>\\n\"},{\"image\":{\"ID\":1016,\"id\":1016,\"title\":\"RCo_VernerPanton_Exhibition_15_HR-1-scaled\",\"filename\":\"RCo_VernerPanton_Exhibition_15_HR-1-scaled-1.jpeg\",\"filesize\":336051,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/rco_vernerpanton_exhibition_15_hr-1-scaled\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"rco_vernerpanton_exhibition_15_hr-1-scaled\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:12:10\",\"modified\":\"2021-11-27 10:12:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":2048,\"height\":2560,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1-240x300.jpeg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1-960x1200.jpeg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1.jpeg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1.jpeg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1.jpeg\",\"full_width-width\":2048,\"full_width-height\":2560,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_15_HR-1-scaled-1-1600x2000.jpeg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

VP Globe pendant. Photography by Joe Kramm.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The exhibition marks the 20th anniversary of R & Company<\\/a>‘s inaugural showcase of Panton’s work. Both exhibitions suspend Panton’s design pieces in a rich and immersive environment – just as Panton originally conceived. <\\/p>\\n

Traversing the gallery displays, visitors are invited to connect with the designer\\u2019s rich and imaginative world. Panton\\u2019s singular approach to form, colour and material reaffirms his contribution to contemporary design \\u2013 but also, reveals the synergy of the designer\\u2019s oeuvre driven by an established world view.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1012,\"id\":1012,\"title\":\"l_panton_editorial07\",\"filename\":\"l_panton_editorial07.jpg\",\"filesize\":48170,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/l_panton_editorial07\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"l_panton_editorial07\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:07:10\",\"modified\":\"2021-11-27 10:07:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1540,\"height\":944,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07-300x184.jpg\",\"medium-width\":300,\"medium-height\":184,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07.jpg\",\"medium_large-width\":768,\"medium_large-height\":471,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07-1200x736.jpg\",\"large-width\":1200,\"large-height\":736,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":942,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07.jpg\",\"2048x2048-width\":1540,\"2048x2048-height\":944,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07.jpg\",\"full_width-width\":1540,\"full_width-height\":944,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/l_panton_editorial07.jpg\",\"medium2-width\":1540,\"medium2-height\":944}},\"use_caption\":true,\"caption\":\"

S Chairs and VP Globe pendant. Photography by Joe Kramm.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1011,\"id\":1011,\"title\":\"5_panton_editorial01\",\"filename\":\"5_panton_editorial01.jpeg\",\"filesize\":200958,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/5_panton_editorial01\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"5_panton_editorial01\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:05:43\",\"modified\":\"2021-11-27 10:05:43\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1460,\"height\":1825,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01-240x300.jpeg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01.jpeg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01-960x1200.jpeg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01.jpeg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01.jpeg\",\"2048x2048-width\":1460,\"2048x2048-height\":1825,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01.jpeg\",\"full_width-width\":1460,\"full_width-height\":1825,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/5_panton_editorial01.jpeg\",\"medium2-width\":1460,\"medium2-height\":1825}},\"use_caption\":true,\"caption\":\"

Ball Type G pendant. Photography by Joe Kramm.<\\/p>\\n\"},{\"image\":{\"ID\":1010,\"id\":1010,\"title\":\"4_panton_editorial02_0\",\"filename\":\"4_panton_editorial02_0.jpeg\",\"filesize\":357138,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/4_panton_editorial02_0\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"4_panton_editorial02_0\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:05:41\",\"modified\":\"2021-11-27 10:05:41\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1460,\"height\":1825,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0-240x300.jpeg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0.jpeg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0-960x1200.jpeg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0.jpeg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0.jpeg\",\"2048x2048-width\":1460,\"2048x2048-height\":1825,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0.jpeg\",\"full_width-width\":1460,\"full_width-height\":1825,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/4_panton_editorial02_0.jpeg\",\"medium2-width\":1460,\"medium2-height\":1825}},\"use_caption\":true,\"caption\":\"

Wire Cone Chair & Flowerpot pendants. Photography by Joe Kramm.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1015,\"id\":1015,\"title\":\"RCo_VernerPanton_Exhibition_20HR-1024x683\",\"filename\":\"RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"filesize\":101322,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/rco_vernerpanton_exhibition_20hr-1024x683\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"rco_vernerpanton_exhibition_20hr-1024x683\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:11:40\",\"modified\":\"2021-11-27 10:11:40\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1024,\"height\":683,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"large-width\":1024,\"large-height\":683,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":683,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"2048x2048-width\":1024,\"2048x2048-height\":683,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"full_width-width\":1024,\"full_width-height\":683,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/RCo_VernerPanton_Exhibition_20HR-1024x683-1.jpeg\",\"medium2-width\":1024,\"medium2-height\":683}},\"use_caption\":true,\"caption\":\"

Spiegel wall light and Heart Cone chair. Photography by Joe Kramm.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1013,\"id\":1013,\"title\":\"HL2182_p1\",\"filename\":\"HL2182_p1.jpeg\",\"filesize\":1215440,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/hl2182_p1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hl2182_p1\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:10:53\",\"modified\":\"2021-11-27 10:10:53\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1752,\"height\":2190,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1-240x300.jpeg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1-960x1200.jpeg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1.jpeg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1.jpeg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1.jpeg\",\"full_width-width\":1752,\"full_width-height\":2190,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2182_p1-1600x2000.jpeg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Ball Type G pendant. Photography by Joe Kramm.<\\/p>\\n\"},{\"image\":{\"ID\":1014,\"id\":1014,\"title\":\"HL2209_p1\",\"filename\":\"HL2209_p1.jpeg\",\"filesize\":2723239,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/verner-panton\\/hl2209_p1\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"hl2209_p1\",\"status\":\"inherit\",\"uploaded_to\":1007,\"date\":\"2021-11-27 10:11:01\",\"modified\":\"2021-11-27 10:11:01\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1752,\"height\":2190,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1-240x300.jpeg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1.jpeg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1-960x1200.jpeg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1.jpeg\",\"1536x1536-width\":1229,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1.jpeg\",\"2048x2048-width\":1638,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1.jpeg\",\"full_width-width\":1752,\"full_width-height\":2190,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/11\\/HL2209_p1-1600x2000.jpeg\",\"medium2-width\":1600,\"medium2-height\":2000}},\"use_caption\":true,\"caption\":\"

Flowerpot pendant. 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We recently joined Melbourne’s Koorie Heritage Trust Scar Tree Walk to extend our knowledge of the local Kulin Peoples’ cultures and histories.<\\/p>\\n\",\"hero_image\":{\"ID\":1021,\"id\":1021,\"title\":\"Birrarung-Marr-4\",\"filename\":\"Birrarung-Marr-4.png\",\"filesize\":747707,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/koorie-heritage-trust-scar-tree-walk\\/birrarung-marr-4\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"birrarung-marr-4\",\"status\":\"inherit\",\"uploaded_to\":1019,\"date\":\"2022-01-19 08:07:51\",\"modified\":\"2022-01-19 08:07:51\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":686,\"height\":460,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4-300x201.png\",\"medium-width\":300,\"medium-height\":201,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4.png\",\"medium_large-width\":686,\"medium_large-height\":460,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4.png\",\"large-width\":686,\"large-height\":460,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4.png\",\"1536x1536-width\":686,\"1536x1536-height\":460,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4.png\",\"2048x2048-width\":686,\"2048x2048-height\":460,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4.png\",\"full_width-width\":686,\"full_width-height\":460,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-4.png\",\"medium2-width\":686,\"medium2-height\":460}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We recently joined Melbourne’s Koorie Heritage Trust<\\/a> Scar Tree Walk to extend our knowledge of the local Kulin Peoples’ cultures and histories. Meandering along the Birrarung Marr – a significant source of food, hunting, cooking and ceremony for the Wurundjeri and Boonwurrung peoples – the\\u2060 tour was anchored by significant landmarks and art installations that speak to the Kulin Peoples’ traditional and contemporary histories and relationship to the landscape. \\u2060<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1022,\"id\":1022,\"title\":\"Birrarung-Marr-1\",\"filename\":\"Birrarung-Marr-1-1.png\",\"filesize\":819604,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1.png\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/koorie-heritage-trust-scar-tree-walk\\/birrarung-marr-1-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"birrarung-marr-1-2\",\"status\":\"inherit\",\"uploaded_to\":1019,\"date\":\"2022-01-19 08:10:39\",\"modified\":\"2022-01-19 08:10:39\",\"menu_order\":0,\"mime_type\":\"image\\/png\",\"type\":\"image\",\"subtype\":\"png\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":686,\"height\":460,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1-150x150.png\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1-300x201.png\",\"medium-width\":300,\"medium-height\":201,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1.png\",\"medium_large-width\":686,\"medium_large-height\":460,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1.png\",\"large-width\":686,\"large-height\":460,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1.png\",\"1536x1536-width\":686,\"1536x1536-height\":460,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1.png\",\"2048x2048-width\":686,\"2048x2048-height\":460,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1.png\",\"full_width-width\":686,\"full_width-height\":460,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/Birrarung-Marr-1-1.png\",\"medium2-width\":686,\"medium2-height\":460}},\"use_caption\":true,\"caption\":\"

Traditional weaponry shields in Birrarung Wilam along the Birrarung Marr, Melbourne. Photography courtesy of City of Melbourne.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1030,\"id\":1030,\"title\":\"3\",\"filename\":\"3.jpeg\",\"filesize\":146029,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/koorie-heritage-trust-scar-tree-walk\\/3-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"3-2\",\"status\":\"inherit\",\"uploaded_to\":1019,\"date\":\"2022-01-19 09:47:05\",\"modified\":\"2022-01-19 09:47:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1024,\"height\":683,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3.jpeg\",\"large-width\":1024,\"large-height\":683,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":683,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3.jpeg\",\"2048x2048-width\":1024,\"2048x2048-height\":683,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3.jpeg\",\"full_width-width\":1024,\"full_width-height\":683,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/3.jpeg\",\"medium2-width\":1024,\"medium2-height\":683}},\"use_caption\":true,\"caption\":\"

A group of ancestor stones in Birrarung Wilam, Melbourne. Photography courtesy of City of Melbourne.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The beauty of the Birrarung Marr is reflected in its name; the Wurundjeri word \\u2018birrarung\\u2019 meaning \\u2018river of mists\\u2019, and \\u2018marr\\u2019 translating to \\u2018side.\\u2019 The river precinct features a significant Aboriginal art installation, Birrarung Wilam – a common place combining cultural gestures that each celebrate the physical and spiritual connections between indigenous people and place. On the tour, each landmark was used to share stories of symbolism, language, living practices and historical events, framing the strength of the Kulin Peoples’ community and spirit.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1028,\"id\":1028,\"title\":\"4\",\"filename\":\"4.jpeg\",\"filesize\":178239,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/koorie-heritage-trust-scar-tree-walk\\/4-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"4-2\",\"status\":\"inherit\",\"uploaded_to\":1019,\"date\":\"2022-01-19 09:41:13\",\"modified\":\"2022-01-19 09:41:13\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1024,\"height\":683,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4-300x200.jpeg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4.jpeg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4.jpeg\",\"large-width\":1024,\"large-height\":683,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4.jpeg\",\"1536x1536-width\":1024,\"1536x1536-height\":683,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4.jpeg\",\"2048x2048-width\":1024,\"2048x2048-height\":683,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4.jpeg\",\"full_width-width\":1024,\"full_width-height\":683,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/4.jpeg\",\"medium2-width\":1024,\"medium2-height\":683}},\"use_caption\":true,\"caption\":\"

Eel pathway in Birrarung Wilam, Melbourne. Photography courtesy of City of Melbourne.<\\/p>\\n\",\"display_reduced\":false},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1026,\"id\":1026,\"title\":\"1\",\"filename\":\"1.jpeg\",\"filesize\":219116,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/koorie-heritage-trust-scar-tree-walk\\/1-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"1-2\",\"status\":\"inherit\",\"uploaded_to\":1019,\"date\":\"2022-01-19 09:39:34\",\"modified\":\"2022-01-19 09:39:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":683,\"height\":1024,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1.jpeg\",\"medium_large-width\":683,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1.jpeg\",\"large-width\":683,\"large-height\":1024,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1.jpeg\",\"1536x1536-width\":683,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1.jpeg\",\"2048x2048-width\":683,\"2048x2048-height\":1024,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1.jpeg\",\"full_width-width\":683,\"full_width-height\":1024,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/1.jpeg\",\"medium2-width\":683,\"medium2-height\":1024}},\"use_caption\":true,\"caption\":\"

Message sticks in Birrarung Wilam, Melbourne. Photography courtesy of City of Melbourne.<\\/p>\\n\"},{\"image\":{\"ID\":1029,\"id\":1029,\"title\":\"2\",\"filename\":\"2.jpeg\",\"filesize\":210065,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/koorie-heritage-trust-scar-tree-walk\\/2-2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"2-2\",\"status\":\"inherit\",\"uploaded_to\":1019,\"date\":\"2022-01-19 09:46:16\",\"modified\":\"2022-01-19 09:46:16\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":683,\"height\":1024,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2-150x150.jpeg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2-200x300.jpeg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2.jpeg\",\"medium_large-width\":683,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2.jpeg\",\"large-width\":683,\"large-height\":1024,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2.jpeg\",\"1536x1536-width\":683,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2.jpeg\",\"2048x2048-width\":683,\"2048x2048-height\":1024,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2.jpeg\",\"full_width-width\":683,\"full_width-height\":1024,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/2.jpeg\",\"medium2-width\":683,\"medium2-height\":1024}},\"use_caption\":true,\"caption\":\"

Message sticks in Birrarung Wilam, Melbourne. Photography courtesy of City of Melbourne.<\\/p>\\n\"}]},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

After our walk, we at some delicious morsels from neighbouring restaurant Big Esso<\\/a> by Mabu Mabu who have proudly brought Indigenous food and culture back to the banks of the Birrarung. \\u2060The pickled watermelon salad and lemon aspen charred arti (octopus) were crowd favourites, perfectly paired with a jug of native soda. <\\/p>\\n

With our knowledge of these cultural landmarks enriched and our bellies full, we left with a greater appreciation and sensitivity to our local history and surroundings – a valuable visit much appreciated by our team as we embark on further learning about inclusivity and local culture.<\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":1024,\"id\":1024,\"title\":\"83ef4f_907eab5781974b3f808e5b61fd26542a_mv2\",\"filename\":\"83ef4f_907eab5781974b3f808e5b61fd26542a_mv2.jpg\",\"filesize\":489642,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/koorie-heritage-trust-scar-tree-walk\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"83ef4f_907eab5781974b3f808e5b61fd26542a_mv2\",\"status\":\"inherit\",\"uploaded_to\":1019,\"date\":\"2022-01-19 09:16:46\",\"modified\":\"2022-01-19 09:16:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1500,\"height\":1000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2.jpg\",\"1536x1536-width\":1500,\"1536x1536-height\":1000,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2.jpg\",\"2048x2048-width\":1500,\"2048x2048-height\":1000,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2.jpg\",\"full_width-width\":1500,\"full_width-height\":1000,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/01\\/83ef4f_907eab5781974b3f808e5b61fd26542a_mv2.jpg\",\"medium2-width\":1500,\"medium2-height\":1000}},\"use_caption\":true,\"caption\":\"

Big Esso by Mabu Mabu, Federation Square, Melbourne. 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The following day was a full schedule of presentations and talks steered by Monocle<\\/a> editors versed in business, culture, urbanism and current affairs. 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Highlights included hearing from Ton Venhoeven, Principal Architect and Urban Planner at Venhoeven CS<\\/a>, the inspiring and talented Olivier Marty of Studio Ko<\\/a>, Ben Smith, the Chief of Air France-KLM<\\/a>, and the wonderfully charming Florence Martin-Kessler, Co-Founder and Editor-In-Chief of Live Magazine<\\/a>. 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Weary heads the next morning were greeted by a lavish breakfast at Musee Carnavalet<\\/a>; those who made the 8am run beforehand should be awarded a medal. The conference concluded with a host of tours across the city before delegates dispersed, energised and inspired by the stories and experiences of others, and new connections made. Thank you to Tyler, Andrew, Hannah and the entire Monocle<\\/a> team for their superb hospitality.\\u2060<\\/p>\\n

Photography courtesy of Monocle<\\/a>. \\u2060<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":1146,\"id\":1146,\"title\":\"27\",\"filename\":\"27.jpeg\",\"filesize\":232267,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2022\\/06\\/27.jpeg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-monocle-quality-of-life-conference\\/attachment\\/27\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"27\",\"status\":\"inherit\",\"uploaded_to\":1119,\"date\":\"2022-06-22 00:21:14\",\"modified\":\"2022-06-22 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National Gallery of Victoria\\u2019s inaugural Triennial exhibition in 2017 left a lingering impression, building a sense of anticipation – and the 2020 edition does not disappoint.<\\/p>\\n\",\"hero_image\":{\"ID\":843,\"id\":843,\"title\":\"Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy resized\",\"filename\":\"Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized.jpg\",\"filesize\":718795,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/ngv-2020-triennial\\/dhambit-mununggurr-installation-ngv-triennial-2020-credit-sean-fennessy-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"dhambit-mununggurr-installation-ngv-triennial-2020-credit-sean-fennessy-resized\",\"status\":\"inherit\",\"uploaded_to\":784,\"date\":\"2021-03-30 02:43:02\",\"modified\":\"2021-03-30 02:43:02\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1013,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized-300x169.jpg\",\"medium-width\":300,\"medium-height\":169,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":432,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized-1200x675.jpg\",\"large-width\":1200,\"large-height\":675,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":864,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1013,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1013,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/01\\/Dhambit-Mununggurr-installation-NGV-Triennial-2020-credit-Sean-Fennessy-resized-1600x900.jpg\",\"medium2-width\":1600,\"medium2-height\":900}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

National Gallery of Victoria’s<\\/a> inaugural Triennial exhibition in 2017 left a lingering impression, building a sense of anticipation – and the 2020 edition does not disappoint. True to NGV\\u2019s objectives, the exhibition brings contemporary art, design and architecture into dialogue. New commissions and initiatives comment on the changing landscape of digital and emerging technologies, offering speculative insights into our collective futures. While Triennial 2020 celebrates some of the world\\u2019s most accomplished artists and designers, it is heartening to hear the voices of emerging practitioners included in the conversation. With works from over 100 cross-disciplinary artists and designers, Triennial 2020 intersects with NGV\\u2019s historic collections to reframe the gallery experience; a new cultural paradigm not to be missed. 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We are pleased to be working with the team at the National Gallery of Victoria on the communications strategy for Melbourne Design Week 2021, tasked with a specific focus on supporting the event\\u2019s sprawling Satellite Program.<\\/p>\\n\",\"hero_image\":{\"ID\":858,\"id\":858,\"title\":\"MDW banner5\",\"filename\":\"MDW-banner5.jpg\",\"filesize\":2619744,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/melbourne-design-week-2021\\/mdw-banner5\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mdw-banner5\",\"status\":\"inherit\",\"uploaded_to\":782,\"date\":\"2021-03-30 23:25:27\",\"modified\":\"2021-03-30 23:25:27\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":7500,\"height\":8750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5-257x300.jpg\",\"medium-width\":257,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5.jpg\",\"medium_large-width\":768,\"medium_large-height\":896,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5-1029x1200.jpg\",\"large-width\":1029,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5.jpg\",\"1536x1536-width\":1317,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5.jpg\",\"2048x2048-width\":1755,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5-2500x2917.jpg\",\"full_width-width\":2500,\"full_width-height\":2917,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MDW-banner5-1600x1867.jpg\",\"medium2-width\":1600,\"medium2-height\":1867}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We are pleased to be working with the team at the National Gallery of Victoria<\\/a> on the communications strategy for Melbourne Design Week<\\/a> 2021, tasked with a specific focus on supporting the event\\u2019s sprawling Satellite Program. For Melburnians, gathering in any number may feel like a distant dream, however in the coming weeks there\\u2019s perhaps nothing more constructive than focusing on the future. Melbourne Design Week will run from Friday 26 March to Monday 5 April 2021 exploring the theme \\u2018Design The World You Want\\u2019, with expressions of interest to participate open until Friday 9 October 2020. You might be asking, \\u201cWhere does one start?\\u201d Well, we\\u2019re confident it starts with you. Designers, galleries, educators, innovators, retailers and industry are invited to consider how the design community can work together to create a better, healthier future for the planet and its inhabitants. We\\u2019ve enjoyed participating in Melbourne Design Week informally for a number of years, so in 2021 we look forward to drawing on our relationships within the Australian and global design industries to support the objectives of the event, whilst continuing in our agency vision for elevating the value of design. 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Given we can\\u2019t be in Milan for Super Salone this week, we\\u2019ve asked our friend New York based photographer, Eric Petschek (@cb) to be our eyes and ears on the ground.<\\/p>\\n\",\"hero_image\":{\"ID\":950,\"id\":950,\"title\":\"NHO_SS\",\"filename\":\"NHO_SS.jpg\",\"filesize\":2621156,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/milan-design-week\\/nho_ss\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho_ss\",\"status\":\"inherit\",\"uploaded_to\":947,\"date\":\"2021-09-06 08:03:23\",\"modified\":\"2021-09-06 08:03:23\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":4740,\"height\":6667,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS-213x300.jpg\",\"medium-width\":213,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS.jpg\",\"medium_large-width\":768,\"medium_large-height\":1080,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS-853x1200.jpg\",\"large-width\":853,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS.jpg\",\"1536x1536-width\":1092,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS.jpg\",\"2048x2048-width\":1456,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS-2500x3516.jpg\",\"full_width-width\":2500,\"full_width-height\":3516,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/NHO_SS-1600x2250.jpg\",\"medium2-width\":1600,\"medium2-height\":2250}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Given we can\\u2019t be in Milan for Super Salone this week, we\\u2019ve asked our friend New York based photographer, Eric Petschek (@cb<\\/a>) to be our eyes and ears on the ground. For the uninitiated, Eric is an interior and architectural photographer who has amassed a dedicated following and enviable client list for his incredible eye. We couldn\\u2019t think of a better person to take us to Milano.<\\/p>\\n

While we\\u2019re disappointed to not be there in person, we\\u2019re delighted for those who are \\u2013 a reunion to remember, marking the return of a triumphant industry in a magnificent city many of us hold dear. Tune in to Eric\\u2019s expedition via our instagram stories over the coming days (@nho.agency<\\/a>). May the memories and the Sbagliato flow.<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":967,\"id\":967,\"title\":\"nho.agency_241452368_571973630652614_6421509461146813101_n\",\"filename\":\"nho.agency_241452368_571973630652614_6421509461146813101_n.jpg\",\"filesize\":232917,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/milan-design-week\\/nho-agency_241452368_571973630652614_6421509461146813101_n\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho-agency_241452368_571973630652614_6421509461146813101_n\",\"status\":\"inherit\",\"uploaded_to\":947,\"date\":\"2021-09-19 20:56:09\",\"modified\":\"2021-09-19 20:56:09\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241452368_571973630652614_6421509461146813101_n.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Michael Anastassiades \\/ Nilufar Gallery<\\/p>\\n\"},{\"image\":{\"ID\":956,\"id\":956,\"title\":\"nho.agency_241313470_374385487429024_7427776595740583274_n\",\"filename\":\"nho.agency_241313470_374385487429024_7427776595740583274_n.jpg\",\"filesize\":392616,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/milan-design-week\\/nho-agency_241313470_374385487429024_7427776595740583274_n\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho-agency_241313470_374385487429024_7427776595740583274_n\",\"status\":\"inherit\",\"uploaded_to\":947,\"date\":\"2021-09-19 20:55:34\",\"modified\":\"2021-09-19 20:55:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241313470_374385487429024_7427776595740583274_n.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

Vincent Van Duysen \\/ Sutherland Furniture<\\/p>\\n\"}]},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":966,\"id\":966,\"title\":\"nho.agency_241434208_636448773986880_4034973285526910463_n\",\"filename\":\"nho.agency_241434208_636448773986880_4034973285526910463_n.jpg\",\"filesize\":275516,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/milan-design-week\\/nho-agency_241434208_636448773986880_4034973285526910463_n\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nho-agency_241434208_636448773986880_4034973285526910463_n\",\"status\":\"inherit\",\"uploaded_to\":947,\"date\":\"2021-09-19 20:56:05\",\"modified\":\"2021-09-19 20:56:05\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1080,\"height\":1350,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n-960x1200.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n.jpg\",\"1536x1536-width\":1080,\"1536x1536-height\":1350,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n.jpg\",\"2048x2048-width\":1080,\"2048x2048-height\":1350,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n.jpg\",\"full_width-width\":1080,\"full_width-height\":1350,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/09\\/nho.agency_241434208_636448773986880_4034973285526910463_n.jpg\",\"medium2-width\":1080,\"medium2-height\":1350}},\"use_caption\":true,\"caption\":\"

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In a throwback to the brand\\u2019s non-conformist magazine that ran from 2005-2014, Acne Studios have launched the Acne Paper book.<\\/p>\\n\",\"hero_image\":{\"ID\":928,\"id\":928,\"title\":\"ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200\",\"filename\":\"ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"filesize\":142150,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/acne-paper-book\\/acne_paper_exhibtion_social_4-5_01web-960x1200\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"acne_paper_exhibtion_social_4-5_01web-960x1200\",\"status\":\"inherit\",\"uploaded_to\":927,\"date\":\"2021-08-06 22:33:19\",\"modified\":\"2021-08-06 22:33:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":960,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1-240x300.jpg\",\"medium-width\":240,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"medium_large-width\":768,\"medium_large-height\":960,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"large-width\":960,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"1536x1536-width\":960,\"1536x1536-height\":1200,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"2048x2048-width\":960,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"full_width-width\":960,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_EXHIBTION_SOCIAL_4-5_01web-960x1200-1.jpg\",\"medium2-width\":960,\"medium2-height\":1200}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

In a throwback to the brand\\u2019s non-conformist magazine that ran from 2005-2014, Acne Studios<\\/a> have launched the Acne Paper book. Such was the physical and emotive value inherent in every oversized issue, we still have a few originals archived in the NHO library. The reborn anthology is printed in the same dimensions as the original magazine and honours its subversive and journalistic nature, timelessly narrated through photography, art, literature and writing.\\u2060 New content, including dramatic self-portraits by photographer Christopher Smith, and thought pieces by Acne Studios’ friends and collaborators, bring further depth and dimension to the book – a compelling collectible edition for any design, art or fashion aficionado. <\\/p>\\n

–<\\/p>\\n

Acne Paper is available for purchase here<\\/a>.<\\/p>\\n

Photography courtesy of Acne Studios<\\/a>, and Polly Louise Tootal and Teitur Ardal, via Studio XAG<\\/a> <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":931,\"id\":931,\"title\":\"ACNE_PAPER_5_4_PRESS_06\",\"filename\":\"ACNE_PAPER_5_4_PRESS_06.jpg\",\"filesize\":121465,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/08\\/ACNE_PAPER_5_4_PRESS_06.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/acne-paper-book\\/acne_paper_5_4_press_06\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"acne_paper_5_4_press_06\",\"status\":\"inherit\",\"uploaded_to\":927,\"date\":\"2021-08-06 23:07:30\",\"modified\":\"2021-08-06 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This June, NHO helped the Robin Boyd Foundation<\\/a> (RBF) raise $75k for new design education and advocacy programs. <\\/p>\\n

Marking the release of \\u2018After The Australian Ugliness’, the ‘Amplify Our Voice’ campaign target of $25k was met in just 72 hours, with matched dollar for dollar funding provided by Creative Partnerships Australia. With continued interest in supporting the cause, RBF introduced a stretch target of $50k to further amplify the voice of good design – ultimately raising more than $75k in just four weeks. Thank you to all who contributed; a testament to our community’s value of design and unwavering support of Boyd’s legacy.<\\/p>\\n

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When COVID-19 swept the mid-atlantic last year, Brooke turned her lens to the changing face of the city. The result is a haunting photo series entitled ‘The Estranged’ which Brooke has generously allowed us to share over our social channels this week. <\\/p>\\n\",\"hero_image\":{\"ID\":870,\"id\":870,\"title\":\"BHOLM_NYC_2020_ACR_04_small\",\"filename\":\"BHOLM_NYC_2020_ACR_04_small.jpg\",\"filesize\":4314025,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-estranged-by-brooke-holm\\/bholm_nyc_2020_acr_04_small\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bholm_nyc_2020_acr_04_small\",\"status\":\"inherit\",\"uploaded_to\":869,\"date\":\"2021-06-03 06:50:53\",\"modified\":\"2021-06-03 06:50:53\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":2228,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small-300x223.jpg\",\"medium-width\":300,\"medium-height\":223,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small.jpg\",\"medium_large-width\":768,\"medium_large-height\":570,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small-1200x891.jpg\",\"large-width\":1200,\"large-height\":891,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1141,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":1521,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small-2500x1857.jpg\",\"full_width-width\":2500,\"full_width-height\":1857,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_04_small-1600x1188.jpg\",\"medium2-width\":1600,\"medium2-height\":1188}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

New York based photographer Brooke Holm is a dear friend of NHO, and an incredible talent whose work we have long admired and supported.<\\/p>\\n

When COVID-19 swept the mid-atlantic last year, Brooke turned her lens to the changing face of the city. The result is a haunting photo series entitled ‘The Estranged’ which Brooke has generously allowed us to share over our social channels this week. As Melburnians find themselves in yet another extended snap lockdown, the series is more resonant than ever. <\\/p>\\n\"},{\"acf_fc_layout\":\"single_image\",\"image\":{\"ID\":871,\"id\":871,\"title\":\"BHOLM_NYC_2020_ACR_01_small\",\"filename\":\"BHOLM_NYC_2020_ACR_01_small.jpg\",\"filesize\":4901248,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_01_small.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-estranged-by-brooke-holm\\/bholm_nyc_2020_acr_01_small\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bholm_nyc_2020_acr_01_small\",\"status\":\"inherit\",\"uploaded_to\":869,\"date\":\"2021-06-03 06:53:01\",\"modified\":\"2021-06-03 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\\u201cDuring the peak of the 2020 pandemic in New York City, I undertook a series of solo expeditions to the heart of Manhattan. Pre-pandemic, these places were busy, chaotic and full of wide-eyed tourists. But in this new reality, the streets were desolate and quiet. I photographed the naked architecture, devoid of the human creatures for which they were constructed, making use of the light filtering between buildings. In some images, there is an absence of humans entirely, and in others we see a faint blur of a solo social distancer gliding amongst the structures. In capturing empty streets previously swarming with people, I intentionally blur the focus in an eerie depiction of this moment in history; the past seeming more and more like an illusion from which we are now estranged.\\u201d – Brooke Holm<\\/p>\\n\"},{\"acf_fc_layout\":\"double_image\",\"images\":[{\"image\":{\"ID\":878,\"id\":878,\"title\":\"BHOLM_NYC_2020_ACR_08_small\",\"filename\":\"BHOLM_NYC_2020_ACR_08_small.jpg\",\"filesize\":3277284,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/06\\/BHOLM_NYC_2020_ACR_08_small.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-estranged-by-brooke-holm\\/bholm_nyc_2020_acr_08_small\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"bholm_nyc_2020_acr_08_small\",\"status\":\"inherit\",\"uploaded_to\":869,\"date\":\"2021-06-03 06:53:43\",\"modified\":\"2021-06-03 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Brooke\\u2019s cinematic depiction of the city captures a shared sense of isolation, fear and eeriness experienced in the throes of the COVID-19 pandemic across the globe. Using the NYC streets as her canvas, Brooke has captured this moment in time with artful observance and sincerity. 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When we got in touch with our long-term collaborator Studio Hi Ho to discuss a rethink of our branding and our website, our direction was clear. Neil Hugh Office is about more than me. It may have started as a consultancy of one and my name might be on the door, however today we\\u2019re a growing team of brand, marketing and communications specialists. <\\/p>\\n\",\"hero_image\":{\"ID\":846,\"id\":846,\"title\":\"GG_HIH017_NHO_009_HR\",\"filename\":\"GG_HIH017_NHO_009_HR.jpg\",\"filesize\":809269,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/the-evolution-of-nho\\/gg_hih017_nho_009_hr\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"gg_hih017_nho_009_hr\",\"status\":\"inherit\",\"uploaded_to\":844,\"date\":\"2021-03-30 06:30:47\",\"modified\":\"2021-03-30 06:30:47\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1440,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR-300x240.jpg\",\"medium-width\":300,\"medium-height\":240,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR.jpg\",\"medium_large-width\":768,\"medium_large-height\":614,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR-1200x960.jpg\",\"large-width\":1200,\"large-height\":960,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1229,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1440,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR.jpg\",\"full_width-width\":1800,\"full_width-height\":1440,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/03\\/GG_HIH017_NHO_009_HR-1600x1280.jpg\",\"medium2-width\":1600,\"medium2-height\":1280}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

A word from NHO Founder & Director, Neil Hugh Kenna: <\\/p>\\n

When we got in touch with our long-term collaborator Studio Hi Ho to discuss a rethink of our branding and our website, our direction was clear. Neil Hugh Office is about more than me. It may have started as a consultancy of one and my name might be on the door, however today we\\u2019re a growing team of brand, marketing and communications specialists. As our clients, colleagues and peers can attest, we\\u2019re a sum of parts far greater than anything I could ever achieve on my own. For this reason, today we formally introduce the shorthand \\u2018NHO\\u2019 moniker \\u2013 a milestone and a moment to celebrate for an agency just shy of its fifth birthday. <\\/p>\\n

As you\\u2019ll read and experience within these pages, we have never been clearer in our vision to elevate the value of design through brand strategy and marketing, and this platform will allow us to do just that. \\u2018Resources\\u2019 has been conceived as home for design discourse both nuanced and flip: the people who inspire, the conversations worth having, and a deserving acknowledgment of the role design plays in our lives. Those who\\u2019ve glimpsed the inner workings of NHO will affirm nothing here happens by chance. 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While we couldn’t be there this year, Stockholm Design Week looked a little different in 2021.<\\/p>\\n\",\"hero_image\":{\"ID\":840,\"id\":840,\"title\":\"Stockholm_high res resized\",\"filename\":\"Stockholm_high-res-resized.jpg\",\"filesize\":2145499,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stockholm-design-week\\/stockholm_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"stockholm_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":788,\"date\":\"2021-03-28 05:47:56\",\"modified\":\"2021-03-28 05:47:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized-300x300.jpg\",\"medium-width\":300,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":768,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized-1200x1200.jpg\",\"large-width\":1200,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/Stockholm_high-res-resized-1600x1600.jpg\",\"medium2-width\":1600,\"medium2-height\":1600}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

While we couldn’t be there this year, Stockholm Design Week looked a little different in 2021. The celebrated Stockholm Furniture & Light Fair was delivered in a special ‘digital and city edition’, incorporating showrooms, pop-ups and exhibitions, with talks, debates and interviews available online. We were excited to tune in to the Design & Architecture Talks – in particular, for French-Columbian professor Carlos Moreno’s lecture ‘The 15-minute city – a new vision of urban living’. Moreno shared his vision for sustainable cities, where residents can truly live locally with everything they need just a short walk or bike ride away. As cities recover from COVID-19, Moreno’s concept is more relevant than ever. While it’s was a pity that Stockholm was not be activated to the same extent as previous years, we were delighted to see the program continuing in a new and accessible format – ensuring global attendees and listeners can enjoy the best of Nordic design in a safe way. 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The release of the 2021 Exhibition Program at Melbourne\\u2019s Centre for Contemporary Photography was much anticipated here at NHO. The annual Ilford CCP Salon kicks off proceedings; Australia\\u2019s largest photo media competition supported by our friends at Milieu Property.<\\/p>\\n\",\"hero_image\":{\"ID\":838,\"id\":838,\"title\":\"CCP resized\",\"filename\":\"CCP-resized.jpg\",\"filesize\":335890,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/2021-ccp-exhibition-program\\/ccp-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp-resized\",\"status\":\"inherit\",\"uploaded_to\":786,\"date\":\"2021-03-28 05:46:36\",\"modified\":\"2021-03-28 05:46:36\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1203,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized-300x201.jpg\",\"medium-width\":300,\"medium-height\":201,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":513,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized-1200x802.jpg\",\"large-width\":1200,\"large-height\":802,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1027,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1203,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1203,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2021\\/02\\/CCP-resized-1600x1069.jpg\",\"medium2-width\":1600,\"medium2-height\":1069}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The release of the 2021 Exhibition Program at Melbourne\\u2019s Centre for Contemporary Photography<\\/a> was much anticipated here at NHO. The annual Ilford CCP Salon kicks off proceedings; Australia\\u2019s largest photo media competition supported by our friends at Milieu Property. Drawing entries from over 450 emerging and established artists across the country, the diversity of works is a true spectacle of photomedia artistic practice. Other highlights include Ruth Maddison\\u2019s solo show \\u2018It was the best of times, it was the worst of times\\u2019, and group show \\u2018This searing light, filtered for shadows\\u2019, thoughtfully curated by Jack Willet. We\\u2019ll see you there. 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At NHO, we consume a lot of media \\u2013 possibly too much \\u2013 however we are currently diving into design podcasts. \\u201cWhat I\\u2019ve Learned\\u201d by Stacy Shoemaker Rauen for Hospitality Design magazine is particularly good, and we loved this week\\u2019s episode with interior designer, Joyce Wang.<\\/p>\\n\",\"hero_image\":{\"ID\":836,\"id\":836,\"title\":\"MOT_05.2-2-800x1200 resized\",\"filename\":\"MOT_05.2-2-800x1200-resized.jpg\",\"filesize\":1531225,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/what-ive-learned\\/mot_05-2-2-800x1200-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mot_05-2-2-800x1200-resized\",\"status\":\"inherit\",\"uploaded_to\":780,\"date\":\"2021-03-28 05:41:11\",\"modified\":\"2021-03-28 05:41:11\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2700,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1152,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized-800x1200.jpg\",\"large-width\":800,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized.jpg\",\"1536x1536-width\":1024,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized.jpg\",\"2048x2048-width\":1365,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2700,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/09\\/MOT_05.2-2-800x1200-resized-1600x2400.jpg\",\"medium2-width\":1600,\"medium2-height\":2400}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

At NHO, we consume a lot of media \\u2013 possibly too much \\u2013 however we are currently diving into design podcasts. What I\\u2019ve Learned<\\/a> by Stacy Shoemaker Rauen for Hospitality Design magazine<\\/a> is particularly good, and we loved this week\\u2019s episode with interior designer, Joyce Wang<\\/a>. There\\u2019s so much to glean from the experience of others. It took us back to Hong Kong Business of Design Week in 2018, and a little dinner we hosted at Mott 32<\\/a> (pictured), designed by Joyce Wang Studio. As Joyce says in the episode, food is just as important as design, and it shows \\u2013 we\\u2019re still thinking about that duck, and that interior! Pro tip: preorder the duck(s). One of many wonderful dinners in a fantastic week uniting our two favourite things: business and design. 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We are pleased to announce the appointment of NHO founder and director Neil Hugh Kenna to the Board of the Centre for Contemporary Photography in Melbourne.<\\/p>\\n\",\"hero_image\":{\"ID\":835,\"id\":835,\"title\":\"ccp-building resized\",\"filename\":\"ccp-building-resized.jpg\",\"filesize\":788248,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/centre-for-contemporary-photography\\/ccp-building-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"ccp-building-resized\",\"status\":\"inherit\",\"uploaded_to\":778,\"date\":\"2021-03-28 05:39:39\",\"modified\":\"2021-03-28 05:39:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1198,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":511,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized-1200x799.jpg\",\"large-width\":1200,\"large-height\":799,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1022,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1198,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1198,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/08\\/ccp-building-resized-1600x1065.jpg\",\"medium2-width\":1600,\"medium2-height\":1065}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We are pleased to announce the appointment of NHO founder and director Neil Hugh Kenna to the Board of the Centre for Contemporary Photography in Melbourne<\\/a>. Established in 1986 by the photographic community as a not-for-profit exhibition and resource centre, CCP has since played a pivotal role in the support of photo-based arts and public engagement with photography. Neil looks forward to uniting his passion for photography and community with his brand strategy and marketing expertise to support the objectives of CCP and its stakeholders. Pictured: Centre for Contemporary Photography, Fitzroy, Melbourne, a 600 sqm warehouse conversion designed by Sean Godsell Architects<\\/a> in 2004-2005. 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\\r\\nIn Conversation with Alice Rawsthorn
\\r\\n12.04.21
\\r\\n\",\"listing_description\":\"

In the throes of last year’s coronavirus outbreak, many of us took solace in books, journals and magazines, such as Alice Rawsthorn’s 2018 release, Design As An Attitude \\u2013 a firm favourite here at NHO. As such, to mark the launch of Book Club we couldn\\u2019t think of a better guest.<\\/p>\\n\",\"hero_image\":{\"ID\":920,\"id\":920,\"title\":\"Alice Rawsthorn_Website\",\"filename\":\"Alice-Rawsthorn_Website.jpg\",\"filesize\":4898573,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-as-an-attitude-alice-rawsthorn\\/alice-rawsthorn_website\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"alice-rawsthorn_website\",\"status\":\"inherit\",\"uploaded_to\":651,\"date\":\"2021-07-27 00:57:48\",\"modified\":\"2021-07-27 00:57:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":3000,\"height\":3000,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website-300x300.jpg\",\"medium-width\":300,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website.jpg\",\"medium_large-width\":768,\"medium_large-height\":768,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website-1200x1200.jpg\",\"large-width\":1200,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website.jpg\",\"2048x2048-width\":2048,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website-2500x2500.jpg\",\"full_width-width\":2500,\"full_width-height\":2500,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/12\\/Alice-Rawsthorn_Website-1600x1600.jpg\",\"medium2-width\":1600,\"medium2-height\":1600}},\"blocks\":[{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

Book Club is an opportunity for design discourse \\u2013 news, views and reviews from the world of publishing in conversation with our favourite design authors, commentators and provocateurs.<\\/p>\\n

The name Alice Rawsthorn<\\/a> will be familiar to many. An award-winning design critic and author, Alice is perhaps best known for long-running columns in The New York Times and Frieze <\\/a> magazine. More recently Alice co-founded Design Emergency<\\/a> with Paola Antonelli, a project aiming to investigate design’s role in helping us to build a better future.<\\/p>\\n

Just as Alice and Paola turned to each other and their audience during the early stages of the coronavirus pandemic, many of us sought solace in books, journals and magazines. One such book was Alice\\u2019s 2018 release, Design As An Attitude<\\/a> \\u2013 a firm favourite here at NHO. As such, for the launch of Book Club we couldn\\u2019t think of a better guest. <\\/p>\\n

Founder and Director, Neil Hugh Kenna was delighted to speak with Alice – here is their conversation.<\\/p>\\n

Photography courtesy of Michael Leckie.<\\/p>\\n

– <\\/p>\\n

NHK: Alice, thank you for making the time to speak with us. In the depths of Melbourne\\u2019s lockdown Design As An Attitude kept our team company. We\\u2019re thrilled to have this opportunity to delve a little further. We note your career has traversed journalism and design, so in many ways writing Design As An Attitude seems almost inevitable. Can you tell us how the project came to fruition?<\\/p>\\n

AR: I\\u2019d been thinking of writing a book on what I believe are the defining issues in contemporary design for some time. When I was commissioned to write a bi-monthly design column for Frieze, the art magazine, in 2014, the then-editor-in-chief, Jennifer Higgie, suggested that I could consider publishing the columns in a book. I decided to do this from the outset, so I planned and wrote the columns as chapters with each one analysing a key issue such as design\\u2019s relationship to art and craft, its gender politics and the dearth of diversity in design. When it came to writing the book, I revised and expanded the columns and wrote new texts as additional chapters. Spending so long writing and rewriting the texts helped me to focus on each of the issues and to refine my thinking about them.<\\/p>\\n

NHK: It’s been wonderful to revisit your Frieze columns, many of which are still accessible online<\\/a> for those playing catch up. Your work broadly, and of course within Design As An Attitude, draws from an impressive sum of research across history, politics, technology, culture and diversity. What do you hope to achieve by broadening the understanding of design?<\\/p>\\n

AR: I believe that design is one of our most powerful tools to help to ensure that changes of any type \\u2013 social, political, economic, cultural, scientific, technological, ecological or whatever \\u2013 are interpreted in ways that will affect us positively, rather than negatively. Sadly, I also believe that design is chronically undervalued, misinterpreted and misunderstood, largely because it is still stereotyped as a styling or PR tool, which is concerned with surface appearance not substance and executed under instruction from someone else. Unless public and political perceptions of design change radically, we will never derive the full benefit of its role as an agent of change. That\\u2019s why I hope, in a small way, to raise awareness of design\\u2019s true potential and to broaden and deepen public understanding of it.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

“Unless public and political perceptions of design change radically, we will never derive the full benefit of its role as an agent of change.” – Alice Rawsthorn<\\/p>\\n\"},{\"acf_fc_layout\":\"paragraph_text\",\"text\":\"

NHK: One could argue that in some instances a narrow focus on beauty and aesthetics can undermine the value of design. In fact, we spend much of our time combating the notion that design is merely aesthetic. However, we\\u2019re curious to know what role you see for aesthetics in the design conversation?<\\/p>\\n

AR: There is nothing wrong with valuing the aesthetics of design, if \\u2013 and it\\u2019s a big if \\u2013 doing so does not risk obscuring other, arguably more important aspects of it. When it comes to defining \\u201cgood design\\u201d, there are only two non-negotiable qualities \\u2013 usefulness and integrity. Any design project lacking either of them cannot be regarded as having been well designed. Other qualities, like aesthetic beauty and innovation, can be compelling and enjoyable, but they aren\\u2019t essential. Though it is worth remembering that, historically, assessments of the sensual merits of a design project tended to focus on how it looked, now it is equally likely to include other factors, such as how it feels to the touch, its scent and its atmospheric qualities.<\\/p>\\n

NHK: Reframing the evaluation of design in that manner is incredibly helpful. We, too believe pragmatic considerations should run in parallel with aesthetics. Looking to the future, how do you hope design culture will evolve? And as advocates for the value of design, what can we do to assist?<\\/p>\\n

AR: I hope that design will continue to prove its worth as a powerful agent of change that can help us to address complex and challenges from the deepening climate emergency and refugee crisis, to systemic racism and the collapse of social justice. But I also believe that design culture needs to change in order to realise this by becoming: more empathic and compassionate; more generous and open to collaborations with specialists from other disciplines; and by accepting that as designers and their work become increasingly ambitious, the consequences of failure will escalate. Critically, design culture also needs to become more diverse and inclusive. If you believe in design\\u2019s power to build a better world, it stands to reason that we will need the best possible designers to do so, and we won\\u2019t get them unless they represent every area of society: every gender; every heritage; every geography; and every demographic.<\\/p>\\n

NHK: Design has the capacity to lead and influence in this manner \\u2013 a true challenge and opportunity for our age. Of course continuing to read, discuss and communicate is so important in embracing diverse perspectives and instigating change. So now that we\\u2019ve finished reading Design as an Attitude, can you share your favourite design related books or publications and what we might find on your reading list?<\\/p>\\n

AR: Gladly. Much of my favourite writing on design is in The New Yorker and The Economist. I also enjoy The Economist\\u2019s weekly Cover Story e-newsletter, which is written by the editor-in-chief Zanny Minton Beddoes on the process of designing the cover of the latest issue. As well as deconstructing the design decisions taken to produce the cover, she describes the concepts that were discarded along the way and explains the rationale for abandoning them. It is a fascinating analysis of a practical design process. Some recent books on design that I\\u2019ve enjoyed are: Siliva Benedito\\u2019s Atmospheres Anatomies: On Design, Weather and Sensation, a brilliant analysis of the experiential impact of architecture and landscape on us; and Richard Thompson Ford\\u2019s Dress Codes: How the Laws of Fashion Made History on the political symbolism of dress as a form of self-expression and social control. I\\u2019m also I\\u2019m looking forward to the publication later this year of the new edition of Irma Boom\\u2019s The Architecture of the Book, which will include her descriptions of all the books she has designed since the publication of the second edition in 2014.<\\/p>\\n

NHK: Thank you, Alice. It\\u2019s been a pleasure speaking with you.<\\/p>\\n

–<\\/p>\\n

Design As An Attitude is published by JRP and available for purchase here<\\/a>.<\\/p>\\n\"},{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

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A return to lockdown here in Melbourne is as good excuse as any to invest in some new books. Bookshop by Uro recently opened near our office in Collingwood Yards and their online store has you sorted.<\\/p>\\n\",\"hero_image\":{\"ID\":834,\"id\":834,\"title\":\"Alice (photography via London Centre for Book Arts) resized\",\"filename\":\"Alice-photography-via-London-Centre-for-Book-Arts-resized.jpg\",\"filesize\":573853,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/design-as-an-attitude\\/alice-photography-via-london-centre-for-book-arts-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"alice-photography-via-london-centre-for-book-arts-resized\",\"status\":\"inherit\",\"uploaded_to\":776,\"date\":\"2021-03-28 05:16:38\",\"modified\":\"2021-03-28 05:16:38\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1800,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized-300x300.jpg\",\"medium-width\":300,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":768,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized-1200x1200.jpg\",\"large-width\":1200,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1800,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1800,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/07\\/Alice-photography-via-London-Centre-for-Book-Arts-resized-1600x1600.jpg\",\"medium2-width\":1600,\"medium2-height\":1600}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

A return to lockdown here in Melbourne is as good excuse as any to invest in some new books. Bookshop by Uro<\\/a> recently opened near our office in Collingwood Yards<\\/a> and their online store has you sorted. At NHO, we are always banging on about the value of design, it\\u2019s how we frame out own vision: \\u201cto elevate the value of design through brand strategy and marketing\\u201d. No surprises then that \\u2018Design As An Attitude\\u2019 by Alice Rawsthorn<\\/a> and \\u2018People Cities, The Life and Legacy of Jan Gehl\\u2019 by Annie Matan and Peter Newman<\\/a> were intuitive purchases for us. This extract from the blurb of Alice\\u2019s book was particularly resonant, \\u201c…[designers] are liberating design from its commercial role in the Industrial Age, and redefining it as a discipline of resourcefulness, instinct, and ingenuity.\\u201d Alice\\u2019s new project @design.emergency<\\/a> similarly examines this ingenuity, interrogating the role of design in the COVID-19 crisis. 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We were thrilled to co-host a lunch with NGV Melbourne in celebration of Melbourne Design Week (12-22 March 2020). Inspired by Melbourne\\u2019s culture of design, it was an opportunity for connection and collaboration amongst Design Week participating gallerists and designers.<\\/p>\\n\",\"hero_image\":{\"ID\":802,\"id\":802,\"title\":\"congress+wine-+Collingwood+-+Meanwhile+in+Melbourne resized\",\"filename\":\"congresswine-Collingwood-MeanwhileinMelbourne-resized.jpg\",\"filesize\":2266751,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/beyond-the-transactional\\/congresswine-collingwood-meanwhileinmelbourne-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"congresswine-collingwood-meanwhileinmelbourne-resized\",\"status\":\"inherit\",\"uploaded_to\":774,\"date\":\"2021-03-28 02:48:36\",\"modified\":\"2021-03-28 02:48:36\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/05\\/congresswine-Collingwood-MeanwhileinMelbourne-resized-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We were thrilled to co-host a lunch with NGV Melbourne in celebration of Melbourne Design Week (12-22 March 2020). Inspired by Melbourne\\u2019s culture of design, it was an opportunity for connection and collaboration amongst Design Week participating gallerists and designers. In a brief address to attendees, director Neil Hugh Kenna spoke of creative relationships that transcend the \\u201ctransactional\\u201d. Surrounded by values-aligned creatives in the idyllic setting of Congress Wine<\\/a>, designed by Design Office, the idea of nurturing partnerships for the long term seemed rather fitting. With a spread of tasty morsels by Milieu Hospitality<\\/a>, it was a delightful afternoon spent in great company. The anticipation and fervour for Design Week was palpable, and after many engaging and insightful conversations we left with a sense of optimism – for the future of design, and for our industry as a whole. 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\\r\\n09.04.20
\\r\\n\",\"listing_description\":\"

When you\\u2019re thrust into the unknown by, oh let\\u2019s say a global pandemic, it\\u2019s only natural that our initial response is reactive. The word that comes to mind is survival.<\\/p>\\n\",\"hero_image\":{\"ID\":855,\"id\":855,\"title\":\"MDW TOP 103\",\"filename\":\"MDW-TOP-103.jpg\",\"filesize\":1965905,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/agility\\/mdw-top-103\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mdw-top-103\",\"status\":\"inherit\",\"uploaded_to\":771,\"date\":\"2021-03-30 22:53:55\",\"modified\":\"2021-03-30 22:53:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":7500,\"height\":8750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103-257x300.jpg\",\"medium-width\":257,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103.jpg\",\"medium_large-width\":768,\"medium_large-height\":896,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103-1029x1200.jpg\",\"large-width\":1029,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103.jpg\",\"1536x1536-width\":1317,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103.jpg\",\"2048x2048-width\":1755,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103-2500x2917.jpg\",\"full_width-width\":2500,\"full_width-height\":2917,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-103-1600x1867.jpg\",\"medium2-width\":1600,\"medium2-height\":1867}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

When you\\u2019re thrust into the unknown by, oh let\\u2019s say a global pandemic, it\\u2019s only natural that our initial response is reactive. The word that comes to mind is survival. However, as we emerge from that state of heightened volatility, it\\u2019s important to take a deep breath, logically access the situation, and return to a \\u2018big picture\\u2019, long-term mindset. Brand equity is not built over night. It\\u2019s built through a series of consistent actions and experiences. It\\u2019s built with intent. So amid the turmoil it\\u2019s important to remember that how you act now will directly influence your future. It can be tempting to retreat when in fact the opposite is required. To be clear, it\\u2019s not our intention to oversimplify. Every business is different. However, if you\\u2019re fortunate enough to have found your feet, a \\u2018return to purpose\\u2019 is the best investment you can make for the longevity of your business. Having said that, given the state of play, it\\u2019s likely we will all need to adjust our expectations. The sales \\u2018consideration\\u2019 phase might last a little longer. The notion of what defines \\u2018value\\u2019 may be further scrutinised. And understanding and communicating how we are differentiated will make all the difference. And yes, we\\u2019ll also have to adjust the way we attract, engage and service our target markets. 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\\r\\n07.04.20\",\"listing_description\":\"

Times are tough, however in business there\\u2019s no time to stand still. Amid the chaos and confusion, it\\u2019s been uplifting to see how quickly things happen when the writing\\u2019s on the wall.<\\/p>\\n\",\"hero_image\":{\"ID\":854,\"id\":854,\"title\":\"MDW TOP 102\",\"filename\":\"MDW-TOP-102.jpg\",\"filesize\":1995637,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/agility\\/mdw-top-102\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mdw-top-102\",\"status\":\"inherit\",\"uploaded_to\":771,\"date\":\"2021-03-30 22:53:50\",\"modified\":\"2021-03-30 22:53:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":7500,\"height\":8750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102-257x300.jpg\",\"medium-width\":257,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102.jpg\",\"medium_large-width\":768,\"medium_large-height\":896,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102-1029x1200.jpg\",\"large-width\":1029,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102.jpg\",\"1536x1536-width\":1317,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102.jpg\",\"2048x2048-width\":1755,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102-2500x2917.jpg\",\"full_width-width\":2500,\"full_width-height\":2917,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-102-1600x1867.jpg\",\"medium2-width\":1600,\"medium2-height\":1867}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Times are tough, however in business there\\u2019s no time to stand still. Amid the chaos and confusion, it\\u2019s been uplifting to see how quickly things happen when the writing\\u2019s on the wall. While there\\u2019s certainly nothing new about the need for businesses to prioritise and leverage digital marketing and digital communication channels, the \\u201ccurrent situation\\u201d means the need is now more pressing. For many businesses a pivot to digital is required to reprioritise online and virtual opportunities in the face of limited real-world interactions. In recent weeks we\\u2019ve been working with clients grappling with the postponement of trade shows and events, and the closure of hospitality venues, retail showrooms and, of course, offices. This requires agility and responsiveness on all fronts. Our digital strategists have been revisiting existing strategies with fresh eyes as the landscape has truly changed. Coming from a world where products are launched at events such as Salone del Mobile, where cafes and restaurants rely on the ability to welcome their patrons, and business connections and word of mouth is established in person, we\\u2019re facing a new frontier. More optimistically though, the tools required are not new. They\\u2019re perhaps more sophisticated than ever, however harnessing the power of digital channels has never been easier or more transparent. 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\\r\\n30.03.20\",\"listing_description\":\"

The last fortnight has been a whirlwind, and calls for a temporary shift in tone for these musings we call Perspective. Having spoken with numerous clients, colleagues, peers and partners, both near and far, it\\u2019s clear we\\u2019re all facing similar professional challenges.<\\/p>\\n\",\"hero_image\":{\"ID\":853,\"id\":853,\"title\":\"MDW TOP 10\",\"filename\":\"MDW-TOP-10.jpg\",\"filesize\":1955363,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/agility\\/mdw-top-10\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mdw-top-10\",\"status\":\"inherit\",\"uploaded_to\":771,\"date\":\"2021-03-30 22:53:46\",\"modified\":\"2021-03-30 22:53:46\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":7500,\"height\":8750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10-257x300.jpg\",\"medium-width\":257,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10.jpg\",\"medium_large-width\":768,\"medium_large-height\":896,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10-1029x1200.jpg\",\"large-width\":1029,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10.jpg\",\"1536x1536-width\":1317,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10.jpg\",\"2048x2048-width\":1755,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10-2500x2917.jpg\",\"full_width-width\":2500,\"full_width-height\":2917,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-10-1600x1867.jpg\",\"medium2-width\":1600,\"medium2-height\":1867}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The last fortnight has been a whirlwind, and calls for a temporary shift in tone for these musings we call Perspective. Having spoken with numerous clients, colleagues, peers and partners, both near and far, it\\u2019s clear we\\u2019re all facing similar professional challenges. Adapting to the \\u2018new normal\\u2019 \\u2013 whatever that is \\u2013 as well as the practicalities of #WFH has been easier for some than others. We\\u2019ve been busy conducting virtual strategy sessions with clients looking to \\u201cpivot\\u201d responsibly, sensitively and proactively in incredibly challenging circumstances. Something that\\u2019s become somewhat of a mantra at NHVO (that\\u2019s Neil Hugh \\u2018Virtual\\u2019 Office) is how, as businesses and brands, we can \\u201cprovide certainty in uncertain times\\u201d. It\\u2019s only natural that many of us feel out of control. The world is a scary place right now, however for business and for employers, the show must go on. Obvious and serious health issues aside, our clients \\u2013 often small to medium business owners \\u2013 are grappling with how to adapt, to continue servicing clients, and importantly to keep their teams employed. The world and our individual worlds are in flux. So while much is out of our control \\u2013 how can you provide certainty in uncertain times? Accepting what we can\\u2019t control, and focusing on what we can is freeing and clarifying. Embrace the power to take decisive action wherever you can. Your clients will appreciate it, and so will your employees. 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Not weighed down by history nor convention, the \\u2018tyranny of distance\\u2019 that once defined Australia’s remoteness is now something to be celebrated. While at times Melbourne can feel a world away from more established design destinations such as London and New York, perhaps this is the secret to its success.<\\/p>\\n\",\"hero_image\":{\"ID\":856,\"id\":856,\"title\":\"MDW TOP 104\",\"filename\":\"MDW-TOP-104.jpg\",\"filesize\":2186494,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/agility\\/mdw-top-104\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"mdw-top-104\",\"status\":\"inherit\",\"uploaded_to\":771,\"date\":\"2021-03-30 22:53:59\",\"modified\":\"2021-03-30 22:53:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":7500,\"height\":8750,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104-257x300.jpg\",\"medium-width\":257,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104.jpg\",\"medium_large-width\":768,\"medium_large-height\":896,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104-1029x1200.jpg\",\"large-width\":1029,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104.jpg\",\"1536x1536-width\":1317,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104.jpg\",\"2048x2048-width\":1755,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104-2500x2917.jpg\",\"full_width-width\":2500,\"full_width-height\":2917,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/03\\/MDW-TOP-104-1600x1867.jpg\",\"medium2-width\":1600,\"medium2-height\":1867}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Not weighed down by history nor convention, the \\u2018tyranny of distance\\u2019 that once defined Australia’s remoteness is now something to be celebrated. While at times Melbourne can feel a world away from more established design destinations such as London and New York, perhaps this is the secret to its success. Having progressively established itself as a design capital in its own right \\u2013 helped in part by the advent of Melbourne Design Week<\\/a> \\u2013 this year the event returns from March 12 to 22 exploring the theme \\u2018How can design shape life?\\u2019. To assist in navigating the impressive program of over 300 talks, exhibitions, tours and workshops, here we share an edit of just some of the events we\\u2019re looking forward to. <\\/p>\\n

No. 01 – Australia in Venice: 2020 Architecture Biennale Preview<\\/a>
\\nPresented by Australian Institute of Architects. 13 March, 6pm\\u20138pm. <\\/p>\\n

Australia is one of only 29 countries to have a permanent exhibition at the International Architecture Exhibition at La Biennale di Venezia. The event has been delayed until August due to coronavirus, however the show will go on. Join creative directors Jefa Greenaway and Tristan Wong as they share how they\\u2019ve responded to the theme of how architecture can build connection and understanding between First Nations cultures in the Australasian region. <\\/p>\\n

No. 02 – Osmosis<\\/a>
\\nPresented by Gallery Sally Dan-Cuthbert. 12 – 22 March. <\\/p>\\n

Gallery Sally Dan-Cuthbert opened in Sydney in August 2019, focusing on art and design – the first of its type in Australia. Exhibiting a unique collection of limited edition or one-off collectable design pieces, this special presentation will explore the cross-pollination of art and design practice with works by Darren Fry, Holly Board and Peter Grove, Trent Jansen, Michael Gittings and Edward Waring. <\\/p>\\n

No. 03 – Design Strategy Forum<\\/a>
\\nPresented by Creative Victoria. 17 March, 8am\\u201310am. <\\/p>\\n

The business of design is an area we love to champion. From branding and identity to product, architecture and experience, design offers many unique commercial and cultural advantages to businesses with a creative mindset. In this event a panel of Victorian business leaders discuss how meaningful integration of design practice shapes core business strategy and drives competitive advantage. <\\/p>\\n

No. 04 – The Relative Restaurant<\\/a>
\\nPresented by Relative Projects. 19 & 20 March. <\\/p>\\n

How can urban development deliver more meaningful cultural and social impact? Relative Projects will explore this question through a temporary restaurant at their studio in Collingwood. Each evening will feature a talk by inspiring industry leaders from design, development, and impact-driven businesses, who will share their experience over dinner\\u2014a three-course cultural immersion created with social enterprise Free to Feed. <\\/p>\\n

No. 05 – Transcendence<\\/a>
\\nPresented by Modern Times. 12 – 22 March. <\\/p>\\n

In this group exhibition Melbourne design destination Modern Times will ask participating artists to explore how objects can be embedded with messages, transcending the physical to stimulate our emotions and our imaginations \\u2013 evoking places, people, surroundings or entire times in our lives. Participants include Carol Crawford, Henry Wilson, Kenny Yong-soo Son, Ella Bendrups, Coco Flip and Kerryn Levy. <\\/p>\\n

No. 06 – Lyon Housemuseum Galleries x Artbank: Collecting Contemporary Design<\\/a>
\\nPresented by Lyon Housemuseum Galleries & Artbank. 21 March, 1pm\\u20133pm. <\\/p>\\n

To celebrate the opening of Artbank\\u2019s exhibition The Grey Zone: Collecting and Collaboration in Contemporary Art and Design, Artbank and the Lyon Housemuseum will present a panel discussion addressing what it means to collect and care for contemporary design. As traditional boundaries that once divided fine art and functional objects disappear, design and its artefacts are emerging at the forefront. <\\/p>\\n

No. 07 – E-waste Victorian Design Challenge 2020<\\/a>
\\nPresented by NGV. 18 March, 10am\\u20133.30pm. <\\/p>\\n

In a challenge addressing one of the world\\u2019s fastest growing waste problems \\u2013 e-waste \\u2013 Creative Victoria and NGV are offering a $20,000 major prize for the best design idea in the Professional category and $5000 in the Tertiary category. Teams in each category will have to convince the Challenge jury that their idea is the best solution to tackle the 40 million tons of e-waste produced globally every year. <\\/p>\\n

No. 08 – Designwork 04: Dale Hardiman & Stephen Royce | Danielle Brustman<\\/a>
\\nPresented by Sophie Gannon Gallery. 12 – 22 March. <\\/p>\\n

Sophie Gannon Gallery presents a collaboration by Dale Hardiman and Stephen Royce constructed from over 200 mobile phone LCD screens exploring the reanimation of discarded technology, and Chromatic Fantastic, a collection of new works by Danielle Brustman that propose new modes of living with furniture, lighting and objects through an experimentation of ideas, materials and processes. <\\/p>\\n

No. 09 – Laundrotto<\\/a>
\\nPresented By Steelotto. 18 – 20 March. <\\/p>\\n

Presented by Steelotto in collaboration with Andrew Carvolth, Bazaar PVP, Confetti Studio, Marsha Golemac, Thomas Coward and PSP, \\u2018Laundrotto\\u2019 is an exhibition in Fitzroy laundromat, My Beautiful Laundrette, that explores the co-existence of design as art and design as function, using the space as a medium for shining a spotlight on new works by a selection of local and international designers. <\\/p>\\n

No. 10 – Life and Death<\\/a>
\\nPresented by Friends and Associates. 12 – 21 March. <\\/p>\\n

Urns made from soil, screens made from urine fed bacteria, chandeliers made from cracked phone screens and sending artworks into space: Life and Death presents projects by Australian creative practitioners looking at life and death through a multitude of mediums. Contributors include Breathe Architecture, Sarah Ceravolo, Liane Rossler, March Studio, Flack Studio and many more. 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Stockholm is one of our universally loved travel destinations. Earlier this month, Stockholm Design Week reinforced the Swedish capital\\u2019s ongoing focus on responsible design practices and celebrated the 70th anniversary of the Stockholm Furniture & Light Fair.<\\/p>\\n\",\"hero_image\":{\"ID\":833,\"id\":833,\"title\":\"doshi-levien-stockholm-installation-design_dezeen_2364_col_5 resized\",\"filename\":\"doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized.jpg\",\"filesize\":1956100,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/stockholm-design-week-2020\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized\",\"status\":\"inherit\",\"uploaded_to\":767,\"date\":\"2021-03-28 05:10:59\",\"modified\":\"2021-03-28 05:10:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2400,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized.jpg\",\"2048x2048-width\":1536,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2400,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/02\\/doshi-levien-stockholm-installation-design_dezeen_2364_col_5-resized-1600x2133.jpg\",\"medium2-width\":1600,\"medium2-height\":2133}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Stockholm is one of our universally loved travel destinations. Earlier this month, Stockholm Design Week reinforced the Swedish capital\\u2019s ongoing focus on responsible design practices and celebrated the 70th anniversary of the Stockholm Furniture & Light Fair<\\/a>. Guests of honour, Doshi Levien<\\/a>, presented an abstract version of their London-based studio (pictured). A labyrinthine-like vaulted interior held sketches and prototypes with a gallery-like reverence, set against the duo\\u2019s latest production pieces for the likes of Moroso, B&B Italia and Kvadrat; a true delight. The launch of Gabriel Tan\\u2019s Origin initiative at Asplund<\\/a> was another highlight. New works in porcelain, sand-cast aluminium, hog bristle and blown glass expressed the skill of local artisans, underlining the collaborative synergies between Scandinavia and Portugal. 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We are excited to report that the recently restored Pavilion Le Corbusier in Zurich will be welcoming visitors for the summer season, from 08 May.<\\/p>\\n\",\"hero_image\":{\"ID\":832,\"id\":832,\"title\":\"pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0 resized\",\"filename\":\"pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized.jpg\",\"filesize\":2880121,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/pavilion-le-corbusier\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized\",\"status\":\"inherit\",\"uploaded_to\":765,\"date\":\"2021-03-28 05:09:10\",\"modified\":\"2021-03-28 05:09:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2399,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized-225x300.jpg\",\"medium-width\":225,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1024,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized-900x1200.jpg\",\"large-width\":900,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized.jpg\",\"1536x1536-width\":1152,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized.jpg\",\"2048x2048-width\":1537,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2399,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2020\\/01\\/pavilion-le-corbusier-reopens-zurich-photos-georg-aerni_dezeen_2364_col_0-resized-1600x2132.jpg\",\"medium2-width\":1600,\"medium2-height\":2132}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We are excited to report that the recently restored Pavilion Le Corbusier<\\/a> in Zurich will be welcoming visitors for the summer season, from 08 May. Originally commissioned by Swiss gallery owner and interior designer Heidi Weber to showcase her friend Le Corbusier\\u2019s works of art, the pavilion was the last built work of the architect and has long been a source of intrigue for me. Recently restored by architects Silvio Schmed and Arthur R\\u00fcegg, the four-storey glass and steel structure has renewed the pavilion\\u2019s spirited aesthetic. Included in the restoration works was the reproduction of Le Corbusier\\u2019s original tree-trunk furniture pieces and over-scaled light sculptures. With every last detail considered by Le Corbusier, from a sculpted concrete staircase to the hour-glass shaped bronze door handles, the pavilion is considered a total work of art \\u2014 and one that will remain on my \\u2018must see\\u2019 list until next time. 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\\r\\n08.12.19\",\"listing_description\":\"

Palm Springs is an elusive city when it comes to our travel agenda. With its mid-century modern suburban landscapes and sharp quality of light, it\\u2019s a city we\\u2019ve wanted to visit for many years.<\\/p>\\n\",\"hero_image\":{\"ID\":831,\"id\":831,\"title\":\"Modernism (photography via Wallpaper) resized\",\"filename\":\"Modernism-photography-via-Wallpaper-resized.jpg\",\"filesize\":984734,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/modernism-week-2020-palm-springs\\/modernism-photography-via-wallpaper-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"modernism-photography-via-wallpaper-resized\",\"status\":\"inherit\",\"uploaded_to\":763,\"date\":\"2021-03-28 05:05:39\",\"modified\":\"2021-03-28 05:05:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1201,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1201,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1201,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/12\\/Modernism-photography-via-Wallpaper-resized-1600x1068.jpg\",\"medium2-width\":1600,\"medium2-height\":1068}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Palm Springs is an elusive city when it comes to our travel agenda. With its mid-century modern suburban landscapes and sharp quality of light, it\\u2019s a city we\\u2019ve wanted to visit for many years. Modernism Week<\\/a> (13-23 February) sees private enclaves open their doors to the public; a celebration of architecture, interiors and \\u2013 of course, poolside cocktails. Next year\\u2019s programme will include tours of modernist community Racquet Club Cottages West, the Walker Guest House replica, the iconic Vista Las Palmas (home to Hollywood royalty), and Herbert Burns\\u2019 500 West condominium community, honouring the project\\u2019s 50th anniversary. Park Imperial South<\\/a> (pictured), designed in 1960, has long been of interest to NHO and will be open to enthusiasts. Combining sculpted concrete blocks, full-height glazing and clerestory windows under a folded plate roof inspired by the mountains, Barry Berkus\\u2019 project typifies the Californian modernist style. 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We couldn\\u2019t wait to get our hands on the newly released tome, Vincenzo De Cotiis: Works, published by Rizzoli New York. Having been introduced to VDC\\u2019s gallery by a friend in Milan some years ago, he quickly became a firm NHO favourite for his utterly individual expression.<\\/p>\\n\",\"hero_image\":{\"ID\":830,\"id\":830,\"title\":\"Vincenzo (photography via Carpenters Workshop Gallery) resized\",\"filename\":\"Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized.jpg\",\"filesize\":1000791,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/works-by-vincenzo-de-cotiis\\/vincenzo-photography-via-carpenters-workshop-gallery-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"vincenzo-photography-via-carpenters-workshop-gallery-resized\",\"status\":\"inherit\",\"uploaded_to\":761,\"date\":\"2021-03-28 05:03:15\",\"modified\":\"2021-03-28 05:03:15\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/11\\/Vincenzo-photography-via-Carpenters-Workshop-Gallery-resized-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

We couldn\\u2019t wait to get our hands on the newly released tome, Vincenzo De Cotiis: Works<\\/a>, published by Rizzoli New York. Having been introduced to VDC\\u2019s gallery<\\/a> by a friend in Milan some years ago, he quickly became a firm NHO favourite for his utterly individual expression. As Anne Bony says in the book\\u2019s introduction, \\u201cIt is a priceless gift to discover an artist\\u2019s body of work. My brief and intense exchange with the works of Vincenzo De Cotiis left a deep impression on me, stimulating an analysis.\\u201d The publisher describes Vincenzo as being preoccupied with the weathering effect of time. His objects marry patinated and uneven finishes in compositions that incorporate traditional Italian craftsmanship and materials; a respectful nod to the influence of his forefathers, Gio Ponti and Carlo Scarpa. This beautiful book is a highly recommended collectible for your festive wish list. 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\\r\\n28.10.19\",\"listing_description\":\"

Fernando Mastrangelo is a Brooklyn-based artist best known for collectible design, large scale sculptures and experiential installations sculpted by hand from natural or repurposed materials.<\\/p>\\n\",\"hero_image\":{\"ID\":829,\"id\":829,\"title\":\"Fernando (photography via Surface Mag) resized\",\"filename\":\"Fernando-photography-via-Surface-Mag-resized.jpg\",\"filesize\":1052719,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/collectible-design-at-fernando-mastrangelo-studio\\/fernando-photography-via-surface-mag-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fernando-photography-via-surface-mag-resized\",\"status\":\"inherit\",\"uploaded_to\":759,\"date\":\"2021-03-28 05:00:59\",\"modified\":\"2021-03-28 05:00:59\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1207,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized-300x201.jpg\",\"medium-width\":300,\"medium-height\":201,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":515,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized-1200x805.jpg\",\"large-width\":1200,\"large-height\":805,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1030,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1207,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1207,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/10\\/Fernando-photography-via-Surface-Mag-resized-1600x1073.jpg\",\"medium2-width\":1600,\"medium2-height\":1073}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Fernando Mastrangelo is a Brooklyn-based artist best known for collectible design, large scale sculptures and experiential installations sculpted by hand from natural or repurposed materials. Fernando established his sculpture studio nearly 15 years ago, however his entr\\u00e9e to design has only been in the last six years. Landscape and issues related to climate change are a consistent theme of his work, drawing on materials such as sand, salt, silica, and crushed or powdered glass to artfully and articulately express himself. Touring the studio and workshop on a recent visit to New York, Fernando\\u2019s co-curated exhibition with Rossana Orlandi<\\/a> was just being dismantled, however he will be exhibiting in Dubai, Hong Kong, Shanghai and Switzerland in the next 6 months, so keep an eye out. No doubt he has something exciting planned for Milan Design Week too. We encourage you to visit Fernando’s website <\\/a>and follow him on Instagram <\\/a>to learn more. 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Zaha Hadid Design (ZHD) was established in 2006 by late architect Zaha Hadid (1950-2016), and is charged with pushing the boundaries of contemporary design through technological and material advancements.<\\/p>\\n\",\"hero_image\":{\"ID\":828,\"id\":828,\"title\":\"zha_floatingstaircase_02 resized\",\"filename\":\"zha_floatingstaircase_02-resized.jpg\",\"filesize\":451815,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/visiting-zaha-hadid-design-london\\/zha_floatingstaircase_02-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"zha_floatingstaircase_02-resized\",\"status\":\"inherit\",\"uploaded_to\":757,\"date\":\"2021-03-28 04:57:55\",\"modified\":\"2021-03-28 04:57:55\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1186,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized-300x198.jpg\",\"medium-width\":300,\"medium-height\":198,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":506,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized-1200x791.jpg\",\"large-width\":1200,\"large-height\":791,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1012,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1186,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1186,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/08\\/zha_floatingstaircase_02-resized-1600x1054.jpg\",\"medium2-width\":1600,\"medium2-height\":1054}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Zaha Hadid Design<\\/a> (ZHD) was established in 2006 by late architect Zaha Hadid <\\/a>(1950-2016), and is charged with pushing the boundaries of contemporary design through technological and material advancements. Earlier this year a very lovely acquaintance introduced us to ZHD co-directors Woody Yao<\\/a> and Maha Kutay<\\/a> who were in Melbourne to exhibit and speak at design trade event Denfair. Fast forward to a recent visit to London where Woody and Maha graciously opened their gallery for a private tour on what was a very typical rainy London day. It was a delight to see a preview of their forthcoming exhibition – opening next week, in fact – and we encourage everyone in London to attend. The ZHD portfolio includes commissions from a wide range of design disciplines such as fashion, jewellery, limited edition furniture pieces, interiors, exhibition, and set-design. We were particularly taken by the exhibition of ‘ZHD x Rosenthal: Design & Fabrication to Final’. 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We weren\\u2019t lucky enough to attend Design Miami\\/ Basel<\\/a> this year, however we were quick to notice Philippe Malouin\\u2019s<\\/a> \\u2018Industrial Office\\u2019 for Salon 94 Design<\\/a> appearing in our feeds. Malouin, a former Wallpaper* Designer of the Year, is a London based Canadian designer with a vast portfolio of clients from Matter Made and Marsotto Edizioni, to Roll & Hill and Aesop. \\u2018Industrial Office\\u2019 is as pragmatic and true as its name suggests; an in-depth study of office furniture, fabricated using a variety of industrial materials and techniques. Despite the collection’s utilitarian solidity, familiar forms and primary colours elicit a certain playfulness. We were immediately taken by the Nylon Executive Desk and its self-lubricating, track-free drawer system. See it in motion here<\\/a>. That effortless glide! Other designs in the complete executive office suite include a sideboard, pen pot, book ends and even a phone. 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It\\u2019s heartening to witness a resurgence in appreciation for the work of late French designer Pierre Paulin (1927 \\u2013 2009). This revival is due in large to the work of Paulin\\u2019s family under the guise of Paulin Paulin Paulin, a guardian-like entity whose vocation is to produce and sell rare Paulin pieces, many which never entered commercial production.<\\/p>\\n\",\"hero_image\":{\"ID\":826,\"id\":826,\"title\":\"Paulin (photography via Ralph Pucci) resized\",\"filename\":\"Paulin-photography-via-Ralph-Pucci-resized.jpg\",\"filesize\":320094,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/paulin-paulin-paulin\\/paulin-photography-via-ralph-pucci-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"paulin-photography-via-ralph-pucci-resized\",\"status\":\"inherit\",\"uploaded_to\":753,\"date\":\"2021-03-28 04:53:56\",\"modified\":\"2021-03-28 04:53:56\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1985,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized-272x300.jpg\",\"medium-width\":272,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":847,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized-1088x1200.jpg\",\"large-width\":1088,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized.jpg\",\"1536x1536-width\":1393,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1985,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1985,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/06\\/Paulin-photography-via-Ralph-Pucci-resized-1600x1764.jpg\",\"medium2-width\":1600,\"medium2-height\":1764}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

It\\u2019s heartening to witness a resurgence in appreciation for the work of late French designer Pierre Paulin (1927 \\u2013 2009). This revival is due in large to the work of Paulin\\u2019s family under the guise of Paulin Paulin Paulin, a guardian-like entity whose vocation is to produce and sell rare Paulin pieces, many which never entered commercial production. Led by Paulin\\u2019s wife, son and daughter-in-law, Paulin, Paulin, Paulin <\\/a>celebrates an archive that spans the 60s, 70s and 80s, a time in which Paulin\\u2019s work wasn\\u2019t immediately embraced by his native France. Posited as international rather than French, Paulin\\u2019s at times avant-garde aesthetic is characterised by organic forms, bold colour and technical precision. While Paulin, Paulin, Paulin focuses heavily on the collector market, many more accessible designs remain in production. French design house Lignet Roset<\\/a> has long issued the famed Pumpkin among others, while Gubi introduced the Pacha Lounge Chair as recently as last year. Devotees can also explore Paulin\\u2019s early career through his extensive work for Artifort<\\/a>. And there\\u2019s always the rabbit hole of 1stdibs<\\/a>, but be warned. The limited Alpha Club <\\/a>(pictured above) is where our heart is. 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It may be a clich\\u00e9, but \\u201cif these walls could talk\\u201d rings true for Z\\u00fcrich dining institution Kronenhalle. On a recent trip to the lakeside city, director Neil Hugh Kenna was lucky to be dining with locals in the know.<\\/p>\\n\",\"hero_image\":{\"ID\":825,\"id\":825,\"title\":\"kronenhalle_bar_picasso-034-54c223011cac2 resized\",\"filename\":\"kronenhalle_bar_picasso-034-54c223011cac2-resized.jpg\",\"filesize\":747869,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/dining-with-miro-in-zurich\\/kronenhalle_bar_picasso-034-54c223011cac2-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"kronenhalle_bar_picasso-034-54c223011cac2-resized\",\"status\":\"inherit\",\"uploaded_to\":751,\"date\":\"2021-03-28 04:50:37\",\"modified\":\"2021-03-28 04:50:37\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/05\\/kronenhalle_bar_picasso-034-54c223011cac2-resized-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

It may be a clich\\u00e9, but \\u201cif these walls could talk\\u201d rings true for Z\\u00fcrich dining institution Kronenhalle. On a recent trip to the lakeside city, director Neil Hugh Kenna was lucky to be dining with locals in the know. Before he knew it he was enjoying a filet de b\\u0153uf with Mir\\u00f3 to his right, and Chagall to his left. After dinner Neil retired to the bar \\u2013 an unforgettable place where the teak-panelled walls and ceiling are a work of art in themselves. Sipping on a late night negroni, desperately trying to fight off the jetlag, Neil couldn\\u2019t take his eyes off the Picasso within touching distance, ever so gently lit by an equally stunning Giacometti lamp. Kronenhalle is a genuinely unique and storied establishment, and as Neil would attest, a must for anyone visiting the city. Learn more about its interesting history via Monocle<\\/a>. 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Fredrikson Stallard has been described as an “avant-garde partnership”, namely the coming together of Patrik Fredrikson and Ian Stallard who met at Central St Martin\\u2019s in London in 1995.<\\/p>\\n\",\"hero_image\":{\"ID\":824,\"id\":824,\"title\":\"Fredrikson-Stallard-David-Gill resized\",\"filename\":\"Fredrikson-Stallard-David-Gill-resized.jpg\",\"filesize\":2010498,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/fredrikson-stallard-at-david-gill-gallery\\/fredrikson-stallard-david-gill-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"fredrikson-stallard-david-gill-resized\",\"status\":\"inherit\",\"uploaded_to\":749,\"date\":\"2021-03-28 04:48:30\",\"modified\":\"2021-03-28 04:48:30\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2340,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized-231x300.jpg\",\"medium-width\":231,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":998,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized-923x1200.jpg\",\"large-width\":923,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized.jpg\",\"1536x1536-width\":1182,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized.jpg\",\"2048x2048-width\":1575,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2340,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/04\\/Fredrikson-Stallard-David-Gill-resized-1600x2080.jpg\",\"medium2-width\":1600,\"medium2-height\":2080}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Fredrikson Stallard has been described as an “avant-garde partnership”, namely the coming together of Patrik Fredrikson and Ian Stallard who met at Central St Martin\\u2019s in London in 1995. At that time Stallard specialised in ceramics, while Fredrikson’s focus was on product design having studied architecture in Copenhagen. Currently exhibiting their sixth solo show David Gill Gallery in London, ‘Reformation’ features eleven monolithic sculptural works made from cardboard, cast in bronze and finished in black, patinated bronze, polished bronze, or painted white. Incredible. As the gallery explains, “Having sourced vast amounts of cardboard on the streets of London, the artists break it down, flatten it out, rip, tear, fold, crumple and then layer it, to create monumental compositions. They call this \\u2018reverse painting\\u2019 because the cardboard responds much like oil paint and the collaging is done back-to-front. The pieces are then placed face-down inside industrial steel-pressing machines and are finally ready to be cast.” The gallery was unfortunately closed on our recent visit – that’ll teach us for travelling over Easter – however the exhibition runs until May 14. Enjoy a closer look via the exhibition catalogue online<\\/a>. 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The most inspiring travel experiences are the ones that stay with you far beyond the departure gate. One that lingers is a visit to the island of Naoshima, Japan, the largest and most famous of 12 islands that participate in the Setouchi Triennale Art Festival.<\\/p>\\n\",\"hero_image\":{\"ID\":823,\"id\":823,\"title\":\"naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479 resized\",\"filename\":\"naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized.jpg\",\"filesize\":800687,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/naoshima-hall-by-hiroshi-sambuichi\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized\",\"status\":\"inherit\",\"uploaded_to\":747,\"date\":\"2021-03-28 04:42:01\",\"modified\":\"2021-03-28 04:42:01\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1012,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized-300x169.jpg\",\"medium-width\":300,\"medium-height\":169,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":432,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized-1200x675.jpg\",\"large-width\":1200,\"large-height\":675,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":864,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1012,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1012,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2019\\/03\\/naoshima-hall-sambuichi-architects-architecture-community-centre-japan_dezeen_2364_hero_b-1-852x479-resized-1600x900.jpg\",\"medium2-width\":1600,\"medium2-height\":900}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

The most inspiring travel experiences are the ones that stay with you far beyond the departure gate. One that lingers is a visit to the island of Naoshima, Japan, the largest and most famous of 12 islands that participate in the Setouchi Triennale Art Festival<\\/a>. Having been mesmerised by Japan\\u2019s most prominent cities (Tokyo, Kyoto and Osaka), arriving in Naoshima was an utterly enchanting \\u201cescape to the country\\u201d. The island is somewhat of a playground for Ando, having also designed the incredible Lee Ufan Museum<\\/a> and Chichu Art Museum<\\/a>. At the latter, a purpose built room houses Claude Monet\\u2019s Water Lillies; a true spectacle. An almost spiritual experience with distinctly Japanese reverence; a visit to see Monet at Mus\\u00e9e de l\\u2019Orangerie in Paris years later was rather underwhelming by comparison. A lesser known Naoshima highlight but equally impressive is Naoshima Hall by Hiroshi Sambuichi (pictured). Located on the eastern side of the island in the village of Honmura, Sambuichi spent two and a half years studying its sun, wind and water patterns before embarking on the project. Measuring around 1000 square metres, it is made up of a large multipurpose hall, a smaller community centre, and a moss garden, which is bordered by a pond. We happened upon the hall by chance, having seen its defining Hinoki cypress roofline from afar. While other sites might be more obvious, to visit Naoshima and not experience this incredible building – even if only to peer through its windows – would be a miss. Learn more via Artspace<\\/a><\\/a>. 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A very kind client recently gifted us a copy of The Eye by Nathan Williams<\\/a> – we have been taking turns to pour over its pages since. Williams, founder of Kinfolk magazine<\\/a>, set out to explore “How the World\\u2019s Most Influential Creative Directors Develop Their Vision”, and the result is endlessly inspiring. From fashion designers to editorial directors and global tastemakers, Williams delves into their habits and rituals, milestones, mentors and what they’ve learnt along the way; everything that has influenced their \\u201ceye\\u201d\\u2014 that is, the uncanny ability of a special few to shape and define how we experience people, places and things. Naturally, the book itself is also beautiful, having been designed by Alex Hunting who just happens to be Kinfolk’s design director. Definitely one to add to your reading list. 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If you find yourself in New York between now and January, make a beeline to MOMA to see “Toward a Concrete Utopia, Architecture in Yugoslavia\\u201d.<\\/p>\\n\",\"hero_image\":{\"ID\":821,\"id\":821,\"title\":\"Moma_high res resized\",\"filename\":\"Moma_high-res-resized.jpg\",\"filesize\":635156,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/toward-a-concrete-utopia\\/moma_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"moma_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":743,\"date\":\"2021-03-28 04:20:42\",\"modified\":\"2021-03-28 04:20:42\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1200,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized-1200x800.jpg\",\"large-width\":1200,\"large-height\":800,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1024,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1200,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1200,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/10\\/Moma_high-res-resized-1600x1067.jpg\",\"medium2-width\":1600,\"medium2-height\":1067}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

If you find yourself in New York between now and January, make a beeline to MOMA<\\/a> to see “Toward a Concrete Utopia, Architecture in Yugoslavia\\u201d. This fascinating exhibition explores life through architecture in the former Slavic state, with over 400 drawings, models, photographs, and film reels from an array of municipal archives, family-held collections, and museums across the region. Highlighting a significant yet understudied body of modernist architecture, the exhibition features work by architects including Bogdan Bogdanovi\\u0107, Juraj Neidhardt, Svetlana Kana Radevi\\u0107, Edvard Ravnikar, Vjenceslav Richter, and Milica \\u0160teri\\u0107. This is a part of the world we know little about, but alas New York is not on our upcoming itinerary, so if you do manage a visit, please be sure to report back. 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Muse\\u00e9 Picasso in Paris is one of our favourite museums, not just for the work of the master himself, but also for the majestic 17th century h\\u00f4tel particulier in which it is housed.<\\/p>\\n\",\"hero_image\":{\"ID\":819,\"id\":819,\"title\":\"Diego (photography by Be\\u0301atrice Hatala) resized\",\"filename\":\"Diego-photography-by-Be\\u0301atrice-Hatala-resized.jpg\",\"filesize\":1062722,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/diego-giacometti-and-musee-picasso\\/diego-photography-by-beatrice-hatala-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"diego-photography-by-beatrice-hatala-resized\",\"status\":\"inherit\",\"uploaded_to\":741,\"date\":\"2021-03-28 04:12:48\",\"modified\":\"2021-03-28 04:12:48\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2696,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1150,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized-801x1200.jpg\",\"large-width\":801,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized.jpg\",\"1536x1536-width\":1026,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized.jpg\",\"2048x2048-width\":1367,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2696,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/09\\/Diego-photography-by-Be\\u0301atrice-Hatala-resized-1600x2396.jpg\",\"medium2-width\":1600,\"medium2-height\":2396}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Muse\\u00e9 Picasso<\\/a> in Paris is one of our favourite museums, not just for the work of the master himself, but also for the majestic 17th century h\\u00f4tel particulier in which it is housed. This past summer it was wonderful to learn more about the museum\\u2019s relatively short history and the Diego Giacometti<\\/a> commissions that form much of its interior. Opened in September of 1985, the historic interior was adapted by architect Roland Simounet who overcame a bid by Carlo Scarpa to win the project. For Giacometti, whose career is often overshadowed by his famous brother Alberto<\\/a>, Simounet provided an unparalleled platform for showcasing his work as both a sculptor and designer. Giacometti\\u2019s site-specific collection of chairs, benches, lights and tables, designed exclusively for the h\\u00f4tel, was a career pinnacle. 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It was a thrill to visit the Venice Architecture Biennale; a longstanding must for any architecture aficionado. We were inspired not merely by the incredible showing for this its 16th year, but more so by the backdrop of iconic global pavilions that have played host to biennale for decades.<\\/p>\\n\",\"hero_image\":{\"ID\":818,\"id\":818,\"title\":\"Nordiska PaviljongenVenedig12-2010\",\"filename\":\"Nordic-Pavillion-photography-via-Archdaily-reszied.jpg\",\"filesize\":1378693,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/la-biennale-architettura-2018\\/nordiska-paviljongenvenedig12-2010\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"Nordiska Paviljongen\\nVenedig\\n12-2010\",\"name\":\"nordiska-paviljongenvenedig12-2010\",\"status\":\"inherit\",\"uploaded_to\":739,\"date\":\"2021-03-28 04:05:37\",\"modified\":\"2021-03-28 04:05:50\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2569,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied-210x300.jpg\",\"medium-width\":210,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied.jpg\",\"medium_large-width\":768,\"medium_large-height\":1096,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied-841x1200.jpg\",\"large-width\":841,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied.jpg\",\"1536x1536-width\":1076,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied.jpg\",\"2048x2048-width\":1435,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied.jpg\",\"full_width-width\":1800,\"full_width-height\":2569,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/08\\/Nordic-Pavillion-photography-via-Archdaily-reszied-1600x2284.jpg\",\"medium2-width\":1600,\"medium2-height\":2284}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

It was a thrill to visit the Venice Architecture Biennale<\\/a>; a longstanding must for any architecture aficionado. We were inspired not merely by the incredible showing for this its 16th year, but more so by the backdrop of iconic global pavilions that have played host to biennale for decades. It\\u2019s always exciting to see the work of Alvar Aalto up close (Finnish Pavilion<\\/a>, 1956), but we were also taken by the similarly restrained approach of Norwegian architect Sverre Fehn (Nordic Pavilion<\\/a>, 1962), pictured above. Other highlights included Carlo Scarpa\\u2019s famed courtyard, awash in a sea of green ivy (Italian Pavilion<\\/a>, 1951), and the newly restored Canada Pavilion<\\/a> by Italian architect Alberico Barbiano di Belgiojoso, heir to BBPR who designed the original structure in 1958. Venice is often criticised for its crush of tourists, however la biennale and the Giardini di Castello were a welcome reprieve, with not a gondolier in sight. 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On a recent visit to the UK we were thrilled to visit the acclaimed headquarters of Vits\\u0153, guardians of Dieter Rams\\u2019 606 Universal Shelving System, 620 Chair Programme and 621 Table.<\\/p>\\n\",\"hero_image\":{\"ID\":816,\"id\":816,\"title\":\"Vitsoe_high res resized\",\"filename\":\"Vitsoe_high-res-resized.jpg\",\"filesize\":1674558,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/vitsoe-royal-leamington-spa\\/vitsoe_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"vitsoe_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":737,\"date\":\"2021-03-28 04:02:34\",\"modified\":\"2021-03-28 04:02:34\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2703,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized-200x300.jpg\",\"medium-width\":200,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1153,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized-799x1200.jpg\",\"large-width\":799,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized.jpg\",\"1536x1536-width\":1023,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized.jpg\",\"2048x2048-width\":1364,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2703,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/07\\/Vitsoe_high-res-resized-1600x2403.jpg\",\"medium2-width\":1600,\"medium2-height\":2403}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

On a recent visit to the UK we were thrilled to visit the acclaimed headquarters of Vits\\u0153<\\/a>, guardians of Dieter Rams\\u2019 606 Universal Shelving System, 620 Chair Programme and 621 Table. As reported by Dezeen<\\/a> upon its opening, \\u201cThe firm developed the new building as an extension of its “system-thinking” approach, which focuses on products that are flexible, modular, and can combine to form larger systems.\\u201d As we toured the site with CEO Mark EK Adams and later shared lunch with the team from their in-house kitchen, it was apparent that the values espoused through the brand\\u2019s touch points were being lived wholeheartedly and authentically. 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With design being both a profession and a passion for the NHO team, we\\u2019re fortunate to be exposed to a vast amount of inspired work. As such, it\\u2019s rare to be stopped in our tracks, even when attending Milan Design Week. However, that\\u2019s exactly what happened when we were introduced to En Plein Air<\\/a>, an exhibition of works by Italian architect and designer Vincenzo De Cotiis<\\/a>. En Plein Air, which literally translates to outdoors, is a reference to the late 19th century movement in which artists left their studios to paint outdoors. Featuring 20 furniture-sculptures handmade by Italian artisans, the collection of seating, lighting, tables, cabinets and bookshelves uniquely combines semiprecious stones, Murano glass, recycled resin and cast brass. Utterly individual; and unlike anything we\\u2019ve seen before or since. It must be said, amid the crush of design week events, the by-appointment approach and a ban on all photography, was both bold and refreshing. 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If you\\u2019ve been following along on Instagram<\\/a>, keen eyes may have noticed that on a recent trip to Antwerp, director Neil Hugh Kenna caught up with Vincent Van Duysen<\\/a>, arguably one of the greatest contemporary architects. It\\u2019s curious to note that leaders in their field tend to be the most generous with their time. Perhaps once you\\u2019ve achieved a certain acclaim you realise the reward of giving back, or perhaps this openness is more generally a trait that carries one to great success. Either way, spending a little time with Mr Van Duysen reaffirmed the need for courage of conviction \\u2013 true self belief, clarity of vision, and a commitment to nothing but excellence. We look forward to our next visit to Antwerp, a city of surprises. Much thanks to Hotel Julien<\\/a> for a wonderfully relaxing stay. The perfect antidote to a rather manic week in Milan. 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This week we were intrigued to read about the opening of \\u2018Monet & Architecture\\u2019 at London\\u2019s National Gallery. Claude Monet (1840 \\u2013 1926) is well known for his impressionist landscapes, but this notoriety has often overshadowed his appreciation for the built form.<\\/p>\\n\",\"hero_image\":{\"ID\":812,\"id\":812,\"title\":\"Claude_Monet,_The_Gare_St-Lazare,_1877 resized\",\"filename\":\"Claude_Monet_The_Gare_St-Lazare_1877-resized.jpg\",\"filesize\":3257647,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/monet-architecture\\/claude_monet_the_gare_st-lazare_1877-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"claude_monet_the_gare_st-lazare_1877-resized\",\"status\":\"inherit\",\"uploaded_to\":731,\"date\":\"2021-03-28 03:31:10\",\"modified\":\"2021-03-28 03:31:10\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1294,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized-300x216.jpg\",\"medium-width\":300,\"medium-height\":216,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":552,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized-1200x863.jpg\",\"large-width\":1200,\"large-height\":863,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1104,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1294,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1294,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/04\\/Claude_Monet_The_Gare_St-Lazare_1877-resized-1600x1150.jpg\",\"medium2-width\":1600,\"medium2-height\":1150}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

This week we were intrigued to read about the opening of ‘Monet & Architecture\\u2019<\\/a> at London\\u2019s National Gallery<\\/a>. Claude Monet (1840 \\u2013 1926) is well known for his impressionist landscapes, but this notoriety has often overshadowed his appreciation for the built form. Drawing on a largely private collection, the exhibition comprises a lifetime\\u2019s work; from the artist’s early exploration of the bridges of Paris, to some of his final works depicting the renowned architecture of Venice and London. Monet has always struck a chord at NHO, and we often recall the experience of seeing Water Lillies at the incredible Chichu Art Museum<\\/a> in Naoshima, Japan. It was an incredibly moving gallery experience, unmistakably enhanced by the superb Tadao Ando designed building. Despite being primarily subterranean, Ando\\u2019s design lets in an abundance of natural light that changes the appearance of the artworks and the space itself. A truly memorable experience. But back to Monsieur Monet. \\u2018Monet & Architecture\\u2019 runs from 09 April to 29 July. 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Next month, following Milan Design Week, we\\u2019ve planned a quick detour to Belgium, namely Brussels and Antwerp. With a growing interest in Belgian architecture and design, we\\u2019re planning on absorbing past and present in equal measure.<\\/p>\\n\",\"hero_image\":{\"ID\":811,\"id\":811,\"title\":\"Belgium_high res resized\",\"filename\":\"Belgium_high-res-resized.jpg\",\"filesize\":2376670,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/belgium-calling\\/belgium_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"belgium_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":729,\"date\":\"2021-03-28 03:24:39\",\"modified\":\"2021-03-28 03:24:39\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2478,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized-218x300.jpg\",\"medium-width\":218,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1057,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized-872x1200.jpg\",\"large-width\":872,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized.jpg\",\"1536x1536-width\":1116,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized.jpg\",\"2048x2048-width\":1488,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2478,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/03\\/Belgium_high-res-resized-1600x2203.jpg\",\"medium2-width\":1600,\"medium2-height\":2203}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Next month, following Milan Design Week, we\\u2019ve planned a quick detour to Belgium, namely Brussels and Antwerp. With a growing interest in Belgian architecture and design, we\\u2019re planning on absorbing past and present in equal measure. There\\u2019s no doubt the design world has turned its attention to this European design destination thanks to the likes of Axel Vervoordt<\\/a>, Vincent Van Duysen<\\/a> and Nicolas Schuybroek<\\/a>, however we\\u2019re also intrigued by the legacy of greats such as architect Victor Horta (1861 – 1947). You\\u2019ll find us at the Horta Museum<\\/a> (pictured) located in Horta’s private house and studio. Built between 1898 and 1901 in Brussels, the two buildings are typical of Art Nouveau at its height. This decorative style is out of sync with our more modernist leanings at NHO, however the sheer scale and detailing is undeniably absorbing. 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At NHO, we are undoubtedly brand loyalists. When we love a brand, we really love a brand. One such example is Vits\\u0153, the British manufacturer of furniture designed by the great Dieter Rams.<\\/p>\\n\",\"hero_image\":{\"ID\":810,\"id\":810,\"title\":\"Dieter Rams_high res (photography by Dezeen) resized\",\"filename\":\"Dieter-Rams_high-res-photography-by-Dezeen-resized.jpg\",\"filesize\":461469,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/against-obsolescence\\/dieter-rams_high-res-photography-by-dezeen-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"dieter-rams_high-res-photography-by-dezeen-resized\",\"status\":\"inherit\",\"uploaded_to\":727,\"date\":\"2021-03-28 03:21:24\",\"modified\":\"2021-03-28 03:21:24\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1147,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized-300x191.jpg\",\"medium-width\":300,\"medium-height\":191,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":489,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized-1200x765.jpg\",\"large-width\":1200,\"large-height\":765,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":979,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1147,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1147,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2018\\/01\\/Dieter-Rams_high-res-photography-by-Dezeen-resized-1600x1020.jpg\",\"medium2-width\":1600,\"medium2-height\":1020}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

At NHO, we are undoubtedly brand loyalists. When we love a brand, we really love a brand. One such example is Vits\\u0153<\\/a>, the British manufacturer of furniture designed by the great Dieter Rams. Iconic furniture aside, what we love about Vits\\u0153 is its brand values and how they are communicated across all levels of the business. Centred around Rams’ \\u201cgood design\\u201d ideology, the business promotes a living better with less philosophy that is counter-intuitive in the consumerism age. It takes a certain confidence to actively discourage rampant consumption, but that\\u2019s exactly what the business does. The ethos is explored in depth via the brand\\u2019s website <\\/a>and a recent essay on “an emotionally sustainable purchase”<\\/a>. This visionary approach, coupled with Rams’ superb designs and a one-to-one sales approach that is unmatched in the industry makes it a brand for the ages. 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Maverick Eileen Gray
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Despite Ireland\\u2019s rich creative history in music, literature and craft, the concept of “Irish design” is yet to gain a foothold internationally. With no shortage of talent, traditional Irish craft and artisanal skills are enjoying a wave of renewed appreciation, however one truly revolutionary designer is often overlooked.<\\/p>\\n\",\"hero_image\":{\"ID\":809,\"id\":809,\"title\":\"Eileen Gray_high res (photography by matisse) resized\",\"filename\":\"Eileen-Gray_high-res-photography-by-matisse-resized.jpg\",\"filesize\":779212,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/irish-design-maverick-eileen-gray\\/eileen-gray_high-res-photography-by-matisse-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"eileen-gray_high-res-photography-by-matisse-resized\",\"status\":\"inherit\",\"uploaded_to\":724,\"date\":\"2021-03-28 03:18:04\",\"modified\":\"2021-03-28 03:18:04\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1341,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized-300x224.jpg\",\"medium-width\":300,\"medium-height\":224,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":572,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized-1200x894.jpg\",\"large-width\":1200,\"large-height\":894,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1144,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1341,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1341,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Eileen-Gray_high-res-photography-by-matisse-resized-1600x1192.jpg\",\"medium2-width\":1600,\"medium2-height\":1192}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Despite Ireland\\u2019s rich creative history in music, literature and craft, the concept of “Irish design” is yet to gain a foothold internationally. With no shortage of talent, traditional Irish craft and artisanal skills are enjoying a wave of renewed appreciation, however one truly revolutionary designer is often overlooked. The late Eileen Gray’s notoriety unjustly pales in comparison to many of her male contemporaries, however her legacy tells the story of a maverick in her own right. Revered for both her architecture and furniture design, Gray\\u2019s body of work is slowly coming to the forefront of midcentury modern appreciation. Today she is honoured with a permanent exhibition at the National Museum of Ireland, and E-1027, her famed home on the south coast of France, is currently being restored by the state of France and the city of Roquebrune Cap Martin. With rare vintage pieces in high demand, thankfully a handful of Gray\\u2019s furniture designs are still in production. 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Mus\\u00e9e Yves Saint Laurent has recently opened in Marrakech. A stunning example of the design world\\u2019s recently rekindled love affair with brick, the 4,000 square metre space is dedicated to the late fashion designer\\u2019s life and work.<\\/p>\\n\",\"hero_image\":{\"ID\":808,\"id\":808,\"title\":\"Musee_high res resized\",\"filename\":\"Musee_high-res-resized.jpg\",\"filesize\":1609171,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/musee-yves-saint-laurent\\/musee_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"musee_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":722,\"date\":\"2021-03-28 03:11:28\",\"modified\":\"2021-03-28 03:11:28\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1214,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized-300x202.jpg\",\"medium-width\":300,\"medium-height\":202,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":518,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized-1200x809.jpg\",\"large-width\":1200,\"large-height\":809,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1036,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1214,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1214,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/11\\/Musee_high-res-resized-1600x1079.jpg\",\"medium2-width\":1600,\"medium2-height\":1079}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Mus\\u00e9e Yves Saint Lauren<\\/a> has recently opened in Marrakech. A stunning example of the design world\\u2019s recently rekindled love affair with brick, the 4,000 square metre space is dedicated to the late fashion designer\\u2019s life and work. This incredible homage was designed by French architectural duo Olivier Marty and Karl Fournier of studio kO<\\/a>. While studying the couturier\\u2019s archives, Marty and Fournier were intrigued by his approach to fabric – both curved and straight lines, and loose and precise cutting. This directly inspired the fa\\u00e7ade where an intersection of cubes acts as a lace\\u2013like covering to stunning effect. With both permanent and temporary exhibitions, an auditorium, bookstore and caf\\u00e9, Mus\\u00e9e YSL and Marrakech are firmly on our travel wish list. 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Josef Frank (1885 – 1967) is best known as a designer for iconic Swedish interior design company Svensk Tenn \\u2013 famed for his dynamic, colourful prints \\u2013 however dig a little deeper and you’ll discover that Frank was actually an Austrian architect by trade, and he didn\\u2019t arrive in Sweden until the age of 48.<\\/p>\\n\",\"hero_image\":{\"ID\":806,\"id\":806,\"title\":\"Josef_high res resized\",\"filename\":\"Josef_high-res-resized.jpg\",\"filesize\":748429,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/accidentism-by-design\\/josef_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"josef_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":720,\"date\":\"2021-03-28 03:09:19\",\"modified\":\"2021-03-28 03:09:19\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2362,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized-229x300.jpg\",\"medium-width\":229,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1008,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized-914x1200.jpg\",\"large-width\":914,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized.jpg\",\"1536x1536-width\":1171,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized.jpg\",\"2048x2048-width\":1561,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2362,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Josef_high-res-resized-1600x2100.jpg\",\"medium2-width\":1600,\"medium2-height\":2100}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Josef Frank (1885 – 1967) is best known as a designer for iconic Swedish interior design company Svensk Tenn <\\/a>\\u2013 famed for his dynamic, colourful prints \\u2013 however dig a little deeper and you’ll discover that Frank was actually an Austrian architect by trade, and he didn\\u2019t arrive in Sweden until the age of 48. An astonishing fact considering he contributed over 2,000 furniture sketches and 160 textile prints to the Svenskt Tenn archives. On a recent visit to Stockholm we were thrilled to learn more about this enigmatic figure in the exhibition \\u201cAgainst Design\\u201d, staged at the superb museum<\\/a> in Skeppsholmen. Villa Beer in Vienna (pictured) is heralded as one of Frank’s landmark architectural projects. Built between 1929 and 1931, the magnificent modernist home is characterised by what could be described as an early interpretation of \\u201copen plan living\\u201d whereby each space is distinct, and yet integrated by a flowing central staircase across three levels. Frank famously remarked, \\u201cA well-laid house is comparable to one of those beautiful old cities which even a stranger immediately knows his way around.\\u201d This notion is further expressed in his philosophy of \\u201caccidentism\\u201d, essentially that every room in a home should feel as if it \\u201coriginated by chance\\u201d. It\\u2019s a beautiful vision and a skill that many designers will spend their lives trying to master. 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It’s refreshing to see the design world move beyond its recent fixation with metals and into the world of glass, currently being expressed in vivid colour.<\\/p>\\n\",\"hero_image\":{\"ID\":805,\"id\":805,\"title\":\"Misto_high res resized\",\"filename\":\"Misto_high-res-resized.jpg\",\"filesize\":1189421,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/confidence-in-glass-ichendorf-milano\\/misto_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"misto_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":718,\"date\":\"2021-03-28 03:05:52\",\"modified\":\"2021-03-28 03:05:52\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2617,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized-206x300.jpg\",\"medium-width\":206,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1117,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized-825x1200.jpg\",\"large-width\":825,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized.jpg\",\"1536x1536-width\":1056,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized.jpg\",\"2048x2048-width\":1409,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2617,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Misto_high-res-resized-1600x2326.jpg\",\"medium2-width\":1600,\"medium2-height\":2326}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

It’s refreshing to see the design world move beyond its recent fixation with metals and into the world of glass, currently being expressed in vivid colour. Glass, of course, has been around for millennia, but one contemporary example of note is the work of German\\/Italian manufacturer Ichendorf Milano.<\\/a> Having discovered their work last year via Irish design emporium Makers&Brothers<\\/a>, we\\u2019re not surprised to see the range now appearing in all the right places. Established in the early 1900s, this heritage business is no doubt currently riding the wave of renewed interest in glass, however Ichendorf Milano has evolved with trends and technology throughout its history. The Regulus collection circa 1959 is particularly noteworthy. As the brand recalls of that era, “Only a few pioneers [dared] to imagine a world made of shapes rather than decorations. Minimal art was not born yet, but at Ichendorf, some enlightened minds, saw beauty in perfect proportions.\\u201d Such confidence is rare, however it\\u2019s this leading approach that has contributed to the brand\\u2019s longevity, on trend or not. 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While director Neil Hugh Kenna was in Europe over summer, he made a detour to Saint Raph\\u00e4el on the French Riviera and H\\u00f4tel Les Roches Rouges. Attracted by its 1950s modernist origins and a recent reimagining by Parisian architecture firm Festen, he was not disappointed.<\\/p>\\n\",\"hero_image\":{\"ID\":800,\"id\":800,\"title\":\"Guy Bareff_high res resized\",\"filename\":\"Guy-Bareff_high-res-resized.jpg\",\"filesize\":1552085,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/discovering-guy-bareff-in-saint-raphael\\/guy-bareff_high-res-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"guy-bareff_high-res-resized\",\"status\":\"inherit\",\"uploaded_to\":716,\"date\":\"2021-03-28 02:40:04\",\"modified\":\"2021-03-28 02:40:04\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":2727,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized-198x300.jpg\",\"medium-width\":198,\"medium-height\":300,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":1164,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized-792x1200.jpg\",\"large-width\":792,\"large-height\":1200,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized.jpg\",\"1536x1536-width\":1014,\"1536x1536-height\":1536,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized.jpg\",\"2048x2048-width\":1352,\"2048x2048-height\":2048,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":2727,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/Guy-Bareff_high-res-resized-1600x2424.jpg\",\"medium2-width\":1600,\"medium2-height\":2424}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

While director Neil Hugh Kenna was in Europe over summer, he made a detour to Saint Raph\\u00e4el on the French Riviera and H\\u00f4tel Les Roches Rouges<\\/a>. Attracted by its 1950s modernist origins and a recent reimagining by Parisian architecture firm Festen<\\/a>, he was not disappointed. Perched at the edge of the Mediterranean, endless blue from both sea and sky melts into polished concrete, aged oak and terracotta, hallmarks of the south of France and the modernist movement. With so many refined details, much custom-made for the project, Neil was particularly taken by the ceramic light fixtures (pictured) and \\u201cilluminated objects” by Guy Bareff. Founding his practice in the 1970s as ceramics enjoyed a renaissance, Bareff was influenced by the school of Vallauris where Picasso lived and worked. Bareff’s work is characterised by the absence of glazing, allowing the full effect of the piece to be expressed through a single material in stunning simplicity. 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Dieter Rams famously said, \\u201cGood design is as little as possible”. It’s an ethos that we’ve grappled with in recent months with our friends at Studio Hi Ho. <\\/p>\\n\",\"hero_image\":{\"ID\":841,\"id\":841,\"title\":\"NH Web 62 V4 resized\",\"filename\":\"NH-Web-62-V4-resized.jpg\",\"filesize\":1004990,\"url\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized.jpg\",\"link\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/resources\\/good-design-is-as-little-as-possible\\/nh-web-62-v4-resized\\/\",\"alt\":\"\",\"author\":\"4\",\"description\":\"\",\"caption\":\"\",\"name\":\"nh-web-62-v4-resized\",\"status\":\"inherit\",\"uploaded_to\":713,\"date\":\"2021-03-29 09:52:01\",\"modified\":\"2021-03-29 09:52:01\",\"menu_order\":0,\"mime_type\":\"image\\/jpeg\",\"type\":\"image\",\"subtype\":\"jpeg\",\"icon\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-includes\\/images\\/media\\/default.png\",\"width\":1800,\"height\":1201,\"sizes\":{\"thumbnail\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized-150x150.jpg\",\"thumbnail-width\":150,\"thumbnail-height\":150,\"medium\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized-300x200.jpg\",\"medium-width\":300,\"medium-height\":200,\"medium_large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized.jpg\",\"medium_large-width\":768,\"medium_large-height\":512,\"large\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized-1200x801.jpg\",\"large-width\":1200,\"large-height\":801,\"1536x1536\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized.jpg\",\"1536x1536-width\":1536,\"1536x1536-height\":1025,\"2048x2048\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized.jpg\",\"2048x2048-width\":1800,\"2048x2048-height\":1201,\"full_width\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized.jpg\",\"full_width-width\":1800,\"full_width-height\":1201,\"medium2\":\"https:\\/\\/neilhughoffice.wpenginepowered.com\\/wp-content\\/uploads\\/2017\\/09\\/NH-Web-62-V4-resized-1600x1068.jpg\",\"medium2-width\":1600,\"medium2-height\":1068}},\"bg_colour\":\"#9ec7be\",\"blocks\":[{\"acf_fc_layout\":\"large_text\",\"short_text\":\"

Dieter Rams famously said, \\u201cGood design is as little as possible”. It’s an ethos that we’ve grappled with in recent months with our friends at Studio Hi Ho<\\/a>. Appearing effortless it turns out is anything but, however we hope you agree that our new visual brand expression captures the values and personality we impart in our work and in our relationships. We are genuine about being genuine and passionate about being passionate, but ultimately we just want to achieve great things, so let\\u2019s get to work. Oh, but before then, let us quietly return to the purpose of Perspective – an addendum to the things we love that we\\u2019ve defined as \\u201cour worldview; a bureau for the worlds of design, art, culture and travel\\u201d. Be sure to return soon for anecdotes, musings and agenda notes that will be filed in the coming weeks, months and years. 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